Street Photography Introduction

What is candid photography?:

Candid photography is the process of capturing an image without posing the subject beforehand. it usually captures a subject in their natural environment, behaving as they normally would with little to no engagement with the camera.

Candid photography helps to convey to the viewer what it is like to be in that environment, and gives a realistic perspective of what it would be like to be in that place at that time. It is the most natural form of photography available, as it requires very little preparation, and simply makes use of the situation already occurring.

The following images are professional examples of candid photography:

By: Maxphotographic.com
By: https://www.iamlivingit.com/photography/candid-photography
By: Rob Cartwright
By: https://www.glassdoor.co.uk/Photos/Studio-31-Office-Photos-IMG1973125.htm

Street Photography:

“Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand

“If you can smell the street by looking at the photo, its a street photo.” – Bruce Gilden

“The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street.” – Robert Doisneau

“I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

“I photograph to find out what something will look like photographed.” -Garry Winogrand

Street photography involves capturing images of individuals who are not aware that the photograph is being taken, in public settings. As apposed to the more vague definition of candid photography, street photography often occurs in specifically urban settings, with more noise and action occurring in a single image, and with less specific subjects (the subjects arrive by chance/ the photographer doesn’t control who they are). Street photography is used by many artists to encapsulate the genuine emotions of everyday people, using a snap shot to give a detailed visual description of a moment in an average day, that many viewers would relate to .

The following are examples of street photographs taken by professional photographers:

 

What is an environmental portrait?

What is an environmental portrait?

It has the same idea as a standard portrait, but this time the photograph is normally taken where your subject spends most of their time. Often, its somewhere relevant to that particular persons passions and interests in their life. For example if you were to photograph an artist you would capture them whilst in their working environment, i.e. their studio and take picture of them working. In addition there are hundred and hundred of different types of environmental portrait all capture different feelings and different ideas. Although for this to classify as a environmental portrait its essential that the subject is making clear eye contact with the camera whist doing the action of their work. This is a key point for the photograph to count as an environmental portrait. A good portrait should bring out the subjects personality in a stylized way, it should be an exaggeration.

For example:

Giovanni Pietrobon, Sculptor

Other examples:

Image result for famous environmental portraits

Image result for famous environmental portraits

Image result for famous environmental portraits

Environmental portrait mood board:

Ideas for environmental portraits:

  • Who- will this effect the feeling of my images
  • where- location, whether, time of day
  • occupation- what job do they do, whats their specific environment
  • Is it important to them?
  • Why might it be importation to them?
  • does it represent them and their character?
  • Is this effected by the opinion they have of themselves and what other people opinions?

 

Editing my images

Here I will be editing the best outcomes from my previous photo shoot. Although these were my best images, I think that some are slightly over and under exposed so I plan to attempt to fix this by editing them on Photoshop.

Original image


Final outcome
To edit this photo I adjusted the curves so that it was slightly more saturated, as I thought this would make the overexposed white part at the bottom a little less noticeable, as the background colours would stand out a lot more. Doing that also brought down the brightness slightly, meaning that it also contributed to making sure the whiteness was less prominent. Lastly I also turned the hue and saturation right down so I was able to make the image black and white. I decided to make the image black and white instead of highly saturated for 2 reasons. Firstly, because I thought that if the image was in black and white, the overexposed part wouldn’t be as visible, and secondly, because I wanted to add an element into my image that shows I was slightly inspired by Sander as all his images were in black and white. I think this was a really good idea as it meant that I added a vintage touch into my modern day inspired environmental photography.

Original image

Final outcome

When looking at this photo, although it was far too underexposed I thought that it was an image with potential because of how the model was making intense eye contact with the camera. To edit it, I turned the brightness all the way up, so that the image wasn’t so dark. To make it fit in with my other image, and did the same technique that I mentioned previously and turned the hue and saturation all the way down to make the photo black and white.. I think that the intense stare that the model is giving, combined with a black and white filter makes the image far more successful as it makes it more dramatic and mysterious.

Street photography moodboard

I have chosen to go in the direction of either strong shapes (e.g. buildings) or showing people’s lives either in commute or their workplace.

However, I haven’t yet decided if I’m going to follow the common theme of making the photos black & white as I think leaving the colour in the photo will help it be both more eye catching, as well as helping portray certain aspects such as colours wearing out (which you can’t see in black & white).

Street Photography

Image result for street photographyImage result for street photographyImage result for street photographyImage result for street photography

“Be yourself. I much prefer seeing something, even it is clumsy, that doesn’t look like somebody else’s work.” – William Klein

 “There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.”- Henri Cartier-Bresson

“I love the people I photograph. I mean, they’re my friends. I’ve never met most of them or I don’t know them at all, yet through my images I live with them.” – Bruce Gilden

Threshold Concept #7

Photographs are not fixed by meaning, context is everything.
The meanings of photographs are never fixed, are not contained solely within the photographs themselves and rely on a combination of the viewer’s sensitivity, knowledge and understanding, and the specific context in which the image is seen.

What is Street Photography

Street Photography: 

Street photography, also sometimes called candid photography, is photography conducted for art or enquiry that features unmediated chance encounters and random incidents within public places. Although there is a difference between street and candid photography, it is usually subtle with most street photography being candid in nature and some candid photography being classifiable as street photography. Street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be of an object or environment where the image projects a decidedly human character in facsimile or aesthetic.

The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world “picturesque”.
Susan Sontag, 1977
The street photographer can be seen as an extension of the flâneur, an observer of the streets (who was often a writer or artist).Street photography can focus on people and their behavior in public, thereby also recording people’s history

 

Qoutes about Street Photography:

  • “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that is is just a trick.”
    -Christopher Anderson
  • There are no bad pictures; that’s just how your face looks sometimes. – Abraham Lincoln
  • Photography is the only language that can be understood anywhere in the world. – Bruno Barbey
  • “Photographers mistake the emotion they feel while taking the photo as a judgment that the photograph is good” –Garry Winogrand.

Threshold concept #7:

The meanings of photographs are never fixed, are not contained solely within the photographs themselves and rely on a combination of the viewer’s sensitivity, knowledge and understanding, and the specific context in which the image is seen.

Street Photography – Post 2 (Henri Cartier-Bresson and MAGNUM)

“The Decisive Moment” – Henri Cartier-Bresson:

Henri Cartier-Bresson was born on August 22, 1908 in Chanteloup, France. A pioneer in photojournalism, Cartier-Bresson wandered around the world with his camera, becoming totally immersed in his current environment. Considered one of the major artists of the 20th century, he covered many of the world biggest events from the Spanish Civil War to the French uprisings in 1968.

In his early years, Cartier-Bresson was widely considered one of the leading artistic forces of the 20th century, Henri Cartier-Bresson was born on August 22, 1908 in Chanteloup, France. The oldest of five children, his family was wealthy—his father made a fortune as a textile manufacturer—but Cartier-Bresson later joked that due to his parents’ frugal ways, it often seemed as though his family was poor.

Images from Henri Cartier-Bresson’s “The Decisive Moment”:

Chosen Image:

Technical:

  • High contrast
  • Reflection
  • Natural lighting
  • Distance (relatively close)
  • Depth of field
  • Underexposure (possibly intended)
  • Film speed (grainy finish)

Visual:

  • Ripples in water
  • Black and white / high contrast image
  • Small man running
  • Reflection of man and building in the background on still water
  • Pattern in the fence
  • Depth of field showing people in the background (possibly workers)

Henri Cartier-Bresson’s contribution to MAGNUM Photo Agency:

Created in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger, and David Seymour, Magnum Photos today has around 80 members. Martine Franck became a member in 1983.

Magnum Photos is a cooperative wholly owned by its photographer-members. The independence this allows is reflected in the spirit with which subjects are chosen and treated. Magnum photographs are famous for their journalistic and aesthetic qualities. Through its four editorial offices in Paris, New York, London, and Tokyo and a network of fifteen sub-agents, Magnum Photos provides photographs to the press worldwide. At the heart of this activity is a concern to encourage the photographers to carry out their individual projects and to act as sensitive witnesses to world events. The work of Magnum photographers reaches its audience both through the world press and in books and exhibitions.

(The agency is the copyright holder of both Henri Cartier-Bresson and Martine Franck.)

What is street photography?

Moodboard

What is street photography?

Street photography, also sometimes called candid photography, is photography conducted for art or enquiry that features unmediated chance encounters and random incidents within public places. Although there is a difference between street and candid photography, it is usually subtle with most street photography being candid in nature and some candid photography being classifiable as street photography. Street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be of an object or environment where the image projects a decidedly human character in facsimile or aesthetic.

 

Image result for street photography

Image result for street photography

 

The marvels of daily life are exciting ; no movie director can arrange the unexpected that you find in the street – Robert Doinsneau

“Don’t wait. The time will never be just right.” – Napoleon Hill

I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a documentation of that performance. – Alec Soth

Image result for street photography mind maps
Street photography mindmap Moss Photography – Adobe Portfolio

Street Photography

Street photography, also sometimes called candid photography, is photography conducted for art or inquiry that features unmediated chance encounters and random incidents within public places.

 “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt

“It is more important to click with people than to click the shutter.”- Alfred Eisenstaedt

“I love the people I photograph. I mean, they’re my friends. I’ve never met most of them or I don’t know them at all, yet through my images I live with them.” – Bruce Gilden

Threshold Concept 7:

Chance plays an important role in photography , to some extent all photographs are the result of chance processes.  a good photographer must have the ability to embrace chance processes in the creation of photographs, welcoming ambiguity, playfulness, serendipity,risk and not knowing in order to discover something new, recognizing discoveries when they materialise.