Final Evaluation

Overall in this project I have been able to experiment and explore the different ways that I can create abstract photography as well as learning the different types of camera skills I can use to generate those photographs.  I feel I have been able to develop my photographs across the whole project well and have kept the fluidity of the project as I produced more photo shoots and experiments over the course.  Into the next project I will try to get more photographs during my photo shoots as I feel this was something I had struggled with in this project and something that I can develop and would be helpful into the next coming, this will mean I have more options and more to experiment with, which will help me as I move through the next projects.  I feel that I have tried to show my development of my skills and the development of my photographs and the project as they have develop.  Something I feel I could do better would be to have more fluidity in the photographs I am taking and how I develop them.  I feel at some points in the project I could’ve taken some more risks with the photographs I was taking and being a bit more experimental would’ve helped and this is something I will try to do into the next project.

Final Displays

Overall I am happy with the way my final photographs turned out and how I was able to display them.  For my A3 and A5 image I feel they worked well as I contrasted them together as the different sizes but also the different takes on abstract.  In the future I may try to explore more creative ways to display my photographs, I started to try and experiment with this with the tracing paper over my A4 display however I feel I could have found more ways to try and display my photographs in more creative ways and one way I will be able to improve this is to have more photographs taken during my shoots so that I can give myself a wider variety.  I am happy with the way the editing of my A3 photograph turned out and this is something I will take forward and try to experiment with more.

Final Display A4
A4 Display
Final Display A3 and A5
A5 and A3 Display

Final Abstract Project

Mood Board

For my final piece of work on the abstract unit, I wanted to explore urban abstract environments and image manipulation techniques such as hue altering and double exposure effects.

Image result for abstract colour photography street

Image result for abstract colour photography street

Image result for abstract photography city

Image result for Coloured wall photography

Image Selection

Below Is a contact sheet with all of my original image choices on. From here you can note the images I have chosen to develop into my final piece, as well as the ones that didnt make the cut. All are already edited as this contact sheet helped me decide upon my final outcome.

Here are my Final images as selected by process of elimination via the above contact sheet.

In this picture, I simply altered the hue of the environment and isolated the person and duplictated them and altered the opacity of each layer gradually to give off a “ghost” effect.

With this image, I simply duplicated the layer and altered the layer opacity and changed the hue to a colour that would match the shoes, Giving this image a  sort of 3D glasses effect.

This Image was just a basic hue filter applied to make all of the rust on the metal work of the building pink. it is a different perspective of a scene people often Ignore on a daily basis.

This image is a skyline scene featuring a crane and the top of a town house. I have lowered the vibrance and exposure to give the image a dark, yet minimalistic feel to it. the hue was also altered to give off an even darker effect.

This photo is of a drainpipe on the outside wall of a warehouse. I have decided to include white elements in order to create a minimalist effect. This is the only photo that I haven’t edited or altered using digital tools, This image came about as a result of low exposure on my camera.

Clare Rae gallery visit

Clare Rae

Clare Rae is an Australian photographer who has recently done a Photo shoot in Jersey based on the work of Claude Cahun, A local photographer who lived on the island during the 1940s and 1950s. The photo shoot explored both Rae and Cahuns love of nature and their position within it in terms of  the association of the female body with the natural environment

The shoot itself was taken in rural spots around the Island, with many easily identifiable coastal scenes throughout the piece of work. Gorse bushes and lichen strung rocks play an important part in the shoot. The images are essentially of a self portraiture nature as they highlight the individuals association with their environment and tell a story

Here are a few pictures of the visit

A large amount of images, all themed on coastal fauna and the artists association with them. The images were taken at various locations around the island such as Le Hocq, Grosnez castle and Beauport headland.

This image is a particular favourite of mine due to the abstract nature of the image. The image depicts rae, Placing one arm through a hole in a piece of old ruin and hiding behind it

In this image, Cahun is seen with a Nazi eagle badge in her mouth. This can be seen as representative of the local environment at the time of the shoot due to the Nazi occupation of Jersey, Which lasted from late 1939 until may 1945.

Each Picture tells a different story, yet all explore the unique association both artists have with their natural environment

 

 

Final images

In this project I have been able to explore into the concept of abstract photography. I have looked at a variety of artists, who use multiple editing and camera skills, allowing me to gain a greater depth into the theme of abstract photography. I have captured a range of subjects, from paper to twigs, allowing to experiment with the formal elements which play an active role in abstract photography. I have acquired many camera skills, from controlling the shutter speed, ISO, White Balance and Depth of Field. I feel that I have successfully demonstrated these skills through my photo shoots, which have been inspired by artists that I previously researched.

Here is a final plan for the layout of my final images:

Analysis

Overall, I chose the images as my final images due to them, in my opinion, reflecting my camera skills and perspective within ‘Abstract Photography’. I also chose them due to their abstract view points on colour: man made vibrant colours next to natural and neutral colours. Throughout my project I focused on photographing abandoned or decayed buildings or surfaces because I liked the idea of the fact that we’re living in a forever growing world with things being introduced to us everyday. Yet, there is so much decay and remains left for us to bare and manage. This overall project was to show how in our everyday lives, we ignore the decay us and proceed with our ‘new’ set in place futures.

1. Portrait Unit | Winter 2018-2019 | Starting points / half term task

>>Find resources here<<

M:\Departments\Photography\Students\Resources\Portraiture\TO DO

TASK 1

You must introduce the new topic : PORTRAITS

Ensure your blog posts are clearly CATEGORISED

Remember… your images must include a caption…this is especially important if they belong to someone else (copyright etc), and helps clarify which images are yours for assessment.

Try adding hyperlinks to use websites / blogs / video URLs or embed relevant YOUTUBE clips to help illustrate your key points

CREATING A VISUAL MOOD-BOARD 

  1. Choose a range of portraits / self portraits to develop a grid of images to show your understanding of what a portrait can be…
  2. You must include a range of approaches to portraits in your mood-board…
  3. Define what Contemporary Portrait Photography is…
  • formal (posed) and informal / candid / natural
  • head-shot / half body / three quarter length / full length body shot
  • high angle / low angle / canted angle
  • colour vs black and white
  • high key (light and airy) vs low key (high contrast / chiarascuro)
  • archival imagery (past / historic)
  • current / contemporary approaches
  • futuristic approaches

3. Develop a blog post that includes your imagery and label the images accordingly

TASK 2 CREATING A MIND-MAP

We will be studying the history, theories and concepts of portrait making…their purpose and role in our day to day lives too.

  1. Design a mind-map / brainstorm / spider-gram / flowchart of portrait based ideas
  2. Think about the ways in which we use portraits, and what they can say about us / reveal / conceal
  3. define what a portrait actually is
  4. Add your mind-map to a blog post

HALF TERM HOMEWORK TASK (1)

We will begin the unit by looking at ENVIRONMENTAL PORTRAITS, which depict people in their…

  • working environments
  • environments that they are associated with

“An environmental portrait is a portrait executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings. The term is most frequently used of a genre of photography”

Here are some examples…

Image result for famous environmental portraits
Arnold Newman

 

Image result for Mary Ellen Mark environmental portraits
Mary Ellen-Mark-Circus Perfomers

Look at these influential photographers for more ideas…

  • August Sander (1876 – 1964)
  • Paul Strand (1890 – 1976)
  • Arnold Newman (1918 – 2006)
  • Daniel Mordzinski (1960 – )
  • Annie Leibovitz (1949 – )
  • Mary Ellen Mark (1940 – 2015)
  • Jimmy Nelson (1967 – )
  • Sara Facio (1932 – )

Key things to consider with formal / environmental portraits…

Technical= Composition / exposure / lens / light

Visual= eye contact / engagement with the camera / neutral pose and facial expression / angle / viewpoint

Conceptual= what are you intending to present? eg :  social documentary? / class ? / authority ? / gender role ? / lifetsyle ?

Contextual=add info and detail regarding the back ground / story / detail / information about the character(s) / connection to the photographer eg family / insider / outsider

 

  1. Take 100-200 photographs showing your understanding of ENVIRONMENTAL PORTRAITS
  2. Remember…your subject (person) must be engaging with the camera!…you must communicate with them clearly and direct the kind of image that you want to produce!!!
  3. Then select your best 5-10 images and create a blog post that clearly shows your process of taking and making your final outcomes

Remember to show your Photo-Shoot Planning and clearly explain :

  • who you are photographing
  • what you are photographing
  • when you are conducting the shoot
  • where you are working/ location
  • why you are designing the shoot in this way
  • how you are going to produce the images (lighting / equipment etc)

THIS HOMEWORK IS DUE IN WED 7TH NOVEMBER

New Deadline : Monday 12th November 2018

Experiments with out of focus displays

After the final prints came through I began to experiment with ways to explore the out of focus photographs I had produced.  To do this I am layering tracing paper in different ways to create different effects with the final photographs when they are displayed.

Layering Tracing Paper

For a first experiment I tried layering up the tracing paper over my final photographs to produce and even more out of focus photograph for effect.  I experimented with layering one layer and then two layers of the tracing paper to see what different effects it can create while still being able to understand and see the photograph.

Technique 1
One Layer
Technique 2
Two Layers
Technique 2
Two Layers

Using Shapes

For this I began to experiment with ways in which I could place the tracing paper over my final photographs in different shapes to create different effects.  Similar to the ‘Conceal and Reveal’ experiments on Photoshop it is experimenting with hiding and editing certain parts of the photographs to give them certain effects.

Technique 1
Using Triangles
Technique 2
Using Squares

Cutting Away Shapes

This is the same as the ‘Conceal and Reveal’ experiments as it uses the idea of putting a layer over the photograph and then removing certain parts of the layer to reveal the photograph underneath.  I am doing the same hear using tracing paper and cutting shapes out as to reveal parts of the photograph.  Some parts are more out of focus than others due to the tracing paper creating another layer of opacity making the image more difficult to see underneath.

Technique 1
Cutting Away Shapes

Paper Photography

For this homework I took photos of pieces of paper that I had modified to make to make it look different and abstract.

Red = NO

Orange = MAYBE

Green = YES

My Favourite Images (Unedited):

I really like how these photos look so I decided to edit them in Photoshop. On every photo I pressed the keys Ctrl, Alt L to get the levels tool. Then I put a photo filter on, then I lowered the vibrancy and saturation a bit.

My Favourite Images (Edited):

I am really pleased with how this turned out and I really like the look of the paper in these photos. I might use this technique again but it wasn’t my favourite technique to do.