Double Exposure

Double exposure


The repeated exposure of a photographic plate or film to light, often producing ghost image.

Here are some examples of my first attempts with just some random images I had found on my phone.  For this image as I was at home and my laptop makes me pay for Photoshop I downloaded this app called PicShop. on this app all the settings were similar to those of photoshop so having tried it in the lesson and failed miserably I decided to  try working on double exposure again as I wish to use this editing technique for my portrait edits when we move to that project.

These images I thought worked well over layered because theres quite a high contrast of darkness from the background and then a light just peaking through immediately drawing all attention to it.

There are many artists that use or have used double exposure when developing their images as sometimes they use it to create a story or an idea behind it that some people might not understand.  over layering like this can also be called double exposure which some artist take an form an image with a double meaning.

I have decided to chose an artist and try out different examples of their work but with my images.

Here we have some examples of Luke Gram’s Abstract photography work.

these are just a few out of hundreds of images that Grams has taken. These are the ones that I thought suited abstract photography more as here we can tell he has mixed abstract photography with portrait to create doubling meanings of humans being connected to nature through elements of water, fire,sun and wind. These images stood out to me as I interpret these as images he has focused on creating a story when a person is looking at them closely.  He has not only bought in different patterns and texture he has managed to fade objects around the image but still being able to visualise the woman face. I think this is significant because without the portrait side of it the images may have began to look a bit disorientated as there would have been to much going on around those images.

Luke Gram Bio-He is not only a abstract photographer but he photographs people aswell. His images are taken according to him to capture the “serenity and power of life. He does this by placing humans in natural habits like i.e. the forest in the image above. His over lays are also natural places like the ocean, beaches and tree’s .He was about 18 years old when began taking photography seriously. He earned degrees in psychology and history from the University of British Columbia. He previously worked in the Canadian Oil Sands

I was inspired by Luke grams work but decided to only have two layers of the same image overlapping one another. However instead of me creating both images to be very visable I made them both quite dark and heavy on shading which then allows the small circles to show elements of the image from underneath.

I tried also at doing another attempt using the images I’ve chosen as my final prints.

For the image above I used the same app called PicShop which allowed me to use my final image of the rocks and one of my landscape works that I used for art and used one of the effects called Hue on number 59 to be able to get the colors as bright as I wanted.

Having worked on these images, I have gained a wider understanding on different ways and ideas on developing my images to make them stand out and not just sit with my basic black and white edits which I chose to do for my abstract final images. Additionally I think  that all these ideas and images have been successful at presenting the theme of abstraction. Each image I have created has different shapes which order out in a unique way, in which I have used to reveal certain aspects of the image. By doing this it has allowed the public to look at certain parts of the image which they may not have originally noticed because the image would have been on such a larger scale. It also allows the main focus point of each edit to be more visible and easier to identify.

Due to the edits being the way they are there’s a bit of negative space that I could have cropped out, however I like the negative space because it gives a sense of space and doesn’t make the image look all cramped together. I am very happy with the way these edits have come out as they clearly show development of my understanding of abstraction.

Unit 1 – Abstract Final Images

Unit 1 – Abstract Final Images

Approaching the end of the Abstract Unit, we are choosing our final images to sent off and printed professionally so that we can mount and display them ourselves. To choose my images I went through my most successful photos and selected the best. After this I edited them if they needed to be edited and also dividing/putting the images together. I also changed the image sizes and resolution so that my images would look the best they could. High Resolution JPEG files (4000 pixels on height).

1 x A3 print + 1 x A4 print + 1 x A5 print

A3

For my A3 print I wanted to do use an abstract photo of an orchid which I took as part of the aperture task. I edited the image in Photoshop to make it black and white and also zoomed in. I decided that just the image on its own was not enough so I divided it into 3  equal vertical sections.

This is my A3 Final Image.

A4

For the A4 image I wanted to use a photo from my summer task because I thought they were good. I used a zoomed in picture of a spill of coins with water droplets over them. I cropped the image and zoomed in a little bit more. I thought the image on its own was enough so I decided not to split it into sections or add more than one image.

This is my final A4 image.

A5

My A5 print is of a picture from the colour and texture homework. I wanted to include some colour in my final images so i used this one because the colours are very vibrant.  Also I think the contrast between the ripped cardboard and the smooth paint is interesting as they juxtapose each other.

This is my final A5 Image.

Final Images A4

Final Prints – Abstract Photography

Set (1) of 3 Images

These images were inspired by the works of Aaron siskind’s work although I have kept some elements and ideas from his work I have tried to adapt and create a set of 3 images to all resemble the similar sort of idea to Aarons street photography.  For example I liked the fact that Siskind used black and white to enhance features that may not have been captured through colour photography.  for editing these images the first one to me contrasts the most as its an image with a bit of empty space which to me was quite necessary as it captures the depth of the image. Whilst I photographed this image I stood on the edge by the rocks to capture an element of fall which by changing my setting to black and white is focused on how the shade on the rocks and the water fall seem quite far away yet was taken quite closely. The second image I also changed the settings as it was originally photographed in colour. I did this through adobe photoshop and simply using an app on my phone called VSCO to change tones and the exposure and shadow settings. Additionally I repeated this process for image 3 although after having looked at it for long enough the image itself looks busy as theres so many lines and patterns and quite rough surfaces lots of different elements of texture but for me the image fits in perfectly with the theme of Abstract photography.

I am using these images as my set of A4 images as I can see they all fit into the element of abstract and all have the same theme throughout each image with extreme elements of sharpness yet some elements of blurriness.  For my final presentation I will add these images to a big sheet of black paper and have them present as a line of three almost like a story but with images that are just exploring different ideas within the same theme through different editing and cropping.

Abstract Final Pieces

I have decided to use this as one of my final pieces on its own, and not separate the better images away from it. This will allow me to show a lot more generally nice images rather than picking one or two of these images and trying to edit them to make them a lot better.

I have decided to use this image because of the use of the overlapping images creating a darker and more saturated look within the main image, while still keeping the others visible.

White Balance

What is White Balance?

‘White balance (WB) is the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo. Proper camera white balance has to take into account the “color temperature” of a light source, which refers to the relative warmth or coolness of white light. Our eyes are very good at judging what is white under different light sources, but digital cameras often have great difficulty with auto white balance (AWB) — and can create unsightly blue, orange, or even green color casts. Understanding digital white balance can help you avoid these color casts, thereby improving your photos under a wider range of lighting conditions.’

Definition from:  https://www.cambridgeincolour.com/tutorials/white-balance.htm

Video Explaining White Balance:

 

Experimentation: 

When I took this photos, I changed the white balance on the camera settings. The first 7 photos are indoors and the following 7 are outside. The different types of white balance I used were: Auto, Tungsten, Florescent, Daylight, Cloudy, Flash and Custom. The change in white balance is clearer outside than it was inside, as the natural light outside was a lot stronger than the indoor artificial light.

 

 

Final images

 

 

A3 piece:

I chose this piece because it shows my editing, cropping and photography skills. Although it seems to have a lot going on, with multiple different shaped clouds, with the right presentation I can turn it into something abstract. I will most likely cut up the images into rectangles and to switch them around, or I will put a black boarder on top of it, only revealing the parts I want revealed. This work was inspired by Alfred Stieglitz and his cloud works, where he filtered them into black and white and made the contrast between light and dark apparent.

 

A4 piece:

I chose these two pictures because it shows my skills when using slow shutter speed on a camera, and I liked how it came out. It also reminds me of the photographer Ralph Eugene Meatyard and his blurry black and white figures works. I chose to present them together because they were taken of the same person, using the same settings on the camera, and they hold similarities but are also different. I also believe that the simpleness of these images give it a nice tone, and comply with the abstract unit.

A5 piece:

I chose this image because it shows my photography skills when it comes to using a long lens camera. You can see the details on the leaves, and the editing I did on it made it appear more vibrant and colourful. It also appears to be abstract, which goes well with the unit.

Aaron Siskind Analysis & Response

Aaron Siskind was an American photographer who was closely involved with the abstract expressionist movement.

Siskind’s early work contributed to a social documentary of Harlem, New York. This was known as the Harlem Document. Siskind also identified with the ideas and styles of the Abstract Expressionist artists in New York in the 1940s. In these later photographs he continued to emphasize the modernist concern with the flatness of the picture plane, but intensified his approach to picture making – with close-up framing, as well as emphasis on texture, line, and visual rhymes – creating abstract images of the real world.

An image from the Harlem Document.

 

Mood Board

Image result for aaron siskind

Image result for aaron siskind

Image result for aaron siskind

Images By Aaron Siskind.

Photo Shoot

Favourite Images

 

Editing

  

 

 

Analysis & Response to Albert Renger-Patzsch

Albert Renger-Patzsch was a German photographer associated with the New Objectivity.

Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service in the First World War he studied chemistry at Dresden Technical College. In the early 1920s he worked as a press photographer for the Chicago Tribune before becoming a freelancer and, in 1925, publishing a book, The choir stalls of Cappenberg. He had his first museum exhibition in 1927.

A second book followed in 1928, Die Welt ist schön (The World is Beautiful). This, his best-known book, is a collection of one hundred of his photographs in which natural forms, industrial subjects and mass-produced objects are presented with the clarity of scientific illustrations. The book’s title was chosen by his publisher; Renger-Patzsch’s preferred title for the collection was Die Dinge (“Things”).

In its sharply focused and matter-of-fact style his work exemplifies the esthetic of The New Objectivity that flourished in the arts in Germany during the Weimar Republic. Like Edward Weston in the United States, Renger-Patzsch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object.

In reponse to Renger-Patzsch, I have Taken photographs which experiment and focus on: focus, line, and the theme of object. For this I have used a school camera with a high zoom lens, and my own camera which has a regular lens.

What I most enjoy about Renger-Patzsch’s images is that they focus more on the line and aesthetic of the objects, and feature almost no other concepts. This allows the viewer to subjectively fabricate their own conclusion about the intentions behind the images.

3 Images By Albert Renger-Patzsch

Best Outcomes From Response