Trip To Entre Nous Exhibition

Claude Cahun and Clare Rae

  • Who is Claude Cahun:

Claude Cahun (1894-1954) : Claude Cahun was an avant-garde queer artist and writer associated with the Parisian surrealist movement in the 1920s, before she relocated with her female partner Marcel Moore to Jersey in the 1930s. Since her rediscovery in the 1980s, Cahun’s subversive self-portrait photographs and texts have become highly influential for artists dealing with questions of gender identity and representation of the female body. Claude was known for her self riveting photographic portraits that seem early ahead of her time, Claude has attracted  and almost cult-like following,

  •  .Who is Clare Rae:

Clare Rae is an artist based in Melbourne, Australia who explores ideas of performance and gesture to interrogate and subvert dominant modes of representation. Her work is informed by feminist theory, and presents an alternate and often awkward experience of subjectivity and the female body, usually the artists’ own. Recent projects have engaged with site specificity, involving works that are captured and displayed within the same environment. A central interest within her practice is the exploration of performance documentation, specifically how the camera can act as a collaborator, rather than mute witness, to the performer.

 

 

On the trip to Entre Nous we looked at a recent exhibition on Clare’s in which she tired to immitiate similar themes of moving into the spaces around her in the landscapes, which some, previously, were inhabited and imaged by Claude Cahun. The theme of black and white was maintained throughout as well as the images predominantly being captured on coastal lanscapes, usually featuring objects such as large rocks and cliffs.

In the picture above the higher middle picture shows the model lying down on a patch of sand. This can symbolise the model trying to blend in with the natural environment around them which in this case is the beach.

The middle picture in this image is another of Claude’s and shows a set of arms coming out of a pilar of rock. This follows Claude’s theme of blending into the natural environment as it is as if the photographer is trying to capture the model moulding their body and changing the way it is to fit in with the norm around it. Therefore some believe that Claude’s work has a deeper meaning that relates to Claude’s depicting herself in her environments in that day and age and how although she would try to blend into the natural surroundings, her sexuality preferences would stand her out from the crowd of ‘environment’ due to it being so uncommon at that time to be queer.

This is a photo of Clare Rae’s where she is trying to re-create the idea of the model moulding to and fitting in the the natural environment them. I think this replicates the first photo i described of Claude Cahun’s very well because this photo, like the first of Claude’s is located on a coastal location and more precisely, probably in a rock pool on a beach. Not only does this make it similar to Claude’s work, it also can be seen to be similar due to the model posing in an unusual way as if they are trying to become part of the surrounding environment. Which carries on the ideas and themes Claude created.

This is my favourite photo captured by Clare Rae due to its eerie and very weird nature that comes along with the carried on themes from Claude Cahun of moulding the body to fit in with the natural environment.  As well as capturing the model moulding to the rock, this picture also captures the essence of how Clare could have perceived Claude’s experience of fitting into the norm back in her era and how hard she believed it could have ben for Claude to do this being queer. This is captured by the actual position the model is in and how uncomfortable this would be known to be by the interpreter.

Overall the trip taught me about the deeper meanings to a photographers work and how it can be related to their lifestyle, time era and personal thoughts and ideas. It also shows how themes of photography have remained consistent over time for example the Black and White feature and how modern photographers still enjoy capturing ideas that older generations had that still contain a strong message.

 

CCA Gallery visit. Cahun Vs Rae

During our first visit to the CCA Gallery in St. Helier I saw how the australian photographer Clare Rae uses herself as the main focus of her photographs to represent gestures and performance in reaction to an older French-Jewish photographer Claude Cahun.

This photo of Rae shows her in an uncomfortable and unnatural position. I think that this was a hard photo to do as she is her own model so she had to set up her camera and set a timer or have a clicker, of her in this unusual position.

This photo shows her trying to manoeuvre  herself to try fit into her surroundings. I believe that this photo is almost representing how people change to adapt to their surroundings but to also fit  into society more.

This photo of Claude Cahun, just proves to us that she was exploring body image by shaving of her own hair to prove herself. I really like this photo not just because she has done this to herself, but because she has shown many textures within the photo, from the smoothness of her clothes and hair to the rough textures of the granite wall behind.

I also quite like this photo of Clare Rae in the ruins of an old German bunker. I like this because of the dullness of the sky above it really brings out the rest of the photo. I also like the use of depth in this as you can tell she is far away, although there is depth there is no specific focal point.

 

Overall I really enjoyed the trip to the CCA Gallery as I learned a lot about both of these fantastic photographers, I also got to compare their similarities and differences upclose.

Clare Rae and Claude Cahaun

Both images share this same concept of the subject standing behind the rock with only a hand or hands pointing out which may represent a loss of identity because everything about them that could be identified is being covered by this un-moving slab of rock.  Both images are black and white giving them a vintage look however Clare Rae’s has more contrast between the black and white. In both images the images the subject inst dead center which breaks the rule of thirds. This may have been intentional because it makes it seem like the subject has even lost their identity as the subject. Rae’s is more of a landscape whereas Cahaun’s is more of a portrait. In Rae’s, because it’s a landscape, she blends more into the background which may have been her intention to make herself appear like every other rock which shows she lack identity.There’s a lot more light in Cahaun’s work which you can see shining on her arm and the rock and there is more in the background. There is a lot more darkness and shadows in Rae’s work. The background in Cahaun’s work is more blurry that Rae’s which brings more attention to the subject, however in both the sun hits the rock the subject is behind.  The composition of each piece is different. In Rae’s she’s behind the rock with her hand touching he rock passively, however in Cahaun’s the camera looks up at the subject and their have are bent out like stick man’s in an emotional way like anger of shock. In a lot of their pieces you question if they are truly the photographers if they are in the image. In these ones that identity of the subject is hidden so it leaves the question if they are the subject again or the photographer. In Cahaun’s image you can see bracelets on the arm closest to us but not in Rae’s. Maybe Cahaun wanted to add a little bit of identity like gender to the subject behind the rock.

Contact Sheets

In class we were introduced to the concept of contact sheets. We complied all our images on a Photoshop document and then we could ether edit them by had or by using Photoshop. I decide to do them by hand because i like the look of the finished product the combination of pen and printed. Each different color of pen and design have a different meaning, for example the red circles over the images mean i want to use them in a final product and the ones with black dots are ones that can be discarded. This is very similar with the other contact sheet i made.