Category Archives: A03 Record (photographs)

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Photo-shoot 1: Editing

During the editing process for my final images, I made use of Photoshop in order to edit the saturation and colour of the images (which was the main point of focus). I did this in order to match the style of image with the original images, in order to create more points to compare the 2 images. This often requires raising the saturation and lowering the brightness, to give the effect that the new image was old.

In order to make the new image more similar to the original (and therefore provide more continuity) I edited the newer image so that the jumper of the subject was a similar colour to the jumper of the same subject in the original image. I did this by using the quick select tool to highlight the jumper, before using the saturation tool to change the colour from blue to green. This gave a point of similarity between the 2 images, and allows for the viewer to focus more on the differences in the subjects face, posture etc rather than the colors (which hold less meaning).

I also edited the colour of the tie in order to match the rest of the image. As the tie was a smaller area with a less simple shape, I used the lasso tool to do this, and the saturation option to change the saturation to a greener shade. This allowed for continuity to be carried throughout the subjects whole outfit.

The original image is the subject at an earlier stage in their life, and so to match the tones of the original image with the newer image, I lowered the brightness and heightened the contrast in order to change the overall tones of the image.

Above is the original image on the right, and the edited image on the left. The left image has been cropped, and the background expanded to create a square image, and the brightness and contrast have been edited so that they better match the newer image in terms of tone and lighting.

The final image is a side by side comparison of the 2 images, showing how the subject has developed through her life, without drawing attention away from the important aspects of the image (such as the facial structure changes, the hair growth, and other aspects that have changed that are not simply the clothing):

For the second image, I changed the saturation and contrast of the newer image to allow for the tones to match slightly more with the original image:

Image before editing

The original image I took involved the subject facing the wrong way, and so in Photoshop I simply flipped the image to resolve this, and have the subject facing in the same general direction as the original subject. In addition to this, I raised the saturation and contrast substantially to give the image a more orange overtone, which I feel both draws more attention to the image, and gives it a more vintage feel (showing similarity between the original and new image so that attention is not drawn just to the difference in shades and colors).

Image after editing

This image will be displayed with the archival image below, showing the contrast between the 2 images, and the difference in the subject, showing how she has changed over the years between the 2 images.

High and Low Tide

Like my previous photo shoot, I captured images throughout the day, however this time I decided to take pictures of the tide so the viewer can see the extreme change from low to high tide in Jersey. Jersey may be a small island, but it can boast some of the biggest tides in the world. When it recedes, the immense body of water seems to melt into the horizon, only to surge back onto shore with alarming speeds.

I planned this photo shoot by going on the website gov.je to know when there will be a high or low tide on Sunday the 24th of March. I found out that the tides will be high around 8:40 am and low at 3:20pm. This was a perfect day to take pictures of the tide changing since the difference from high to low would occur during daylight. I decided that I would take pictures every hour from 10am to 4pm. Taking pictures of the tide every hour meant that the viewer can see the gradual change from high to low tide.

I took pictures of the tide at Gorey beach since it’s only a 5 minute walk from my house. I made sure that the camera angle didn’t change drastically by having a fixed spot where I would take pictures from every hour. My spot was a bench on a hill overlooking the coast. Here I would be able to get some good shots of the tides.

Final Outcomes
10:52 am
11:20 am
11:56 am
1:05 pm
2:20 pm
3:50 pm

Journeys and Pathways – Shoot 3 (Inspired by The Boyle Family)

I liked the ideas presented by the Boyle family when exploring different elements of the ‘journeys and pathways’ subject. The images produced tell a story of the photographer going on a journey, instead of having a model or exploring the conceptual ideas of a journey. The roads and pavements show not only how people travel (either walking or driving on the road), but the literal journey of the photographer. There is a strange reality to the images that make them seem relatable, as they are simple subjects that you see everyday, but never take into account the detail or abstract nature of the lines and symbols painted on the road, or the cracks in the pavement that everyone walks over without a second thought. There is a history in each photo, whether its the leaves in the grate of a drain, or the fading yellow lines parallel to the pavement, each picture shows a neglected slab of ground that nobody else thought to pay any attention. 

Contact Sheet:

Final Images

Response to Stephen Calcutt

Stephen Calcutt

Image result for stephen calcutt photographer

“Reflecting the work of abstract artists and following in the footsteps of photographers such as Saul Leiter. Stephens unique form of street photography is a consequence of frequenting bus stops and shelters around the City of Birmingham. Graffiti can be great art, however for Stephen, the etched, scrawled and scratched graffiti into the Plexiglass windows of the bus stop feels like a violation. The graffiti etched and scrawled in the bus stop windows seem to be expressions of frustration or anger, hate and  love  written into the Plexiglass.

The  windows full potential as a clear barrier between yourself and the elements are compromised when the view beyond is obscured, distorted and blurred by the scratches. The the graffiti etched window becomes a  lens. Stephen merges the graffiti and the view beyond, focusing his camera on the etched lines. The view beyond is put out of focus. The graffiti and view are merged  into a single plane. A new perspective is created, that retains and emphasises the energy of the graffiti. Its swirls, zigzags, lines and curves, slash across the abstracted view like paint strokes. At first glance, the photos may be mistaken for abstract paintings. Then closer inspection reveals they are in fact photographs.

The subject matter that is out of focus is also fairly mundane. Often when waiting for a bus the view is not particularly exciting. The human activity he prefers  capture is not very dramatic. When combined with the mundane graffiti and the mundane view it adds to his  desire to create a new  image that ordinarily would be uninteresting or unnoticed. Even the title of each work is mundane, the descriptions of each photograph are  very droll.

The  way he uses the camera for this project is like painting with light. He breaks the rules for getting a traditional photograph. He puts the view that is usually the focal point out of focus. Stephen then focuses on what would normally be avoided. However, the resulting images are very dynamic and often vibrant. There is a metamorphosis, the mundane graffiti and the often-mundane view are merged into a fresh new image. There is an attraction to the paradox that his work invokes. Stephen makes unique beautiful images out of the vandalised bus stop windows.

Stephen loves the images he produces. However, he doesn’t condone the vandalising of the bus stop windows that provide the lens for his work. The Bus Stop series is a unique approach to photography. Bus Stop brings the current social issue of a specific form of vandalism to the fore. The art works are  a product of modern vandalism. Vandalism that has found the Plexiglass windows of bus shelters an ideal medium to express feelings. Although Stephens work has so far been derived from the city of Birmingham it is an issue familiar to the many people of all ages who travel by bus in urban and rural settings across the UK. His  photography challenges people to look at the issue vandalism. From the protagonists to the observers of their markings. It also challenges people to see the potential beauty in mundanity.” https://www.stephencalcutt.com/about-me-stephen-calcutt

Examples of his work:

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Stephen Calcutt
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Stephen Calcutt
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Stephen Calcutt
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Bus Stop 91 – Stephen Calcutt
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Stephen Calcutt
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Bus Stop 16 – Stephen Calcutt

My Response:

I will be taking photos around jersey at a few different bus stops so I can capture Stephen’s style. I will be using my canon camera to take these photos. I am linking this to Journeys and Pathways by showing the physical journey of taking a bus to get to your desired location. My step dad was the model for this photo shoot because I did this on a Sunday so there wasn’t a lot of people at the bus stops.

Contact Sheets:

Red – No

Orange – Maybe

Green – Yes

Final Images (Unedited):

I liked these final images but they were a little over exposed and needed editing.

Final Images (Edited):

I used Photo Shop to edit these images.

Overall, I am very happy with the outcomes of these edited photos. I think I capture Calcutt’s style really well, whilst still incorporating my style in the images.

Second photo shoot

In this photo shoot I learned from the mistakes I made in the first photo shoot and took sharper images at more intriguing angles. It was also raining during this photo shoot; which helped reflect lights off the paintwork of the cars and make them more shiny in general, as well as create extra details which make the photos look sharper.

Photoshoot 2 – Bunkers

Planning:

For my second photoshoot I want to capture Jersey’s bunkers in order to show another stage of Jersey’s journey through the second world war. The aim of the photoshoot was to showcase different camera techniques in order to showcase the use of the Jersey bunkers during the second world war. I am going to capture the bunkers down at Noirmont, as there are multiple bunkers to capture providing many photograph opportunities. Moreover, the background of the bunkers are almost empty down at Noirmont which makes my images more like the artists I studied, making stronger links. I intended to take landscape images to capture the whole bunker, but I also intended to capture portrait macro shots. I will be capturing the images at a straight on and worms eye angle to showcase Jersey’s bunkers. With regards to camera settings I will be using a quick shutter speed, low ISO (so I do not have an intended blur), the daylight white balance, and manual focus in order to create a short depth of field like my case studies used. Furthermore, I intended to explore the bunkers (so I am not just capturing a landscape image of the whole bunker) which provides my own exploration towards a subject matter. I am doing this to provide more images and different content to work with as well as being able to showcase different camera techniques.

Evaluation:

To evaluate this photoshoot I believe I have managed to produce some strong outcomes which show my ability to use different camera settings (shutter speed, ISO, white balance) to create different effects. Moreover, I have been able to show my recreation of my artist that I researched and further images showing my style of photography capturing the same subject. I think that my images present the theme of Jersey through the second world war as it showcases Jersey’s defence mechanisms and how they have been almost abandoned and isolated since the war presenting them almost like ruins showing there importance of the second world war, providing another aspect of Jersey’s journey through the second world war. As an action plan I intended to manipulate my stronger images like Virilio and Andrew’s photographs. Moreover, I want to experiment with different ways of showcasing Jersey’s bunkers, allowing me to experiment with photoshop to provide evidence of my knowledge and skill using the software.