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New Topographics: Photoshoot 3

For my third photo shoot in response to The New Topographics, I decided to capture images in Stephen Shore’s photography style. He was known for his use of colour in photographs to increase the sense of detachment. Shore would often photograph intersections and roadside landscape.

I captured several images of the roadside landscape in Mojacar. All the images depict how man has altered the land by damaging vegetation and constructing roads. The combination of nature and urban development emphasise the concept of man having control over the landscape.

Once I selected the best images on the contact sheet, I downloaded them onto my phone and added the filter vivd warm because of the intense warm effect. This replicates Stephen Shore’s use of colour in his photographs and the film effect. The filter also intensifies the blue sky making the image appear vintage along with the grain.

Contact Sheet
Final Outcomes
Evaluation

My final outcomes have been successful because they reflect the control and power humans have over the landscape. The images depict a landscape altered by humans and reflect the growing unease about how the natural landscape is being eroded by urban growth. Works labelled The New Topographic show the relationship between man and nature through the photographic documentation of anthropogenic influences upon the land and scenes of suburban sprawl. The banal aesthetic can also be seen through the simple compositions of my photographs. The barren nature of the landscape in the southeast corner of Spain emphasise the monotonous uniformity of the urban features laid upon it.

Presentation Plan

My thought for framing the images is that I will buy a light box that is designed for displaying little letters, I will then custom make holders for the rows of negatives and then the light behind will show the pictures that is on them. Because the images from my second shoot are in black and white they will be only slightly inverted but the images that were taken in colour from the third shoot will be very different colour wise.

Photo-shoot 4:

I devised a plan for a shorter and slightly less developed photo-shoot based on following the journey of advertisement for a brand. I came to notice a range of stickers placed around the centre of town, and decided to document the stickers, as they all came from the same source (the same brand). I found that in doing so, I was able to record a story of the town, following the journey around town by following the stickers. As a 4th, admittedly less developed photo-shoot, I decided to include these images in order to act as a mini-project, as it links to the “Journeys & Pathways” brief by showing the pathway marked out across town by these stickers, which led me myself on a journey around town. In this way, this photo-shoot had a more personal touch to it, and due to the fact it was taken in a natural, uncontrolled environment, the variety of these images is broad:

After deciding which images I would be using in the final edit (I had to decide on 12 in order to make the 4×3 final montage), I used photo-shop to edit together the images, and finalize the piece:

In order to make the final image, I adjusted the hue and saturation of each of the images in order to make the colors extremely bold. I did this as a way to show continuity through each of the images presented (as they now all have the same colour scheme and style) and also used it as a way to draw maximum attention to the image, and allowing each individual image to stand out on its own, due to its individual overall hue. The final image is seen below:

Display possibilities

This is how I’m planning to display my final images when my prints are ready. I will position the images of the Subject walking so in the first image she is taking the step and the second one is her having taken the step.

I will place the photo of the hands in the centre of the the two images of my other subject to break them up. i will have them in a line so it looks like an old film strip to resemble Bill Volias ‘birth life death’ film, which inspired that shoot.

Comparing and Contrasting

Here I will be comparing and contrasting one of my own outcomes and one image created by Cindy Sherman as she is who I feel has influenced me most and would therefore be good to compare my work with.

Cindy Sherman’s work shows the three-quarter length, Italian Renaissance-style portrait as Sherman takes on the persona of the Mona Lisa. Wearing a 15th-century style Italianate dress, Sherman allies herself with one of art history’s most famous, iconic paintings. I can compare this to my photograph as I have generated an image where my subject takes on the idea and almost persona of Anna Nicole Smith who became one of the most memorable of the Guess Girls. For my recreation I tried to create a recognisable image when placed next to the original but with slight differences, the original is seductive almost and I wanted to place a young ordinary girl in as the subject to produce different ideas of the way women are represented to show my subject in a way that people would normally be against, this idea of sexualising young girls is thought of as bad however a professional model was and sometimes still is okay which is the ideas I tried to take on with showing this advert in a different way. For Cindy Sherman the photograph of her as the Mona Lisa is no true replica, the photo is meant to call to mind the original, without literally copying it which is a little different to what I have done which shows a contrast between my work and Sherman’s. This idea of not literally copying is that Sherman creates a mental distance between the real and the imitation just barely apparent, yet somehow haunting. One might say that Sherman suggests that viewers rethink their familiarity with the original and question how its conventions of depiction continue to condition the way that even we, hundreds of years later, regard every representation of the ‘female’. This is some of the ideas I was trying to put across and as comparing the two photographs can show similarities in the way that they are set out and the production behind them howver also shows the contrasts in Sherman’s work and my recreations in the accuracy in the way they are produced.

Final Editing

Below shows my final editing and adjustments to the photographs I plan to use as a series. I have placed them next to their original Ad’s and have included some of the editing processes that I took to reach my outcomes as some took more editing and developing than others.

Balenciaga 1980’s:

To edit this photograph I placed my outcome onto an A4 document and scaled it in a similar way to the original advert so that there is some boarder around the photograph and more space at the bottom. Next I created a small single line clear box around the photograph as this is a detail from the original ad I wanted to keep. Next everything was very simple and using the text tool I typed in what the original ad had written and scaled everything with the spaces and size of text as well as trying to find the best writing font I could to match the original.

‘We Can Do it’ 1940’S:

This editing process was slightly more complicated for me that the others I’d had done, while looking at the original ad I could spot that the figures head went slightly over the speech bubble and this would be something I would attempt to do. First I duplicated the background layer so I had two of my image, I then traced around the subject and the frame with the polygonal lasso tool so that only the background was selected and this enabled me to delete it so that I was left with a layer that had only the figure on it, next I went and found the shape tool for a speech bubble and sized and added on on top the top of the photograph. In the layers I moved the speech bubble to be under the layer with just the figure so that her head would go over it, I then spent my time resizing the bubble. After I went on to add the text and spent time sizing it and finding a good font, like the bubble I placed the text layer underneath the figure layer so that the subjects head would slightly reach over like the original.

Guess 1993:

For this piece of editing I just had my image and the original side by side and by eye I created text and turned it to red and tried to find the best font I possibly could to match that of the original ad, this was some of the simpler editing as I just needed to add text to the image.

GAP 1994:

This editing was simple like the above however I feel was effective, for this image I did go back and work into the actual image itself, enhancing it so that the colours weren’t so dull and were popping a bit more, after that simper with the Guess advert I had the original and mine next to each other and I placed text in and tried to find the best match for font and align the words in the same way. For this one I also added the prices that were in the original image as I felt this could be effective and gave it more of an advert feel.

Photoshoot Two Contact Sheet Images

From this photo shoot I have produced a set of images that I feel has the essence of Ansel Adams in and my inspiration can be clearly seen from them. I have decided not to edit these images or retouch them in any way because i tried to frame them correctly and i want them to be as they were taken as it was a set of images taken using 35mm film and I didn’t want to fix any ‘imperfections’ as they are are what make film photography what it is.

Merve Ozaslan

“Born in Istanbul, graduated from Mimar Sinan Fine Arts University as an ceramic artist in 2010. She created “Choke Jungle” brand (co-founder) and started to design ceramic jewellry. Her ceramic works are featured by known magazines such as British Vogue, Elle and Marie Claire. She has been working on collage projects since 2012.”

Examples of her work:

“Natural Act”

“Natural act is composed by several collages based on the questions of the relation between nature and the humanity. It is basically a critical presentation referring to the fact that each of us is part of the nature. it seeks the answer whether greed, urbanization, mechanization and detaching from the nature is favorable or coherent for human or not. In that sense natural act appears with its all colors when our emotions are paralysed in the vital points of the cliche and dull city life.”

boys
“boys” – Merve Ozaslan
hoola
“hoola” – Merve Ozaslan
Play
“Play” – Merve Ozaslan
Fun
“Fun” – Merve Ozaslan

My Plan:

For this project, I will be using photos from when I was younger and using photos that I have taken of the beach and water to achieve a similar look to Ozaslan. I wanted to link the journey of growing up with this project, so I will be using photos from when I was a baby to when I was a child.

Photos I Will Be Using:

Editing Process For First Photo:

First I turned the image into black and white
I then added noise
I then opened an image of the sea that I took
I then added a photo filter to make the photo more blue
I then dragged the photo onto the black and white image
I then used the lasso tool to cut out the photo so it fits the swing
This was the final result
I then pressed ctrl, ALT, L and changed the contrast and exposure

I am pleased with how this photo turned out, but I think if I use better images of the ocean I think it’ll look much better. I think if i get images of the sea from google images it’ll make the photo better.

2nd Photo:


http://backgrounds4k.net/water/

I really like how this photo turned out. I think the drop shadow around the sea looks really effective and like how the black and white makes it look more vintage.

3rd Photo:

From Google Images – NOT MY IMAGE

I really like how this photo turned out. I think the blue sea really stands out and brings attention to the model. I also think the use of noise adds a old and retro feel to the photo.

4th Photo:

From Google Images – NOT MY IMAGE

I really like the colour if the sea in this image. I think the green/blue colour stands out very well and compliments the black and white photo.

Best Image:

I personally think this is my best image from this project. The placement of the sea is perfect and it looks very smooth. I also really like the amount of noise I used in this photo.

Photoshoot contact sheets and editing experiments

these contact sheets are to show a detailed progression of my thoughts and ideas on the subject of my chosen photographer. By doing this in the process i am understanding his way of working and his artistic eye and what he wants to capture emotionally and physically in the photo.


idea 1, photoshoot 1 – katie joy crawford
green mean good images red mean bad. the good images are generally the ones that have my ideal exposure and have a pleasing composure with and interesting subject. most of the images i took using multiple exposures came out well however they came out looking rather similar and so times the position of the subject matter sometimes was off. otherwise the images came out resembling my vision for this particular photoshoot.
edit experiment
step 1
step 2
step 3
step 4
idea 1 photoshoot 2 – john william keedy
my vision for this shoot was to demonstrate the stereotypical characteristics of OCD. images i liked had the model stepping between cracks as that could show precision.some of the images in red she’s stepping of the cracks therefore making my message invalid. the ones in green show nicely her moving between the cracks. the other images show compulsive and obsessive nature by having a tally thingy marked multiple times on the arm of the subject seemingly endless. the red ones are out of focus and/or are not framed correctly. the blue ones represent the ones that i could use for editing but aren’t really strong enough for my final images sleclection.

idea 1 photoshoot 3 – edward honaker
aim of this was to gain images mostly for manipulation and editing purposes. the ones in red are ones that i couldn’t use editing due to the position of the subject r the exposure. the lighting was also off in these images. the ones in green the subjects facial expressions are what i was wanting ad she its facing how i want to her.
edit experiment 1
edit experiment 2
idea 2 photoshoot 1 – robyn mcgufficke
idea 2 photoshoot 2 – bill volia
ones i chose framed well lighting nice fitted with my artist ones not not framed good boring or didn’t capture what i wanted or my settings weren’t right
idea 3 – photoshoot 1 – peter funch
photoshoot i didn’t like. boring images hard to find good ones. the ones i liked were the ones that had the most people in similar to my artist. i wanted these to come out more candid which some did but others didn’t have much content at all.
idea 3 photoshoot 2 – boyle family

green interesting because matched artist and lighting good an red either boring or just didn’t look right.