All posts by Niah D

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Display Ideas for Exam

Photo Mount on Thick Paper:

I like the idea of photo mounts, but, I have used them many times in my past projects so I think I won’t be using this method of display.

Foam Board:

Image result for foam board display photography

http://lizcagephotography2.blogspot.com/2012/06/year-1-core-assignment-review.html

I really like the idea of displaying my photos on foam board for a clean and simple look. I think this may be one technique that I might use for my exam.

For my exam I will displaying my photos on foam board as I think it gives a very simple, chic and clean feel to the images.

Final Ideas for Exam

For my final images, I wanted to mix the physical journeys with portraits that I have taken. I also wanted to play with photo montage with landscapes I have taken. I will also be using the style of Marko Köppe again as I really enjoyed that style of photo montage.

Idea 1 –

Images I will use:

Print A3

Idea Two –

Images I Will Use:

Print Out Original size

Idea 3 –

Images I will use:

Print out A5 Size

I decided to pick these photos I did from my Makro Köppe project as I really liked how they turned out and I think they capture my idea of mixing industrial and modern buildings with nature.

Merve Ozaslan

“Born in Istanbul, graduated from Mimar Sinan Fine Arts University as an ceramic artist in 2010. She created “Choke Jungle” brand (co-founder) and started to design ceramic jewellry. Her ceramic works are featured by known magazines such as British Vogue, Elle and Marie Claire. She has been working on collage projects since 2012.”

Examples of her work:

“Natural Act”

“Natural act is composed by several collages based on the questions of the relation between nature and the humanity. It is basically a critical presentation referring to the fact that each of us is part of the nature. it seeks the answer whether greed, urbanization, mechanization and detaching from the nature is favorable or coherent for human or not. In that sense natural act appears with its all colors when our emotions are paralysed in the vital points of the cliche and dull city life.”

boys
“boys” – Merve Ozaslan
hoola
“hoola” – Merve Ozaslan
Play
“Play” – Merve Ozaslan
Fun
“Fun” – Merve Ozaslan

My Plan:

For this project, I will be using photos from when I was younger and using photos that I have taken of the beach and water to achieve a similar look to Ozaslan. I wanted to link the journey of growing up with this project, so I will be using photos from when I was a baby to when I was a child.

Photos I Will Be Using:

Editing Process For First Photo:

First I turned the image into black and white
I then added noise
I then opened an image of the sea that I took
I then added a photo filter to make the photo more blue
I then dragged the photo onto the black and white image
I then used the lasso tool to cut out the photo so it fits the swing
This was the final result
I then pressed ctrl, ALT, L and changed the contrast and exposure

I am pleased with how this photo turned out, but I think if I use better images of the ocean I think it’ll look much better. I think if i get images of the sea from google images it’ll make the photo better.

2nd Photo:


http://backgrounds4k.net/water/

I really like how this photo turned out. I think the drop shadow around the sea looks really effective and like how the black and white makes it look more vintage.

3rd Photo:

From Google Images – NOT MY IMAGE

I really like how this photo turned out. I think the blue sea really stands out and brings attention to the model. I also think the use of noise adds a old and retro feel to the photo.

4th Photo:

From Google Images – NOT MY IMAGE

I really like the colour if the sea in this image. I think the green/blue colour stands out very well and compliments the black and white photo.

Best Image:

I personally think this is my best image from this project. The placement of the sea is perfect and it looks very smooth. I also really like the amount of noise I used in this photo.

Marko Köppe

Marko Köppe
Marko Köppe

“Marko Köppe, collage artist from the north of Germany, loves art, the classic art, like Leonardo da Vinci, Sandro Botticelli, Hieronymus Bosch, the modern classics, like Salvador Dalí, René Magritte, and also modern art like das Bauhaus and all its influence: Kurt Schwitters, Mark Rothko, Giorgio Morandi, Olafur Eliasson, Banksy, and so many more.

Nature, music, and especially life are important influences of inspiration, and together with the famous German proverb: Everything develops in the eyes of the viewer!, he starts to play around with the style, aesthetics, and contrast between pictures—tries to create something different, something new, that hits the eyes and through them the brain, the imagination, fantasy, the viewers’ internal feelings, wishes, and thoughts.”
https://flexiblepersona.com/marko/

Examples of his work:

Crazy Woman - Lisa Lara Bella by Die blauen Reiter, via Flickr
Crazy Women – Lisa Lara Bella (Marko
Köppe)

Marko Köppe

Marko Köppe

My Plan:

For this project, I will be using photos from previous photo shoots and putting images of buildings from my New York trip in June 2018 on their faces. I will also taking some images from Google Images like butterfly wings, birds, leaves and other things from nature and also putting those on the photo. The concept of these photo is that I am taking things that I saw on my journey through New York and things you would see if you went on a walk through Jersey. I also wanted to show the contrast of New York and Jersey, as one is very modern and industrial whereas the other is more natural and neutral.

Photos I Will be Using:

Final Images (Process of Editing):

I took all the images from above, turned them into black and white, adjusted contrast and then placed them in different spots
I then added noise

I am really pleased with how this photo turned out. I really like how the moth wings look like ears, and I like the contrast of the black and white images and the coloured images.

I really like the way I put the washing line on the hand. I think this photo is edited really well and I am happy with the outcome.

I really like how this photo turned out. I think I placed everything really well and I think I edited it quite well.

For each photo I tried to capture Marko Köppe editing style and I am really happy with the outcome of these final edited photos.

Response to Damian Chrobak

My Plan:

For my response, I will be going around town and taking photos that are out of the blue and unique. Most of these photos will be in the spur of the moment, so I don’t know what the outcome of these photos will be until I take them.

Examples of Chrobak’s work:

Image result for damian chrobak photography
Damian Chrobak
Damian Chrobak
Damian Chrobak
Damian Chrobak

Contact Sheets:

Final Images (Unedited):


Needs to be black and white

Needs to be black and white

Needs to be black and white

Needs to be black and white, also needs to be cropped
Needs to be black and white
Leave in colour
Also needs to be cropped slightly, black and white
Crop and edit to black and white

I am really happy with how these photos turned out, but I think if I edited these photos they would look much better.

Final Images (Edited):

I edited these images on photo shop

Overall, I am really happy with how these photos turned out and I think I captured Damian’s style really well. I really like this style of editing and I think I will utilise it again.

Response to Stephen Calcutt

Stephen Calcutt

Image result for stephen calcutt photographer

“Reflecting the work of abstract artists and following in the footsteps of photographers such as Saul Leiter. Stephens unique form of street photography is a consequence of frequenting bus stops and shelters around the City of Birmingham. Graffiti can be great art, however for Stephen, the etched, scrawled and scratched graffiti into the Plexiglass windows of the bus stop feels like a violation. The graffiti etched and scrawled in the bus stop windows seem to be expressions of frustration or anger, hate and  love  written into the Plexiglass.

The  windows full potential as a clear barrier between yourself and the elements are compromised when the view beyond is obscured, distorted and blurred by the scratches. The the graffiti etched window becomes a  lens. Stephen merges the graffiti and the view beyond, focusing his camera on the etched lines. The view beyond is put out of focus. The graffiti and view are merged  into a single plane. A new perspective is created, that retains and emphasises the energy of the graffiti. Its swirls, zigzags, lines and curves, slash across the abstracted view like paint strokes. At first glance, the photos may be mistaken for abstract paintings. Then closer inspection reveals they are in fact photographs.

The subject matter that is out of focus is also fairly mundane. Often when waiting for a bus the view is not particularly exciting. The human activity he prefers  capture is not very dramatic. When combined with the mundane graffiti and the mundane view it adds to his  desire to create a new  image that ordinarily would be uninteresting or unnoticed. Even the title of each work is mundane, the descriptions of each photograph are  very droll.

The  way he uses the camera for this project is like painting with light. He breaks the rules for getting a traditional photograph. He puts the view that is usually the focal point out of focus. Stephen then focuses on what would normally be avoided. However, the resulting images are very dynamic and often vibrant. There is a metamorphosis, the mundane graffiti and the often-mundane view are merged into a fresh new image. There is an attraction to the paradox that his work invokes. Stephen makes unique beautiful images out of the vandalised bus stop windows.

Stephen loves the images he produces. However, he doesn’t condone the vandalising of the bus stop windows that provide the lens for his work. The Bus Stop series is a unique approach to photography. Bus Stop brings the current social issue of a specific form of vandalism to the fore. The art works are  a product of modern vandalism. Vandalism that has found the Plexiglass windows of bus shelters an ideal medium to express feelings. Although Stephens work has so far been derived from the city of Birmingham it is an issue familiar to the many people of all ages who travel by bus in urban and rural settings across the UK. His  photography challenges people to look at the issue vandalism. From the protagonists to the observers of their markings. It also challenges people to see the potential beauty in mundanity.” https://www.stephencalcutt.com/about-me-stephen-calcutt

Examples of his work:

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Stephen Calcutt
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Stephen Calcutt
Image result for stephen calcutt photography
Stephen Calcutt
Image result for stephen calcutt photography
Bus Stop 91 – Stephen Calcutt
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Stephen Calcutt
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Bus Stop 16 – Stephen Calcutt

My Response:

I will be taking photos around jersey at a few different bus stops so I can capture Stephen’s style. I will be using my canon camera to take these photos. I am linking this to Journeys and Pathways by showing the physical journey of taking a bus to get to your desired location. My step dad was the model for this photo shoot because I did this on a Sunday so there wasn’t a lot of people at the bus stops.

Contact Sheets:

Red – No

Orange – Maybe

Green – Yes

Final Images (Unedited):

I liked these final images but they were a little over exposed and needed editing.

Final Images (Edited):

I used Photo Shop to edit these images.

Overall, I am very happy with the outcomes of these edited photos. I think I capture Calcutt’s style really well, whilst still incorporating my style in the images.

Damian Chrobak – Case Study

Damian Chrobak

Image result for damian chrobak photography
https://c2.staticflickr.com/4/3372/3317315834_106b9c5902_z.jpg?zz=1

“Born in Jastrzebie Zdroj (Poland), Damian studied at the Academy of Photography in Warsaw. After his first year he decided to set off on a different path and began his search for a photography he could truly call his own. Born in 1977 in Jastrzebie Zdroj (Poland), Damian Chrobak has been a member of the Association of Polish Art Photographers since 2010 and is the founder of the Un-Posed street photography collective. After studying at the Academy of Photography in Warsaw, Poland, Damian moved to London in 2004, where he completed a Black & White Photography Course at the University of Arts in London. Since then he has been documenting the city’s street life. His work has been published in the United Kingdom, Germany, the United States of America, New Zealand, Poland and other European countries. He has also produced photographs for book and recording covers. He is currently based in London and working on documentary and street photography projects. Street photography is characterised by a high degree of sensitivity to aesthetic, psychological and sociological insight. The photographer plucks out from his surroundings seemingly random moments and reveals their significance. What is important for him in a photograph is a deeply humane reflection on the nature of the individual and society as a whole. The ordinary moments in everyday life often have a hidden meaning and can be interesting, humorous, bizarre or remarkable. Strolling through the streets of a twenty-first-century city, photographer tries to capture something timeless on film, an eternal truth about man, one which hasn’t changed for millennia.” http://un-posed.com/photographers/damian-chrobak

Examples of his work:

Image result for damian chrobak photography
Kaunas photo 2015 Damian Chrobak

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Damian Chrobak | PICDIT

Image result for damian chrobak photography
I see you book review. Copyright © Damian Chrobak

Image result for damian chrobak photography
Damian Chrobak

Image result for damian chrobak photography
Damian Chrobak

Damian Chrobak

Image result for damian chrobak photography
‘Polish Street’ Photography Exhibition by Damian Chrobak. ‘

Image Analysis:

Picture

I will analysing this photo from Chrobak’s project “Everywhere I look, I’m Being Looked At”.

EVERYWHERE I LOOK, I’M BEING LOOKED AT – DAMIAN CHROBAK

Conceptual:

I think this photo focuses on the idea of consumption and its impact on changing and shaping our daily routine. This photograph depicts ordinary situations, combining it with advertisements and people. This picture gives the meaning of how we are constantly surrounded by visual media and how it shapes our thinking and routine. It is as if in every corner of town we have eyes wanting to catch every passerby with a penetrating gaze giving its message to every passer-by. This photograph speaks of urban life filled with flow of information, recording our habits, interests and weaknesses.

Visual:

This photo is in black and white which gives it a very retro and old feel to it, it also has a dark tone. I can see that he has used a little of texture such as noise, which gives a grainy texture to the photo. The viewpoint of this photo is on the the advertisement because it is staring right at you whilst the people are looking ahead of them. This creates a sense of a personal feel, as if the photo is staring right at you.

Technical:

The lighting for this photo appear to be natural lighting. The ISO is probably set high because the subway looks quite dark, the shutter speed is low because the people in the photo are motion blurred and distorted. The photo has quite a high contrast and is at the right exposure. The aperture is quite low as mostly everything is focused.

Contextual:

This photo was taken in the busy streets and metro stations of London. This conveys what city life is like in London. It also gives another perception that London is very crowded place, and people are always on the move. The eyes can also shows the deeper meaning that they are literally peering back at you, as if to remind us that we are always being watched.

 

 

 

 

Response to Andrew S Gray

For this photo shoot, I wanted to look at landscapes and movement. I also want to look at portraits as I can also show journeys and pathways with people. I wanted to convey the idea of going on a mental journey and discovering yourself. I also wanted to look at physical journeys such as going out on a walk or going on trips to places around the island.

I chose Andrew S Gray because I really enjoyed playing with the technique he uses and experimenting in the style of ICM. I already have some photos that I took at the start of this course which I think are some really great photos and shows the technique off really well.

Photos from Pre AS Task:

I want to work with this style of taking photos, I really like how these photos came out so in this photo shoot, I want to achieve the same look.

Contact Sheet:

Final Images (unedited):

I chose these images because I think they show the technique of ICM really well and I think they look the most visually appealing. I am really happy with how these photos turned out, but I think that they do need a bit of editing to enhance the strength of them. M camera was set to shutter priority, my ISO was 400 and the F number was between 4-10, depending on how much sun there was.

Final Images (edited):

I used Photo Shop to edit these photos. 

I really like how these edited photos turned out. I feel like I have captured the theme of journeys and pathways well as these photos were taken when I went to the beach with my parents. I’m also happy with the editing of these as I believe they now look a lot better than the original photos, as some photos were too over exposed.

 

 

Journey’s and Pathway’s

Initial Camera Movement (ICM):

Intentional Camera Movement (ICM) photography is an abstract style of shooting that has no rules – it all comes down to moving your camera over a long exposure. I come from an art background and I believe this type of photography brings out the expressionist painter in all of us; instead of taking pictures with our camera we are now painting with it, and the sensor is our canvas. https://www.wexphotovideo.com/blog/tips-and-technique/a-guide-to-intentional-camera-movement-photography/

For my exam I wanted to explore with ICM (initial camera movement) again because I really enjoyed experimenting with this type of photography in my Pre AS task.

Mood board:

Andrew S Gray:

“Andrew S Gray is an image maker based in a small rural Northumbrian village only two fields away from the family farm he grew up on.

With Northumberland as a home its iconic but subtle landscapes, coastline and nature in general have shaped his vision from an early age and continues to inspire him – though the thought of the challenge of a change of scene does appeal now and again.

A long time self-confessed nerd, he is most comfortable not just out in the countryside or on the beach with a camera but also shut away in front of a computer for hours on end making images from the data our digital cameras produce. He’s never been afraid of carrying out seemingly excessive alteration to his captured images, which has probably been a large factor in the way his individual style of intentional camera movement photography has developed over the years.

While in the past, he’s always enjoyed having a camera in his hand, making traditional landscape images of the local iconic views and more intimate landscape scenes, after a spell of loving making minimalist long exposures, usually monochromatic, he stumbled (literally) on intentional camera movement.

It wasn’t long after this trip that he first saw the work of Valda Bailey who was just a short amount of time into developing her multiple exposure style, and he was captivated. He loved it, but hadn’t seen anything like it before, using a camera at any rate. So he began his journey which has ended up with him all but abandoning the “reality” of photography and instead he used the old English master painters of the 19th century, along with the later impressionists as his inspiration to create the work he currently do. A huge influence and someone he actively tried and mimicked in form and colour scheme is JMW Turner.

After years of trying to find a niche, he has now found it and is comfortable enough in it to begin dispelling his own knowledge and thoughts to others. As part of his move into creating video content he hosts a weekly YouTube live stream “Tuesday Night Edits” where he edits his work live, he also now offer 1-2-1 tuition and will soon be developing group workshops.” https://andrewsgray.photography/about/

Examples of his work:

Image result for ANDREW S GRAY
Andrew S Gray

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Andrew S Gray

Image result for ANDREW S GRAY
Andrew S Gray

Image result for ANDREW S GRAY
Andrew S Gray

Image result for ANDREW S GRAY
Andrew S Gray