Above shows my chosen image to edit and experiment with, I have chosen this photograph as it was one of my most clear image and I feel that my subject is positioned well in the frame and there is good eye contact and facial expressions with the camera. The lighting is also good for in this photograph there is no need for too much adjusting of the brightness in this photograph which is why I have chosen to edit this photograph.
My aims while editing this photograph is to create a yellow tint in the background of the photograph to replicate the yellow background of the original poster as I feel this will really help the photograph to become better and enhance it.
Editing Process:
I began by adjusting the brightness and contrast so that I have a good base for adding on the filters for the colours.
For the next two steps I experimented, adjusted and edited the strengths of the yellow and red colour tones coming through in the photograph. I did this so that there were already tints coming through and to make it easier to place the yellow warming on top.
Here I selected the whole background area surrounding my subject, when adding on the warming and yellow filter I didn’t want them to mess and alter the colours and tones of the subject in the image, I wanted to try and keep the red and the blue of her shirt and head band so I selected al the way around her body and around the frame of the photograph to have a specific place to add the filters.
After adding on the filters I experimented with cropping the photograph down so that the subject fills more or less of the frame and see where it sits best as I did not want too much unnecessary blank space above her head.
Final Outcome:
This shows the final outcome for how I edited the photograph, I used the warming filter (81) as it had more yellow tones in which I felt worked well with the original photograph and also worked with this recreation. I feel this photoshoot and editing was a success and that it generated an accurate outcome I am happy with that I feel works well.
“We Can Do It!” is an American World War II wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electric as an inspirational image to boost female worker morale. It was seen little during the war and was rediscovered early 1980’s and was widely reproduced, often called “We Can Do It!” but also called “Rosie the Riveter” after the iconic figure of a strong female war production worker. The image was used to promote feminism and other political issues begining in the 1980’s, it was incorporated in 2008 into campaign materials for several American politicians. Compared to all this during the war time the image was strictly internal to Westinghouse, displayed only during February 1943, and was not for recruitment but to exhort already-hired women to work harder. People have seized upon the uplifting attitude and message to remake it into many forms including self empowerment, campaign promotion and advertising.
I am choosing to recreate this specific poster to indicate the changes in this era of the 40’s as I feel it has that showing of development and progress and is a widely known poster, it represents how woman were being treated at the time and suggests towards how they were being advertised as they now took on ‘mans work’. I feel that it is a good example to show how women began to be portrayed when men weren’t there and then that it got picked back up during a strong female movement.
Plan:
For this photoshoot I will be taking the image in the studio to give me the best lighting for recreating these AD’s I will use two different subjects one in each of the images. I am going to be dressing the subject in clothing that is almost exact or close to what the subject in the original image is wearing.
For the second recreation seen below I will adjust the persons hair and find clothes and props best suited to the photograph. The aim of this photoshoot is to create an accurate recreation of the photograph below and try to show and explain some of my inspirations coming from Cindy Sherman.
Second Recreation:
Above shows the Poster I was recreating, for this recreation I took the photographs in the studio as this enabled me to have a plain background as to edit the image on and the poster itself also has a plain background. I dressed my subject the same or similar as the figure in the original and took the time to get her to pose in the same manner.
Above shows the contact sheet of my outcomes from the photoshoot, some of the photographs came out a little dark however I should be able to edit these images and fix that in Photoshop.
I feel I have tried to show my inspirations coming from Cindy Sherman through the work by having my subject en body the person in the original ad and begin to represent herself in that way.
Unedited Best Outcomes:
Below shows what I think to be my best outcomes before I am editing the images to enhance them more and edit them to be more like the recreation. These are the four I think are the best however I will only experiment with editing one or two of them.
Above shows the photograph I have chosen to edit in response to the fashion photograph I was recreating. I have chosen this image as it was one of my most clear photographs and I feel replicates the original best. I also feel that in this photograph the lighting was working well compared to some of the other outcomes I produced and the subject is standing in the most similar way to the original photograph.
My aims while editing this photograph is to not adjust the photograph too much but to adjust the light and contrast to then put a black and white filter over the top to then create an accurate final outcome.
Editing Process:
For the first step towards turning the photograph into black and white I started by adjusting the brightness and the contrast slightly so that I had the best amount of shadows and highlights that I felt would work well once in black and white.
Next I went in and only slightly adjusted the actual shadows and highlights just to enhance what I previously did with the brightness and the contrast.
For the next step I experimented with placing a cooling filter over the top of the photograph to see how this would effect the image when putting it into black and white to take away the yellow and warm tones.
Finally I placed the black and white filter over the top of the photograph to recreate the final photograph best and to enhance this photograph itself more.
Final Outcome:
This shows the final outcome for my finished edited photograph, I feel the photograph worked well. I feel it works well in the black and white tones and placing the cooling filter over the top also worked well with enhancing the photograph.
The early 1960’s featured a number of diverse trends. It was a decade that broke many fashion traditions, mirroring social movements during the time. During the late 60’s there was a backlash by radical feminists in America against accouterments of what they perceived to be enforced femininity within the fashion industry. Instead these activist wore androgynous and masculine clothing such as jeans, work boots or berets.
Plan:
For this photoshoot I will be taking the images in the studio to give me the best lighting for recreating these AD’s I will use two different subjects one in each of the images. I am going to be dressing the subject in clothing that is almost exact or close to what the subject in the original image is wearing.
For the first recreation seen below I have found someone I feel will work best to take on this photograph and I have asked them to dress in a way similar to that of the original picture for the best possible recreation I can gain.
I will be trying to show my inspiration from Cindy Sherman by the way I am having my subjects try to embody the way the original subject was standing and acting.
First recreation:
Above shows the photograph that I have chosen to recreate. I had my subject stand against the wall and try to recreate the pose that the model was standing in herself. What I feel could have been done better would be to find an actual wall to take the photographs against rather than in the studio however I feel the rips on the floor of the studio I feel help with the recreation.
Above shows a contact sheet of the images I produced on the day of the photoshoot. As can be seen some of the photographs came out too dark when I began to adjust the light, however this was able to be fixed in the camera settings with some adjustments. Taking and thinking of the inspiration from Cindy Sherman I tried to have my subject embody and look at the original image a couple of times to try and recreate and represent the woman in the original photograph.
Unedited Best Outcomes:
Below shows my 6 personal best outcomes from the photo shoots. After selecting these I will go in and start editing my 2 favorites to be more like the original picture and to enhance them more.
Cynthia Morris Sherman (born January 19, 1954) is an American photographer and film director, best known for her conceptual portraits.
She is best known for “Complete Untitled Film Stills,” a series of 70 black-and-white photographs which were meant to subvert the stereotypes of women in media (namely arthouse films and popular b-movies). In the 1980s, Sherman used color film and large prints, and focused more on lighting and facial expression.
She is a key figure of the “Pictures Generation”, a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery. Sherman turned towards photography at the end of the 1970s in order to explore a wide range of common female social roles, or personas. Sherman sought to call into question the seductive and often oppressive influences of mass-media. Turning to self-portraits she extended role playing in fantasy Hollywood, fashion, mass advertising, an “girl-next-door” roles and poses. She called her audiences attention to the powerful machinery and make-up that lay behind the countless images circulating in an incessantly public, “plugged in” culture.
Sherman’s photographic portraiture is both intensely grounded in the present while it extends long traditions in art that force the audience to reconsider common stereotypes and cultural assumptions, among the latter political satire, caricature, the graphic novel, pulp fiction, stand-up comedy (some of her characters are indeed uncomfortably “funny”), and other socially critical disciplines. Sherman’s many variations on the methods of self-portraiture share a single, notable feature: in the vast majority of her portraits she directly confronts the viewer’s gaze.
I am taking Cindy Sherman as my starting inspiration photographer as she looks into and tries to put forward and show and present something similar as to what I would like to explore and look into with the presentations of media and ad’s. As well as her use of tableaux photography as I will be generating recreations of advertisements and fashion ad’s taking them through the decades. I feel her style of work is something I would like to try and explore and develop throughout the project. I am finding my inspiration from her to do with the subjects she deals with and the styles of photographs that she generates.
Analysis (Below Image)
Contextual: Sherman was generating this image in a time where she was maturing in the 1970s among the discovering of the American Womens’ Movement, later known as the rise of Feminism. Sherman and her generation learned to see through mass media cliches and appropriate them in an ironic manner that made viewers self conscious about how artificial and highly constructed “female portraiture” could prove on close inspection.
Conceptual: For this image Sherman is employing herself in the image to suggest the central character in the 1960s’ “coming of age” romance, the young female intellectual on the verge of discovering her “true womanhood”, or the prototypical virgin.
Technical: The lighting in the image is coming from the top right of the photograph and is looking down on Sherman. The light coming from that angle could be artificial light being used to create effect and light her well as to see everything in frame and still create shadows and tones. The lens has it’s focus on Cindy herself we can see around the edges of the image that it is slightly blurred creating a sharp focus on her herself.
Visual: Sherman stands on the right side of the photograph which fits well with the idea of the rule of thirds as she doesn’t stand directly in the centre. As she leans and reaches upwards it creates a leading line for our eyes to travel all the way across her in a smooth way. There is a lot of pattern and repetition with the books creating repeating lines in a manner that is pleasing to the eye. The image being in black and white shows the range of tone in the photograph, her face is well lit creating lighter tones around her face, skin and hair and then we have some darker tones coming in around the book shelf where shadows would start to develop and the light may not be reaching.
These are my initial ideas as to where I would like to take the exam project and which ideas I would like to explore.
My initial ideas involve looking into the development and “journey’s” that fashion and advertising has taken through the separate decades. To do this I will look at separate campaigns and posters in advertising and create experiments around their developments and how they have changed and what they are trying to represent, specifically looking at the women in the advertising.
1.a. Theact of travelingfromoneplace to another,especiallywheninvolving a considerabledistance; a trip.b. A distance to be traveled or thetimerequiredfor a trip:a 2,000-milejourney to thePacific;thethree-day journeyhome.2. A process or courselikened to traveling,such as a series of tryingexperiences; a passage:thejourneyfrom addiction to recovery.
For my initial ideas to do with Journeys and Pathways I have started to think about the idea of aging in a development or journey and the idea of things changing is a journey and the development of things like buildings or fashion for example.