All posts by Eleanor G

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Final Display

For my final displays I decided to do a lot of overlaying of images. My first composition on the left is 3 A3 printed images stuck straight onto white card in a diagonal line, the top and bottom images also have smaller A5 images which where first stuck onto foam board then placed on top. I did this because firstly, to the eye it all fits together so having them apart would make the images lose their meanings, and secondly it continues my idea of the life cycle : natural material decomposes into soils then new things are planted until they die and decompose into the soil. My second composition is all of my off-cuts rearranged into an order that still makes sense. Although all of the images are mixed up, the idea of time being the killer is still present.

Evaluation

Overall, my project has been constantly evolving and adapting from day one. At the beginning of my project, I focused on ‘The Journey of an Object’, this was too simple for me and I wanted to challenge the idea of a journey of pathway. The journey I ended up focusing more was ‘The Circle Of Life’. I represented this with flowers frozen in ice – so I could physically freeze a moment in time and retain it, press flowers – so as they decay they stay flat and create their own composition, and I also captured deceased animals to capture their ever-lasting last moments and how their bodies responded to it. This collectively in my opinion, shows how time cannot be created or destroyed but can be held in a single moment.

My original interest for ‘The Circle Of Life’ came from a case study I did about Wolfgang Tillman’s still life photography. The specific image that inspired me was called ‘astro crusto’, an image that showed an open dead crab with a fly feasting on it. This sparked my whole idea of decay and time.This was all then followed by my case study of Heikki Leis who focused on the decay of food. I couldn’t really catch onto the idea of rotting food due to two variables, one being a time constraint (I didn’t have enough time to let my fruits and veg rot with a sufficient amount of decay present) and secondly handling these rotting foods causes many illnesses and put me off. However, thanks to some generous cats I was able to handle some deceased rodents easier because firstly they were brought into the house so I didn’t have to go and find them, and secondly the cats only bring them in as trophies so there was only puncture marks.

Editing wise, I kept it simple with just colour adjustments and cropping, however during this project I became more accustomed to the use of cameras and I could set them up for images that didn’t needing much editing due to me having already capturing what I wanted. For my final images, I decided to layer my images over each other because I think it really ties in my whole idea of ‘The Journey Of life’ and how death is inevitable.

Overall, I’m happy with the content i have produced because it all ties into one clear topic and they’re not reliant on editing and manipulation.

Final Sets

Set 1

Set 1 is focusing on the idea of being ‘frozen in time’, freezing a living thing in time so we can observe its current state for longer.

Set 2


Set 2 focuses on again preserving something so that it can last longer and be admired for longer.

Set 3

Set 3 focuses on the innocent deaths of rodents who can’t be preserved due to nature being its process at the moment of death, Hence why i wanted to capture them in their frozen moments so that the documentation of the death can be observed.

Set 4

Set 4 shows how both ideas are linked, and both reflect different stages of the life cycle.

Set 5

Set 5 reflects the disturbance of man and nature and how natures life cycle has been broken by man due to fly-tipping and miss-disposed rubbish.

Set 6

Set 6 again shows how humans have disrupted and abandoned a once cared for environment and left it to rot.

Mo Devlin

Frozen Posies series

Devlin perfected the art of photographing fish in their aquatic environment. Mastering the dynamic of how light travels through water was only the first of many steps in the frozen flower process. That intense sense of spontaneity Devlin captures is the result of a very deliberate process. These images are not simply stumbled upon, but meticulously created.

Freezing his “models” is the most important part of the process. When tap water is frozen the impurities show themselves as clouded white ice. Devlin experiments and continues to perfect his ability to control the outcome of how the ice forms and captures the subject. Sometimes the bloom itself can be the source of impurity.  Any substance, natural or added to the plant, may cause large areas of clouded ice. Blooms with high sap or sugar content or flowers purchased that have been given a preservative, pose the biggest challenge.

One thing that occurs and is cultivated through his photos is the appearance of “ice trailers.” These are simply bubbles that have been squeezed out of the organic material then stretched as the freezing process continued. The science behind their formation is amazing.

Flowers add to any room a feeling of beauty and grace. They are delicate beings, alive with sensuality. Mo Devlin’s Frozen Flowers capture all that and more. The ice adds a “look again” dimension to this gorgeous photography that draws us in and fires our imagination.

Decay – The Life Cycle

WARNING – THERE IS GRAPHIC IMAGERY

The life cycle is a viscous cycle unappreciated by most. The intense wait until our final days, that truthfully since birth has been inevitable. In my opinion, the life cycle aids our adaptation even though we are each just tiny specs within the universe we all make impacts one way or another, whether it be from passing on your knowledge to someone at work or just even making someone smile. Life and death is seen pointless to some: “born to die”- this is untrue we’re born because someone wanted to devote part of their life to us and to give us the best experiences possible.

For my photoshoot I decided to photograph roadkill willingly supplied by cats. I thought that this could represent how brutal life is and how anything could happen at any given moment.

Most Successful

Edited



Psycho-Photography

Abandoned walks

For mapping out a journey, some photographers use the simple technique of going on a walk and photographing everything as you see it. This is a type of documentary photography due to the individual wanting to capture a specific thing so that image remains outside of that second.
I also wanted to capture how people have disturbed this once loved environment and left it to overgrow and rot.

For my walk, I wanted to explore somewhere desolate and closed off from reality. I discovered a small piece of private land that I was permitted to explore. I was intrigued by this area due to there being a series of abandoned green houses and overgrown shrubs. This area was eerily quiet with plants and weeds scratching against the once standing greenhouses trying to get out. These slight noises gave an atmosphere of sadness to me because these green houses were once thriving with colour, now all that’s left is rotting and decay with the musky smell of damp.

Successful Images

Edited

Case Study – Marian Drew

Drew was inspired to create the series
“Still Life /Australiana (2003-2009)” after visiting a museum in Germany that exhibited paintings of dead animals. When she returned to Australia and was surrounded by roadkill, she was immediately reminded of the paintings and began working on the series.
“You sort of grow up with roadkill in Australia, and people—me included—try desperately to ignore it,” said Drew. “[Doing the series] seemed like a way to translate the situation of animals dying as a consequence of our dominance of the environment.”

“It became a way for the community to acknowledge death and to give some sort of importance to a life rather than just having it get run over by a car, get squashed, and then disregarded,” said Drew.

For my own purposes, i’m taking the idea of how roadkill is disregarding the circle of life. How people initially run over a clueless life then leave it on the side of the road. Drew’s whole idea is to capture her found roadkill in environments we’re more accustomed to rather than the animals norm. I solely just want to capture the animal in its ever-lasting last moments, focusing on their bodies reaction and the roots of their injuries.

Decay – Case Study

‘rot or decompose through the action of bacteria and fungi.’

Heikki Leis

 Heikki does mostly hyper realistic pen and pencil drawings and also sculpture. 
Since 2004 he is also an avid photographer and takes part in exhibitions. 
His biggest passion is analogue photography, he uses both mid- and large format cameras.
The project that took the longest time, the most effort and has also become the most famous is his series of molds called “Afterlife”. A book by the same name, consisting of photographs from the series was also published in 2017. 

Afterlife

‘ Molds belong to the kingdom Fungi. They’re kin to more friendly fungi like the yeast that leavens your pizza dough, and the mushrooms atop your pizza. This great kingdom of life spans the gap between microorganisms and macroorganisms (like us). In fact molds and other fungi are the closest relatives of animals; of people. We have a lot in common, including our love of pizza.  
 The earth already has all the carbon atoms it will ever have; they are the very stuff of life. Plants use their superpower, photosynthesis, to extract carbon from thin air using sunlight. They fashion that carbon into new molecules, like carbohydrates and proteins, that are the building blocks of the beets, the potatoes, the turnip, you and I, and all life. In the end, the special task of molds is to dismantle what once lived, and exhale that carbon back into the air again. To recycle life.
Recyclers don’t get much glory, but clearly there’s an underappreciated beauty here. Because of recyclers like molds, there is life after life.’