Boyle Family is a group of collaborative artists based in London. Mark Boyle and Joan Hills met in Harrogate, Yorkshire in 1957, Joan a single mother who had left her art and architecture studies to bring up her son and Mark was serving in the army. Within months they were collaborating, initially exhibiting their work under Boyle’s name until their work became widely known and they exhibited as Mark Boyle and Joan Hills. When their children, Sebastian born in 1962 and Georgia born in 1963, began to collaborate with them from the late 1970s onwards, the group became established as Boyle Family.

Boyle Family is best known for the earth studies: three-dimensional casts of the surface of the earth which record and document random sites with great accuracy. These works combine real material from the site (stones, dust, twigs etc) with paint and resins, preserving the form of the ground to make unique one-off pieces that suggest and offer new interpretations of the environment.

Their project ‘Journey to the Surface of the Earth’ was launched in 1968 – 69. After being blindfolded, they threw darts at a world map, in order to pinpoint 1,000 areas of the earth’s surface to duplicate. On travelling to a selected site, the Boyles would throw a T-square in the air to select a random area to replicate.

Visual:

In this image done by the Boyle Family you can clearly see what is the side of the road and part of the pavement next to it. At first glance there’s not much to the image, but with closer inspection you can see all kinds of details and history within the part of the floor they decided to take. You can see every individual texture on the surface, the cracks on the pavement and the light hitting the bumpy surface of the road.

Technical:

The lighting coming from the left side of this image seems a bit artificial, as if coming off of a street light since it’s only lighting up that part of the image and, from what I see, nothing else. As this image is actually a painting replicated from a photo that the Boyles took, it’s hard to asses the technical factors of it but what I can say is that, to take this image which they painted from, it looks like they might have used a long-lensed camera to get that close-up, focused effect in the image.

Paul Graham is an English born, self taught documentary photographer whose work has won various awards including the likes of the Deutsche Börse Photography Prize as well as the Hasselblad Award. Graham is a very prolific artist with many published works and exhibitions. As stated before he is a documentary photographer and as such most of his work features small aperture to capture a lot of detail in the scene. I like the flat tones he uses juxtaposed with strong colors, often sticking to two or three main colors as to not over saturate the image.

The image appears to use a high F stop due to the wide range of detail captured. The photo’s look as though they were taken using a Digital SLR with a low ISO due to the abundant natural lighting in the scene (using a higher ISO would leave the image overexposed) as well as the lack of noise in the image despite the age of the camera considering this work was published back in 1983. There is some slight color noise in the darkest areas of the photograph however this is likely due to the age/ quality of the sensor. There is a strong tonal contrast image between the lights and darks however the highlights aren’t too overpowering. The vibrancy of the colors despite such a flat scene suggests the use of a slow shutter in conjunction with a tripod due to the lack of any motion blur.

The image features two strong key colors, that being the orange of the paint as well as the bright green on the grass/ trees in the area accompanied by some more subtle blue tones. There as some light purple tones visible in the darker areas of the image. The image uses the Fibonacci curve as to draw attention to the writing on the wall. The images composition features very strong lines separating layers of the foreground and the background. There is a strong sense of texture created in the image by the rough surface of the concrete as well as the detail in the grass/ trees. The roofs of the houses almost create the effect of a repeating pattern.