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Romanticism – Landscape photography

Romanticism 

In the late 1700s, numerous advances in the sciences led to new ideas about how the Earth was formed. A generation of landscape painters came to meet the demand, but also to create landscape art for its own sake. During the first half of the 1800s, landscape art became more realistic, even reaching levels of hyper-realism. In the second half of the century, photography began to have an impact on landscape painting and changed it forever.The movement was used in order to capture a specific purity of imagination of nature and spontaneity. Deep feeling and emotion are the establishments of the movement itself. Throughout the movement, there was a large expansion of the exotic and heroic ideas of the art where you could envision and escape.

Mood Board 

Links about Romanticism 

http://patricksmithphotography.com/blog/romanticism-and-realism-1800-1890-2/

https://www.photo-mark.com/notes/defense-romanticism/

Landscapes

Landscape photography shows spaces within the world, sometimes vast and unending, but other times microscopic.

Landscape photographs typically capture the presence of nature but can also focus on man-made features or disturbances of landscapes.

Landscape photographs can vary in the way they are taken throughout different times of the day. Typically, they are taken in daylight however some photographers use long shutter speeds at night to get some interesting  shots.

Landscape photography typically requires relatively simple photographic equipment, though more sophisticated equipment can give a wider range of possibilities to the art. An artist’s eye for the subject can produce attractive and impressive results even with modest equipment.

Many Landscape photographs are used commercially to promote certain destinations or businesses. These are often edited in such way to make the places more appealing then they actually are.

Image result for landscape photography

Image result for landscape photography

Pioneers Of Landscape Photography

Carleton Watkins

He was perhaps America’s greatest 19th century landscape photographer yet today he’s largely unknown. His breathtaking landscapes of the Yosemite Valley were instrumental in preserving the valley for future generations and paving the way for both the National Parks system and the environmental movement.

Among the people who had Watkins’ prints was a U.S. Senator from California, John Conness. He showed them to his fellow lawmakers as part of his effort to save Yosemite from the development and tourism that was already encroaching on the valley. When President Abraham Lincoln saw them, it helped convince him to sign a bill in 1864 declaring Yosemite Valley “inviolable.”

It was the beginning of America’s environmental movement and the National Parks system. And if not for Watkins, there might not have been a pristine Yosemite Valley for photographers like Ansel Adams to photograph.

Source

Ansel Adams

Though 50 years of work preceded him, Ansel Adams is the spiritual father of American landscape photography. Not only is he perhaps the most recognizable name in all of photography, but his work transcended art and science to make him an icon of popular culture as well.

“It’s rare to find a landscape photographer,” says Carr Clifton, “or any photographer who hasn’t been touched by Ansel Adams’ black-and-white work of the exquisite landscapes of the American West.”

Like Carton Watkins (above) before him, Adams made many famous photographs of Yosemite National Park. What set him apart was his work’s timeless quality. Technologically innovative and advanced enough to surpass much of the printing done today, Adams’ photography was simple enough to maintain a direct connection to the earliest pioneers of the medium.

Source

 

 

 

 

natural

What is natural landscape photography?

A natural landscape is the original landscape that exists before it is acted upon by human activity. The natural landscape and the cultural landscapes are separate parts of the landscape.

Examples of natural landscapes

Image result for natural landscapeImage result for natural landscapeImage result for natural landscape

Double Exposure

What is double exposure?

Double exposure is the method of superimposing two exposures in a single frame, most commonly known as double exposure, and to the day is one of photography's most impressive techniques. Using this method of overlaying images on top of each other, you are able to shape an image of nature into the silhouette of a person, to create dream like portraits.
It is easily one of the most creative techniques in photography as the possibilities are endless due to digital photography.

Here are some examples of double exposure:

I found that the use of nature was particularly effective when it came to the images, as the trees could be used for a variety of different things such as fades etc. Through this I found it great how trees could be used to define a certain aspect of the image itself, and so allowed for the silhouettes of the creatures they wished to be highlight.

I decided to make a response to these ideas by mainly focusing around the human body and nature combined. These were the results:
To create these I used the opacity tool, this increased the transparency of the top image, allowing for the lower image to be seen more clearly, creating the desired effect. I then used the paint tool to rub out the excess parts of the image to match the shape of the subjects face, making it seem more realistic.

 

Studio Shoot #2

For this shoot I decided to experiment with a broader variety of lighting types and techniques from my previous shoots within the studio. I wanted to use a variety of filters like red and yellow to allow for more dramatic effects on the subjects.
I also wanted to switch between monochrome and the portrait settings when taking photos to allow for a greater contrast between the lights and darkness of an image. This would allow for a more sinister look when produced due to the emotionless expressions of the subject.
Before the shoot I wanted to create a mind map of the ideas towards this, so that I would have an idea of what and how to take the photos of both subjects.
From there I decided to carry out the shoot, these were my results:
From here I selected the top ten image from the entire shoot, this would make it easier for me to narrow it down to the final image that I deemed best from the shoot. These were the images I selected:
I chose these image because of the composition, lighting and color. I particularly liked the effect created by the shadows behind the subjects, allowing for an emphasis on certain features. What I then wanted to do was narrow the selection down once again to pin point the top five images out of the batch. These were the images I selected:
I chose this image due to how I liked the obviously contrasting shadows from the subjects face, which highlighted particular features. I also found that the huge shadow on the left of the image balanced the photo as the composition of the subject was equally divided onto the other side of the image itself.

What I liked about this image was once again the contrast between the light and dark of either side of the subjects face. Whilst the darkness of the hair added depth into the image, allowing it to be more visually pleasing. The right eye of the person is centered in the top right of the rule of thirds, this allows the viewers gaze to drift almost immediately to the eyes.
I chose this image because of the composition of the subject compared to the rest of the picture. The fact that the person's head lined up once again with the rule of thirds, helped make it aesthetically pleasing.
What I loved about this image was the obvious difference between the light and dark on either side of the face. This to me compared with the light backdrop allowed for a clear definition to the face, drawing out certain feature above others.
Finally I chose this image due to how I liked the link back to the theme of identity in previous shoot, based around idea of blinded by identity. From this I found the darkness provided on one side of the face allowed emphasis towards this, creating a more mysterious tone.
Finally I brought the pictures down to a one photo that I viewed as the most effective out of the selection. This was the image I chose as my final picture:
This was my favourite image because of the composition, lighting and shadowing. I found that the clear contrast between the light and dark of the face and backdrop, allowed for the image to be perfectly balanced, with the dark left side of the face adding definition to the overall piece.

Compare and Contrast – Rosanna Jones

For my final portraits, I decided to take my inspiration from Rosanna Jones work. What I liked about Rosanna’s work was how the image had not been obscured from view digitally but physically placing tape on top of the image to create texture in the image, which is a unique concept which I wanted to incorporate into my work.

Rosanna Jones image which was one of the main inspiration for my shoot
My final image.

The similarities that the images have is that they both tape which is obscuring the faces of the model and is the main focus of the image have been physically placed on top that then the photo has been taken, which create texture in the image. Both of the images have had the tape by physically placed onto of a first image which has then been re photographer to create depth in the image.

The differences in the photographs are that my images had vertical lines going across the image I decide to keep this the final images as  I felt like it added another layer to the image. Rosanna’s image has slight hint of purple whereas my images is in total black and white I wanted my image to be this way as I felt that by having the sole colour in the entire image to be the tap covering the model’s faces would make the image have a greater impact

Adam Goldberg | Constructed Portraits


Adam Goldberg

Known primarily as an actor, Adam Goldberg is also a photographer, musician, and a filmmaker.

Although he shoots digitally as well, Adam works primarily with several analog cameras and film stocks ranging from 35mm to 8×10 with an emphasis on instant films.

His works use double exposure techniques to layer multiple similar images over one another. This can portray a plot, or the idea of what is going on inside someones head.

After looking at Adam Goldberg’s work, I wanted to also provide an underlying story of what is going on inside the subjects of my photos head.