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JOHNNY JOO – Altered Landscapes

Johnny Joo gives the world a glimpse of places long forgotten through the lens of his camera. He is a photographer by trade but an urban explorer at heart. The scenes he shares are covered in weeds, moss and cobwebs. They serve as an eerie reminder that nothing lasts forever.Related image

Joo cautions that viewers should appreciate the subjects of his incredible photos but keep them in mind also as examples of humanity’s wastefulness and the impact society has on nature.”It’s really important to think about just how much we leave behind,” the 25-year-old Mentor native said. “I want to try and make a change in the way people think.”

He’s photographed abandoned malls, stadiums, schools, hospitals and houses. His pictures from inside Mike Tyson’s deserted Ohio mansion and the decaying Geuga Lake Amusement have gone viral on the Internet.

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Photo Analysis

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This photograph is a true representation of the past. It represents a discovery of forgotten things which brings a realization that this place was someones past; the history of lives we never even knew. There is great use of leading lines and depth of field within this photograph. The layered chairs, which represent a sense of structure which once used to stand, helps to draw the audience to the daylight in the distant windows. I believe this small amount of natural light represents a feeling of hope that is left about the building. The carefully positioned chairs create a strong contrast and juxtaposition to the rest of the building which is completely wrecked and derelict. This use of contrast may be a reference to the atmosphere which once was present to how it appears to be now. Personally I see these this photo as a missed opportunity to help those who don’t have a place to call home such as the homeless.

Beomsik Won

Beomsik Won takes photographs of urban buildings from different times and spaces, breaks them down into segments using digital techniques, and constructs collages to create familiar-looking, yet imaginary buildings. To make these “Archisculptures” as it is called, he carefully combines the segments taking into consideration the architectural size, space, and formative elements; he then places them against simple backgrounds, and lastly adds people or birds for the viewers to guess the size of the building. Although these strange buildings are products of the artist’s imagination, they show various styles of architectures throughout history.

My response to Beomsik Won.

Case Study: Tyhe Reading

http://www.tyhereading.com/

Tyhe Reading is a professional photographer and graphic designer located in Melbourne, Victoria. With a focus on sustainability, Tyhe captures his subjects in a way that is truly representative of the experience.  He first started taking images at aged 14 but really found his passion for the subject and deiced to peruse it as a full-time career when he was 17. His photography works stems from his childhood of growing up on the Coast, admiring the natural environment in ways that had to be captured with a camera. This crosses over into his design work as he tries to incorporate his love for the natural environment and geometric structures into his designs.

 

Image analysis

 

This image was taken during golden hour using natural lighting to capture the image. You can tell this because the light that is being reflected of the sea and the mist in the background of the image had a golden tint to it which would only happen during golden hour which is ethier sunset or sunrise. The shutter speed would have been around 1/40 1/100 to make sure that the waves are in focus and sharp The main focus of the image is the triangle in the centre which has then been split up into furthering different parts of the image to create a geometric effect. There isn’t much texture in this image as the waves in the foreground ae very smooth and sleek, however a bit of texture can bee seen in the background of the image with the rocks but mainly only the silhouette can be seen. Overall the image is very light the only dark tones in the the high raise of the wave and the outline of the rocks in the background

David Hockney’s Landscape Joiner Photography

David Hockney

David Hockney (born 1937) is an English painter, print maker and photographer. He was an important contributor to the pop art movement of the 1960’s and is considered one of the most influential British artists of the 20th century.  Hockney has made prints, portraits of friends, and stage designs for the Royal Court Theatre and the Metropolitan Opera in New York City. Hockney was born with synaesthesia, he sees synesthetic colours in response to musical stimuli. In the early 1980’s, Hockney began to produce photo collages that he called ‘joiners’, in these Hockney took multiple photographs and arrange a patchwork to create a composition.

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My Favourite Photograph

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In this joiner photograph it appears that Hockney used natural daylight to capture it. This is because the colours are very vibrant and there is a natural level of contrast within the photograph. In the photographs that make up this collage, I think that a deep depth of field will have been used to ensure that the whole of the photograph is in focus. A shutter speed of 1/40 – 1/100 will have been used along with an ISO of 100 or 200 for this as the photographs making up the collage are sharp and have the correct amount of exposure.

There are lots of vibrant colours in this collage which catches the viewers eye, this creates a wider tonal range and more contrast between colours in the photograph. The majority of the collage is light, the only dark tones are in the trees and shadows. There is a texture in the ground in the collage which allows the viewer to see the photograph as more realistic and relate to it more. It is quite a 3D image as there are obviously subjects in the foreground and subjects in the background which get darker as they get further back.

This photograph is one of Hockey’s joiner photographs in which he would use polaroid prints and 35 mm commercially processed colour prints of a single subject to create a collage. The result of this joiner work has an affinity with Cubism, which is one of Hockney’s major aims – discussing the way human vision works.

psycho geography photoshoot

The photos I took on this shoot are interesting because they show the deterioration of the urban area. A lot of the photos are more close up and abstract but I think these help to paint a picture of the urban landscape as a whole through detailed photos. I found when I was walking around and exploring an area i though I was familiar with I found interesting things which I would not have noticed if I hadn’t come there to specifically takes photos.

I selected and edited my favorite images from this shoot which I thought showed the area I walked around the best. They display the idea of disposable goods and and how the weather and environment has effected urban areas.

 

The New Topographic Inspired Shoot

within this shoot on the topic of New Topographics, I will be focusing on the contrast between the urban landscape surrounded by forms of nature allowing imagery to give way to unromanticized views of stark industrial and urban areas to which these everyday scenes would not be given a second glance about.  Photographers that have inspired this shoot for me consist of Robert Adams, Stephen Shore and Henry Wessel.

Some of their works can be seen below to provide a general idea to the overview of New Topographics:

I decided however to plan the shoot before I went ahead and did it. This would allow me to have a general idea before hand of what I wanted, and needed to achieve to produce an effective overall image regarding the topic of New Topographics. These are my ideas:

Once this was complete I decided it was time to move on to the shoot itself, and so decided to use the areas regarding the idea sheet of town, Grouville and St Brelades. These were my outcomes:

Once the shoot was complete I narrowed the images down to only ten of my favourite pictures. By doing so it would make it easier for me to select the final image that I believe to be the most relevent and successful overall. These were my choices on the ten best images:

From this selection I whittled the ten images down into five, this would allow to select the best photo from the batch which I deemed most appropriate for the catagory ‘New Topographic’. These were my choices:

I chose this image because of how I loved the clear contrast between nature and the taking over of it by man, seen by the run down sign surrounded by overgrown grass. I found this to be aesthetically pleasing created by the use of a depth of field, by doing so it blurs our the foreground and the background allowing only really the sign to be noticed properly which is where the eye is drawn. I found the slanted composition to be especially interesting by how it gives the impression of an overgrown and ruined world.

I selected this image due to once again the use of the depth of field that blurs the backdrop, this along with the use of the composition allowed for maximum effect, giving the impression of a world that eventually succumbs to nature. I found that the way that the fence was composition allowed for a sense of distance to the photo, with the use of neutral space on the right being filled with industrial buildings bringing the viewer into perspective of the area it was taken in.What I loved about this image was the clear contrast and clear colors used to create an aesthetically pleasing outcome. This is done through contrasting colours blue and white which highlight features of the building, allow for such things as the door and bolts top pop out and draw the viewer’s attention. The composition I found also was aesthetically pleasing due to how the entire image is symmetrical which in consequence created a much cleaner and pleasing look.Within this image I found that there was obvious difference between nature and man-made structures. This is once again done through the use of a depth of field to which allows for the appearance of us peering through nature to find the man-made structures that surround everything, whilst showing how where ever nature is human activity is not far behind. I found that the gloomy colours within the image emphasised the destruction caused to the landscape by these structures and how nature and civilisation lives side by side. Finally I chose this image as I loved the reflection of cranes created by the aftermath of rain fall. This was partially down to how I thought it highlighted a clear contrast between nature and society, with the looming structures left behind, whilst at the same time creating a deserted and desolate feel to the overall piece. I found that the composition of the piece complimented the photo as it filled most of the negative space made by bricks, with various beams fading out of the image.

Once completed I thought it was time to decide on a final image from the shoot that I thought emphasised the topic ‘New Topographic’ and was most effective in response to it. This was favourite image as an outcome to the shoot:

What made me choose this photo as my final image was because how to me it summed up the clear contrast between human activity and nature. This was done by the composition of the grass creating the impression of it growing around the sign as if taking back the land seized by man, to which there is a clear difference in surrounding of the backdrop consisting of machinery and metallic structures that create contrast in not only surroundings but color. The use of depth of field creates a clear definition around the sign allowing for the eye to be drawn to it immediately with both the foreground and background complimenting it due to the drastic difference in colors and blur. To me this was the image that related the most to the topic of ‘New topographic’, which not only created a feel of the contrast between man and nature, but also of the deserted spaces that surround us in our everyday lives.

 

 

Altered Landscapes

For this post I wanted to explore the use of altered landscapes. To do this I would need to research specific photographers that use this technique to produce the artificial designs and attempt to copy the idea using my own imagery and Photoshop. A photographer I found particularly interesting is Krista Svalbonas, Svalbonas uses images she has taken of buildings to then create part of a structure by stitching together parts of the buildings wanted. Here are some examples of her work:I found that Svalbonas used a calm colored backdrop to her creations to balance the entire piece and really make the design pop out. In response to this I looked through previous photo-shoots picking out images of buildings that I had taken recently. Once found I proceeded onto Photoshop to cut out and stick the parts of these buildings together creating a structure similar to that of Svalbonas, to which I would continue to add a colored matt backdrop that in my opinion balanced the image out. This was my process:

Firstly I created a mood board of the images I wanted to stick together that I thought worked well composition and color wise.From here I cut out the buildings individually and proceeded to join them together experimenting with what fitted well.To do this I used the lasso tool to accurately outline the object wanted so that I could then paste onto the design and move it around until satisfied with its placement.Once the design had been finished I experimented with a series of colors that I thought were neutral and would not overpower the overall piece. To do this I used the shape tool to cover the backdrop with a large square where I could then change the colors of it.

Once I had put together the images I thought best suited each other I added a backdrop using a singular shape put beneath the layers, this allowed for the effect wanted whilst neatly finishing the piece. These were my results:

To create these images I mainly incorporated photos that I had based around the International Finance Center for my psycho-geography shoot and a few images from various other shoots. Whilst doing so I found that by duplicating the image and coloring it black while at the same time reducing the opacity, created a shadow like effect to the piece, this allowed for a 3d like effect that I wanted to put across on the piece and at the same time giving it a more graphic feel. Once done I added a green and a pink backdrop to each piece as I found that these colors drew the gaze to the piece rather than be sore from all the negative space surrounding it.

 

Panoramic

What is panoramic photography?

Panoramic photography is a technique within photography that uses specific equipment or software, to capture and horizontally elongate its fields of view to an image taken. The term however can be applied to photographs that are cropped to a relatively wide aspect ration, and in some cases is known as wide format photography.

There is no division between the terms “wide-angle” and “panoramic”, but rather that “wide-angle” usually refers to a certain type of lens which does not necessarily make the image a panorama. However an image taken approximately, or greater than the human eye, for example about 160°  by 75°  can be termed as panoramic. This usually means that the aspect ration of the image is 2:1 or larger, with the image being twice as wide as it is high resulting in a wide strip image. Some panoramic imagery covers 360 degrees, but both the aspect ration and coverage of field are both important factors in defining the term panoramic.

Some example of panoramic photography can be seen below:I decided to attempt at making a panoramic image by stitching together individual images I had taken of a landscape within Photoshop. To do this I overlapped picture upon picture to create a forged landscape of the area taken as seen below:

Once finished I proceeded to use this method to create a few more panoramas of the landscape in the area where I live, these were the results:This image of the bay consisted of twelve individual images that I had to crop and re-shape to allow for the smooth transition effect between each photo that creates the impression of a singular image. I took this image of the golf course across the road to me by cropping the overall piece due to how some of the images did not match the shape or size of the others taken. This removed any rough edges to the image allowing for the final result.This final image I found to be the most successful due to how the transition between each image looked the most natural with only slight lighting differences.

 

 

Urban Landscapes | The New Topographics

The “New Topographics: Photographs of a Man-Altered Landscape” was an exhibition held by William Jenkins in 1975 that epitomized a key moment in American landscape photography. 

It featured ten photographers whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape. Many of the photographers associated with new topographics including Robert Adams, Lewis Baltz, Nicholas Nixon and Bernd and Hiller Becher, were inspired by the man-made landscapes with some of their works featuring parking lots, suburban housing and warehouses. These were all depicted with a beautiful stark austerity, almost in the way early photographers documented the natural landscape. The exhibition revealed the growing unease about how the natural landscape was being eroded by industrial development. This contradicted the previous movement of Romanticism.

 

Altered Landscapes

As it’s commonly understood, landscape photography is representation of  untouched beauty of nature through an image. For example a pristine mountain range shrouded in early morning fog, or a peaceful lake without a human being in sight.

In Altered Landscapes we sometimes see meadows and mountains, but they’re not presented to us only as images of beauty. Instead, they reflect how the environment has been changed by humans—often for the worse. In the altered landscaped genre humans rarely appear in the photographs yet their presence is undeniable.

Rondal Partridge, "Pave it and Paint it Green, Yosemite National Park"

Not only are altered realities/landscape photos a reference to human destruction in our world and a juxtaposition of the standardized landscape photographs but, they could also be standard landscape photo that has been altered within Photoshop or another equivalent. I believe this style can produce some very interesting and unique photographs which are highly influential in allowing an appreciation for the editing skills as well as conveying messages and telling stories.

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