Here I will be exploring the effect of tinted lighting through the editing of images, for example I will be changing the colour produced by lights and the contrast they have against the backdrop. My inspiration comes from Todd Hido who uses coloured lighting to empahise a certain feel in a room, to which I want to use so I can emphasise the idea of lights in empty areas which conventionally have people in. I will be showing my process on how I get to the current result with the software used, and how I manipulate it. First I will be starting with regular lighting imagery of areas around my house, next I will apply a saturated filter etc over it to change the colour and the outcome produced. Here are my outcomes and process:

Here is the process on how I got to the current stage in each image:Within Lightroom I used the adjustments tab located on the right to change the saturation and exposure etc. By doing this it enabled me create more dramatic images mixed with coloured lighting to maximize the effect wanted, whilst the highlights, shadows and white effects created and took away any shadows or unnecessary parts of the lighting that ruined the image. By experimenting with this it opening photographing abandoned areas up to new techniques to fully emphasize the message I wanted to get across of conventions related around public areas and the way they are perceived.

In this shoot I will be using abandoned spaces and their hidden beauty beneath to photograph, when doing this I will be looking at symmetry and lighting to create colour and pattern that makes an aesthetically pleasing result. A photographer that focuses on this is Todd Hido, Hido focuses on the secret beauty of household spaces that have been left abandoned and disregarded, I will be using him as the basis of my ideas for my shoot. To do this I would visit empty spaces such as cinemas and opera houses whilst closed, doing this would make use of the minimum lighting available whilst creating an aesthetically pleasing result.

Here are some examples of his work that inspired this shoot:After deciding on what I wanted to focus on I made a mind-map, this would enable me to channel my ideas to specific topics that I should focus on in my shoot. This would remove all unnecessary time-wasting as it would allow me to get straight to what I wanted. Here are my ideas for the shoot:Once done I was ready to move onto the shoot itself, I had gotten access to the local theatre and was now able to know exactly what I wanted to focus on whilst there. After that I would take the image count down to a top ten photographs that I thought stood out from the rest, from there I could then take them down again to the best image of the entire shoot. Here are my results: After previewing my images I decided to pick ten images from the shoot which I could later narrow down to five and then one overall image that I think best reflected the topic of secrets, codes and conventions. By doing this process it would allow me to analyse and really think through each decision I made regarding each of the images. Here were my choices:

I next went on to bringing my top ten images to only five, from here I would analyse and describe the technical aspects of each picture furthermore allowing me to find the one that I incorporated the best to the topic title. These were my picks for the best five images:

I chose this image because of the effective use of lighting and the symmetrical composition of the piece. I found that the more dominant light created an orange gradient that transitioned as it went across the seats, this produced an effective balance throughout the picture making it aesthetically pleasing as a result. The blue lighting the trims either side of the seats disrupts the other wise dominant use of red, but at the same time does not overpower or look out-of-place compared to everything else, I really liked this from how it added other elements into the picture creating greater contrast. The symmetrical composition adds to the aesthetics of the image with the two lights being focus point of the piece since they highlight the seats and are the first things the viewer looks at. This allows this idea of abandonment to be emphasized from how the gradient and lighting adds eeriness as it is meant to resemble an area that is currently unused by any human presence.   What I loved about this image was the use of a depth of field contrasted by the use of light. Because of this it divides the image into two sections, a light and a dark, with as a result contrasts the darkness of the ceiling and the two lights either side of the picture. The depth of field emphasizes the idea of abandonment through how the seats seems to go endlessly back but contain an absence of people, this fits into the category of conventions as it highlights a should be full area that is now unused and left behind until taken notice of.    In this picture I found the composition to be most effective due to the angle at which it was taken at. The slant which the image was taken creates a broadened sense of desertion seen through a depth of field that blurs out the bottom rows, this makes the image seemingly unsettling from how the area should contain people, but instead lacks it. However the use of a highlight produced by the overhead lights breaks the dull red colour range of the image adding oranges into the mix by breaking the otherwise purely dark colours.
I found that the depth of field in contrast to the dark colours of the rest of the image produced a nice gradient breaking the otherwise bland colour scheme as a result. The faint use of blue streaks used in the far distance of the picture add other elements into the picture when looked at closer, this is also provided the dark border of the image which the chairs seemingly fade into existence from, creating the impression that the place is now deserted and is also forgotten (seen from the hazy darkness).
Finally I chose this image due to the overwhelming use of the white screen projecting a ghostly light onto the seats facing it. I found that this produced an almost mesmerizing effect, whilst creating the result of the seats fading into darkness as they went further left to the photo.  As a result I found that this created the impression of minimal human influence over the area hence the ghost like product from the contrast.

After looking at these images I was happy with how they reflected the topic I wanted to focus on of conventions, I thought this was done effectively from each images use of darkness to create a contrast between the little light available portraying an eerie effect onto each row of seats that were occasionally broken by hints of orange.  Once this was complete I went on to decide the final image of the shoot that I think best portrayed this effect. This was my final result:

Final Image:

What I loved about this image that made me choose it as my final piece was overall the contrast, this was because of how it allowed for a black border that the chairs seemingly fade into existence from, and with minimal light available creates a very eerie impression onto it. The symmetrical composition of the photo makes it aesthetic through how everything is an equal distance away from each other, this also divides the piece into both a light and a dark side highlighted by the use of orange shades on the far left. In relation to the topic of conventions I found that it really emphasized how usually crowded areas when empty, create an almost haunted feel to them due to the norm of not being able to see them like this.

Who is Todd Hido?

Todd Hido was born 1968, America, Kent. Hido’s work is of suburban and urban homes shown in galleries and business throughout the world. In 1991 he was awarded a BFA from Tufts University and a MFA from the California College of Arts and Crafts, currently he is the professor at the California College of Arts and Crafts in San Francisco. Hido is most famous for images taken of home areas across the US using lights to create detailed and luminous imagery. These show the despair and loss of the falling housing market.

Hido’s images are used worldwide, this includes The New York Times Magazine, The Face, and Vanity Fair, with other instances that can be seen in museums in New York, Chicago and Los Angeles. Hido makes it evident in his photographs that he branches out to other styles of photography such as portraiture, with all his works receiving critical acclaim. Each of his images are meant to resemble the hidden beauty that hides beneath the surface, with each image having its own story of memories and failed dreams.

Hido has won several awards, including the Barclay Simpson Award in 1996, and the Best First Monograph in 2002 for 2001 photo-eye books and prints.

Some examples of his works can be seen below regarding the topic of hidden beauty:After looking over his style and influences I decided I should analyze one of his pictures to find what made it so effective as a piece, to do this I would look at the technical aspects etc to determine what made it the way it was.Technical: The images makes use of the little available to the room creating a gradient along the wall, this emphasizes the shadows and dark coloured floor and walls, creating an almost eerie effect to the room itself. The use of a half opened door breaks the otherwise dull looking room by adding some yellows into the picture, to a viewer this creates an aesthetically pleasing result from that disruption of  pattern. A low exposure can be seen being used from how the contrast between the lights and darker areas almost pop out at you due to the emphasis of colour.

Visual: Visually the image is aesthetically pleasing from how the range of colours used compliment each other as a result.  The composition of the image itself it photographed at an angle, but still keeps intact elements of symmetry between the far left and right walls, allowing for an effective interpretation of what the rest of the room is like. The dramatic used of the gradient light in the center of the wall probably made by a small dusty window creates a break between the dark theme of the room, however this as well as the door, pose as the center of attention within the image, instantly drawing our eyes towards it.

Conceptual: The image is meant to highlight the remains of dreams that were previously there but abandoned, whilst basing the idea around the concept of the hidden beauty in objects and areas left behind or currently uninhabited. The piece is also meant to be surrounding a controversial issue of the failing market at the time and in a way is voicing his opinion about the topic.

MOOD-BOARD

Below is a mood-board which I have composed as initial ideas and inspiration for this project…

Yokosuka Story 1977 was Miyako Ishiuchi’s first significant body of work, capturing the small port town where she grew up. Although in Japan the town  was the site of a large US Naval base, and was invaded with American culture. she captured social conventions in a country distorted by memories of the second world war. In this series we can see why her work is often called unsentimental and full of secrets and mystery. A lot of the photos were taken during winter with limited light and printed grainy with a high contrast. In this series she explored many parts of the town including narrow streets and residential housing including shots of people in an informal documentary approach.

“I am interested in the way that time records itself into things and people’”- Miyako Ishiuchi

In the same way I have explored the house and possessions left after their owners death.

I edited each individual photo with the C1 filter on VSCO cam to enhance the colours and give them a vintage effect. I took the idea for the filter from the way I Ishiuchi Miyako edits her work to enhance the existing colours without making it look false. I then transferred the the photos to photoshop where is used the clone tool to disguise imperfections in the background which distracted from the focus of the image. I edited all three of the photos the same before moving them into a new document and arranging them in vertical format. I had intended to put the images in order as if the book was being opened an pages turned over, however it looked a lot better with the symmetrical shapes at the top and bottom.

I chose to take photos of this service book because it was one of the hidden items found in the house. During the occupation in Jersey radios were banned because they were seen as a for of communication, however people kept them hidden in their houses despite the risk. The owner of the house I was  taking photos in had a radio and and regularly listened to french and UK stations. She wrote down questions and answers from a quiz in an old service book because resources were limited. I love how the book and other items in her house have a story behind them which which will remain an untold secret.

I found many diaries in her house from her and relatives before her, this one in the picture bellow was from 1946 which was the year after the island was liberated. She wrote mainly about farming which was a big aspect of her life. I have edited this image by selecting the background and making it black and white, I also increased the contrast and darkened the selected area to help the diary stand out.

I wanted to edit in the style of Miyako Ishiuchi’s Yokosuka story series. The photos are low key with a high contrast and grained texture. I achieved the gain effect by creating a new layer and filling it with black, i then went of filter and added noise. I played around with the percentage and made it monochromatic before inverting the layer and changing the blend mode to multiply.

I edited the next few photos in a similar way but played around with the levels and blend mods to achieve different finishes. I also noticed some of her photos had a slight sepia tone so incorporated this into some of my edits.