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Arnold Newman – Case Study

Case Study

Quick Biography

Arnold Newman is often considered one of the greatest photographers of the 20th century.  His career centered around portraits (as he photographed everyone from businessmen to celebrities to politicians and even presidents).

He was one of the earliest photographers to master the “environmental portrait”. The concept of the environmental portrait was to incorporate all of the objects on the photographic canvas to support the subject including backgrounds and graphic design elements.

source – here

Photo Analysis

Technical

The most striking technical aspect of this image is the photographer’s use of lighting to create a sinister and intimidating atmosphere. Although there doesn’t seem to be any flash used and the lighting was most likely the natural daylight that occupied the factory.  Arnold Newman purposely showcased the background by keeping everything in focus to portray this person’s environment. There is a vast tonal range in this image, ranging from the darkest black to the brightest white.  The shutter speed seems to be on the higher side (F16) since the foreground and midground are sharply in focus and the background is slowly blurring out- but still in focus enough that we can see what’s happening.  The white balance of this image would be around 6500K (cloudy) since the image brings out the warmer tones that dominate the cooler ones.

Visual

Visually this image is extremely interesting; our eyes have many points to focus on while exploring the photograph. The foreground is rather dark and the subject is fully in focus- however, as we travel further back the background begins to blur softly. The image contains multiple line patterns; the columns and ceiling portray perfect lines of symmetry. Natural framing is also a rather large aspect of this photo, the aged, graffitied and worn columns also help show what kind of place this image is set in. Furthermore, the ceiling (which looks similar to train tracks) draws the viewer’s eyes to the centre of the image- since they follow the path and direction of the lines.

Contextual

The subject in this photo, Alfred Krupp used slave labour to make weapons for the Nazis during the Second World War. Upon finding out that the photographer (Arnold Newman) was jew, Krupp refused to have his portrait taken by him.  After looking at his portfolio though, he agreed to have the photo taken by him. Arnold Newman then did his best to portray the man in the evilest manner he had said that  “As a Jew, it was my own little moment of revenge.”

Conceptual

The concept behind the photo was to make Alfred Krupp look as inhumane and bad as the actions that he took. Arnold Newman wanted to expose the true nature of the subject to the world as ‘revenge’ for the things he did/things he supported in the wars.

Source – here

My Photography-In The Style Of Arnold Newman

 

Environmental Portraits

What is it?

An environmental portrait is a portrait taken of a person or people in a situation that they live in and a place that says something about who they are. It is often a place of work, rest or play. In simpler terms any portrait which gets us to know about the life terms, their physical and biological interactions with the local ecology, showing their nativity can be called as an Environmental Portrait.

They are interesting and easy to shoot because:

  • They give context to the subject you’re photographing
  • They also often give the viewer real insight into the personality and lifestyle of your subject.
A moodboard I created with interesting images I found under ‘environmental photography’ on the internet.

What is An Environmental Portrait – Tips & Examples

Source for both the information and photo is above

Arnold Newman – Environmental Portraiture

The work of Arnold Newman

Arnold Newman was best known for his environmental portraiture of all kinds of people from everyday strangers to big industry names. His collections of black and white photography captured these individuals in their natural environment in order to display how each individual’s environment is so diverse from another.

“For five decades Arnold Newman stood behind his camera, facing individuals and egos that have shaped the realities of twentieth century life. Emperors, poets, dancers, composers, presidents,
painters and shoemakers have all collaborated with him, placing themselves in his trust to be properly portrayed.”

Here is some of his work showing how he went about his portraiture photography…

BROOKS ATKINSON, NEW YORK CITY, 1951
DR JONAS SALK, , LA JOLLA, CA, 1975
SALVADOR DALI ,NEW YORK CITY, 1951

His work showed the emotions, the surroundings and the spaces in which these people are situated in everyday life.

Work Analysis

This photograph taken by Arnold Newman, is of Igor Stravinsky, an influential Russian composer. The image simply displays the basic context of Stravinsky’s everyday life as a composer, through the association of the grand piano which represents and symbolizes his musical career that has made him who he is. In a way Stravinsky has been subtly framed in this photograph by the lines and open angle of the piano, in which he is within the angle, therefore drawing the viewers eye to his and the tonal split in the wall behind. The dark tones of the piano and the composer stand out to the lighter tones of the wall behind them. This emphasizes the the parts of the photograph that could be considered most important and contextual. The image its self appears to be of an only slightly under exposed with a high contrast as the dark tones in the image stand out considerably. The expression of Stravinsky in this image captures the feelings that he would experience on a day to day basis with the constant feeling of needing to compose songs, with most days not coming up with anything new making his time monotonous, hence his tiresome expression.

What is Environmental Portraiture?

Environmental portraiture is portraiture which is executed in the subject’s normal environment, this emphasizes the subject’s life through their surroundings. Environmental portraits give context to the subject being photographed. Environmental portraits lie between quite strict studio portraits and candid portraits; the subject is relaxed however is aware they are being photographed.

Here are some examples found online of how environmental portraiture can be executed…

Michael Jordan during Chicago Bulls NBA game
Travis Scott on his live tour
Stan Lee in his MARVEL office

When executing an environmental portrait it is most effective for the subject of the piece to be facing and if possible looking into the lens of the camera which creates an emotional eye contact, which depending on the expression of the subject could imply further context to the image.

The purpose of environmental portraiture could be to document or display the everyday life of a certain individual, whilst they are in their usual environment.

Abstract Final Piece

My Final Piece

For my final piece I have chosen to go with a composition of 9 images (3 groups of 3.) This is because I believe that rules of 3 look very aesthetically pleasing to a viewer.

I believe that the images strongly portray a sense of abstraction through the use of color, minimalism, PhotoShop, composition and structure.

Original Images

Here are the 9 images that I have chosen to use as my final piece…

m e l t i n g b o a t s
r e d s t e e l
1 3 2 6
m i x e d
s t a i r f l e c t i o n
60 40
w i s e 2 5
c o d e
n o p a r k

All of these images have been edited using PhotoShop, some more than others. I would have considered all of the images to have been abstract before editing them however I believe that the PhotoShop editing that I have done has increased how abstract the images are.

Originals & Edits

Here are the original images against the edited images that I have produced…

Edits (LEFT) Originals (RIGHT)

Grouping

For my final composition of photographs I have decided to group them into 3 groups of 3 (9 all together.) This is because I believe that visual threes work very well visually therefore 3 groups consisting of 3 images would hopefully work very well.

I wanted the organisation between portrait and landscape images to be symmetrical therefore I composed the portrait images in a cross (X) and the landscape images on each ends of the across sections (+). I believe that this gave a very visually pleasing result.

Here is my original basic composition of images (3×3)…

Further Improvements (inspiration)

I was happy with how this appeared, but I wanted my final piece to be slightly more interesting to the eye.

One of my favorite abstract artists, Keith Haring‘s bold, minimalist and colorful work is what inspired me to group of the 3 groups of images using colorful polygons. The 3 groups that I sectioned my images off into were: Visually Melting, Visually Minimalist and Visual Text.

Here is some of the work of Keith Haring to give an idea of how it is reflected in my final piece…

Here is what my piece looked like after adding the colored sections…

However I was still not 100% satisfied with the full aesthetic of the piece. I wanted to add titles/names to the 3 groups of images. I wanted to do this without the writing distracting the viewer from the images themselves, so I decided to go with a basic ‘typewriter’ style font called ‘Rod Regular’.

So all together with all final improvements and edits here is my final piece on the work of abstraction…

FINAL PIECE

 

 

 

 

 

 

 

 

 

 

 

Choosing my final images

When choosing my final images I had a lot of images to chose from that I was happy with and wanted to use but as I had so many I wasn’t sure as to which one to use. When I came to my final decision I couldn’t pick the one photo so I ended up picking multiple images from different homework’s. I liked these images the most as they were the images that related to the artist the most and the ones that I personally though came out the best out of any of the others. These photos also show my camera skills and also my Photoshop skills.