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Print Choices

PRINT CHOICES

IMAGE 1

I chose this set of 4 images (as 1 image) to be printed off at A3. This is because I believe they display my creative ability in a rather artistic way. The 4 images explore the topic of social identity. I was hesitant to print these as I was unsure as to how they would turn out printed but have discovered that it will work fine.

IMAGE 2 

I have chosen this compilation of 2 images as my second print as I believe they are two very well balanced photographs that compliment each other to create one aesthetically pleasing image. The colors of the two different outfits work together really well to balance the image color-wise, also the black on pink stripes against the white on black stripes create a good balance. I have chosen for this to be printed in A4.

IMAGE 3

This is the third image I have chosen to print (A3). This is because I believe it displays my camera skills, framing and visual composition quite well. I believe that the rustic and industrial surroundings of the focus (dog) of the image compliment the focus successfully as well. although I like this image a lot I believe it could work better as a set of similar street photography photographs, therefore I may decide to get some of the following images printed also…

Creative Portraiture Case Study – John French

Visual Influence – Projector Portraits

Below are some images that I found interesting and wish to work in the style of.

Projection photography has become increasingly more popular over the years as photographers and artists have discovered this fantastically adaptable resource to produce art and photography.

Most famously, photographer John French used projection art photography in the 1960s – he photographed models with floral patterns projected onto their bodies instead of clothes.

John French

Born in Edmonton (London) John French originally trained and worked as a commercial artist, becoming a photographic director in an advertising studio just before World War II.

He worked for many editorial magazines and newspapers(like the Daily Express). He worked on a new form of fashion photography (which included bouncing light from reflector boards to create aesthetically pleasing, low-contract images that would reproduce well on newsprint).French is known for his clear, stylish, uncluttered black and white photographs taken against clean backgrounds.  He preferred to work closely with his models, devoting much attention to their posing and his sets.

Source

Contact Sheets

Editing

Evaluation

 This was my first and, by far, favourite image. I like the immense focus and the chilling stare of the subject. Adobe Photoshop helped me position the model in the center of the image with a large amount of black filling the frame. I aimed for this effect with all of my images, I wanted the dark to almost swallow my models – I think that this gave my images a more sinister feel and created a more mysterious atmosphere that surrounded my images. Due to this, the photographs also have a more minimalistic feel about them, thanks to the projection aspect the photographs are much more complex and interesting to look at. If I were to do this whole photo shoot again I think I’d try to take some photos with multiple models- with each of them having different projections and experiment with the different effects. I would also try to mix some images together via overlay and such.

This is my second final image for this subunit, unlike in the other two photographs, this image fully obscures the model’s face and features, This is because she’s looking away from the light source and into the shadow. It follows the general theme and what I was going for, the projection of the stars is very sharp and crisp in this image which makes it more pleasing to look at. This is the last image, for this image I chose to use an image of a tree with stars behind it. This way I was able to achieve different colours and play around with the placement of the trees in regards to the subject’s posture and such.

 

Landscape Photography | Coursework Unit 3 | Getting Started…

YOU WILL HAVE 7 WEEKS JAN 3 -FEB 26 TO COMPLETE AND SUBMIT YOUR FINAL UNIT OF COURSEWORK.

Christmas Break : you should aim to produce a range of landscape inspired images, focusing on natural environments, evocative and atmospheric settings.

Try to get out in the morning / evening light or even at night and capture interesting light effects, colours, mist, fog, and shadows too…

Possible locations include : woods, forests, sand dunes, beaches, fields, valley settings, cliff and coastal areas, sea-scapes (looking out to sea), church-grounds etc

We will be looking at Romanticism as a starting point and if you click here you will have a better understanding of some of the roots of landscape in contemporary photography….

Caspar David Friedrich 1832 Germany
Ansel Adams 1942 USA
Don McCullin 2000 UK
Fay Godwin 1985 UK

 

AS PHOTOGRAPHY MOCK EXAM

THEME : LANDSCAPE 

DATES…

MONDAY 26TH FEBRUARY 12 A PERIODS 1-5 IN PHOTOGRAPHY ROOM

TUESDAY 27TH FEBRUARY 12 B PERIODS 1-5 IN PHOTOGRAPHY ROOM

WEDNESDAY 28 FEBRUARY 12 C PERIODS 1-5 IN PHOTOGRAPHY ROOM

THURSDAY 1 MARCH 12 D PERIODS 1-5 IN PHOTOGRAPHY ROOM

PRINT DEADLINES

FEBRUARY 19TH 12A, 20TH 12B, 21ST 12 C, 22ND 12 D

(You can add abstract, formalist, portrait and landscape final images to this print run too)

You may have other opportunities to explore architecture, and make links to what you studied in ABSTRACT AND FORMALIST photography…

Link to BBC Website feature on Architectural Photography

 

Creative Portraiture Edits [social identity]

CREATIVE EXPERIMENTS

These creative experiments were made surrounding the topic of social identity and how people portray themselves within society and how other people portray them, not specifically to the subjects of the image but in general as a society how people seem to see themselves as individuals.

I will probably use other styles of photos in my prints selection due to the purposeful use of grain in these images which could effect the printing process. However I would like to compile 4 of these images as on of my A3 prints.

Influences / Inspiration

This style of work which I have used in this collection of work is inspired by various photographers and graphic artists including: David Carson, Lester Beall, Neville Brody, Paula Scher, and Shepard Fairey (the creator of the OBEY brand.) Here is some of their work…

David Carson
Lester Beall
Neville Brody
Paula Scher
Shepard Fairey
Shepard Fairey

The work also was influenced by Russian graphic propaganda. This was a way of representing the topic of  social identity as a battle within my work.

Examples of Russian propaganda

Tableau Photography

What Is It?

Tableau is used to describe a painting or photograph in which characters are arranged for picturesque or dramatic effect and appear absorbed and completely unaware of the existence of the viewer. Tableau paintings were natural and true to life, and had the effect of walling off the observer from the drama taking place, transfixing the viewer like never before.

Source

Famous Tableau Photographers – Jeff Wall

Jeff Wall was born in 1946 in Vancouver, (Canada) where he currently lives and works. He  became interested in Vancouver’s experimental art scene and taught himself photography, seeing it as the best tool for expressing his conceptual ideas. He received his Bachelor of Arts degree in 1968, and his Master of Arts degree from the same university in 1970.

During the 1990s, Wall began seeing photography as a medium to connect film and literature to art. To create such a connection, Wall first redesigned his studio, modeling it after ‘cinematic film production-miniaturized’. Next, he began shooting his photographs much like a Hollywood movie; he built and dressed large sets, gathered costumes, and hired models. The resulting photographs were a representation of the natural world. However, Wall had not simply happened upon a scene and clicked a picture. He artificially recreated the natural scene where he controlled the image. Below is a collage of some of my favourite photos from this photographer, I chose those photos because of their eye catching nature and peaceful yet disturbing atmosphere.

Source

 

Studio Lighting Explanation and Types

STUDIO LIGHTING

What is studio lighting and why do we use it?

Studio lighting is an effective way of lighting up a subject using artificial light sources, it is done in order to: reflect light off the subject, highlight certain features of a subject and to give a clear image of the subject by enlightening them.  It helps the photographer to create a controlled environment in order to an exact photograph that you want. Studio lighting allows you to completely control how hard/soft the light is, the intensity of it and the direction of which it is coming from. It is easy to adjust studio lighting in order to create the best shot possible by highlighting certain parts of the subjects face and body and by reflecting light in different directions.

Types of lighting

Spill Lighting

Spill lighting is lighting where the light falls where it was not intended to fall by the photographer. This creates a distracting effect within images which can either benefit or ruin your photographs.

Diagram Explanation of Spill Lighting
Visual Example of Spill Lighting

Fill Lighting

Fill light is any source of illumination that lightens or fills in areas of shadow created by other lights. Usually, fill light is used to lighten the shadows created by the key light. This is purposefully done to give a natural full look to the subject in order to get a nice clean image.

Diagram Explaining Fill Lighting
Left – No Fill Light , Right – Fill Light Present

Chiaroscuro Lighting

Chiaroscuro lighting is a technique of lighting that uses strong tonal contrasts between light and dark in order to exaggerate certain aspects of the subject with a very dramatic effect.  This technique creates a lot of drama and mysteriousness which works well in a semi-abstract way.

Diagram Explaining Chiaroscuro Lighting
Example of Chiaroscuro Lighting