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last shoot:St Helier development

contact sheet: Evaluation:For this shoot I wanted to finalise and make sure I have been to multiple areas In St Helier and reassure the images I have are the best way to capture St Helier in a successful angle altogether.I clearly focused more on the architectural side of my narrative within this shoot and wanted to display different angles that can be turned conceptually into an idea of character  which each section holds. Within these images Morden buildings are the recurring them although you are able to see some significant monuments and buildings more neglected and so perceived as urban. When editing the images I wanted to enhance tonal features and so the composition of shadows and the angles of the edges and shadows of the building themselves. This shows a presence to the work and position the more built upon section of St Helier to have more power and authority over previous sections. Overall I will not use these images as my final and will continue to keep my previous red images as they show a more possessive narrative of destruction reconstruction modernisation and the community which lives among this constant time.

Final images and jersey archive inspiration

  • For my final presentations I not only wanted to incorporate my themes of the progression and modernisation of st helier but also the way in which I could demonstrate the history and st helier through the archives. I through I could express these themes tonally and show intentions of what the original images would’ve been similar to. I was inspired by themes of documentary photography, this seemingly objectivity should be the ability to convey the impression of an unmitigated image. 
  • The images have  a range of colour overlay experimentations to show a vibrancy and show a senses of life to st helier itself. I was inspired by previous work as colour allowed a free expression and eye catching attentions to the composition nd layout of the images. Howver I think my work has many features of arcjitextual and urban landscapes better complimented wihtin cooler tones, these simplest comparisons present a pre occupation to different sides of st helier and the community and architectural interest wihtin the areas. 

Jersey archive:When thinking about jersey archive I wanted to visit area of great prominence to st helier,i think it is interesting of how time shows the development and also deterioration of an area and allows the community to be subjective upon what they think about it.

overall:My aim was to achieve a complimentary colour, composition and overall feel I want to convey of st helier.When speaking to teachers and other photogohers they agreed the most successful and complimentary images are those which represent jersey archive through the time difference of old and modern while still representing the area and mostly in an urban way. the colours I have chosen I have edited in such a way to be similar in their tones and have the same red themes throughout. all of these images demonstrate a process of destruction and reconfiguration of a landscape to form a comparison of St Helier itself.It shows a evolution of an area, time and the people living within the area itself. lastly I wanted to concentrate on the composition of he piece and experimentation within how the images can be presented to the audience with the most effective way.

 

The lower compositions are too segregated and do not have the correct flow to what a double age would need in a magazine. I have further experimented within that could be my final composition.i could incorporate more experimentation within the architectural construction pieces I have as these also further develop a sense of work ethic and a life to st Helier and the property development within St Helier itself.I will definitely grout and develop an additional shoot for my St Helier project in order to grab a different angle or St Helier and the modernisation and constraint changing to St Helier itself

Independent Study 2

For my third photoshoot I wanted to focus on the more of the industrial aspects of buildings in this shoot. I first visited Sand Street car park which is surrounded by houses and buildings being near the centre of town. I also wanted to walk around and explore the roads in that area to fins more industrial buildings and structures. I narrowed my images down to 60 and displayed them below in a contact sheet.

For this photoshoot i went to an location outside of the area i was assigned to find different buildings and structures in St helier that link to my previous ones.

When walking around Sand Street car park I found this building structure that had wire and lamps on it giving a very industrialised appearance. I particularly liked this image as tones and colours in it are many black, grey and white even though i haven’t edited it this way. This means that building looks like its been edited in black and white in real life, representing how the industrialisation in Jersey is taking away the colour and culture. The cloudy sky gives a white background to the grey and black building in the foreground creating a hostile appearance. The angle this image is taken at emphasises the bold black wire running up the side of the building. I chose this photo as one of my final images as you cannot tell that it was taken in Jersey and could be anywhere industrial in the world, representing how Jersey is losing its heritage and culture by new constructions and starting to look like other towns and cities.

I like this image as it gives an overview of an area in the center of St Helier, showing the different and mismatched styles of building like tower blocks and smaller town houses. The angle which the photo was taken in a car park gives people a different perspective of St Helier than they might normally see. The way the buildings are arranged in this image to me looks like the buildings are being stacked and layered on top of one another. The smaller groups of older looking houses looks like how St Helier wanted housing to look like when they were first being built. Other buildings, like the flats, look like they’ve been stacked on top of the previous buildings, representing how St Helier keeps adding more buildings to the land when there isn’t much room, resulting in the overcrowding of buildings and a mismatched style of old and new.  The black, structured  fencing in the foreground adds another more interesting aspect to the image  which looks like the buildings and town have been caged, giving the image a more industrial and hostile appearance. This makes the front of the  image very symmetrical and ordered, which is juxtaposed with the mismatched buildings in the middle ground and background. The land only goes up half the image and is contrasted with the white/grey sky emphasising the whiter parts of the rest of the image and contrasting with the black fence in the foreground. Cool colours like grey, white and black with blue tints gives the overall image a dull and spiritless appearance. I did this on purpose so the idea to bring more vibrancy and culture into St Helier is emphasised.

 

I also chose this photo as one of my final images as I like how it’s only showing an industrial metal structure with no signs of life. The yellow/brown tint on the metal gives the impression that it is rusting. What makes this an interesting image is that its simplistic but contains many different tones of metal from white to black to yellow. I think this image would work best as a part of a series rather than by itself as I think it could be apart of telling a story as now it doesn’t have any obvious meaning behind it when looked at.

 

Edits

When editing this image I wanted to see if I could change overall appearance. So i experimented by increasing the exposure and increasing the brightness in one of the images so all the colour was taken out of it and was left with a stripped down version. This changes the appearance of the image making it look decolourised and bleached.

 

For these two image I edited them in black and white as well as increased the gradient in them so they give off a more historical and archival appearance. I like this as it makes them look more authentic like they’ve been cut out of a newspaper. The black and white edit takes out any remaining colour giving them a lifeless and desolate appearance emphasising just on the buildings and not on the lives of people who live in St Helier.

 

I also experimented by editing different colours to see if one was more aesthetically pleasing or had more of an effect. Although the coloured versions may be more interesting as an image, I prefer the images edited in black and white as it makes them look more authentic, which the colour doesn’t.

I edited this image in black and white and experimented with the exposure and contrast. In the first image I focused on emphasising the harsh black lines of the fencing in the foreground of the image and tried to show the different in the buildings by highlighting the lighter and darker tones. Whereas in the second image I focused on creating a blurred effect so the distinction between the buildings wasn’t as clear and the harsh fencing in the foreground was softened.  The blurriness creates a mist-like appearance like something has been put on the lens when the image was taken. I prefer the blurred image out of the two black and white edits as it gives the image another aspect that makes it more interesting to look at and makes it seem as like there is a meaning behind it. This could be that the blurriness is a representation of how the perception of St Helier is confusing as people don’t know what it will look like in the future with the increasing number of constructions being built.

Shoot Conclusion

I think this shoot was successful at capturing the increasing industrialisation of St Helier, focusing on metal structures and buildings with cooler tones to create a lifeless appearance. The editing also emphasising this by taking the colour out of the images and presenting the buildings and structure simplistically.  For my next shoot I could perhaps focus on how St Helier could bring back some of Jersey’s culture and liveliness and portray a solution to distract from the continuous industrialisation.

 

Final Design Layout

In this design layout I have looked at doing full bleed spreads along with images overlapping onto the full bleed spread. I think this composition is very effective as it makes the photograph more imposing and bold. The overlapping photographs are subtle but create an alternative look to the composition. I think that this composition emphasises the destruction within the photographs whilst showing the rebuilding going on in the background quite subtly. The constant black and white tone throughout the composition reflects the idea that St. Helier is just caught in a constant loop of construction and rebuilding in order to support the financial sector rather than supporting the tourism in the island that was so successful at a time.

The below design is my alternative design for my single page. It sticks to the full page bleed to emphasise the photograph but crops one of the photographs from the double page spread in half to suit the design.

Final chosen images, edited and final display ideas

 

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when experimenting with displays I used an array of images in order to find what images are the most complimentary to each other, through colour and composition. I wanted to use many different compositions of overlaying images with more saturated colours or perhaps a more simple display of two large images alongside each other as the images itself is enough to carry out the display.I believe I have narrowed down my images to five possible final displays,my favoured images being those with a white boarder and colour but not over saturated, I think these successful show a story of St. Helier in the more desolate areas and also the development of architecture and modernisation of St Helier overtime.

Final Result Of Zine

I chose the cover as I felt it represented my theme as a whole. The presence of the domestic cat, home grown plants and furniture enclosed in this small area creates an interesting environment which I carefully composed to feature as much as possible. The use of flash emphasises these details by intensifying the colours of the image. I used a simple font for the title so as to not distract the viewer from the details of the image.

The first two pages show a continuation from the cover of the zine. I placed my images in a reverse order of what I saw in real life as I felt it created a more interesting narrative of looking into someone’s life but not revealing too much about who they are.

In contrast, the next 4 pages showcase daily life in St Helier from an inside perspective. The image of a girl hanging out sheets is composed to make the viewer become part of the situation, aided by the eye contact of the subject in the image. The photo is partnered with a softer toned colour image also featuring a washing line but viewed from an external perspective. I placed the photo of a subject washing dishes alongside an image of a hose as they shared similarities of colour with the use of saturated yellows and greens, as well as the different uses of water in regular life.

The zine continues on to take a different approach through showcasing darker topics as an underlying meaning. Abandonment and Isolation is shown in images of an empty storage  unit as well as a mattress placed by a bin due to no longer being used. Pollution is seen in images of glass bottles, lighters and broken furniture disposed off in an act of fly tipping in what was once a religious building.

I used the same image that I used for the cover as a back page however in a flipped orientation.

Zine Layout Experimentation

Using the same techniques as James Moreton, I will experiment more simplistically by using 1 or 2 images on each page that express a narrative together.

Experiment 1

Firstly, I took a balanced approach in my layout by using a proportionate amount of large images to small images. This is a safe option as it is more aesthetically pleasing when looking at as a whole.

I decided that I did not like when one image crossed across both pages but was not full size (e.g. page spread 4) as the large abundance of negative space in one corner did not appeal to me visually.

Experiment 2

I removed the empty pages in this version in favour of using more images to tell my narrative. I resized images on page spreads 3 and 5 as their colour scheme shared similarities with images on the opposing page. I also resized images on page spreads 2 and 6 to demonstrate the different perspectives between the images. For example taking a voyeuristic view in comparison to a personal one, or being up close to a subject in comparison to viewing from afar and seeing the subject as a whole.

Combining features from both of these versions, I created a final third version.

Final Version

It was not until the end that I attempted to create my front and back cover. I chose this image as it lead into the first page spread as they were both taken in the same location. I flipped the image in reverse for the back cover as the image was not landscape and I believed the colours would look weird if I was to use a different image.

Additionally, I placed another image from the same location on the first page spread to become apart of the narrative of things we leave behind.

The final version still uses the same simplicity that James Moreton shows in his zines, however I provided my own inspired style on such page spreads as 1 and 5 in order to place more images that shared similarities with what was already there.

Experimentation with Colour, Cropping and Montage

Cropping


My main aim when cropping my images was to ensure the focus was on whatever the important subject was in the image so as to draw the viewers attention to it.

I took the same image and cropped it into to create 3 different versions that focused on different aspects of the original image. The top two images demonstrate the buildings abstract structure whereas the bottom image focuses on the detail of the window and what is inside.

I also explored changing the image into a negative to see what tones would be emphasized. In this edit, the cracks of the walls stood out.

Colour


For this image, I first increased saturation to bring out the luminosity caused by the blue blur of the bar just outside the right side of the image. The green and blues on the left and right side of the photo puts focus on the man wearing the neon jacket in the centre. I cropped this image into a square so as to present the lined architecture that spirals into the subject in the centre.

Changing the hue of the photos gave a more abstract feeling where in the first image I desaturated it and increased contrast a small amount to give a softer effect for the theme of hanging out laundry in everyday life. In contrast, the second image has an increased saturation to represent the psychedelic theme of alcohol and other substances that appear.

Montage


Using a selection of images in colour, I cut up sections of scaffolding from Convent Court, the tower block across the road from St Thomas’s Church and placed them over the church itself. The contrast in colour reflects the two important and different aspects of the future of St Helier, construction and religion.