Category Archives: AO3 Record Ideas

Filters

Author:
Category:

Photoshoot 3- Landscape

From this photo shoot I picked the best images from the 350 I took and narrowed them down to 40 and displayed them below. In the photo shoot i tried to focus on taking landscape images, but ended up liking more of the closer up images I took that looked at form and texture.

When on this photoshoot I found I was emphasising the shape and structure of the surrounding area. For example, the images above show natural objects (rocks and earth) contrasted against a bright background to make their shape stand out. The image on the left focuses on more rounded shapes wheres the right image looks at straight lines and more geometrical shapes. I was particularly interested in this rock as the shape was unusual and not like the other rocks on the beach. The angle it is positioned in a diagonal and sticks out above anything surrounding it. I like how in this image there’s close up rocks in the foreground which link to the rocks in the background along the horizon creating depth within the photo. The seaweed creates darkness to contrast with the lighter tones of the rock making a more interesting form. These two images link together but are also juxtaposed. In the left image the grey rocks on the bottom right of the image link with the right image and its shapes. The rest of the image is juxtaposed focusing on earth tones and more rounded shapes. I like this image because of the different textures shown in the earth and also because the image is divided into sections creating an interesting composition.

I chose this image because i like the many different textures and colours within it. The yellow/orange colour contrasts with all the other images I took in this shoot but still follows with the theme of earth tones that the others have. The different textures emphasise the rounded shape of the rock and make the image more interesting because there’s more details. I also like the angle this image was taken at as it emphasises the part of the rocks thats indented and isn’t orange which further highlights its 3d form. This part of the image also creates darker tones in the image to contrast against the bright colours. One aspect I could improve on is the composition of this image as on the right side of the image is part of another rock going out of the frame which doesn’t ruin the image but takes the emphasis off the other rock in the image. I think the other part of the background which shows brown parts of a plant complements the rest of the image and links to the arm colours on the rock.

I chose this photo as one of my final images for this shoot as i think it complements my other final images well and follows the same emphasis on form and structure. The bright background emphasises the light and dark brown tones of the rock and highlights it’s interesting shape. I like this image as unlike some of my other images it doesn’t show anything in the background of the image and only show what’s in the foreground. Also its shape has rounded and sharp points which I like as it’s creates juxtaposition within the photo and further highlights it’s form. The seaweed which is on some parts of the rock creates an interesting pattern and adds to the different textures. In my photo book I plan to contrast these images that focus on form with archival images showing what the rocks and earth was like over 90 years ago. I will not find the exact spot where that images was taken but will show the contrast between the area over that period of time. In these image i aimed to capture was the atmosphere in the area is and I think i did that through the earthy tones.

I chose these two image to display as I think they have many different elements to them which make them interesting. The image on the right focuses on the shape of the small branches coming out of the earth at the edge of green island. I tried to emphasise the light brown tones by using a bright white/grey background. I like the patterns the sticks make by growing in different directions and angles. The plants growing downwards in the foreground of the image contrast with the ones in the background growing upwards. These plants then contrast with the sections of earth that have grass growing on them bringing green tones to the image and making the textures more noticeable. I liked this image in particular as it shows new plants growing through through the bright green tones, but then also shows plants and grass that is brown probably caused from being near the sea and it being the winter. I chose the image on the left as as I like the depth of the image, showing different things in the foreground, middle ground and background. The foreground shows the earth of green island and it rounded form. This sections focuses on the earthy tones brown and green and its interesting shapes that formed from the sea. The middle ground shows the rocks on the beach next the island,the brown tones linking the foreground. The background shows the blue sea which contests the colours of the rest of the image. I like this image as all aspects of it are natural and it doesn’t show anything man made which i think portrays the atmosphere of the island.

sublime shoot 8, inspired by BILL VIOLA

 

Analysis of the shoot: Viola uses water in such methods as to not directly represent water as being a solid from but as an entity for life and an expression of being. Because of this I wanted to use water in such a way it would evoke life itself, giving it a literal motion and abstract thought of its own. I wanted to take angles and compositions which would typically be very unusually and difficult angles to take of a person, many of which I placed the person themselves behind the water in order to capture the layers that I wanted to show.  I do belive these images so far work well and successful within the rest of my work, but still need to take one more shoot inspired by this artists underwater, and then including more siren qualities of movement, This would be the inclusion of the whole body, and also the elements of skin ,scales, feathers…e.t.c. I think if I take another shoot of body texture, underwater photograph, and then the rest being more landscape shots, that I will finally have enough variation and also a narrative construct to be able to successful from a book with a successful narrative. I do think these images are successful and will support my new objective and still shows the combination of a reality, causation, reaction and the sublime and these images showing a real life significance and influence upon a person within the suspense of the water itself.

Contact sheet, more possible images not edited :

 

current Analysis of shoots and how I use these together.

Currently with all the shoots that I have so far, my main objective is to do one more underwater shoot ,and two shoots of landscape images which have the ability to split up the narrative of the book and not have a constantly repetitive water imagery. I have taken more shoots then appear below, However I do not know weather with ,y new objective if they will fit within the new narrative of the book itself. However if I do decided to pursue the angle of the sirens and the development of their forms, such as:  birds and scales, this too could be a small photoshoot I could use with the intention to add some variety to the book itself. I always had the idea that I wanted every single image to be interesting within how it is composed and always have a new interesting surreal aspect of interests within the images themselves. Below is around 25 of the 40 images that I will need for the book. This allows me to keep a perspective of how many more images I need for the content to be to a high standard.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

SAMSUNG CAMERA PICTURES

 

sublime and water, reservoir shoot 7

Due to my further research and theme narrowed down into the sublime and water, I decided it would be effective if I were to experiment with a whole new scenario that has a strong presence of water, and also an atmosphere that has the ability to convey the sublime itself. After my recent shoots of experimenting with identity, emotions shown under water. I believe being surrounded by it within a reservoir also links to the sublime. Not only does this apply themes of emotion, the sublime itself  and pleasure and pain, it has a natural environment which is interesting because it causes a juxtaposition to that of a Tablo effect. I wanted to further develop the colours of my images in different ways, some over-exaggerating the blue tones, and some with less saturated final effects. I believe this gives me more options and an ability to choose for my final book what looks the most effective all-together. I wanted to show different compositions and angles, some of which to create an illusion as though she is submerged whiten water, without actually having to be. I belive many of the images from this shoot have a more mysterious overall objective, I think this is to do with the strong contrasts of the light and tone, which I was able to achieve with using my own lights on the shoot. This really helped as it enabled myself to have more control over what I was taking from the tonal effects and what emotion I wanted to convey within that certain image. You could divided this shoot into four sections, as seen below. 

 

When editing the colour of these images I thought, due to her being Completely surrounded with water, it would be effective if I made the highlights into a blue tone too to mirror that id the water. Not only does this create a more surreal tone for the image itself, but it also creates a stronger structure for the images too. It would be really interesting if I got a whole image of her laying down of even standing up and was able to edit it to look as if she was lying on top of the water, or even walking on water. This too would be a more surreal shoot, but I belive it would be so successful in order to convey both the sublime, pain and mystery all into one surreal image.

I believe this photo here, conveys themes of Pictorialism, Due to the tones, eerie feel but also the connections of beauty, seen physically within a natural environment. I also discussed previously, about taking images of landscapes, in order to separate the more portrait concentrated imagery, with some powerful landscapes.

The two images above are my favourite from this shoot. This is due to the lighting on the face having such a strong contrast to the darker blue tones within the surrounding landscape, I also think the composition gives many implementations of Her too being submerged within the water. The composition is also divided into a foreground and background, centring the images and allows the proportions to look effortless and well done.

These images I wanted To show an almost empowerment and recreation of pain within the image, it connotes a sense of abandonment, and also denotes the possibility of even walking on water, or the mystery of looking out into water.

Overall I belive this shoot works well with my previous underwater pool shoot. It gives me the capability to lean more into abstract and further surreal images of throwing water and paint on the top people, bath images, sea shoots and more imagery which purposes that of  mystery, emotion, pain and beauty. I want my images to be unique. I could try and do this with further developing every shoot,  in order to show more surreal effects. I don’t think I have experimented enough yet with how I could edit images which are already quite complex, however I do believe if I develop them more I could create, interesting, emotive powerful images to do with the sublime and the effects of water.

Lesson 4 Mock Essay: Possible Questions

Hypothesis: Possible questions to investigate

Tableaux Photography / Cinema / Pictorialism:

Can staged photography really be considered as a form of factual documentary photography?

Documentary / Realism and Straight Photography:

Exploring the relationship between photography and realism with reference to……

Is it possible for photography to capture moments in time objectively and truthfully?

What is the relationship between photography and realism?

How can photography bear witness to the ways of life and events of the world?

Photography and Movement:

How do people control, interact and construct the environment in which they live?

Using these hypothesis examples, I have come up with my own possible example questions to investigate in my essay. These are shown below:

In what way have Mandy Barker and Keith Arnatt explored Anthropocene (environmental issues) in their work?

How can Mandy Barker’s photobook be compared to the first photobook by Anna Atkins?

Can staged photography be used as a method of emphasising environmental issues?

How can photography be used scientifically to…..

Lesson 3 Mock Essay: Academic Sources

Internet sources:

  • https://www.thisiscolossal.com/2018/04/plastic-marine-debrisby-mandy-barker/
  • https://www.port-magazine.com/art-photography/plastic-art-mandy-barker/
  • https://www.bjp-online.com/2015/09/keith-arnatt-the-conceptual-photographer-who-influenced-a-generation/

Interview:

  • https://photoworks.org.uk/interview-mandy-barker/#close-no
  • https://www.bbc.co.uk/news/av/uk-england-humber-46222090/hull-artist-makes-pictures-from-waste-washed-up-on-beaches

Books:

  • Beyond Drifting: Imperfectly Known Animals by Mandy Barker

Lesson 2 Mock Essay: Contextual Studies – Harvard System of Referencing

“Have no fear of perfection – you’ll never reach it” (Salvador Dali in Barker 2017:36)

Bibliography:

Barker, M. (2017), Research Notes Beyond Drifting: Imperfectly Known Animals, London: Overlapse

https://www.widewalls.ch/staged-photography/

Cyanotype – the classic process

https://en.wikipedia.org/wiki/Anna_Atkins

Showing the things we cannot see, an interview with Duane Michals

^originally from issue #2 of Buffalo Zine.

https://www.tate.org.uk/art/art-terms/m/minimalism

https://www.tate.org.uk/art/art-terms/c/conceptual-art

“I collect this seemingly awful rubbish and I intentionally make it visually beautiful so the viewer is drawn in to see beauty in the image. When they read what it is about, they get the hard-hitting stab in the back of what it represents.” – speaking to BBC news

https://www.bbc.co.uk/news/av/uk-england-humber-46222090/hull-artist-makes-pictures-from-waste-washed-up-on-beaches

“because we are not beyond putting an end to the problem – but we are beyond salvaging what is already out there”. – taken from the beyond drifting sketchbook

https://theconversation.com/how-photography-evolved-from-science-to-art-37146

https://en.m.wikipedia.org/wiki/Daguerreotype

Artful Swirls of Plastic Marine Debris Documented in Images by Photographer Mandy Barker

https://www.theguardian.com/artanddesign/2015/aug/27/keith-arnatt-photography-exhibition-spruth-magers-absence-of-the-artist