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Romanticism Photoshoot Response

In this shoot I will be focusing on photography surrounding Romanticism. To help me with my shoot I will use Fay Godwin as my influence from a photographer, I chose her because of how her photography uses much of the scenery seen in Jersey and so could use her techniques to provide guidance on what to take as seen below:Image result for Fay GodwinBefore taking the shoot I wanted to pull some ideas together on what to take, allowing for a guideline to my photos, this was my outcome:

Once I had a general idea on what I could do for the shoot I finally moved onto the images themselves with these being the outcome:

From the photographs I decided on, I made a selection of ten images that I thought presented my best imagery from the overall shoot on the topic of romanticism. These were my choices:

I chose these images because I thought they popped out from the rest of the shoot, and had a greater understanding of what romanticism in photography was about. I found that their vivid colours and use of depth of field made them particularly effective. From here I wanted to whittle my selection down to just five images to really provide a clearer insight into my final image for the shoot. This is my selection:

I chose this image due to how I loved the effect created from the back light that was meant to illuminate Gorey Castle at night, that instead silhouetted the housing and trees around it, creating an aesthetically pleasing result as an outcome. And with the slight use of red and oranges from the housing I though it really balanced it out.

What I loved in this image was the use of the depth of field, this created a focus on a certain section of the woods which instantly drew the eye through the use of its vivid greens. Within the image I used Photoshop to enhance the greens within the image to make it more suited to the theme of Romanticism with the expected outcome as desired.

I found that this images use of contrast between the light provided by the lamps created an aesthetically pleasing photo. This was because of how by making the oranges within the picture more vivid, it emphasised the shadows created by the surrounding boats, thus drawing the eye instantly to the soft glow of the lamp centred in the middle of the picture.

The gradient created by the sky I thought particularly allowed for a romanticism theme. This was because of how the majority of the image was made up of the slow but constant changing of shades of blues into yellows, with only a small percentage made up by the landscape. I found that by darkening the ground it created a greater effect onto the sky due to an emphasis to the colours.

What I loved about this image was the composition and the dark and grim colours. This is because of how the skeletons of the trees create a sinister but beautiful effect on the pathway through the middle of them, with unclear imagery of people in the far distance. I also liked the use of depth of field as well due to how the trees slowly faded and merged into one collective backdrop, whilst maintaining the desired look.

After analysing each of the five images, I decided to come to an overall decision on the final piece from the selection. This is my final choice for the best image out of the shoot:

I chose this as my final image because of how I loved the contrast created by the floodlights to Gorey Castle. I found that through this it completely emphasised the silhouettes of both the tree and the house in a sinister but fascinating way. I also liked how the floodlight captured by the camera is seen as a circular gradient in which slowly fades into darkness, with the three red lights being there to balance out the image as a whole and not let the black overpower the piece.

 

 

 

Romanticism

What is Romanticism?

Romanticism was from when a new generation of painters to create landscape art for its own sake, causing the form of art in the 1800s to become more hyper-realistic. This first movement was known as Romanticism, it emphasized emotions such as awe and rapture, leading to a deeper discovery probing into human emotion regarding out natural surrounds. Romanticism usually created the perfect conditions for landscape art, which would assume the highest position in the minds of wealthy art collector. Here are some example of Romanticism in photography and art:

Image result for Romanticism photography

Image result for Romanticism Photography

More about Romanticism can be found here.

For further knowledge I used this video below to develop my understanding on what Romanticism really was.

Landscape Unit | Schedule | Jan / Feb 2018

AS PHOTOGRAPHY MOCK EXAM

THEME : LANDSCAPE 

DATES…

MONDAY 26TH FEBRUARY 12 A PERIODS 1-5 IN PHOTOGRAPHY ROOM

TUESDAY 27TH FEBRUARY 12 B PERIODS 1-5 IN PHOTOGRAPHY ROOM

WEDNESDAY 28 FEBRUARY 12 C PERIODS 1-5 IN PHOTOGRAPHY ROOM

THURSDAY 1 MARCH 12 D PERIODS 1-5 IN PHOTOGRAPHY ROOM

PRINT DEADLINES

FEBRUARY 20TH for ALL GROUPS

(You can add abstract, formalist, portrait and landscape final images to this print run too)

You may have other opportunities to explore architecture, and make links to what you studied in ABSTRACT AND FORMALIST photography…

 

Formal & Contextual Analysis

Double Exposure

What is double exposure?

Double exposure is the method of superimposing two exposures in a single frame, most commonly known as double exposure, and to the day is one of photography's most impressive techniques. Using this method of overlaying images on top of each other, you are able to shape an image of nature into the silhouette of a person, to create dream like portraits.
It is easily one of the most creative techniques in photography as the possibilities are endless due to digital photography.

Here are some examples of double exposure:

I found that the use of nature was particularly effective when it came to the images, as the trees could be used for a variety of different things such as fades etc. Through this I found it great how trees could be used to define a certain aspect of the image itself, and so allowed for the silhouettes of the creatures they wished to be highlight.

I decided to make a response to these ideas by mainly focusing around the human body and nature combined. These were the results:
To create these I used the opacity tool, this increased the transparency of the top image, allowing for the lower image to be seen more clearly, creating the desired effect. I then used the paint tool to rub out the excess parts of the image to match the shape of the subjects face, making it seem more realistic.

 

Studio Shoot #2

For this shoot I decided to experiment with a broader variety of lighting types and techniques from my previous shoots within the studio. I wanted to use a variety of filters like red and yellow to allow for more dramatic effects on the subjects.
I also wanted to switch between monochrome and the portrait settings when taking photos to allow for a greater contrast between the lights and darkness of an image. This would allow for a more sinister look when produced due to the emotionless expressions of the subject.
Before the shoot I wanted to create a mind map of the ideas towards this, so that I would have an idea of what and how to take the photos of both subjects.
From there I decided to carry out the shoot, these were my results:
From here I selected the top ten image from the entire shoot, this would make it easier for me to narrow it down to the final image that I deemed best from the shoot. These were the images I selected:
I chose these image because of the composition, lighting and color. I particularly liked the effect created by the shadows behind the subjects, allowing for an emphasis on certain features. What I then wanted to do was narrow the selection down once again to pin point the top five images out of the batch. These were the images I selected:
I chose this image due to how I liked the obviously contrasting shadows from the subjects face, which highlighted particular features. I also found that the huge shadow on the left of the image balanced the photo as the composition of the subject was equally divided onto the other side of the image itself.

What I liked about this image was once again the contrast between the light and dark of either side of the subjects face. Whilst the darkness of the hair added depth into the image, allowing it to be more visually pleasing. The right eye of the person is centered in the top right of the rule of thirds, this allows the viewers gaze to drift almost immediately to the eyes.
I chose this image because of the composition of the subject compared to the rest of the picture. The fact that the person's head lined up once again with the rule of thirds, helped make it aesthetically pleasing.
What I loved about this image was the obvious difference between the light and dark on either side of the face. This to me compared with the light backdrop allowed for a clear definition to the face, drawing out certain feature above others.
Finally I chose this image due to how I liked the link back to the theme of identity in previous shoot, based around idea of blinded by identity. From this I found the darkness provided on one side of the face allowed emphasis towards this, creating a more mysterious tone.
Finally I brought the pictures down to a one photo that I viewed as the most effective out of the selection. This was the image I chose as my final picture:
This was my favourite image because of the composition, lighting and shadowing. I found that the clear contrast between the light and dark of the face and backdrop, allowed for the image to be perfectly balanced, with the dark left side of the face adding definition to the overall piece.

Project Final Outcomes

FINAL OUTCOMES

My favourite chosen outcomes from the project are also those that I have used for my final print compositions, here is a link to the post that went over my final prints…

https://hautlieucreative.co.uk/photo19al/2017/12/18/print-compositions-framing/

Outcome 1

The first of my final pieces is a composition of 2 studio portraits that I believe simply work together rather well and effectively, to create 1 piece.

Outcome 1

The images needed slightly enhancing in order to balance the light, contrast, saturation and shadows of the 2 photographs, and cropping in order to make sure that the background of the images look clean and fully white so that the subjects stand out nicely.

This composition of 2 images is one that I believe shows my raw camera skills. I believe that the 2 images compliment each other perfectly due to the colours, composition and patterns within the images.

Image result for ADIDAS LOGO

 

The thing other than the balanced colours/shades pink, black and white that stands out to me between the two images is the balance between pattern through the 3 Adidas stripes in both images. These 3 stripes are something that you will see just about everywhere in which people are wearing casual attire. The stripes are the trademark the adidas sport and casual wear brand, causing Adidas to be known as the “The three stripe company” after being called this by its founder Adolf Dassler. In my 2 photographs the dark on light stripes create a good contrast with the light on dark stripes.

Outcome 2

The second of my final pieces is a composition of 9 images (Street photography and Environmental portraiture) in a story board style which explore how the surroundings of a subject visually effects the subject, and how the subject effects its surroundings.

Outcome 2

I have composed the images in this fashion as each image that is opposite to another length-wise or height-wise is related to and balanced with each other.

Here are the 9 original photographs that I have used in this piece…

The environmental portraits were inspired by August Sander who had a mission of photographing every worker in the whole of Germany, here are some examples of his work…

 

The street photographs were inspired by Genaro Bardy who photographs the streets of metropolitan cities and small towns. Here are some examples of his work…

Genaro Bardy

Outcome 3

The third of my final pieces is a composition of 4 creative portraits exploring a theme of socially perceived identity.

Outcome 3

I believe that these creative portraits present my creative skills through the use of Photoshop and Typography. The theme of socially perceived is about how people portray themselves within society and how other people portray them, not specifically to the subjects of the images but in general as a society how people seem to see themselves as individuals. The words used in these images explore different social boundaries that some people may come face to face with in society.

This style of work which I have used in this piece of work is inspired by various photographers and graphic artists including: David Carson, Lester Beall, Neville Brody, Paula Scher, and Shepard Fairey (the creator of the OBEY brand.) Here is some of their work…

Shepard Fairey
Shepard Fairey
Paula Scher
David Carson
Lester Beall
Neville Brody

The work also was influenced by Russian graphic propaganda. This was a way of representing the topic of  social identity as a battle within my work.

Creative Portraiture Case Study – John French

Visual Influence – Projector Portraits

Below are some images that I found interesting and wish to work in the style of.

Projection photography has become increasingly more popular over the years as photographers and artists have discovered this fantastically adaptable resource to produce art and photography.

Most famously, photographer John French used projection art photography in the 1960s – he photographed models with floral patterns projected onto their bodies instead of clothes.

John French

Born in Edmonton (London) John French originally trained and worked as a commercial artist, becoming a photographic director in an advertising studio just before World War II.

He worked for many editorial magazines and newspapers(like the Daily Express). He worked on a new form of fashion photography (which included bouncing light from reflector boards to create aesthetically pleasing, low-contract images that would reproduce well on newsprint).French is known for his clear, stylish, uncluttered black and white photographs taken against clean backgrounds.  He preferred to work closely with his models, devoting much attention to their posing and his sets.

Source

Contact Sheets

Editing

Evaluation

 This was my first and, by far, favourite image. I like the immense focus and the chilling stare of the subject. Adobe Photoshop helped me position the model in the center of the image with a large amount of black filling the frame. I aimed for this effect with all of my images, I wanted the dark to almost swallow my models – I think that this gave my images a more sinister feel and created a more mysterious atmosphere that surrounded my images. Due to this, the photographs also have a more minimalistic feel about them, thanks to the projection aspect the photographs are much more complex and interesting to look at. If I were to do this whole photo shoot again I think I’d try to take some photos with multiple models- with each of them having different projections and experiment with the different effects. I would also try to mix some images together via overlay and such.

This is my second final image for this subunit, unlike in the other two photographs, this image fully obscures the model’s face and features, This is because she’s looking away from the light source and into the shadow. It follows the general theme and what I was going for, the projection of the stars is very sharp and crisp in this image which makes it more pleasing to look at. This is the last image, for this image I chose to use an image of a tree with stars behind it. This way I was able to achieve different colours and play around with the placement of the trees in regards to the subject’s posture and such.

 

Landscape Photography | Coursework Unit 3 | Getting Started…

YOU WILL HAVE 7 WEEKS JAN 3 -FEB 26 TO COMPLETE AND SUBMIT YOUR FINAL UNIT OF COURSEWORK.

Christmas Break : you should aim to produce a range of landscape inspired images, focusing on natural environments, evocative and atmospheric settings.

Try to get out in the morning / evening light or even at night and capture interesting light effects, colours, mist, fog, and shadows too…

Possible locations include : woods, forests, sand dunes, beaches, fields, valley settings, cliff and coastal areas, sea-scapes (looking out to sea), church-grounds etc

We will be looking at Romanticism as a starting point and if you click here you will have a better understanding of some of the roots of landscape in contemporary photography….

Caspar David Friedrich 1832 Germany
Ansel Adams 1942 USA
Don McCullin 2000 UK
Fay Godwin 1985 UK

 

AS PHOTOGRAPHY MOCK EXAM

THEME : LANDSCAPE 

DATES…

MONDAY 26TH FEBRUARY 12 A PERIODS 1-5 IN PHOTOGRAPHY ROOM

TUESDAY 27TH FEBRUARY 12 B PERIODS 1-5 IN PHOTOGRAPHY ROOM

WEDNESDAY 28 FEBRUARY 12 C PERIODS 1-5 IN PHOTOGRAPHY ROOM

THURSDAY 1 MARCH 12 D PERIODS 1-5 IN PHOTOGRAPHY ROOM

PRINT DEADLINES

FEBRUARY 19TH 12A, 20TH 12B, 21ST 12 C, 22ND 12 D

(You can add abstract, formalist, portrait and landscape final images to this print run too)

You may have other opportunities to explore architecture, and make links to what you studied in ABSTRACT AND FORMALIST photography…

Link to BBC Website feature on Architectural Photography