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Experimenting For The Mock Exam

Below is one of my final images that I will be presenting for my final piece in the mock exam. In this post I look at how I could present the photograph in different ways to make it stand out more and be more creative.

Due to the size of the subject in this photograph, I want to present the photograph on a large scale to emphasise the presence and size of it. This creates a more intimidating effect because of the largeness of the subject. I have looked at keeping window-like borders between each section of photograph but decided that I will not follow through with that because I feel that it takes away the fact that it is one large photograph. I have also looked at moving around the panels in order to create a mixed  up image – I decided that this takes away from the nature of the photograph and isn’t in the direction that I want to be going. I came to the conclusion that my best option was to stick all the panels together in the correct order to create one large photograph.

Natural landscapes- 2

Location: Abandoned Places

To explore natural landscapes more i decided that i wanted to go to abandoned places that have been neglected to create more interesting subjects for my images. I decided that I would visit derelict greenhouses with overgrown plants showing the natural aspect with the broken greenhouse creating a more thought-provoking image. Although these photos aren’t completely natural, they show how the natural aspects have taken over and grow around the urban spaces.

I went through my contact sheet and selected my favourite images and displayed them above unedited. I chose these photos as they are taken from different angles showing a different point of view in each image, some showing close up detail of areas that caught my attention and some that are from far away giving more of an overview of the scenery and structural shapes.

  • This is one of my final images for this homework as it clearly show the natural aspects i wanted to present and the derelict urban aspect through the broken glass.
  • I focused in on the left side of the image so the right side was gradually more out of focus to show the marks and patterns on the glass more clearly.
  • The glass has a reflection from the blue sky so I edited it slightly so that colour was emphasised to take make the image stand out more. The glass also has marks to show the derelict aspect of the greenhouses.
  • The colour of the plants growing around the glass are also emphasised showing darker and lighter greens. I chose this image as the panes of glass that are there create a pattern as some are missing.

  • I also like this image and decided for it too be printed and framed along with the image below as I think it portrays derelict greenhouses well.
  • The wooden frames with missing glass panes give evidence of destruction and reflects what happens to structural buildings over time.
  • I like the geometrical pattern that is created and the angle of the wooden door and frames also show how the greenhouses have been left alone for a long period of time to eventually be destroyed.
  • The condition of the plastic sheets show weathering and also show how the area has been neglected.

To experiment with my images I decided to edit different shapes with the image to make the photo more intriguing and to give the photo a different aspect, although I like the images by themselves.

  • I like the geometrical shapes and lines created from the broken wooden frames, giving a different effect than if they were not derelict.
  • The shapes I have edited emphasise the geometrical lines and shapes within the image and adds a different aspect to the photo.
  • The most effective image i think is the square as its simple and not distracting too much from the original image and the detail within it as the other shapes remove whole areas from the background image, whereas the square is a thin line.
  • The shape also brings the light blue from the sky into the bottom half of the image creating contrast between the two as it contains parts of the image within the square.
  • The colours within the image as a whole are very neutral: the panes of broken glass on the left side of the photo also show the reflection from the sky making them appear blue in the image and  show the reflection of the clouds aswell.
  • This blue then contrasts with the green on the right side on the image on a different greenhouse,

I also tried to create some panoramic images by taking the same image and flipping it horizontally and attaching to the original image. I did this as i thought it would be harder to attach different images and line them up exactly to create one landscape so i use the same images flipped so the it was easy to connect which I thought would be more aesthetically pleasing. These panoramic images create structural shapes that would not be found in real life making for an interesting image. I did not chose these images to be in my final outcomes as I think the patterns created are too repetitive being the same images repeated again.

Homework 5- Altered Landscapes

Out of Beomsik Won and Mona Caron i decided to take inspiration from Mona Caron. I decided to edit pictures of nature and plants onto buildings to present the concept of urban taking over nature. I planed to physically stick the images onto a printed out building to make a collage and to also digitally edit images onto buildings in photoshop, similar to how I edited my other altered landscape photos.

The images I planned to use to edit onto buildings were not my own photographs but secondary source of art as Mona Caron physically painted murals onto buildings I wanted to keep that aspect but using different artists work of natural landscapes and plants, still keeping my own images of the buildings.

I first went out and took pictures of buildings so i could edit them in different ways.

I then chose two of these images to be my final images to edit. The pictures I wanted to lay on the buildings are from the artist Claude Monet as his paintings are often of nature and plants so the urban and nature will both be included in my image. Also Mona Caron is an artists and physically paints murals onto the side of buildings so i wanted to carry that aspect on to my images.

I cut the paintings specifically in the shape of the windows so it looks like the paintings are inside of the buildings. I think this was effective as the paintings are angles to make the image look 3D. These were the final outcomes when I photographed the images stuck on top of each other:

  • I chose to do this as i think the images link into my other blog posts with the theme of urban vs. nature. Claude Monet’s painting of lily pads represents the nature with the structural building representing urban.
  •  I physically printed out the images and collaged and stuck them together to make the images seem less manipulated.
  • To re-take the photo I used artificial lighting to highlight the photo as best i could even though the print out of the building wasn’t the best quality (to improve these images i could get them printed professionally.)
  • I think the edits look effective as it looks as though they were edited digitally when they were physically stuck on.
  • The shadows created from the building (especially in the first photo) make edit look more real as the painting is cut in a certain shape to emphasise that shadow.
  • For my final image I put a black border around the images and combined the tow in the same photo to show the variety of images.

typology analysis

when I thought of typology I wanted to use a wider range of the terms wanted to find a range of buildings from all different spectrums of history and movements,I did this is order to have many possibilities to contribute to my final outcome,becasue of this I took many images and angles of the same building, I wanted to present each building in such close detail and also portray that the image could be seen as three or two dimensional depending not the angle and representation necessary.

As I said before all of these buildings have different occurring qualities weather it was me wanting to couture a texture,a historical aspect of society,an urbanised areas and or a more Morden buildingsI did this as all of these present a different shape and have different occurring  qualities and angles within them.

I have already adjusted these images as seen previously with colouring to a darker tonal back and white ,or enhancing the pigment within the saturation,this is all dependent on the scene and what I am trying to achieve within the piece itself. all of my images are taken from right angles when cycling round too mature every element and angle of the image itself, which can not necessarily be parented from above.

 Grid set development:

I have slightly cropped my images in order to display them clearly alongside some other angles that I have taken,I have done this for all  of the buildings and structures that I have worked within. although many  of these images are mirror images and so near and similar that they portray the same composition and lighting, although they could be edited and both enhanced or even presented  together.

overall I think I have capture enough images to show that I have considered typologies although I did focus more on individual buildings that will hep contribute to my theme of form man made  sutures to enhance nature.

 

 

Preparation For Mock Exam

Mood Board

Image result for romanticism photographyImage result for romanticism photographyImage result for romanticism photographyImage result for romanticism photographyImage result for romanticism photographyImage result for romanticism photography

Brainstorming

For my final photographs I want to produce pictures of natural landscapes with a moody, dramatic feeling to them.

  • Sunset
  • Cloudy
  • Storm
  • Beach
    • Devils Hole
    • St Ouens
    • Greve De Lecq
    • Gorey
  • Rocks
  • Trees
  • Cliffs
  • Hills
  • High contrast
  • Dark image

Ansel Adams

Ansel Adams (1902 – 1984) was an American photographer and environmentalist. His photos of the American West are often seen on calendars, photos and books.  Adams founded the photography group ‘Group f/64’. He was part of the romanticism movement and produced lots of striking landscape photographs in black and white, often involving a pathway of some sort and interesting weather.

Image result for ansel adams

Image result for ansel adams

My Favourite Photograph

Image result for ansel adams

This photograph was taken using natural daylight with the clouds blocking the harsh sun from the camera, resulting in dramatic contrast between the mountains and the river being brought into the photograph. It appears that a wide angle lens was used to take this photograph as this is what was typically used by the romantics to capture landscape photographs. It looks like a deep depth of field was used as the whole of the photograph is sharp and in focus. A shutter speed of 1/60 – 1/150 was possibly used for this photograph due to no motion blurs being in the photograph. A low/medium ISO appears to have been used as the photograph is not grainy and is quite dark, which will have been intended. There is lots of texture in the photograph, from the grassy bank to the flowing river. It seems to be quite a cold and isolated photograph as there are no signs of civilization around.

There is no colour in this photograph, which allows the viewer to focus on the range of tones, textures and shapes in the photograph rather than the colour. There is a wide tonal range in the photograph ranging from the dark silhouettes of the mountains to the white reflection of the river. It is quite a 3D photograph due to the trees in the foreground and the river running throughout the photograph, leading the viewers eyes from the trees in the foreground all the way to the mountains in the background. There is no rule of thirds used in this photograph, to me this is because Adams is trying to show that it is natural and nothing is set up.

Adams was a big part of the romantic movement in the late 1700’s, typically the romantics would photograph striking black and white landscapes with the idea that there is a deeper meaning than what appears behind everything. Romanticism was a rejection of the Enlightenment movement which took emotion out of writing and art, Romanticism wanted to challenge this by depicting emotions such as horror and untamed nature.

I think that in this photograph, Adams was trying to emphasise the natural beauty of the environment and to show that no editing was needed on the image, it is as it appears. He is trying to challenge the Enlightenment movement by doing this.

My Photographs

Top 5/Edits
My Favourite Photograph

In this photograph I used natural lighting which allowed contrast between the correctly exposed cliff face and the over-exposed sky. This created a very wide tonal range in the photograph. An aperture of 18 was used which allowed the whole of the photograph to be in focus. I used a shutter speed of 1/40 with an ISO of 100 to create a photograph with the highest quality possible. There is a slightly cold undertone in the photograph due to the white balance.

There is no colour in this photograph as it is in the style of the romantics – the lack of colour helps to bring our more contrast and a wider tonal range in the photograph. The texture of the cliff face can be clearly seen which creates a more interesting photograph. There is a slight 3D effect in the photograph due t the shapes and depth within the cliff face.

I took this photograph at Devils Hole. I chose this as the location as it has a rich history and has lots of interest cliff faces surrounding it. I tried to create and edit this photograph in the style of the Romantics in the sense that it is black and white, has dramatic contrast in it and shows only nature. This photograph is similar to the work of Ansel Adams in the sense that it shows the untouched nature in a black and white photograph with lots of shapes and edges within it. My photographs do not have as much contrast and definition in them as Adams’ does but there is clear inspiration from him in my photographs.

Nature Photoshoot – Fog

Moodboard

In its simplest form, fog is a cloud that sits on the ground. In more scientific terms, it is condensing atmospheric water vapor created by a temperature drop when relative humidity is fairly high.

Artist Research – Fogaholics

Landscape and cityscape photographers have a love/hate relationship with the fog in the San Francisco Bay area. It can make for some spectacular and moody photos, but it can also leave the area un-shootable – that is unless you seek higher ground. Nick Steinberg and other photographers in the Bay Area have formed a group that they call the “Fogaholics”.

The group consists of around 20 photographers that watch forecasts religiously and seek out the best foggy shooting conditions possible. When the fog rolls in, they make their way to Mt. Tamalpais, which sits at 2,572ft above sea level. This unique vantage point gives them the opportunity to photograph some amazingly beautiful conditions. With the help of an ND filter and exposure times sometimes exceeding two minutes, Nick is able to capture the fog waves as they make their way inland.

Contact Sheets

Edited Photograph

 

 

Mood-board of relevant images to project idea,And Action plan for shoot

Mood-board and brainstorm

As explained previously I want to expand upon using nature landscapes, urban and historical buildings and putting them into these situation weather it be the sea or the woods,this does create a surreal aspect to the images but overall creates an effective development of original ideas.I chose all the images because they all have a similar theme of moulding architecture  and some urban images to forms of nature, although I will further experiment as this is just inspiration and a theme in which I will too follow. I will edited all my image in a  similar method such as above, and editing the tonal enhancements and creating a black and white effect.

Action plan for final shoot

For the shoot itself  will need to visit around  varies separate locations,althought this will be split into four sections

1)the first of which will be trying to capture a variety of typologies of buildings itself, I want to show urban buildings,strong historical shapes and army grounds,I also want to show large buildings that hold lots of power within my chosen theme,This will also develop the formalism within buildings and capture the shapes and importance of tones also seen within the architecture.

2)The second shoot will be focused  on capturing natural landscapes such as Rocky grounds, woods and as seen above large tree trunks will also take images that are purely for the woodland landscape and  have a power, and  possibly a strong romanticised theme within them.I also want to capture landscapes in which I can edit a more surrealistic images to edit them such as the image above with the door in the rock itself.

3)The Third shoot will be a much more beach and water inspired shoot, this is to show the simplicity of the artists above and how I can show illusions and repetition of shapes and lines and formalism within the piece creating a specific mood

4)finally this shoot is a lot more abstract, it is a lot more based upon capturing light and city scapes with slow exposure shots,I chose to do this incase I can edit them into the image and create a more interesting intriguing landscape image.I have previously experimented within this in my urban shoot and think it was successful so will further look through these images.

After experimenting within all of this I will further edit all the images together this will be around two or three images formed and photoshopped together and then further enhancing the tones. I think I will have to do a lot of extermination within this but overall will develop successfully.

Development of my ideas:Altered Realities/Final Ideas

As previously I explored the idea of capturing landscapes and then editing them in order to show a more creative and dynamic arrangement of the pieces. I chose this idea due to the way in which I can capture romanticised landscapes but then additionally I can Also capture night sense and experiment within exposure and shutter speeds whiten my camera. The mirror movement of the composition also connotes a feeling of a moon and enhancing the overall beauty and natural concept to the pieces. However I have then gone through my images in which I already have and decided that these would not be the most appropriate as the editing and such is not as advanced and urbanism is lacking in many of the images in the darker tonal range in which I want to show.

Although when researching to find inspiration of altered realities many incomprehensible areas such as surrealism of joining typologies of buildings and nature all into one successful piece.

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Firstly I chose this due to how it demonstrates both industrial and a more nature surrounding aspects of landscape photography and forms them together,it prosopeses an illusion and also a statement of history of what was their first yet the significance that both have are of importance. I was drawn to the connection of the house and the large impact the piece had overall,I do think this purposes an altered reality but also highlights a surrealism.The concentration of typologies of buildings and also a landscape that melds urbanism within nature,which to me is the most important aspect to the images

Overall I will now  focus purely on molding urban architecture within nature and how I either do this in contrasting scenarios or with the addition of camera techniques and editing to show slow shutter speeds and such. I could also further this within mirroring lines and previous experimentation with editing techniques seen within my urban shoots.

Due to me having this idea I think it would be effective for me to do more studies on forms and also typologies in order to get an array of buildings in which I can develop to form within nature.I do think urban buildings would also be suiting to attack into themes of nature but I would want to form a more accurate bond such as using a city scape and then slo light exposure moulding the images of night and an urban landscape.

Furthermore I could expand my ideas to being that of many different circumstantial places of nature that still conflict with different urban  or historic buildings such as seen above.I believe this will give more a lot more development methods of how I can accomplish this also surreal style and also how I can form symmetry and editing  wihtin my image and create them as a style of interest.

Abstraction and Formalism Landscape Homework

Planning

Task: Take 150-250 photographs that explore Abstraction and Formalism

Camera Settings: I will be used an ISO of 200 along with a shutter speed of 1/40 to allow the image to be as high quality as possible.

Lighting: I will be using natural daylight for my photographs.

Location: La Collette

Context: I will be taking photographs with the work of photographers such as Albert Renger-Patzch in mind.

My Response

My Top 5/Edits

My Favourite Photograph

In this photograph I used natural daylight in order to create a good amount of contrast between the structure and the sky. I used a deep depth of field in order to ensure that all of the photograph was in focus and sharp. I used a shutter speed of 1/40 to allow the image to be sharp, with an ISO of 200 it allowed the image to be slightly dark which increases the contrast and drama in the photograph.

There is no colour in the photograph as I used black and white. I took inspiration for this from Renger-Patzch who did his work in black and white. This creates more drama and shadows within the photograph. There is a wide tonal range in the photograph and the wires and metal structure is very dark whereas the podium they sit on is highlighted with white. There is a 3D effect in this photograph due to the shadows and edges with the photograph.

This photograph is of a crane-type structure used for moving large items, down at la collette. The industrial part of the island that I took photographs of is a great example of altered landscapes because there is almost no nature left there due to the amount of business that goes on there.