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Tableau Photography

Tableau vivant, French for ‘living picture’, is a style of artistic presentation which is often shortened to just ‘Tableau’. It most often describes a group of suitably costumed actors, carefully positioned and often theatrically lit. It also applied to works of visual art including painting, photography and sculpture, featuring artists’ models in similar arrangements. This artistic style is often used in the works of romance, symbolist and aesthetic.

 

Image result for tableau photography

Image result for tableau photography

To me, it would appear that this artistic approach is used to show chaotic scenes where a lot is happening. However it over exaggerates how mental the scene is. So, instead of the picture being like a documentary style where it captures a true representation of a place, it is directed to ensure that it captures every possible thing that happens in that place. Thus leading to an overall summary of a place over a day or possibly even several days.

2nd Photoshoot // Studio Photography

For this photo shoot I intend to explore a larger range of lighting and backdrops to display a wide range of studio photographs. My previous photoshoot consisted of plain facial expressions and didn’t create a story or portray any sense of the models personality. Inspired by work produced by Rankin I decided to take some more images within the school studio to try and capture images which can convey a story or sense of emotion in which the model is feeling. I also wanted to try and incorporate a greater understanding of chiaroscuro by editing the images to be highly contrasted.

Contact Sheet

Edits

My Favourite  Edit 

Within the process of taking this photo, I used artificial lighting in the studio with a blackened background. Using artificial lighting, mainly which came from the flash on my camera, helped to illuminate my models faces which is the main focus of the picture. I also used back lighting from above to help bring out the models hair, however it wasn’t too bright that made the hair distracting from the key elements of the photograph like the stretched parts of skin. I directed this photo with the intention to create a strong emotional response on the viewer which i believe has been successfully achieved. The image almost reflects a sense of deformity or could relate to physical abuse which is are very touching and horrifying topics. I like how the high contrast between the background and the facial features really brings out these themes which were intended to portray. To create the distorted effect upon the models faces, I played around with all the colours within Lightroom and increased the clarity by around 80 to really emphasis the detail within the face.  Increasing the clarity really helped to bring the image alive to give an extra punch and impact. I think this image was successful, not only because of the detail and the editing as a whole, but due to the story I was able to create, which could vary across several topics leading to the viewer able to unpick and interpret the photo how they like.

 

 

second shoot:close up tonal portraiture final development and shoot

My second shoot idea would be a close up face shoot focusing on editing and tones:

aim;To be inspired my tonal beauty and a relationship within the vulnerability of facial insecurity and a lack of vision,also an unknowing of reflection and being.

editing techniques:

1)A substance to cover the eyes

2)Dissolving the image itself

3)Bluring the image over the face and also to create a sense of movement.

4)Poke holes within the image to create a source of light and lack of being.

For this piece I was inspired by the abstract and more hardship and lines within the piece itself, it shows a harsh lines and brutal ship in order to symbolize a removal of ability to see who they are and express and talk about who they are and emphasis that lack of identity.there is also a harsh contrast within the beauty and close up of the face and the visor and abstract destruction of the rest of the shoots. there is also a theme of negatives and how the images have and as if they are an outcast.

For this I was inspired by the lack of face and the movement of the nudge altogether,it shows a development of their personality and overall.I also want to show an interposing composition within this work so possibly using hands over the face to show an interesting miss direction of the piece itself. I like the way in which the face is still completely in connect and it is only the neck that is a somewhat diffusion of the body.It is very abstract  but still clear demonstration of lack of identity within a sense of confusion.

The overall composition of this piece is interetsing as it shows a grasp and focus only upon the body.The blur this time is focused more upon the face and a stillness of struggle upon the body itself, I like how the hair blends in within the movement of the face.The hands show an effort to grasp,perhaps in order to indicate a sense of release of wanting to hold onto something,perhaps a past memory or trying to grasp themselves.

I chose this concept due to the way in which light can be used to enhance the people and show an interesting form of almost censorship, the light shows a gapping within the images, the light does not come through their face but only surrounded themselves indicating the main centered interest and also a sense of their spirit and not surrounding on what they look like themselves.

Artist I was influenced by is:Taylor Chan

Sometimes he is said to experience a sense of disconnect from who he is as an artist, it is mentally clouded state to which he finds highly emotionally driaining .He is said to enter a state of isolation brought form his own insecurities,so his work is highly inspired by his won journey and suffering.
This photo to me was inspired by a lack of confidence and also ability to create something with colour and many actions and such.It is quite a plane image but still connotes struggle throughout the positing  and also the development of the loose style.
This is also the same artists for the image above with the blurred face so carries the same ambitions and connotations throughout the works sense of differing trouble and lack of power.
 This is my favourite piece from this artist due to the development of again how her body is covered and so develops into the background of the piece itself,furthermore her possession indicates themes of self conscious being and then also purity wihtin the white and in the somewhat childlike positioning;
This piece is more like a landscape piece but still connotes strong themes of identity and lack or trying to finds himself and his being; The sky is almost seen mirroring the sea  and how it forms shapes that always changing and about top collapse, Perhaps this is why he is walking towards the danger and unsuraty  of the sea because he himself does not know who he is either.
lastly this image is quite ominous and based around silhouettes to shows themes of possible abandonment and a self journey.The landscape creates a darker tonal range the also expands into nothing expect grey, this shows successfully that she herself feels like she is nothing and a metaphor for how grey is neither black nor white and is somewhere in the middle.
 images:

Here you can see my original images I wanted to show a simple composition in order to create effective centered editing.I also cropped many of my images in order to remove any unwanted shadows from the image itself.

best edited  images:

For this first image I was inspired by the first image shown above, it shows a removal of every feature that creates an impact of purpose, there is a sense of aggression swell that I wanted to show through the raggedness of the marks within the paper itself.

  Within this image I wanted to show a blur and repletion of the face throughout my images and how their shadows and positions are the same and there is only a  movement within their face, this was inspired by the second images want to further edit this though in such a way that it clearly shows a forward movement and blurring of the face but in a. more dynamic method.

Here I used the image above in order to show a lack of identity  again showing a removal of the eyes but in a way of covering them which is not as quite sinister as the previous. it shows a sense of blinding them of covering them fro the truth in a way. And much like below this is the same effect of raggedly removing of covering up who they are. 

within these two I additionally wanted to show previous editing techniques of cutting out and getting a light from underneath in order to highlight the holes and ragged sensation from within the image.The random marks allow a presentation of harm and unwanted areas that symbolize within the loss of identity itself. It is also enhanced within the slow shutter speed of the piece additionally.

This edit was unsuccessful,I wanted to connote a movement of the face and a sense of blurring but overall it looks more liquefied and not the aspect of  loss and movement that I was trying to portray.

evaluation:Overall this shoot was effective by using the original editing ideas and transferring those onto my own personal work,however i do not feel as though these images are the strongest out of this project even though they do show a sense of loss of identity throughout.

Introduction Creative Portraits

Identity, ideas and influences:

when I hear the word identity I instantly think of visuals, a passport picture for example which clearly shows a persons information and formal identity.  however a persons identity can be much more than this, it could include their past or life experiences.  people can change or hide their true identity for many reasons such as self doubt or the pressure of society. i am interested in the visual side of identity for part of this project because i think it is so relevant in modern culture. people often change what they look like due to idealistic expectation and in a world where looks mean so much no wonder there are problems. stereotyping can also link to this idea of identity in the sense of nationality, we assume so much about people from their looks. I think this is an interesting area to focus my photography on because it is so versatile yet extremely relevant.

Visual Influences:

 

Final shoot:Projection onto body;final images and development

My third and final shoot will be a projection of colors and lights all over the body and face.

aim:To show a conceptual insulation of color and personality and a vulnerability of exposure to express within themselves,also the contradicting blend of themselves hidden within the background of the piece itself.

edits:

1)To show  a vibrancy and blending of colors

2)Transparent sheet with paint to show levels and abstract sense of movement.

3)A blur of movement added.

These two ideas of projection ideas allow a vast amount of abstract color and also patterns to form  a sense of structure,I chose this because of the vibrancy and how it could possibly be used to reflect a persona of personality within the images themselves.This idea could also be furthered to cover and or hide the persona within the light,this can be used to present the destructive idea that they are not seen or perhaps the  environment surrounding them is always moving and creative and they themselves are purely an observer.

This idea is highly surrounding more structure and form,much like my previous artists it suggests rope and being tied and  constricted not knowing of how they are and or made it be,furthermore the structure highlights and enhance certain specific arts of the face itself. These pieces also always have an interesting angle to the piece itself,to further presents and over exaggerate the use of the light,this is interesting because the position being highly centered and not free connotes their body attitude and as low sense of esteem. 

This idea allows writing that symbolizes the persona and what they the,selves inside are feeling,this suggests their suffering and journey as to what they are going throughout,this can also be used to develop more tonal work within the portrait.

An additional artist who uses the projection technique was: by  Lee Kirby. who’s project is called ‘pro-ject’ and is clearly surrounding that of projection onto the body,he was inspired throughout when he grew up to become a passionate painter, with large influences form his mother.he then continued to study fine art in Norwich ,
His way of working has always interested me, creating a painting that resembles a photograph. Richter focuses on photographic techniques when painting, even down to how photographic paper has a sheen to it, which he uses in his work.After finishing a Fine Art degree I started to study photography. Three years ago I had the idea to try and work like my hero Richter but in reverse, this is when Pro-ject was born.

within this image I really love the The composition of all of the images, the colours used, the placement, everything. You get a real sense of movement and emotion when you look at these images even though you do not know exactly what they are trying to represent, through the composition, body language and imagery projected, you get an idea.I was inspired by the way in which he uses light and creating the movements within the piece itself,it shows a hidden figure that is  usual’s moving in a highly creative format perhaps trying to leave the lack of  identity that they are currently within.This is my favorite image due to the blurred movement,and also how the color is so vibrant and how this presents the idea to be freeing but still unable to see a face.The color only attaching to the body and not the background is also interesting because it allows a direct contact and vision of the project purely surrounding the human form and lack of it.

These images are very inspired by cars and a slow shutter speed attracting light shown over the top of the persona to symbolize how they are always ignored and again showing the technique of  blending him into the background of the piece itself.

So overall I want to experiment within the lighting to cover everything and then develop it to form the conceptual concepts of illuminating a persona underneath and such.

best images:

For this section I used an image of a strong vibrant 3d shape in order to successfully show highlight so lines segregating the face into pieces, used to symbolises either e rope of constraint or a sense of dazed confusion and categorising of people.

For these images I used a vibrant sheet of paper in order to show an almost space theme of colour over the face,This reflects a vibrant persona to which they do not share with anyone or how the space is used to denote a vast mass of unused space so showing a lack of knowledge as to what their identity really is.

Here I wanted to show a reflection go insecurity that the person has, covering thecae with negative wording of what she describes herself as, this was ‘you are my own’ and ‘breath’ it reflects an insularity of who they are, but in addition also within the slow shutter speed shows a confusion with only a four on the words and not accurately who she is.

for this area I had a large spiral effect that I thought would be further edited by the idea of a slow shutter speed, it shows a reaching out movement that has a strong colour showing a reflection of struggle and also, faces continually overlapping and moving showing an act of confusion of identity and lack of self worth.

For these images I used a mixture of multiple backgrounds to exaggerate light and colour at the same time,with the first image I wanted to show a sense of frustration and display how she is unhappy and capture many forms of herself to show the side she shows to people and then who she is. the second sheets highlight a warmth and also a clear direct view of the person and almost an evolution of who she is.

I edited this image by furthering the colour and making it more variant and circulated into specific areas.The composition of her grabbing her face also allows her grabbing onto the aspect of space within herself. 

This image I chose because it has an interesting compassion and angle it shows due to the camera being onto that she has less authority and is controlled,the segregating lines also show  a sense of being trapped ad contained into aspects that ‘create’ herself.

I chose this image because you can see an emotion and a struggle within the images, there are multiple attitudes and beings in the image and you can see a focused sense of movement and also colour.

within all the previous three images I edited them by enhancing the contrast and adding more structure to allow more detail within the images. 

lastly I chose this image because I liked how there is a clear focus on the face but then a distorted amount of wording over it again reflecting what she thinks of herself is overly too important, furthermore that is also a clear focus on the words next to the image itself,which cause a change of focusing dynamic composition. 

Overall this shoot was a different way in which to capture loss of identity ink a slightly more colourful and perhaps positive way.Although I do think theses themes are quite far and I do not more applicable photoshoots and colours theatre less related to abstraction.

Mirror shoot Ideas development and finished results:

My first idea for the shoot would be using a mirror:

Aim:to emphasis the conceptual concept of no feeling and belonging,having no self worth and an abandonment of skin and bodies reflected. A misjudgment of self image and crack within how they see their own idealistic beauty.

within these images you can see the development of the idea to show a broken aspect of themselves and how they are showing themselves but only in small fragments as they do not have a whole identity. The hands further the interesting  composition and enhance the atmosphere as a whole to make it highly effective and creates an almost lack of body and perhaps being to the body themselves. 

The broken glass idea is very interposing as it shows a repetition of the face and the broken glass creates an interesting pattern of the piece itself.the break also successfully symbolizes  their attitude towards themselves and perhaps the persona in which they carry.

 

Lastly these images are more to create an interesting illusion to the segment,it shows a lack of body and a sense of perfection to them looking into their identity as a whole.

I was inspired by these images  due to their interposing sense of composition  in interesting illusion when it comes from broken class repletion of the face or an absence of the body.The direct eye contact  and use of the hand shows a sense relish and connection between being broken and then a similar reflection of themselves.I wanted to also further look into artists who’s main theme of experimentation is glass.

Guilliaume Amart is a photographer who uses mirrors in landscapes in order to reflect a person or even a different segregated view of the scene itself. mirrored stand in various landscapes, reflecting the opposing environment back within the image to create a double interpretation of the surrounding scene.concentrate on the double interpretation of the landscape.He has the aim to produce a dream like atmosphere,and enjoys to suggest floating figures within his work. Within the mirror he is known to photograph himself in black so it is purely figurative but connotes a man lost within himself but still the center of the artwork. He is quite mathematical within his work and uses industrial aspects intertwined with more natural areas. The work is highly interesting and intricate and i would would to produce many of his works that contain people within the atmosphere as it demonstrates a sense of suspension and actuation within the illusion of actually being in the forwarded presented scenario.

This image is my favorite image from my artist,this is due to the interesting composition to the piece itself,It allows a completely hidden shadowed figure as a face reflected within the glass but then also behind the glass is a figure to add an illusion of someone standing in front and not as an illusion itself. I like the juxtaposing textures of the natural and then quite industrial dark tonal man. The mirror itself blends into the scenario and presents almost a frame of direct attention to the image.

My ideas are very reliant and abstract from the techniques,artists and editing techniques said above,I want a large create diversity to show an experimentation within the techniques and then the outcomes as a whole.

Finally overall throughout my shoot I want to be able to show a clear coherent blend of all these ideas that still successfully present a lack of identity.

possible editing techniques;

1)Make a print and scratch away the face

2)Within the mirror add someone else face or a black hole

3)Pulling apart  their body and a rip

4)Use a crack mirror ad repetition of the face

photos

:This is my best image due to the interesting and dynamic composition to the piece itself, it allows many reflections upon the face and duplication within the mirror that also have a sense of expression of emotion within the face.the lighting does not allow any unnecessary shadows and also allows for high intense light upon the face and the harsh diffusion of darker tones surrounding the image.The scattered mirrors and facial expression allow a sense of self confusion and defeat within the piece itself, so successfully showing many sides to himself and many ideas of identity that he is unsure about. The rigid reflection also allows a harsh highlight on themselves and purposing who their and what they can be.

This next image was inspired whiten just a hand and a face seen within the reflection , thought this was quite an impact stance so I wanted to further this idea and use red light to create a more intense and successful image to the piece itself.The deep negative tones allow a highlight on his face and ht illusion that it is only himself seen within he reflection of the glass. It also has strong connotations to that of a negative studio and a sense of history and time to the piece itself.

 

Within these two images I wanted a different version of looking at yourself and a different representation and angle.The first image is glass lined up on a floor in order to show the reflection of the face in interesting forms and angles being moved by how the mirror is paced itself, the section image I wanted to show a sense of  struggle whiten the image and how they too blend in within the background and can be reflected as unseen.

Lastly here I wanted to portray more interesting illusions whiten the face itself and how angling the mirror can cause a different view all dependent on the angle room which you look.I wanted multiple faces and representation of the person and how two sides to a person can all be very different.

These two images I chose because as seen as before there is a direct interest and question within the image of feeling and attitudes reflected within the deeper tones and self repletion of reflection. The first image within gun looking down allows a sense of unwillingness to know or find who they are or wants to be and surrounded by nothing and no-one. The second image I used a prism to show what looks like blur of slow shutter speed but is really used in order to create a duplication of the face within the scenario.

evaluation:Overall with this shoot i think it is a successful modification of my original ideas and allows more illusions and possibly stronger attachments to my other shoots,I allowed for my   colors to not be completely absent and still be shown throughout but also symbolize the loss of identity occurring throughout.there is not too much editing within the images due to me seeing this as unnecessary and the mirrors already positively create the aspects I was originally trying to achieve.

 

Studio Lighting Explanation and Types

STUDIO LIGHTING

What is studio lighting and why do we use it?

Studio lighting is an effective way of lighting up a subject using artificial light sources, it is done in order to: reflect light off the subject, highlight certain features of a subject and to give a clear image of the subject by enlightening them.  It helps the photographer to create a controlled environment in order to an exact photograph that you want. Studio lighting allows you to completely control how hard/soft the light is, the intensity of it and the direction of which it is coming from. It is easy to adjust studio lighting in order to create the best shot possible by highlighting certain parts of the subjects face and body and by reflecting light in different directions.

Types of lighting

Spill Lighting

Spill lighting is lighting where the light falls where it was not intended to fall by the photographer. This creates a distracting effect within images which can either benefit or ruin your photographs.

Diagram Explanation of Spill Lighting
Visual Example of Spill Lighting

Fill Lighting

Fill light is any source of illumination that lightens or fills in areas of shadow created by other lights. Usually, fill light is used to lighten the shadows created by the key light. This is purposefully done to give a natural full look to the subject in order to get a nice clean image.

Diagram Explaining Fill Lighting
Left – No Fill Light , Right – Fill Light Present

Chiaroscuro Lighting

Chiaroscuro lighting is a technique of lighting that uses strong tonal contrasts between light and dark in order to exaggerate certain aspects of the subject with a very dramatic effect.  This technique creates a lot of drama and mysteriousness which works well in a semi-abstract way.

Diagram Explaining Chiaroscuro Lighting
Example of Chiaroscuro Lighting

Tableau/Creative Portrait – Homework Assignment

Planning

Task – Take 100-200 photos that show your exploration of either tableau or other creative approaches to portraits.

Models/Props – For my model I will use 1-3 people in the lens at a time to create more intense photographs. My only prop will be paint on the models’ face which I will edit to create a more intense colour afterwards.

Camera Settings – I will use a fairly low shutter speed of 1/10 to 1/60 to allow more light to enter the lens from the dark environment when using a black background. I will use a higher shutter speed of 1/60 when using a white background. I will use a low ISO of 100 or 200 to keep the image high quality. I will use a shallow depth of field to create a soft blur in the background.

Lighting – I will be using red head lights, spotlights, natural light and flash to capture a wide range of images. I will be using red head light for soft light, white backdrop for some lighter images, a black backdrop for darker images,  a spotlight for harder light, a reflector to reflect light into the model’s face and gel filters to change the colour of the light

Location – I will do my shoot in the school studio.

Context – I will be using the school studio to capture a range of images in different styles and different lighting to create different amounts of contrast and shadows in the photographs.

Concept – To capture studio portraits looking at both identity and lack of identity.

Johnathan Ducruix

Image result for jonathan ducruixImage result for jonathan ducruix

Ducruix is a  Lyon-based digital artist who goes by the pseudonym Me&Edward. He has a diploma in 2D and 3D computer graphics. He says that he has always been attracted to the world of fashion and design which is obvious in his work. Ducruix says that he has a more impulsive style of work – when he has a specific idea in mind he will work on it right away. His spontaneous projects are often the ones that satisfy him the most. The pseudonym ‘Me&Edward’ comes from the fact that he wanted to dissociate the I – as a photographer from the I – as a human being. I hope to take inspiration from Ducruix’s style of editing and photography in my response – especially the removal of facial features.

Johnathan Ducruix Favourite Photo

Image result for jonathan ducruix

In this photograph, it appears that studio lighting was used to create shadows and highlights in the exact places that Ducruix wanted it to create contrast and to emphasise the shapes within the photograph. It is unclear whether a shallow or deep depth of field was used as it cannot be seen if the background is in focus or not due to it being an infinity screen. It appears that a quick/slow shutter speed (about 1/10)  was used due to the image not being too dark and it being completely in focus and sharp. A low ISO will have been used as it is a photo in a studio, Ducruix will have used a low ISO to balance the overexposure from the shutter speed to keep the image very high quality. It appears that a neutral/warm colour cast has been used on this photograph.

A neutral skin-colour range was used for the colour pallete for this image. This natural colour contrasts with the unnatural subject of the photograph. There is a variety of light and dark in this photograph ranging from the highlight of the forehead to the shadow under the colour bone. This creates contrast in the photograph. They is a smooth texture throughout the photograph except for the face of the subject which has a rough, decaying texture; this adds more drama to the photograph. The shadows and position of the model in relation to the background creates a 3D effect to bring the unrealistic subject to life. The subject appears to be placed in the middle of the photograph to create an uneasy atmosphere in the photograph.

This photograph is from Ducroix’s collection of image from 2012 titled “Metamorphosis”. On Ducroix’s site, he says that Metamorphosis is “a concept about the unlimited transformations of the human body. Just like a chameleon, it’s fitting, just like a virus, it’s mutating, just like a personality, it’s changing. Something new is about to birth, a metamorphosis, an organic complexity.”

The concept of Ducroix’s “Metamorphosis” collection is to show the human body in different forms that are deemed unnatural. Ducroix’s message in this collection is that the human body is capable of many many things and goes through lots of transformations in a lifetime.

Jesse Draxler

Image result for jesse draxlerImage result for jesse draxler

Jesse Draxler, born 1983, is a Wisconsin born photographer/artist who has featured in publications such as ‘Dazed and Popular’ and photographs for the New York Times. Draxler says he struggles to call his art his job, he says “I always hated having a job, now I don’t have one…One of my biggest fears in life is thinking I may have to get a job again some day if this art stuff doesn’t pan out,” Draxler has had her work exhibited all over the world.

Draxler’s work consists of collage-like pictures which merge with surrealism. Draxler will often paint over the photographs he takes or will rearrange it to create something visually confusing but intriguing. I like Draxler’s work because of how dramatic it is and how the he moulds multimedia together to create something that works which shouldn’t.

Jesse Draxler Favourite Photo

Image result for jesse draxler

It appears that artificial lighting was used in this photograph to create the tonal range and contrast that the photographer wanted. A deep depth of field appears to have been used due to the fact that it is all in focus – the corners are not blurred.  A shutter speed of 1/20 to 1/60 was most likely used to allow plenty of light to enter the lens whilst the ISO was also kept low to keep the image quality very high. This helped to create a dramatic image.

There is no colour in this photograph as it is in black and white – this adds to the mystery of the photograph that is initially created by the collage effect. There is wide tonal range in the image but the tones have been placed in unusual places due to the cut and stick style of this photograph. This creates even more drama and contrast in the photograph. The texture of the skin can clearly be seen in the photograph which makes it clear that it is a person but the identity has been scrambled.  There is no clear layout or arrangement in this photograph which links to the idea of mess and confusion in the photograph. There is no clear point that the eye is lead to which further confuses the viewer.

This photograph is from Draxler’s collection of abstract portraiture, it is titled “I wanna be serrated”. It is a collection of photograph like this one in which Draxler takes portrait photographs and then cuts up parts of them then places them in unusual positions to confuse the viewer.

To me, in this collection of photographs, Draxler is challenging the idea of identity and is trying to show how some people feel that they have a lack of it, or struggle to find their identities sometimes and end up stuck in a place without identity.

My Response

My Edits

My Favourite Photos

This image was created using artificial light. I used a redhead light to provide some soft light across the models’ faces and I used a spotlight to create a slight chiaroscuro effect to create a more dramatic image with more contrast and shadows. I used a shallow depth  of field (4.0) to create focus on the front model and to mildly blur out the background. I used a slow/medium shutter speed (1/20) to allow more light to enter the lens from the dark environment, I used this along with a low shutter speed of 200 to keep the quality of the image as best as possible.

I used a black and white filter over this photograph to create more contrast and I increased the amount of noise to create an old-fashioned portrait photograph effect.  There is a wide range of tones in this photograph ranging from the darkness of the shadows to the highlight of the face. There is a 3D effect to this image due to the positioning of the models and the slight blurring of the back model, this brings the photograph to life and gives it a more intriguing appearance.  I have placed the models in the centre of the image to create an uneasy effect in the image.

This photograph was taken in the studio with the work of Ducruix in mind. I took the photo then edited it in lightroom to create an old-fashioned effect by using a filter, changing the white balance and increasing the noise. I then used photoshop to remove the features of the face by using the spot repair tool. The aim of this photograph is to show something unnatural and make the viewer uncomfortable.

I took this photograph with the plan of using it for the topic of lack of identity. It shows that there is not much distinguishing each of us other than characteristics and features.  It shows how bland and boring the world would be if we did not have our individual identities as everyone would have the same aspirations and personality traits.