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Landscape artists

Ansel Adams:

Adams was born February 20th,1902,he was highly influences throughout his surrounding city also being his first memory watching fog moving across the sky and how nature had such a beauty within its movement.Adams himself was a photographer but also an environmentalist,he was born California ,San Francisco. He grew up surrounded by nature happening to be in a sand dune golden gate area,although using these years his once wetly family lost their worth and Adams broke his nose making him distinct for his future life.Due to his older family he has a very historical upbringing which influenced him to be interested himself  in a Victorian society both socially and emotionally conservative.

The role of himself as an artist was very much the involvement he had within the environment and movement within it, this including romanticism. He spent many years of his life trying to perfectly articulate and effortless wilderness and have an active involvement in being a ‘mystique:a valid,intangible,and ton-materialistic experience’.His work touched countless people in his effort to show the importance of the environment and saving the remaining lands.

The most impactful place he is said to have pictured evolved his way or working was San Joaquin Valley,he said it was ‘full of caverns, tall pines and stolid oaks, rising to an undreamed heights ad the poignant sounds and smells of ratifier’ This  colored landscape modulates his work and earth trademark.when his photography was increasingly important he started excersizing a claim of his energy that was also competing with a beckoning career as a concept pianist.

what I like about his work:

I chose Ansel Adams due to his large significant influence to many and how his work is still praised today for the quality and creating of a landscape to be seen in a light never recognized before.The way in which he uses tones shows a story and a lines of sight to create a flowing and consciousness design of light. his works also never failed to show a power and seen of authority which allows the demonstration of rebellion and what was necessary for a romanticized piece of work. His landscapes are vast pieces of art and never fails to all a story and capture the same presence of a being.

Analysis of favourite piece:

I chose this piece for many reasons,The sky has a clear movement and also power within the strength of tones and also the texture within the sky itself, this shows a strong contrast to the rest of the piece which also shows a clear form and structure in which he intended to portray.There is also a raggedness and solid strength of lines on the mountains, this from a sense of line sand almost a man made aspect to the piece itself. Furthermore the lighter tones and movement of the ground also shows a movement and as if a lane to draw attention to the background and not the foreground.

Technically this image has been divided into three sections,this has been done by the sky,rocks and foreground.It is also technically edited in the way the tones are spread throughout and darker harsher tones to emphasis the main attention aspects overall. Visually there are many interesting aspects which would draw in attention of detail and individual aspects of the landscape.There is almost a manipulation to mirror the ground and sky and the rocks as a divisor and to portray an  almost illusion aspect and something you are not able to see naturally,almost a distorted reality aspect.Contextually this has be done in Ansels eyes to shows the beauty of nature and how it needs to be protected,its also done to connote an unseen beauty and how the world could all look like and a preventive to future harm.

Ideas I want to show within my own work:

Throughout my own shoot I also want to show the way in which tones and the strength shows the dominance of an area of an image and how they all need to balance out and also create a sense of line to the main view point . Secondly I want to show a harsh sense of strength within the image wither sing rocks or a design of landscape but then soften this with a contrasting movement formed by wind or a slower time lapse. Lastly I want to show many element of attention within the image,I want it to be interesting and show many interesting concepts in which I have tried to capture and the way in which their own conceptual concepts all intertwined and work throughout each other.

Mind map:

His work clearly all have the same continuation of themes and methods and a precise method in which they are achieved,from observing these You can see clearly how yourself could produce something much similar

My final development of his style:

Finally for my shoot inspired by Adams I too will go to areas that have interesting textured surfaces and also occasional lines of continuation that lead to a dramatic hill area.I will also look at trees and possibly sand dunes and how I can mirror that with the way in which the sky has a drama and texture to.

 

Romanticism

Romanticism

Romanticism is an artistic movement originating in Europe in the late 1700’s and involves lots of interest in nature and rebellion against social rules and conventions. Romanticism is quite conceptual and aesthetically pleasing to the viewer as is further explained in this video. The main idea behind romanticism is that reason cannot explain everything. The romantics searched deeper and more subconscious than other movements.

Examples of RomanticismImage result for romanticism photography

Image result for romanticism photographyImage result for romanticism photographyImage result for romanticism photographyImage result for romanticism photography

Landscape Unit | Schedule | Jan / Feb 2018

AS PHOTOGRAPHY MOCK EXAM

THEME : LANDSCAPE 

DATES…

MONDAY 26TH FEBRUARY 12 A PERIODS 1-5 IN PHOTOGRAPHY ROOM

TUESDAY 27TH FEBRUARY 12 B PERIODS 1-5 IN PHOTOGRAPHY ROOM

WEDNESDAY 28 FEBRUARY 12 C PERIODS 1-5 IN PHOTOGRAPHY ROOM

THURSDAY 1 MARCH 12 D PERIODS 1-5 IN PHOTOGRAPHY ROOM

PRINT DEADLINES

FEBRUARY 20TH for ALL GROUPS

(You can add abstract, formalist, portrait and landscape final images to this print run too)

You may have other opportunities to explore architecture, and make links to what you studied in ABSTRACT AND FORMALIST photography…

 

Formal & Contextual Analysis

Landscape Photography | Week 1 | Natural and Romanticized Landscapes

Week 1

The focus of your study and research this week is natural landscapes and the notion of ROMANTICISM in Landscape  Art and then later, Photography.

Working Title/Artist: Stormy Coast Scene after a Shipwreck
Department: European Paintings
Working Date: (1830)
RESEARCH

The Age of The Enlightenment (1700-1800ish)

VS

The Age of Romanticism (1800-1900ish)

“Writers and artists rejected rationalism for the same reason that rationalism was rejected by the movement as a whole- it was in rejection of Enlightenment, which had sucked emotion from writing, politics, art, etc. Writers and artists in the Romantic period favored depicting emotions such as trepidation, horror, and wild untamed nature.”

“The ideals of these two intellectual movements were very different from one another. The Enlightenment thinkers believed very strongly in rationality and science. … By contrast, the Romantics rejected the whole idea of reason and science. They felt that a scientific worldview was cold and sterile.”

Blog Post 1: Define, describe and explain Romanticism (in landscape photography). Include a mood-board of appropriate images. Include at least 1 x hyperlink to an appropriate and relevant website. Embed an appropriate and relevant video / podcast.

Blog Post 2: Create an in-depth case study that analyses and interprets the work of a key landscape photographer…

Ansel Adams / f/64 group / Edward Weston / Fay Godwin / Hiroshi Sugimoto / Minor White etc

Remember you MUST use TECHNICAL / VISUAL / CONTEXTUAL / CONCEPTUAL to analyse effectively a key image…

Blog Post 3: add your contact sheet / select your best 5-10 images / 1 x final image / include edits and screen shots to show process

  • analyse and evaluate your images and process
  • show your understanding of composition, exposure, control of light, and effective use  of lenses to create NATURAL landscape images that range from wide angle to telephoto as a response to how your choice of photographer(s) developed the genre…

Use your research to help guide you when taking your own photographs…

  • create a mind-map / mood-board of potential locations around Jersey that you could record and create romanticized landscape photographs of….look for extremes (either calm or wild, derelict, desolate, abandoned or stormy, battered and at the mercy of nature)
  • use the wild and dynamic weather and elements to help create a sense of atmosphere, and evoke an emotional response within your photo assignment
  • aim to photograph the coastline, the sea, the fields, the valleys, the woods, the sand dunes etc
  • photograph in the “golden hour” before dark, at sunset or during sunrise…and include rain, fog, mist, ice, wind etc in your work
  • look for LEADING LINES such as pathways, roads etc to help dissect your images and provide a sense of journey / discovery to them

EXTENSION TASK: EXPOSURE BRACKETING AND HDR IMAGERY

 

Exposure bracketing means that you take two more pictures: one slightly under-exposed (usually by dialing in a negative exposure compensation, say -1/3EV), and the second one slightly over-exposed (usually by dialing in a positive exposure compensation, say +1/3EV), again according to your camera’s light meter.

High Dynamic Range

HDR stands for high dynamic range, and it essentially takes a series of images, each shot with a different exposure from darkest to lightest. HDR combines the best parts of the three overexposed, underexposed, and balanced shots to create a dramatic image with beautiful shadowing and highlights

HDR adjustments in Adobe Lightroom click here

HDR adjustments in Adobe Photoshop click here

Task : try a few variation of exposure bracketing and then try using HDR controls to create the exposures that you want…you may already have pre-sets on your phone or camera to help you do this, but experimenting manually will help your understanding!

Ensure that you include the following key terms…

  • Composition (rule of thirds, balance, symmetry)
  • Perspective (linear and atmospheric, vanishing points)
  • Depth (refer to aperture settings and focus points, foreground, mid-ground and back-ground)
  • Scale (refer to proportion, but also detail influenced by medium / large format cameras)
  • Light ( intensity, temperature, direction)
  • Colour (colour harmonies / warm / cold colours and their effects)
  • Shadow (strength, lack of…)
  • Texture and surface quality
  • Tonal values ( contrast created by highlights, low-lights and mid-tones)

Atmospheric Perspective

VS

Linear Perspective

Good Luck!

 

 

 

 

Double Exposure

What is double exposure?

Double exposure is the method of superimposing two exposures in a single frame, most commonly known as double exposure, and to the day is one of photography's most impressive techniques. Using this method of overlaying images on top of each other, you are able to shape an image of nature into the silhouette of a person, to create dream like portraits.
It is easily one of the most creative techniques in photography as the possibilities are endless due to digital photography.

Here are some examples of double exposure:

I found that the use of nature was particularly effective when it came to the images, as the trees could be used for a variety of different things such as fades etc. Through this I found it great how trees could be used to define a certain aspect of the image itself, and so allowed for the silhouettes of the creatures they wished to be highlight.

I decided to make a response to these ideas by mainly focusing around the human body and nature combined. These were the results:
To create these I used the opacity tool, this increased the transparency of the top image, allowing for the lower image to be seen more clearly, creating the desired effect. I then used the paint tool to rub out the excess parts of the image to match the shape of the subjects face, making it seem more realistic.

 

Studio Shoot #2

For this shoot I decided to experiment with a broader variety of lighting types and techniques from my previous shoots within the studio. I wanted to use a variety of filters like red and yellow to allow for more dramatic effects on the subjects.
I also wanted to switch between monochrome and the portrait settings when taking photos to allow for a greater contrast between the lights and darkness of an image. This would allow for a more sinister look when produced due to the emotionless expressions of the subject.
Before the shoot I wanted to create a mind map of the ideas towards this, so that I would have an idea of what and how to take the photos of both subjects.
From there I decided to carry out the shoot, these were my results:
From here I selected the top ten image from the entire shoot, this would make it easier for me to narrow it down to the final image that I deemed best from the shoot. These were the images I selected:
I chose these image because of the composition, lighting and color. I particularly liked the effect created by the shadows behind the subjects, allowing for an emphasis on certain features. What I then wanted to do was narrow the selection down once again to pin point the top five images out of the batch. These were the images I selected:
I chose this image due to how I liked the obviously contrasting shadows from the subjects face, which highlighted particular features. I also found that the huge shadow on the left of the image balanced the photo as the composition of the subject was equally divided onto the other side of the image itself.

What I liked about this image was once again the contrast between the light and dark of either side of the subjects face. Whilst the darkness of the hair added depth into the image, allowing it to be more visually pleasing. The right eye of the person is centered in the top right of the rule of thirds, this allows the viewers gaze to drift almost immediately to the eyes.
I chose this image because of the composition of the subject compared to the rest of the picture. The fact that the person's head lined up once again with the rule of thirds, helped make it aesthetically pleasing.
What I loved about this image was the obvious difference between the light and dark on either side of the face. This to me compared with the light backdrop allowed for a clear definition to the face, drawing out certain feature above others.
Finally I chose this image due to how I liked the link back to the theme of identity in previous shoot, based around idea of blinded by identity. From this I found the darkness provided on one side of the face allowed emphasis towards this, creating a more mysterious tone.
Finally I brought the pictures down to a one photo that I viewed as the most effective out of the selection. This was the image I chose as my final picture:
This was my favourite image because of the composition, lighting and shadowing. I found that the clear contrast between the light and dark of the face and backdrop, allowed for the image to be perfectly balanced, with the dark left side of the face adding definition to the overall piece.

Project Final Outcomes

FINAL OUTCOMES

My favourite chosen outcomes from the project are also those that I have used for my final print compositions, here is a link to the post that went over my final prints…

https://hautlieucreative.co.uk/photo19al/2017/12/18/print-compositions-framing/

Outcome 1

The first of my final pieces is a composition of 2 studio portraits that I believe simply work together rather well and effectively, to create 1 piece.

Outcome 1

The images needed slightly enhancing in order to balance the light, contrast, saturation and shadows of the 2 photographs, and cropping in order to make sure that the background of the images look clean and fully white so that the subjects stand out nicely.

This composition of 2 images is one that I believe shows my raw camera skills. I believe that the 2 images compliment each other perfectly due to the colours, composition and patterns within the images.

Image result for ADIDAS LOGO

 

The thing other than the balanced colours/shades pink, black and white that stands out to me between the two images is the balance between pattern through the 3 Adidas stripes in both images. These 3 stripes are something that you will see just about everywhere in which people are wearing casual attire. The stripes are the trademark the adidas sport and casual wear brand, causing Adidas to be known as the “The three stripe company” after being called this by its founder Adolf Dassler. In my 2 photographs the dark on light stripes create a good contrast with the light on dark stripes.

Outcome 2

The second of my final pieces is a composition of 9 images (Street photography and Environmental portraiture) in a story board style which explore how the surroundings of a subject visually effects the subject, and how the subject effects its surroundings.

Outcome 2

I have composed the images in this fashion as each image that is opposite to another length-wise or height-wise is related to and balanced with each other.

Here are the 9 original photographs that I have used in this piece…

The environmental portraits were inspired by August Sander who had a mission of photographing every worker in the whole of Germany, here are some examples of his work…

 

The street photographs were inspired by Genaro Bardy who photographs the streets of metropolitan cities and small towns. Here are some examples of his work…

Genaro Bardy

Outcome 3

The third of my final pieces is a composition of 4 creative portraits exploring a theme of socially perceived identity.

Outcome 3

I believe that these creative portraits present my creative skills through the use of Photoshop and Typography. The theme of socially perceived is about how people portray themselves within society and how other people portray them, not specifically to the subjects of the images but in general as a society how people seem to see themselves as individuals. The words used in these images explore different social boundaries that some people may come face to face with in society.

This style of work which I have used in this piece of work is inspired by various photographers and graphic artists including: David Carson, Lester Beall, Neville Brody, Paula Scher, and Shepard Fairey (the creator of the OBEY brand.) Here is some of their work…

Shepard Fairey
Shepard Fairey
Paula Scher
David Carson
Lester Beall
Neville Brody

The work also was influenced by Russian graphic propaganda. This was a way of representing the topic of  social identity as a battle within my work.

Creative Portraiture Case Study – John French

Visual Influence – Projector Portraits

Below are some images that I found interesting and wish to work in the style of.

Projection photography has become increasingly more popular over the years as photographers and artists have discovered this fantastically adaptable resource to produce art and photography.

Most famously, photographer John French used projection art photography in the 1960s – he photographed models with floral patterns projected onto their bodies instead of clothes.

John French

Born in Edmonton (London) John French originally trained and worked as a commercial artist, becoming a photographic director in an advertising studio just before World War II.

He worked for many editorial magazines and newspapers(like the Daily Express). He worked on a new form of fashion photography (which included bouncing light from reflector boards to create aesthetically pleasing, low-contract images that would reproduce well on newsprint).French is known for his clear, stylish, uncluttered black and white photographs taken against clean backgrounds.  He preferred to work closely with his models, devoting much attention to their posing and his sets.

Source

Contact Sheets

Editing

Evaluation

 This was my first and, by far, favourite image. I like the immense focus and the chilling stare of the subject. Adobe Photoshop helped me position the model in the center of the image with a large amount of black filling the frame. I aimed for this effect with all of my images, I wanted the dark to almost swallow my models – I think that this gave my images a more sinister feel and created a more mysterious atmosphere that surrounded my images. Due to this, the photographs also have a more minimalistic feel about them, thanks to the projection aspect the photographs are much more complex and interesting to look at. If I were to do this whole photo shoot again I think I’d try to take some photos with multiple models- with each of them having different projections and experiment with the different effects. I would also try to mix some images together via overlay and such.

This is my second final image for this subunit, unlike in the other two photographs, this image fully obscures the model’s face and features, This is because she’s looking away from the light source and into the shadow. It follows the general theme and what I was going for, the projection of the stars is very sharp and crisp in this image which makes it more pleasing to look at. This is the last image, for this image I chose to use an image of a tree with stars behind it. This way I was able to achieve different colours and play around with the placement of the trees in regards to the subject’s posture and such.

 

Photoshoot 2 // Loss Of Identity

Rosanna Jones

Rosanna Jones is a 19 year old photographer and mixed media artist  who distorts and tampers with her photographs to create unique mixed-media pieces that are both beautiful and disturbing at the same time.  She is based in London and recently graduated in Fashion Photography from Falmouth University. Rosanna explores how body image – whether positive or negative – can unconsciously effect identity. Through Rosanna’s work, she questions and challenges the ideas of beauty in regards to how a person feels internally compared to how a person is perceived by the outside world.

I believe there is a strong link between Rosanna’s work and the theme of loss of identity. This is seen through the use of camera settings which she intentionally uses to capture a sense of lack of identity. For example using slow shutter speeds to create a motion blur on peoples faces or using aperture to focus to foreground and blur the background, thus being the models. She also makes the most of the natural things, like smoke which she seems to have used in many of her projects. She uses this smokey effect to help hide certain features of a persons body and reveal some too.

Examples Of His Work

Image result for Rosanna JonesImage result for Rosanna Jones

Analysis

Related image

This image happens to be effective purely due to the simplicity yet effectiveness that it has. Although the image appears to be rather simple, it can be interpreted in a variety of ways, having many connotations. I believe this photo was taken through some glass or a window with the tape stuck onto the window. The photographer would have used a low aperture setting to allow a shallow depth of field, ensuring only the tape is in focus. The eyes are the key symbolization of a persons identity which I believe Rosanna covered to give this sense of a loss of identity. The tape, which is vibrant, help to attract the viewer and influence them to intake the messages associated with the picture. One message may being that you shouldn’t judge a person on their identity as we are all equal. I believe the messy positioned tape could reflect the harsh stereotypes that people make based on appearance. The  untidy tape acts as a leading line to help guide us around the face of the model. The eyes have seemed to been tampered, by the way in which they have purposely been covered. This may relate to how the person has been effected with what they have seen wrong in our society or how their personality has been tampered with. Overall this image is influential and a very captivating that helps to reflect a loss of identity through the use of a strong contrast and symbols that represent this.

Contact Sheet

Edits