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Robert Adams

Robert Adams

Adams was an American photographer who had a significant focus upon changing landscape of the American west,his work first started to become relevant within the 1970’s due to the success of his book ‘the new west’.The artist brown on May 8th,1937 was part of a family having himself a brother and sister,when he was younger he was infected with polio and had harm to the left side of his area and hand but soon recovered, but later in life suffered form other medical problems due to the previous illness. he had a very nature enforced childhood going on many walks accompanying his father, he also worked in a mountain national park in Colorado,and went mountain climbing and then so start visiting art museum with his sister.Not knowing what he wanted  to do he continued to take English and get his ph. D in English In 1965,he soon married to Kirsten who too and similar interests whiten art and nature. he taught English in Colorado college ad then soon as able to buy his first camera.

He mainly focus more upon taking many images of landscapes of nature and architecture. he learned many of his  photography knowledge form a professional photographer local to him named ‘Myron Wood’.Soon his love for photography spread and he became a full time photographer.His subject matter was ‘vastness,its sparse beauty and its ecological fragility’ manner of his work was produced throughout varying shades if grey and what has been lost remains, and a brilliant subtext to everything.

favorite image analysis

I chose this image due to the intriguing way in which Adams was able to capture the  strength and dominance within the clouds and the deep contrasting tones from within the background trees.you are clearly able to see the way in which people or  juxtaposing to the man made metal equipment. There is a sense of irony with the nature in the background and the way in which the people are more occupied within the pool and not the natural lakes and such.There is also almost a theme of segregation within the communities and the continuation of fences and boarder in which they are surrounded.The close up gate allows a redistricted in which we are viewing the people. All the over exposed lighter tones also have connotations to a more harsh lined  industrial area and shows elements of possibly not being safe.It shows a strong contrast within the beauty of nature and the urban life in which these people are living and choosing to do so.I think it is interesting in how the photographer chose to take the image when no one is in the pool,it shows a sense of reason to the image and the joy they should be having being in the pool but the rugged nature of pool is perhaps a preventative,perhaps this is to demonstrate the gradual separation between people and nature.

Mind map

Many of his works shows a strong industrial structure  presents in the foreground and a gradual deterioration into the nature based areas of his work. There is also a large surrounding space to present that their is an effect go nothingness without human evolution to buildings  and Inhabitance.

Ideas that will use in my work:

My main attraction to his work is how he has many layers of attention to the image itself and how it consistently evolves to create many interesting aspects throughout the original image,secondly I would want to expand on the use of persona and what people are doingerive attention to the image itself,and what the meaning of the contrast to nature would in fact be

LANDSCAPE PHOTOGRAPHY | WEEK 2 | THE NEW TOPOGRAPHICS

 

New Topographics was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape…
LEWIS BALTZ
Many of the photographers associated with The New Topographics including Robert Adams, Lewis Baltz, Nicholas Nixon and Bernd and Hiller Becher, were inspired by the man-made…selecting subject matter that was matter-of-fact. Parking lots, suburban housing and warehouses were all depicted with a beautiful stark austerity, almost in the way early photographers documented the natural landscape. An exhibition at the International Museum of Photography in Rochester, New York featuring these photographers also revealed the growing unease about how the natural landscape was being eroded by industrial development.
STEPHEN SHORE

The new topographics were to have a decisive influence on later photographers including those artists who became known as the Düsseldorf School of Photography.

WATCH THIS …New Topographics

Photographing Urban Landscapes

  1. Research and explore The New Topographics and how photographers have responded to man’s impact on the land, and how they found a sense of beauty in the banal ugliness of functional land use… 
  2. Create a blog post that defines and explains The New Topographics and the key features and artists of the movement.
  3. ANSWER : what was the new topographics a reaction to?
  4. Choose from…ROBERT ADAMS, STEPHEN SHORE, JOE DEAL, FRANK GOLKHE, NICHOLAS NIXON, LEWIS BALTZ, THE BECHERS, HENRY WESSEL JR, JOHN SCHOTT ETC to write up a case study that will inspire your own photography.
  5. Analyse some key imagery carefully and show your understanding of the  TECHNICAL / VISUAL / CONCEPTUAL AND CONTEXTUAL ATTRIBUTES OF THE IMAGES YOU HAVE CHOSEN TO DISCUSS
  6. Here are some other suggestions that may stimulate your imagination  / Starting points for YOUR OWN photo-assignments THIS WEEK…

    • Scrapyards, building sites, cranes, restoration yards, derelict ruins
    • Stadiums, floodlight arenas, staircases
    • Motorways, railways, runways, dockyards
    • Circuit boards, pipework, telephone poles, towers, pylons, skyscrapers
    • Shop displays, escalators, bars, libraries, theatres and cinemas
    • Gardens, parks, playgrounds, swimming pools, man-made beaches

    Possible titles to inspire you and choose from…

    Dereliction / Isolation / Lonely Places / Open Spaces / Close ups / Freedom / Juxtaposition / Old and new / Erosion / Altered Landscapes / Utopia / Dystopia / Wastelands / Barren / Skyscapes / Urban Decay / Former Glories / Habitats / Social Hierarchies / Entrances and Exits / Storage / Car Parks / Looking out and Looking in / Territory / Domain / The Realm / Concealed and Revealed

EXTENSION TASK

Look at how the New Topographics approach has inspired landscape photography and we document our surroundings / the way we are using and transforming the land.

You should look at photographers such as…

Research a selection of these photographers and respond with…

  • similar imagery from your own photo-shoots / image library
  • analytical comparisons and contrasts
  • a presentation of final images

Stephen Shore, Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975, 1975, chromogenic color print

Analysis starters

  • Foreground vs background | Dominant features
  • Composition | low horizon line | Square format
  • Perspective and detail / cluttering
  • Wide depth of field | Large Format Camera
  • Colour | impact and relevance
  • Nationalism vs mobility vs isolation
  • Social commentary | The American Dream ?

First Landscape Photographs

Planning

Camera Settings – I will use a fairly low shutter speed of 1/20 to 1/30 to allow more light to enter the lens from the darkening environment of the sunset. Along with a low ISO of 100 or 200 to keep the image high quality and to have a dark tone in the photograph. I will use a deep depth of field to ensure the whole photograph in in focus.

Lighting – I will use natural lighting from the golden hour before sunset for the photographs.

Location – I will do my shoot at Greve de Lecq.

Context – I will be using black and white, contrasting photographs in order to capture photographs in the style of the romantics.

Raw Photos

My Edits/Top 5

The Editing Process

I started off my editing process by using the custom white balance tool to find the correct white balance for the photograph (tool is the eyedropper tool on the right).I then applied the filter Fuji Neopan 1600 to create a strong, contrasting photograph that emphasises the shapes. I then adjusted the shadows, highlights, contrast, brightness and whites and blacks in order the fine tune the photograph.

My Top 5
My Favourite Photograph

For this photograph, I used natural daylight from the golden hour before sunset. This helped to create a darker image with more contrast, drama and a wider tonal range. I used a deep depth of field in the photograph to ensure that the whole of the photograph was in focus. I used a slow shutter speed of 1/20 to capture the photograph to ensure that enough light entered the lens from the dark environment. I used this along with a low ISO of 200 to make the photograph high quality but dark to create a dramatic photograph in the style of the romantics.

There is no colour in this photograph, only black and white. This is because of the style of the Romantics, their photographs would be contrasting black and white photographs with lots of drama within them. There is a wide tonal range in this photograph ranging from the darkness of the rocks to the whiteness of the crashing waves, this adds even more contrast and mystery to the photograph. The texture of the clouds and sea shows quite clearly in this photograph, this creates a more realistic image. There is also a 3D effect in this image; the layers of clouds can be seen over the sea, this is further done by the texture in the photograph. There are three horizontal lines in the clouds and sea in the centre of this image, this pattern leads the eye to it due to the aesthetic of it.

This photograph was taken in the style of the Romantics. It involves a strong black and white with high contrast as this is typically what was in their photographs. The setting is also Romanticism inspired; the Romantics would picture raw landscapes without any signs of civilization around.

The concept behind this photograph and Romantic photographs is that it helps to show the scale of us. It shows how big and mysterious the world is and how we are just one mark on it at one small point in time. It shows that there is a meaning behind everything and aesthetic behind everything, even if it doesn’t appear so.

romanticised landscapes final images

Final ideas for my shoot:I was inspired by Ansel Adams and Fay godwits work, this is due to the way they both dramatically emphasised the amount of beauty but also movement and sense of attention within their piece,They continually did this by their high or mid perspective.Also the use of their dark contrasting tones wihtin the pieced how they continually evolve and move throughout the piece in order to show a sense of unity to the piece as a whole. Furthermore I was also inspired by the way in which they all used lines in order to draw a sense of direct view to a specific part of the images altogether.

when taking my images I focused  more upon the dramatic Skys and a contrast of softer Skys and an idealised beauty compared to a power possessive sky.I also had an aim to to take images of the landscape and direct lines continually going through although these were not my strongest outcomes.I edited the images with some in colourful saturation and others in more tonal ranges to show a large to relation to that of the artists.I did look for many leading lines and I was able to find some but they did not correctly show a continuation in the way I would expect so were not as successful as the coastline images.

Above you can see the contact sheet of green landscapes and also the different angles of sunsets.I chose to take the photos at golden hour in order to see the changing and dramatic colours but also the darkness approaching from the right side within my images.It brings a warmth to many of the images and a great depth of colour.

you are able to see the before and after previous to editing the images and how I was able to enhance the colour to show a better detail of clouds and how to allow the reflection to be more vivid in its tone.

Here you are able to see I edited my images by enhancing the saturation and the colour of the piece,I chose to enhance the colour due to being able to see more drama and a stronger contrast between sides of the image, the juxtaposition of the lighter left side and the dramatic clouds and castle on the right.Additionally I edited the image this way due to the mirroring effect in the water surface and it looks as if a continuation of the sky.

I wanted to use the weather to evoke a sense of atmosphere snd emotion,I wanted their to be a relationship fo love within the coloured image and a sense of movement of light and attention,this is due to the stereotypically romantic choice of lighter colours and also how the sun is used to enhance from a stutter and the reflection of the sea shows a sense of peace altogether throughout the image itself. My aim was to capture the coastline and the sand dunes and how they are continuously evolving to capture different compositions and effects of light. 

overall I think this is my strongest image due to the lens of illusion and gradually forming power throughout the image.I wanted to show an understanding of reflections rising  the composition of the piece and how light can be used to suggest from and also movement to the piece itself.I took this image knowing I wanted both the light sense of warmth and other the authority of the castle and harsh clouds I used the technique of getting very high but lowering my camera so everything in the image looks level but additionally only capturing the reflection and the sky itself. I enhanced the exposure so the light so was able to progress throughout the image and used a wide angle lens in order to capture the whole angle of the image and see the size and power .These images are successfully romatisized landscapes although not edited within similar style due to the colours further down I edited my images tonally with a warmth in order to emphasis the artists styles too.  within the images above I wanted to capture a romanticised landscape in a much more vivid and and poetical extreme of colour caught within the golden hour, although I also wanted to capture a sense of clam that will soon be abounded due to the oncoming stormy strength of the high side and cloud formation.

These last images I edited in order to show the light and dark within the image and show a stinger relationship to the artists themselves. It connotes a much more stormy atmosphere all together but still effectively shoes the beauty within the landscape,the cloud in the last piece has such. strong depth and overwhelming power throughout the piece itself ,this was important because contextually it commands attention and shows how one beach can have such beauty and also dominate representing the power that nature has over people.

Fay Godwin

Goodwin was born in Berlin,and was the daughter of a British diplomat who was married to an american artist.In her later work of photographing writers she too married one called Tony Goodwin,and then later had two sons.later on in her life she become very ill in which she blamed drugs making her weaker every day. Goodwin then died on 27th May in 2005 at the age of 74

Fay Goodwin is the artist in which I am going to focus my attention of methods onto .Goodwin moved to London in order to become a portrait artist and even more significantly in order to capture famous artists and writers.Typically she captured the people in her own home and even soon herself became a published author.Her book was based upon the oldest road and ridge-way and so making her also a prolific landscape and the nations best known landscape photographer and was critically acclaimed for her early and mature work by the sens of ecological crisis present and how it made a Adriatic difference in the 1970’s. Later in her career she also started taking many images of natural forms and had many major exhibitions that toured nay areas around the world.

I chose Goodwin due to her stunning black and white landscapes of the coast and countryside and how this would be achievable to re-create and expand on in jersey.she was continually inspired when walking around and her pursuit of landscapes have taken her to highly remote areas of the British landscape but no doubt producing many beautiful pastoral scenes and contrasting urban landscapes.To me the way in which captures color and light within her images.Many of her work are captured within woods or well known british landscapes.

This is my favourite piece that Godwin has produced.I chose this piece due to the way in which the light captures the presence of nature and highlights the detailed aspect of the image,  furthermore the way in which the light also has a sense of structure in the image itself.You are able to see the contradictions line wihtin the tress that form a delicacy to the piece and how this is juxtaposing to the more rugged and textured floor but how this then continues to operate into the light, it purposes almost a path to the image that is highly successful.

contextually,the artists within this image had a scenic is to capture the light within what is stereotypically perceived as a dark and fluently feared section of a wood, she wanted to demonstrate the natural beauty in hick we live and the landscape that had a man made gate but how this has a removal from the relationship within nature and society.It emphasis how we should be placed together and how this would create a world with much light and jovial living.Techniqually:the piece was taken very accurately in order to capture the light to cover and produce lines over the whole of the image.The purpose, it was taken to show the natural beauty within landscapes and how people have to look to find the beauty in which they are continuously surrounded by

mind map:I chose the following images because I thought they successfully reprinted the way in which the photgoher capture the beauty and essence of landscapes but also the drama of Romanism wihtin the sky.She continually has an interesting main fetaure of the image weather that be lines or circles or a large dark juxtaposing tone.

Ideas I want to use in my work:

throughout my work I too want to capture the way in which she uses light to create a from and also enhance the image throughout its detail and overall finish the composition as a piece.Secondly I want to so many of her works the have a long lead of extension and a road but show a tree or an obstacle in the way, this is due to the way in which it draws attention to a specific aspect the piece but also shows a dynamic sense of dynamic composition  of lines and thirds within the piece. Much like my previous  artist Ansel Adams I will to edit the images to have the same contrasting tones of darker and lighter throughout.

 

Romanticism Photoshoot Response

In this shoot I will be focusing on photography surrounding Romanticism. To help me with my shoot I will use Fay Godwin as my influence from a photographer, I chose her because of how her photography uses much of the scenery seen in Jersey and so could use her techniques to provide guidance on what to take as seen below:Image result for Fay GodwinBefore taking the shoot I wanted to pull some ideas together on what to take, allowing for a guideline to my photos, this was my outcome:

Once I had a general idea on what I could do for the shoot I finally moved onto the images themselves with these being the outcome:

From the photographs I decided on, I made a selection of ten images that I thought presented my best imagery from the overall shoot on the topic of romanticism. These were my choices:

I chose these images because I thought they popped out from the rest of the shoot, and had a greater understanding of what romanticism in photography was about. I found that their vivid colours and use of depth of field made them particularly effective. From here I wanted to whittle my selection down to just five images to really provide a clearer insight into my final image for the shoot. This is my selection:

I chose this image due to how I loved the effect created from the back light that was meant to illuminate Gorey Castle at night, that instead silhouetted the housing and trees around it, creating an aesthetically pleasing result as an outcome. And with the slight use of red and oranges from the housing I though it really balanced it out.

What I loved in this image was the use of the depth of field, this created a focus on a certain section of the woods which instantly drew the eye through the use of its vivid greens. Within the image I used Photoshop to enhance the greens within the image to make it more suited to the theme of Romanticism with the expected outcome as desired.

I found that this images use of contrast between the light provided by the lamps created an aesthetically pleasing photo. This was because of how by making the oranges within the picture more vivid, it emphasised the shadows created by the surrounding boats, thus drawing the eye instantly to the soft glow of the lamp centred in the middle of the picture.

The gradient created by the sky I thought particularly allowed for a romanticism theme. This was because of how the majority of the image was made up of the slow but constant changing of shades of blues into yellows, with only a small percentage made up by the landscape. I found that by darkening the ground it created a greater effect onto the sky due to an emphasis to the colours.

What I loved about this image was the composition and the dark and grim colours. This is because of how the skeletons of the trees create a sinister but beautiful effect on the pathway through the middle of them, with unclear imagery of people in the far distance. I also liked the use of depth of field as well due to how the trees slowly faded and merged into one collective backdrop, whilst maintaining the desired look.

After analysing each of the five images, I decided to come to an overall decision on the final piece from the selection. This is my final choice for the best image out of the shoot:

I chose this as my final image because of how I loved the contrast created by the floodlights to Gorey Castle. I found that through this it completely emphasised the silhouettes of both the tree and the house in a sinister but fascinating way. I also liked how the floodlight captured by the camera is seen as a circular gradient in which slowly fades into darkness, with the three red lights being there to balance out the image as a whole and not let the black overpower the piece.

 

 

 

Romanticism

What Is Romanticism?

Romanticism was an artistic and intellectual movement which took place in Europe between the late eighteenth and mid-nineteenth centuries. It was a break from the guiding principles of the ‘Enlightenment’ (which established reason as the foundation of all knowledge) the Romantic Movement emphasised the importance of emotional sensitivity and individual subjectivity. For the Romantics, imagination, rather than reason, was the most important creative faculty.

below are some examples of the first paintings in the theme of ‘romanticism’ which set the basis for modern-day romanticism.

Source And Further Reading

Ansel Adams and Romanticism

About Ansel Adams

Ansel Adams (1902 – 1984) was an American photographer and environmentalist. His photos of the American West are often seen on calendars, photos and books.  Adams founded the photography group ‘Group f/64’. He was part of the romanticism movement and produced lots of striking landscape photographs in black and white, often involving a pathway of some sort and interesting weather.

Image result for ansel adams

Image result for ansel adams

My Favourite Photograph

Image result for ansel adams

This photograph was taken using natural daylight with the clouds blocking the harsh sun from the camera, resulting in dramatic contrast between the mountains and the river being brought into the photograph. It appears that a wide angle lens was used to take this photograph as this is what was typically used by the romantics to capture landscape photographs. It looks like a deep depth of field was used as the whole of the photograph is sharp and in focus. A shutter speed of 1/60 – 1/150 was possibly used for this photograph due to no motion blurs being in the photograph. A low/medium ISO appears to have been used as the photograph is not grainy and is quite dark, which will have been intended. There is lots of texture in the photograph, from the grassy bank to the flowing river. It seems to be quite a cold and isolated photograph as there are no signs of civilization around.

There is no colour in this photograph, which allows the viewer to focus on the range of tones, textures and shapes in the photograph rather than the colour. There is a wide tonal range in the photograph ranging from the dark silhouettes of the mountains to the white reflection of the river. It is quite a 3D photograph due to the trees in the foreground and the river running throughout the photograph, leading the viewers eyes from the trees in the foreground all the way to the mountains in the background. There is no rule of thirds used in this photograph, to me this is because Adams is trying to show that it is natural and nothing is set up.

Adams was a big part of the romantic movement in the late 1700’s, typically the romantics would photograph striking black and white landscapes with the idea that there is a deeper meaning than what appears behind everything. Romanticism was a rejection of the Enlightenment movement which took emotion out of writing and art, Romanticism wanted to challenge this by depicting emotions such as horror and untamed nature.

I think that in this photograph, Adams was trying to emphasise the natural beauty of the environment and to show that no editing was needed on the image, it is as it appears. He is trying to challenge the Enlightenment movement by doing this.

Romanticism

What is Romanticism?

Romanticism was from when a new generation of painters to create landscape art for its own sake, causing the form of art in the 1800s to become more hyper-realistic. This first movement was known as Romanticism, it emphasized emotions such as awe and rapture, leading to a deeper discovery probing into human emotion regarding out natural surrounds. Romanticism usually created the perfect conditions for landscape art, which would assume the highest position in the minds of wealthy art collector. Here are some example of Romanticism in photography and art:

Image result for Romanticism photography

Image result for Romanticism Photography

More about Romanticism can be found here.

For further knowledge I used this video below to develop my understanding on what Romanticism really was.

Landscape artists

Ansel Adams:

Adams was born February 20th,1902,he was highly influences throughout his surrounding city also being his first memory watching fog moving across the sky and how nature had such a beauty within its movement.Adams himself was a photographer but also an environmentalist,he was born California ,San Francisco. He grew up surrounded by nature happening to be in a sand dune golden gate area,although using these years his once wetly family lost their worth and Adams broke his nose making him distinct for his future life.Due to his older family he has a very historical upbringing which influenced him to be interested himself  in a Victorian society both socially and emotionally conservative.

The role of himself as an artist was very much the involvement he had within the environment and movement within it, this including romanticism. He spent many years of his life trying to perfectly articulate and effortless wilderness and have an active involvement in being a ‘mystique:a valid,intangible,and ton-materialistic experience’.His work touched countless people in his effort to show the importance of the environment and saving the remaining lands.

The most impactful place he is said to have pictured evolved his way or working was San Joaquin Valley,he said it was ‘full of caverns, tall pines and stolid oaks, rising to an undreamed heights ad the poignant sounds and smells of ratifier’ This  colored landscape modulates his work and earth trademark.when his photography was increasingly important he started excersizing a claim of his energy that was also competing with a beckoning career as a concept pianist.

what I like about his work:

I chose Ansel Adams due to his large significant influence to many and how his work is still praised today for the quality and creating of a landscape to be seen in a light never recognized before.The way in which he uses tones shows a story and a lines of sight to create a flowing and consciousness design of light. his works also never failed to show a power and seen of authority which allows the demonstration of rebellion and what was necessary for a romanticized piece of work. His landscapes are vast pieces of art and never fails to all a story and capture the same presence of a being.

Analysis of favourite piece:

I chose this piece for many reasons,The sky has a clear movement and also power within the strength of tones and also the texture within the sky itself, this shows a strong contrast to the rest of the piece which also shows a clear form and structure in which he intended to portray.There is also a raggedness and solid strength of lines on the mountains, this from a sense of line sand almost a man made aspect to the piece itself. Furthermore the lighter tones and movement of the ground also shows a movement and as if a lane to draw attention to the background and not the foreground.

Technically this image has been divided into three sections,this has been done by the sky,rocks and foreground.It is also technically edited in the way the tones are spread throughout and darker harsher tones to emphasis the main attention aspects overall. Visually there are many interesting aspects which would draw in attention of detail and individual aspects of the landscape.There is almost a manipulation to mirror the ground and sky and the rocks as a divisor and to portray an  almost illusion aspect and something you are not able to see naturally,almost a distorted reality aspect.Contextually this has be done in Ansels eyes to shows the beauty of nature and how it needs to be protected,its also done to connote an unseen beauty and how the world could all look like and a preventive to future harm.

Ideas I want to show within my own work:

Throughout my own shoot I also want to show the way in which tones and the strength shows the dominance of an area of an image and how they all need to balance out and also create a sense of line to the main view point . Secondly I want to show a harsh sense of strength within the image wither sing rocks or a design of landscape but then soften this with a contrasting movement formed by wind or a slower time lapse. Lastly I want to show many element of attention within the image,I want it to be interesting and show many interesting concepts in which I have tried to capture and the way in which their own conceptual concepts all intertwined and work throughout each other.

Mind map:

His work clearly all have the same continuation of themes and methods and a precise method in which they are achieved,from observing these You can see clearly how yourself could produce something much similar

My final development of his style:

Finally for my shoot inspired by Adams I too will go to areas that have interesting textured surfaces and also occasional lines of continuation that lead to a dramatic hill area.I will also look at trees and possibly sand dunes and how I can mirror that with the way in which the sky has a drama and texture to.