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Evaluation of My Final Outcome

I think that throughout the Future of St. Helier newspaper project I have thoroughly explored the different aspects of St. Helier and the people within it. I have photographed environmental portraits and portraits of unaware subjects to catch the different sides of the population of St. Helier as well as photographing completely different styles of buildings within the capital. If I was to explore the Future of St. Helier again I would focus on more set-up photo-shoots with interesting people within the parish in order to get an insight into what they think the future of St. Helier is and how they feel about the changes that it is going through.

At the beginning of the project I planned on photographing lots of people in their natural work environments in order to create a collection of photographs that show the different jobs and dress codes that come with them in St. Helier. My intentions changed when we visited the construction site at Ann Street car park as I saw the difference between the newly built buildings and the buildings being demolished and thought that this difference had to be recognised as it is the Future of St. Helier in the present.

I learnt throughout this photographs that there are many aspects to St. Helier which differ depending on which area of the parish you are in. Every subject that you photograph or speak to are completely their own person and have a different story. I learnt a lot about the future plans of St. Helier and how vital the finance industry is to Jersey and how quickly it is advancing.

16 Page Zine

Evaluation + Analysis

Overall, I think this zine is a good representation of the work i produced  for this project and gives insight into the industrialisation of Jersey. It emphasises the mechanical shapes and structures from a different perspective that people might not see in their everyday lives.  Some of the images I displayed across a double page spread as i thought they were most effective as they didn’t need other images to back them up to get the concept across. The front and back cover of the zine is one landscape image of piping and metal structures, indicating to the audience the concept of the images they will find in the zine without opening it. I thought this image worked best as the front and back as the right side of the image (front) had piping on the bottem half of the image and metal on the top giving room for the title of the zine ‘Industrial’. The left side of the image (back) is more chaotic and unstructured with the piping going in every direction, perhaps representing the disordered buildings and structures in Jersey. The font I used for the front and back cover was *** in white so you could clearly see it against the metal piping. I tried to display the images inside the zine so that the more detailed double page images were separated with multiple or less detailed images.  The first two double page spreads are detailed images, the first being a over view of an area in St Helier trapped within repetitive black fencing. This is then followed by the second image of two metal structures, linking to the first image through the cooler tones and the dull, desolate appearance of the two images. I like the composition of the second image which is why it works well in a double spread spread as the metal staircase on the right frames that side of the image and contrasts the simplistic left side. These images are followed by multiple images on the third double spread. The left side displays two images of structured buildings which is contrasted with the full page portrait image on the right. I displayed all these image together all they all link with each other through the red sections. I thought I put this double page here as it’s a huge contrast from the cooler tones on the first two pages and breaks up full page images. The fourth double page in a full landscpae image of metal piping linking to the front and back cover of the image which is why I placed it in the middle pages of the zine. I gave this image a full page as it’s very detailed and contains many different tones where a smaller display wouldn’t give it justice. This is followed by the fifth double page image of a grey building with black electrical wires going up the side linking to the piping on the page before and the grey tones. I like this image as it shows a different perspective of industrial structure that people may not normally see through the upwards angle and emphasises the dullness through the grey undertones juxtaposed with the bright white background. The next double page shows multiple image I photographed around a building site representing the continuous redevelopment of new infrastructure around Jersey. This page breaks up the more detailed images and is contrasted form the page before with the brighter colours like blue and yellow. I included my interpretation of Luke Fowler’s two-frame photography showing an up close, detailed image. These images all link together through the portrayal of cranes on the building sites and fencing, each image giving a different perspective. The final double page image of my zine of one of a tower block of flat . The composition of this image gave me room the add text to the negative space about my project and why I chose this concept. I chose this as my final photo as it’s a stand out image and different to the rest of the images in the zine. The others are all linked through the use of cooler grey tones or though an aspect shown in the image, whereas the final image stands out through the composition and the brown tones contrasted with the white sky. 

My Zine Designs

Design One

This is my first zine design. Within this design I chose to focus on the construction within St. Helier as this construction moulds the future of St. Helier. This zine focuses on the deteriation and destruction of buildings in St. Helier and then the planning of rebuilding. Once I have printed this off I will look at rearranging the pages to create a stronger narrative. I have used full bleed double page spreads in order to create a bold magazine that allows the viewer to feel completely involved in it.

I have decided that I will be using this zine as my final design as I feel that it covers more topical issues within St. Helier regarding the constant renovation of the parish.

Design Two

Within this zine design I have focused on who controls the demolition and construction of St. Helier – the people. I included environmental portraits within this collection to show what the people of St. Helier do on a daily basis and to capture the satisfaction within their lives. I chose a different format to the first zine in the sense that I left blank space to represent that the photographs are only a snapshot of their lives and there is much more to it.

J A Mortram

J A Mortram is a British social documentary photographer and writer. He is the photographer that produced the first zine in my previous post – the zine is from his ongoing project titled ‘Small Town Intertia’. Mortram records the lives of the disadvantaged and marginalised, making repeated visits with a number of people living within three miles of his home. The project tells stories of “isolation, poverty, drug abuse, homelesness, self-harm, mental illness, juvenile crime, and epilepsy”, that Mortram believes are otherwise under-reported.

I chose to study J A Mortram because he looks at individuals in the present tense but he also goes back and visits to see development and change, as we are doing in the ‘Future of St. Helier’ project.  His photographs appeal to me as they are very bold and look at sensitive subjects such as mental illness and drug abuse. The high contrast photographs all blend together well to create a strong collection of photographs.

Mood Board

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Analysis

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This photograph appears to use the dim natural lighting within the household in order to create a dark and contrasting atmosphere. This contrasting atmosphere creates some areas in the photograph where the subject is over-exposed such as the body of the man hugging the dog – this goes towards creating an even more dramatic feeling to the photograph. A short-medium depth of field seems to have been used as the photograph starts to fade out towards the edges – possibly due to the vignette effect. A quick shutter speed no slower than 1/60 appears to have been used as well due to the dark nature of the photograph, this dark nature may have further been emphasised by the use of a low ISO.

The photograph is also in black and white which creates an idea that there isn’t much happiness or positive energy in the subjects, it makes the setting seem very dark and draining. There is a very wide range of tones within the photograph as in parts it is nearly fully black where as in others it is bright white. There are many subjects in the photograph to lead the eye too but the initial subject that caught my eye was the table in the middle – possibly due to it being at the forefront of the photograph presenting the mess in the photograph. This gives the photograph a slightly 3D effect.

This photograph is from his zine titled ‘Diary Entries’ from his ongoing project ‘Small Town Intertia’ in which Mortram records the lives of the disadvantaged and marginalised, which can clearly be seen in this photograph as there is mess everywhere and it is obviously not a pleasant place to be living in.

I feel that Mortram is trying to shed some light on the disadvantaged and how they live by showing the rest of the world through his photographs and zines. Mortram says that these topics such as drug-abuse and homelessness are under-reported so this is his attempt to show people how privileged they are.

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This photograph using natural lighting in order to convey the fact that this photograph is in the style of documentary street photography. The natural light ties in with the idea that these are just normal people living their lives and the photographs are not staged. It is quite a contrasting photograph in order to create a dark/glum atmosphere – which the setting in the background does itself. A deep depth of field has been used to take this photograph as the whole of the photograph is in focus. A quick shutter speed of around 1/60 will have been used to take this photograph due to the natural daylight. A low ISO has most likely been used here as the photograph is quite dark but not underexposed.

The photograph is also in black and white which shows how bleak and possibly hopeless the life of the subject it. There is a wide range of tones within the photograph due to the high contrast within it. The eye is lead straight away to the tattoos on the subjects back, which seem like a bad decision to most people and so further pushing the idea of what setting this is in. The photograph does not have many layers to it – only the man in the foreground and the walls in the background so there isn’t a major 3D effect within this photograph.

This photograph is another photograph from his ongoing project ‘Small Town Intertia’ in which Mortram records the lives of the disadvantaged and marginalised. Here Mortram shows someone that has made bad decisions and doesn’t seem to be in a pleasant setting to emphasise the idea that they are marginalised.

I feel that with this photograph Mortram is trying to show that everyone has their own unique properties and stories – he is emphasising that the marginalised and disadvantages are no different to the privileged in the sense that they make their own memories but in their own way.

Analysis of a zine picture book

Joseph Patterson created a zine in order represent underground music as a creative renaissance of generations.The grime and hip hop scene was flourishing and he wanted to develop emerging themes and allow them to flourish within his work. The mainstream coverage of this work is typically poor and actively neglecting the scene and portraying a harmful approach to the music by the conservative media. His work shows a space that was ‘actually invested in underground music in youth centre’ they described as wanting their images less formal so a zine would be a unique format to enhance their work.

His images are a mix between a shoot on location and rarely people on stage as they do not want a featured person to be perceived a certain way in which they would not deem themselves. They use a mixture of overlapping imagery within their displays and writing quotes on some pages, usually the images have a strong contrast of time periods and the colours connecting them are overlapped between vibrant and black and whites.

This particular artist and group are typically based online which is why they launched this zine issue as it features a Longform and creates something in which you can look back at in years to come. lots of their work was inspired by DIY culture and stripping back and keeping the core elements of a photo and celebrating a passion and making your work personal by the intricate way In which you put it together and the people you surrounded yourself with. They want to highlight the importance of interconnectivity between the worlds of online creativity and physical when coming to photography.

Analysis;

I think this zine has conceptually a really interesting subject matter and narrative,although their is no chronological order or a method to which the story is being told but a representation of a current state of living for people within the underground crime music industry.It demonstrates a subjectivity of community within passions of people and the importance and influence music can have upon young people. The images itself develops the narrative construct of time and the comparison of having two highly different timeframes being presented as one (renascence and modern day) the images have an interesting composition of overlapping images to be placed upon older original works of art, these allow the placements to look more abstract and be Random in their framing but close up allow a intertwined structure to the narrative. The colours while are light do not reflect any vibrancy and come across as dim, this is to symbolise a similarity when forming to the older more dim and reserved older images. Overall I think this zine is highly effective with its message and is highly unique in comparison to many other zines.

Inspiration for my Zine Design

Zine 1

I chose to look at this zine because the dark and contrasting  full-bleed photographs appealed to me as I am using full-bleed photographs in my design. The design of this zine is very dark and simple which fits in with the dark theme very well. The full-bleed photographs help to convey the bold theme as it almost makes the photographs more invasive and in your face.

 

Zine 2

I found this zine very interesting as it has a strong theme as well as a message. Each double page consists of a symbol with a quote from the subject on the left side and then a portrait photograph of the subject with the face scratched out. This theme of identity carries on throughout the zine and is further pushed by the similarities between the cover and a passport. This simplistic design allows the message to be carried further and looks very aesthetically pleasing.

 

Zine 3

I chose to look at this zine as it has a more professional design to the booklet. It has a spine and is done through binding whereas the other zines are just stapled together. The design and placement of the photographs are very simplistic and minimalistic, there is one photograph per page with a wide border in order to allow the viewer to focus on that one photograph, which I think is very effective.

Zine 4
I looked at this zine because it has a busier and more abstract look than the other zines. The cover has a lot going on behind the title unlike the other zines and has an abstract look to it. This theme is carried on throughout the zine with full-bleed double page spreads of abstract photographs. This alternative approach is very eye catching.

 

Research and analysis of my zine

Zine; A Zine is an effective method of marketing and presenting your photography, they have been created for years there is a creative athletic collaborated wihtin the making of zines. it creates the ability to create a impact of juxtaposing and sorting images into a story in order to enhance emotion.There is an energy and ability to show yourself through the work as you make it yourself. This aesthetic enables a tactile creative freedom. I believe that zines look and feel professional and achieve a high quality when out onto thick paper and good printing, it allows a completed piece and presentation without the harsh formality to take away from the piece itself. its expressive and shows a desire of photography  throughout.

When gathering my visual inspiration I wanted to concentrate on the themes of narrative, subject,design and concept. When choosing the theme of my Zine I want to have a constant theme throughout and so not having a segregated feel to the piece as a whole narrative concept. I wanted the narrative to be the history and time present throughout St Helier, I wanted emotion and periods of time to be expressed through the modernisation and deforestation of St Helier and the people who have inhibited St Helier for long or short periods of time and the cultural impact of the area on them as a whole. This embodiment of time, emotion and urbanisation forms St helier in a unique frame which would be intriguing wihtin the prevention of a zine.

When questioning the theme of the piece I want to show how neglecting  periods of significant historical moments  such as ww2 and the occupation had upon old buildings and families within The red section of St Helier,The deep urbanisation and neglect for buildings shows a historical significance of abandonment and reflection of past times, which some elders say shares community and ethnicity within people and the reflection upon each other. However between my photos you can see a current distinction between the modern building up or architectural developmental impact upon the people  and the money in comparison to the people within this section. When using this theme of history of time to use a comparison of people and community effect and wether work or community is enhanced wihtin the specific section of St Helier.

My subject matter at the start of this project was more projected upon the buildings of St helier and the different narratives of building destruction and neglect, this then illuminated the possibilities of reflecting the people who live among these communities. I think my most successful images are of the subjects of construction of buildings such as piles of rubble and construction. The thematic colour of red also connotes a historical reflection of war and how the buildings being taken should be a reflection of a movement or however an ignorance go past history.I believe in this 16 page booklet the buildings would be more conceptually pleasing and also creative a narrative more available to the reader. My whole concept overall for the Zine would be a time frame of chronological demolish rebuilding and relation fo people living in the various areas itself.

 

PERCIVAL DUNHAM

Two Boys With Their Toy Horse – Percival Dunham
Percival Dunham was Jersey's first photojournalist for a very brief period in 1913-1914. He worked for 'Jersey Illustrated Weekley' and then 'Morning News'. Percival Dunham's candid style of photography was well ahead of his time, long before the word had actually been coined. 
At the time this photograph was taken [early 20th century], photography wasn't a popular practice as it wasn't comfortably affordable or accessible for the general public and of course cameras were in their early stages of development. Producing a well taken photograph was more of a skill then than it is today as there is always an option for automatic adjustments on a camera, making it easy for anyone to take a photo and therefore making everyone a photographer. 
The image is a candid shot, taken just before the subjects would usually figure out what was going on and pose. But perhaps because of the time frame in which this image was taken, cameras weren't ordinary objects to see and therefore this explains the slight confused and blunt looks the two little boys exchange with the camera.  
The quality of the image can be forgiven due to the early stages of developing camera that was used and due to the age of the photograph itself. The image is a little overexposed which is expected on a sunny day. You could say this ruins the quality of the picture or it amplifies the feeling of warmth and sunshine in the scene on which the day this photograph was taken, almost adding an emotional sense when looking at the picture. As capturing reality was a task when a photographer can only produce an image in black and white, perhaps playing with exposure helped to draw out more emotion and feeling from a picture.
One could argue that this photograph is mundane due to the fact that the subjects are quite ordinary, doing ordinary things that little boys do -  no one would think to document this. However, I think 'ordinary' photographs help to unpick things that wouldn't usually be seen when walking past a scenario like this. A photograph freezes time and allows the viewer to take everything in from a scene, landscape or a person. 
Following my ideas of capturing the people that make up St. Helier, I would like to gather photographs that capture candid shots of individuals that help to identify personalities from facial expressions and clothes to proxemics.

Independent Study 2

For my third photoshoot I wanted to focus on the more of the industrial aspects of buildings in this shoot. I first visited Sand Street car park which is surrounded by houses and buildings being near the centre of town. I also wanted to walk around and explore the roads in that area to fins more industrial buildings and structures. I narrowed my images down to 60 and displayed them below in a contact sheet.

For this photoshoot i went to an location outside of the area i was assigned to find different buildings and structures in St helier that link to my previous ones.

When walking around Sand Street car park I found this building structure that had wire and lamps on it giving a very industrialised appearance. I particularly liked this image as tones and colours in it are many black, grey and white even though i haven’t edited it this way. This means that building looks like its been edited in black and white in real life, representing how the industrialisation in Jersey is taking away the colour and culture. The cloudy sky gives a white background to the grey and black building in the foreground creating a hostile appearance. The angle this image is taken at emphasises the bold black wire running up the side of the building. I chose this photo as one of my final images as you cannot tell that it was taken in Jersey and could be anywhere industrial in the world, representing how Jersey is losing its heritage and culture by new constructions and starting to look like other towns and cities.

I like this image as it gives an overview of an area in the center of St Helier, showing the different and mismatched styles of building like tower blocks and smaller town houses. The angle which the photo was taken in a car park gives people a different perspective of St Helier than they might normally see. The way the buildings are arranged in this image to me looks like the buildings are being stacked and layered on top of one another. The smaller groups of older looking houses looks like how St Helier wanted housing to look like when they were first being built. Other buildings, like the flats, look like they’ve been stacked on top of the previous buildings, representing how St Helier keeps adding more buildings to the land when there isn’t much room, resulting in the overcrowding of buildings and a mismatched style of old and new.  The black, structured  fencing in the foreground adds another more interesting aspect to the image  which looks like the buildings and town have been caged, giving the image a more industrial and hostile appearance. This makes the front of the  image very symmetrical and ordered, which is juxtaposed with the mismatched buildings in the middle ground and background. The land only goes up half the image and is contrasted with the white/grey sky emphasising the whiter parts of the rest of the image and contrasting with the black fence in the foreground. Cool colours like grey, white and black with blue tints gives the overall image a dull and spiritless appearance. I did this on purpose so the idea to bring more vibrancy and culture into St Helier is emphasised.

 

I also chose this photo as one of my final images as I like how it’s only showing an industrial metal structure with no signs of life. The yellow/brown tint on the metal gives the impression that it is rusting. What makes this an interesting image is that its simplistic but contains many different tones of metal from white to black to yellow. I think this image would work best as a part of a series rather than by itself as I think it could be apart of telling a story as now it doesn’t have any obvious meaning behind it when looked at.

 

Edits

When editing this image I wanted to see if I could change overall appearance. So i experimented by increasing the exposure and increasing the brightness in one of the images so all the colour was taken out of it and was left with a stripped down version. This changes the appearance of the image making it look decolourised and bleached.

 

For these two image I edited them in black and white as well as increased the gradient in them so they give off a more historical and archival appearance. I like this as it makes them look more authentic like they’ve been cut out of a newspaper. The black and white edit takes out any remaining colour giving them a lifeless and desolate appearance emphasising just on the buildings and not on the lives of people who live in St Helier.

 

I also experimented by editing different colours to see if one was more aesthetically pleasing or had more of an effect. Although the coloured versions may be more interesting as an image, I prefer the images edited in black and white as it makes them look more authentic, which the colour doesn’t.

I edited this image in black and white and experimented with the exposure and contrast. In the first image I focused on emphasising the harsh black lines of the fencing in the foreground of the image and tried to show the different in the buildings by highlighting the lighter and darker tones. Whereas in the second image I focused on creating a blurred effect so the distinction between the buildings wasn’t as clear and the harsh fencing in the foreground was softened.  The blurriness creates a mist-like appearance like something has been put on the lens when the image was taken. I prefer the blurred image out of the two black and white edits as it gives the image another aspect that makes it more interesting to look at and makes it seem as like there is a meaning behind it. This could be that the blurriness is a representation of how the perception of St Helier is confusing as people don’t know what it will look like in the future with the increasing number of constructions being built.

Shoot Conclusion

I think this shoot was successful at capturing the increasing industrialisation of St Helier, focusing on metal structures and buildings with cooler tones to create a lifeless appearance. The editing also emphasising this by taking the colour out of the images and presenting the buildings and structure simplistically.  For my next shoot I could perhaps focus on how St Helier could bring back some of Jersey’s culture and liveliness and portray a solution to distract from the continuous industrialisation.

 

Plan for shoot of St Helier

Future of St Helier,as previously said my shoot is around the red section, from the old police station to around St Thomas church area.I have Previously shown and experimented within ideas and concepts I too want to capture within my work,but additional my inspiration I have had from the jersey archives and Tom pope and to not its four on my themes of old and new and modernization in buildings but also taking images of the poeple and how their lives have changed and expanded due to futuristic development.My main title for the whole of this project is : Modernization reunite with past,futistic revamp of St Helier.i also wnat to photgrphy old builings that have so much potential to build and become morden and create a new st helier.Old route,archive :The areas in which I am going to all used to be hotels,I could show comparisons of the finace areas and the old main attrcation of tourism and the contratsing digffference through justaposition of architecture and the new different audience of who come to jersey beacuse of these new main attrcations.

buildings and people: I originally expressed my main interest within concentrating on architecture of old and modern nuilindg to stress the change and further futuristic advances we need in St Helier in order to benefit everyone. However know i also want to cpature poeple living within the area,and try and tell stories through portrite images and the areas in which theyare aurrounded. although when it does comes to foucousing upin the builings i want to urban esc photography within this area,ads modern builings are not current wihtin this section of town.One of my artists is Tom Pope,he is an artists I have previously spoken about and tucks the jersey archive.i was inspired by his work because he had so many interesting conceptual ideas of presenting a location through the people living within it, and also the movement and light and overall composition of how you bring an environment o life.Additionally I am going back to focusing on modernization,this comes under the comparison and juxtaposition of fiance sector of st Helier and then my given red section and how i can edit and compare these areas and stress the need for a change.