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Inspiration For Zine – Alexis Maryon

When researching inspirations for my zine I decided to reference my ideas to a photography who had in their career produced a zine them self. To do this I would firstly look up any inspirations for zine designs and layout before actually looking into people who made them, I would need to make a moldboard of potential ideas that could influence my mind-set about what I wanted the final outcome to look like. Looking online these were the results I found most effective due to their composition and overall effectiveness: I found the overall thing that drew me into these designs and layouts were the effective use of black and white imagery, borders, and fonts which created a sense of aestheticism on front covers and pages within. A photographer that I found to be particularly useful when looking at zines was Alexis Maryon, a portrait and landscape photographer who has photographed famous and influential figures such as Amy Winehouse, Fatboy Slim, Alicia Keys, travelling world-wide as a photographer for magazines, record covers and long-term projects. Maryon’s zine called Port of Newhaven I found to be an interesting take on his perspective of circumstances regarding the conditions around the people.

To understand what made it in my opinion such an effective zine I would have to analyse three factors regarding the design and layout of it. Technical aspects, visual aspects and conceptual ideas behind the piece will be my main focal point of the analysis due to finding that they sum up the development and process behind the photographers thought.
Technical: The photographer uses solely black and white photography to put across their perspective of  Newhaven, using it to present the contrasting sides regarding the areas around the port. This is effective as it implicitly highlights different sectors that the port consists of and the variety of life living their, putting my definition on the people and objects rather than backdrop. A relatively high exposure and clarity have also been used to add more detail and depth into the people rather than the places, once again directing the focal point towards what is not suggested in the title, being not the place but society instead. Borders have tended to be used on left hand pages to prevent them becoming too overpowering and clashing with the opposite picture, becoming aesthetically pleasing in the process.

Visual: Visually the piece is created around the focal point of people and their environments, blurring and reducing the backdrop so that we focus and get to know who is in it. A low exposure and high clarity create visually pleasing results as shadows are emphasized and people are presented over dramatically, almost as if it was staged. The use of borders can be seen as representing the contrasting environment that the opposite page possesses, with one being inside a factory and the other outside, this implicitly draws our eyes to the out-of-focused background which we can only relate to so much around the people working and living their.

Conceptual: The zine is meant to represent the different sectors and people within them that make up the port of Newhaven. By highlighting the people rather than place it provides a more accurate representation which reflects the environment surrounding society,  however the overall focus of the zine is to provide us an insight into the photographers perception of the port and their love for it. She tries to present this through identifying what should finds beautiful and unique about the area, which in this case is the people and landscape.

Zines

What is a Zine?

A zine is a noncommercial, and often small homemade or online publication usually devoted to specialized and often unconventional subject matter. Usually one tens to be the product of a single person or small group who photocopy their designs, and it popularly defined as only having a circulation of 1,000 or fewer copies. The production of a zine is usually intended to share niche-skill, art, or story as opposed to seeking any profit, which tends to disregard the traditional conventions of professional design and publishing houses as an alternative, whilst usually being handwritten to emphasize a personal connection between the reader and the creator. Here are some example of zines below:From here I will be analyzing what to me makes a good zine, and the aspects within the design which bring it out to me as a reader. By doing this it would allow me to go ahead with the actual making of my own zine, knowing what I wish to incorporate into it. When looking over the cover of these zines titled “AINT – BAD”, I found the use of font to be particularly effective. This is because of the simplicity but boldness it uses, making it not too overpowering, but at the same time fits with the overall design of the pictures and blank space incorporated into the cover.  The use of blank space also compliments the image in the center as it defines the vitals of the cover, this is done through how it acts as a natural border for the fonts and the photographs which adds a touch of complex simplicity. The images chosen for each cover I found were not too visually sore, but not too simple, meaning that they perfectly blended into the layout of the design as the mainly bleak colours worked well with the stark black of the writing.

St Helier Grey Area Shoot #3

For my final shoot regarding the future of St Helier I wanted to explore the area of the hospital and the buildings that surround it. By doing so I hope to accomplish photographing the architecture present there and the type of people who associate themselves with the area. To do this I would have to look at vivid colours and occasional portraits of local businesses there in the area, providing a reflection of the life in that one place. Before doing this I would need to create a mood board which presents my views and ideas that I would like to achieve by the end result of the process, here are some ideas: After I had completed this mood board I decided I should make a mind map which would reflect my ideas that I intend to use on the shoot. By doing this it would reduce the amount of time wasted walking around aimlessly and instead give me objectives that I would need to finish by the end of the shoot, producing more imagery as a result. Here are my ideas regarding the shoot:Once I had finished this I deemed myself ready to go ahead with the shoot, I would mainly be walking around the area of the hospital and car parks near it in order to capture what the landscape is really like, here are my images from the shoot:  I then proceeded to whittle them down to only ten images in order to select a final image of the shoot that I thought best represented the aim and goal of the purpose. These are the ten images I selected:

Newspaper design and layout : Tasks 1-3

Over the next week we would like you to…

Create 5 x examples of alternative layouts for your newspaper using Adobe InDesign and complete a visual blog post that clearly shows your decision making and design process.

XXL zine for Travel Portand. Photography by Danielle Delph.

CLICK HERE…

ATLANTUS PROJECT | MARTIN TOFT AND GARETH SYVRET

https://www.martintoft.com/atlantus/

Be careful with your choices…aim for impact and originality. Use your crops and edits from your Adobe Photoshop experiments.

You will need to show…

  1. inspiration from a selection of newspaper designs

for this…you should 

  • photograph at least 5 x examples from the middle table and add to blog / describe and explain what is interesting / successful about them
  • Design your layout by showing an understanding of conventions, but also subvert conventions to allow a more dynamic, or fluid approach.
  • Remember to discuss your findings using subject specific vocabulary.

Think carefully about how your images compliment each other, contrast against each other or flow as a sequence in a specific order.

2. Design pages / spreads that have a combination of

  • single image
  • double page (full bleed) spread
  • 2 /3 or multi image
  • overlapping images : conceal + reveal / obsure / transparent
  • images that can be scaled up across 4 x pages
  • include some archival / nostalgic images

3. Finally…you must add a colour -coded motif (numbered by page) that indicates your team / zone somewhere in your design.

Use the map from our photo-shoot day in St Helier to help you with this…

Your idea could be a small dot in the corner, or incorporated within your image or page in another way. You can be inventive with this idea, but aim for consistency throughout your pages.

You can export Indesign pages as a PDF or JPEG…but also using screenshots is a great way to illustrate your design process and gives you opportunities to add annotations too…

Deadline for completion : Tuesday 17th July

Be brave…be bold…get creative and have fun!

 

 

 

Final Design Layout

In this design layout I have looked at doing full bleed spreads along with images overlapping onto the full bleed spread. I think this composition is very effective as it makes the photograph more imposing and bold. The overlapping photographs are subtle but create an alternative look to the composition. I think that this composition emphasises the destruction within the photographs whilst showing the rebuilding going on in the background quite subtly. The constant black and white tone throughout the composition reflects the idea that St. Helier is just caught in a constant loop of construction and rebuilding in order to support the financial sector rather than supporting the tourism in the island that was so successful at a time.

The below design is my alternative design for my single page. It sticks to the full page bleed to emphasise the photograph but crops one of the photographs from the double page spread in half to suit the design.

Artist who inspired display outcomes

Walker Evans 

Is a photographer who mastered his work throughout magazines and the composition to which he displayed his images. He had a risk taking persona and is best known for photoessays on everything from Chicago street life.He would foucous on ‘American heritage’ and the displaying of beautiful historically important images and buildings either about to be demolished and the new urban regeneration across his state. 

Much like my own themes of modernisation and urban architecture he wanted to project the faceless construction without it being complete yet. He wanted to make a mark withn his photos and so ended up being wihtin nation Wide magazines.He started to work more alongside tech and graphic design further inspiring his interesting and dynamic presentations of his images. He is now a towering figure of photography. His unique artistic authority created a ‘small avant grade publications and mainstream titles’ his innovative and independent journalism is due to the editing and careful design layout of his images which has inspired me to experiment heavily with how I should display my own images. Evans enjoyed to caption his images which I think I could do with quotes from th epoeple surrounding the area and so creating a sense fo community for st helier itself. Evans chose magazine stories that often has elegiac qualities; the American warehouse, and these vast buildings that were prolific to the native area. 

I chose this for inspirations as the muted tones of colour ass to the sense fo transience and feelings of lost and demolished in order to rebuild the colour and life to the image. The simple composition allows the viewer to create a personalised story of what the image means to them. The images echo each other and create a modernist and poetic type feel to the overall composition. His work has an understanding of the world and the people who live among it. His tenacity and visions create an artist control and show his commitment to and intelligent reflect on the modern progressive world and pop culture which is what he was fighting to demonstrate. 

Final chosen images, edited and final display ideas

 

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when experimenting with displays I used an array of images in order to find what images are the most complimentary to each other, through colour and composition. I wanted to use many different compositions of overlaying images with more saturated colours or perhaps a more simple display of two large images alongside each other as the images itself is enough to carry out the display.I believe I have narrowed down my images to five possible final displays,my favoured images being those with a white boarder and colour but not over saturated, I think these successful show a story of St. Helier in the more desolate areas and also the development of architecture and modernisation of St Helier overtime.

Final Result Of Zine

I chose the cover as I felt it represented my theme as a whole. The presence of the domestic cat, home grown plants and furniture enclosed in this small area creates an interesting environment which I carefully composed to feature as much as possible. The use of flash emphasises these details by intensifying the colours of the image. I used a simple font for the title so as to not distract the viewer from the details of the image.

The first two pages show a continuation from the cover of the zine. I placed my images in a reverse order of what I saw in real life as I felt it created a more interesting narrative of looking into someone’s life but not revealing too much about who they are.

In contrast, the next 4 pages showcase daily life in St Helier from an inside perspective. The image of a girl hanging out sheets is composed to make the viewer become part of the situation, aided by the eye contact of the subject in the image. The photo is partnered with a softer toned colour image also featuring a washing line but viewed from an external perspective. I placed the photo of a subject washing dishes alongside an image of a hose as they shared similarities of colour with the use of saturated yellows and greens, as well as the different uses of water in regular life.

The zine continues on to take a different approach through showcasing darker topics as an underlying meaning. Abandonment and Isolation is shown in images of an empty storage  unit as well as a mattress placed by a bin due to no longer being used. Pollution is seen in images of glass bottles, lighters and broken furniture disposed off in an act of fly tipping in what was once a religious building.

I used the same image that I used for the cover as a back page however in a flipped orientation.

Zine Layout Experimentation

Using the same techniques as James Moreton, I will experiment more simplistically by using 1 or 2 images on each page that express a narrative together.

Experiment 1

Firstly, I took a balanced approach in my layout by using a proportionate amount of large images to small images. This is a safe option as it is more aesthetically pleasing when looking at as a whole.

I decided that I did not like when one image crossed across both pages but was not full size (e.g. page spread 4) as the large abundance of negative space in one corner did not appeal to me visually.

Experiment 2

I removed the empty pages in this version in favour of using more images to tell my narrative. I resized images on page spreads 3 and 5 as their colour scheme shared similarities with images on the opposing page. I also resized images on page spreads 2 and 6 to demonstrate the different perspectives between the images. For example taking a voyeuristic view in comparison to a personal one, or being up close to a subject in comparison to viewing from afar and seeing the subject as a whole.

Combining features from both of these versions, I created a final third version.

Final Version

It was not until the end that I attempted to create my front and back cover. I chose this image as it lead into the first page spread as they were both taken in the same location. I flipped the image in reverse for the back cover as the image was not landscape and I believed the colours would look weird if I was to use a different image.

Additionally, I placed another image from the same location on the first page spread to become apart of the narrative of things we leave behind.

The final version still uses the same simplicity that James Moreton shows in his zines, however I provided my own inspired style on such page spreads as 1 and 5 in order to place more images that shared similarities with what was already there.

Zine Artist Reference

James Moreton


In the eyes of James Moreton, zines are seen to be the most accessible and favourable medium of photography thanks to their ability to create an impact through the use of pairing, juxtaposing and narrative flow to tell a story or instill an emotion, a method “unsurpassed by any other photographic medium”.

“a very interesting and intriguing modern art form.”

~ 3 page spreads from the zine “Down Town”

Moreton has produced his own solo zines as well as collaborating on collective zines, two processes he says are very different. His techniques are used for both experiences but in a smaller portion for group zines where he is only enabled limited space for his images. This inspires him to make more zines to present his projects in.

Analysis


“Figments” is a project that looks deep into the subconscious of James Moreton. Inspired by the poetry of W.B. Yeats, his work represents his thoughts, dreams and nightmares. The above image depicts a dark figure standing before a bright door of light, possibly hinting at something stopping him from reaching a goal. The figure is faceless as he does not know what this factor is.

An eerie atmosphere is created by the use of a vignette that surrounds this central figure, the focus is maintained due to a harsh overexposed portion of artificial light that falls behind them. The tones of darkness are emphasized by converting the image to black and white. A slower shutter speed is used to cause a soft blur of motion by the figure also adding to the nightmarish effect.

Moreton’s placement of images in his zines is very simplistic as he relies more on narrating a story or emotional sequence through the order of images. This is the reason for his choice of single large images on a page or spread.

Providing a big inspiration, W. B. Yeats’ poetry shows his fascination with the occult, made up of symbolism in a traditional form in many of his poems revolving around dreams.

Her Dream

“I dreamed as in my bed I lay,
All night’s fathomless wisdom come,
That I had shorn my locks away
And laid them on Love’s lettered tomb:
But something bore them out of sight
In a great tumult of the air,
And after nailed upon the night
Berenice’s burning hair.”

W.B. Yeats