Category Archives: A2 Personal Investigation

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Reviewing and Reflecting

Lesson 1 – Reviewing and reflecting:
Objective:
 Criteria from the Syllabus

  • Write an overview from my personal investigation about what I’ve learned and how I intend to develop it.
  • I will be describing the themes, artists, approaches, skills and photographic process/techniques that have inspired me the most and why.
Regarding my personal investigations I intend to approach it by using and exploring various techniques but a continuous style, examples consist of documentary and abstract to allow me to produce the results I desired. The themes I found to be the most interesting were the ones concerning consumerism and its effect on Jersey's landscape, I found that this allowed for a new insight into what happens with out waste and how much it affects the environment around it. From this it would allow me to give viewers a different perspective into what the outcome of our consumerism is, using software such as Photoshop and Lightroom to highlight specific details that I want to be focused on. Because of this I am able to portray each image differently from the next, as yes they all have a theme in common, but rather each explore a different aspect of consumerism and its impact. Two photographers who to me are particularly inspiring are Henry J Fair, someone who uses abstract imagery to capture the pollution of the world in aesthetic and stunning ways, and Edward Burtynsky, a photographer who captures the hidden beauty in consumerism, but also highlights the impact and devastation it causes on the environment. Both photographers use of vivid and harsh lighting accompanied by high saturation create landscapes that seem to surreal to be an actual place, drawing in my interest from how I loved the idea of using lighting as a conventional way in which photos are presented. I found that it would be most effective in end result areas of consumerism, as by portraying these dumping grounds in specific ways I believe that it would bring otherwise ugly imagery to life.

Draft Essay Question and Introduction

Essay question:

How does mass surveillance and the ‘big brother theory’ cause a common paranoia and feeling of insecurity within the general public?

Need to include names of photographers that you will be writing about in essay:

Looking at the work of Thomas Ruff and Sophie Calle: How does mass surveillance and the ‘big brother theory’ cause a common paranoia and feeling of insecurity within the general public?

or simply

In what way have Thomas Ruff and Sophie Calle explored  mass surveillance in their work.

Opening Quote:

”The notion that “Big Brother Is Watching” has been around for decades, it is an often-used catchphrase to describe surveillance or privacy infringements. The evolution of the Internet, cellular networks and the growth of high speed connections worldwide has allowed an endless supply of devices to connect to this global network and produce an infinite supply of very specific, personal data.” Robert McMahon – Quoted from ‘surveillance and privacy in the digital age: a primer for public relations’ Page 1

Or?

“If you want to keep a secret, you must also hide it from yourself.” George Orwell, Nineteen Eighty Four, Part 3, Chapter 4, Pg 37

Introduction:

Mass surveillance has become an overruling and unavoidable force of governmental power, which puts the general public in a state of unease and discomfort, sometimes even as far as paranoia. There are many theories and ideas behind the subject of mass surveillance and what exactly it consists of. So what does it directly consist of? The idea of ‘The big brother’ is something that has remained apparent for several years now, becoming very relevant since the publication of the dystopian novel ‘Nineteen Eighty-Four’ by English author, George Orwell, in 1949. In this novel Orwell looked at the way in which he believed in the soon future, the population of the world would become victims of boundless mass surveillance by the governments around the world. It seems that since this publication was made that somewhat, if not completely, this has become the harsh truth which we are faced with in this day and age. Being surrounded by different forms of visual surveillance such as CCTV cameras and cameras on our own personal technology is just one of many ways in which we are watched and kept track of by large corporations and the government. Among various other techniques of surveillance such as audio, data and location surveillance.

Next part you need to introduce Ruff and Calle and provide an overview of how their work as photographer’s are exploring mass surveillance.

Last part should be you providing an overview of your responses and how the work will develop

(maybe use on main essay in conclusion) Some people are not as aware of these circumstances involving surveillance as I believe they should be, however it seems that as time goes on more and more of the public are becoming aware of the problems and consequences of mass surveillance in the modern world. The modern world being a consistently developing place and therefore surveillance just becoming more and more common. This ubiquitous increase in surveillance  is something which is slowly causing more and more people to become paranoid and feel like they are being controlled and watched at all times; again a concept which is covered within George Orwell’s Nineteen Eighty-Four novel, that is worryingly becoming more realistic by the day.

Bibliography:

McMahon, Robert. Surveillance and Privacy in the Digital Age: A Primer for Public Relations. Pennsylvania: Arcadia University, 2015. LINK TO SOURCED TEXT 

 

 

 

 

reviewing and relfecting

Lesson 1 – Reviewing and reflecting: Objective: Criteria from the Syllabus

  • Essential that students build on their prior knowledge and experience developed during the course.

when considering what I should further investigate within my project I started to think about my prior knowledge of my personal investigation and my overview so far. So far within my work I have investigated three main themes, this started off within the demonstration of narrative photography demonstrating how a political landscape should and is able to re create a personal emotion if someone  has an experience within that space. My second idea was a development of what is reality and if I could capture a false reality within my images, this being seen within the reflection of time. Lastly and currently the theme I am working within, this being the sublime and what images can be considered as painful and yet also beautiful. I have learned about how to show emotion through a piece of work and how to tell a story through not a direct narrative but fragmented images being grouped together to express a theme. I intend to further develop a theme that both links, reality the sublime and most importantly emotion. I decided if I used emotion I could denote factors about my own feelings and also those of people I photograph. I believe I want my project to be very unique but most importantly to have very interesting and individual imagery.I belive if I develop emotion I could use factors of the sublime to divide emotions into being beautiful and painful, and how emotions are so subjective to each and every person so much so that it is not the same reality for someone else.  Due to no one knowing what someone else is feeling I belive I could develop a book that shows the ups and down of what people feel. I believe living in what happens between planning for their future. So creating a book based on all my past research and shoot so far will really benefit myself. I could use the sublime to create further imagery in order to create a metaphor for how people feel during these emotions. I still want to use both a picture of landscape and portraits as this genuine combination presents a whole picture of what someone is possibly going through. To my mind when describing what themes are in my work I would say themes which have a sufficient meaning to a person and would effect their emotion shown within a sublime way. So a theme of vulnerability and perhaps a certain amount of truth to the person themselves. I have done much research on an array of artists, But I belive the most influential are those which achieve a sense of beauty and  such a unique appearance to the image itself.I believe focusing on people such as Tim walker and Claude chaun creating an interesting and subjective juxtaposition of techniques and aims within their work. Tim walkers outgoing and almost surrealist manifestos of tablo photography would enable oneself to create the eye-catching unique and sublime imagery. Whereas Claude chaun has a combination of political and social views which would allow me to achieve an emotional representation of individuality of people. Her account for fighting for gender rights and such should be prelivant within my work as the vulnerability of people is such a huge aspect. I have already done a direct response to her work, but if continue to do so with the intent of using her narrative responses this should successful work as an artists inspiration. I believe the difficult aspect of my work I am trying to achieve will be that of what approach I take. I have so many ideas and vision and I need to find the correct approach to tie all the serpent narratives into one intertextual idea. However because I want to find emotion I the sublime this is Both a combination of narrative as a reflection of what people are going through, to trying to create breathtaking and table photography images to then further demonstrate their emotions in a metaphorical physical interpretation. The skills I need are both successful convening an emotion. Through my images and yet also having an interesting composition to the images themselves. Also I think editing will be a large part of successfully creating the images I want to show. I believe I need to take a lot more photos and developing them to create the atmosphere within colour and the angle of the image itself will be difficult but would really advance and help the overall effect of my images. Techniques that inspire me the most are those which I find fascinating and eye catching, this is experimenting its under water photography, night time and light traces, close of textured work, seeing a sublime beauty within nature and lastly using colour a directed narrative to show a sense of atmosphere and the surroundings of myself and the people I aim studying around myself. what techniques am I using to create an overall synced view? As said previously I want to experiment within using many photoshop techniques as well as photographic sutures of using an experiment of slow shutter speed synced with fast capture to show many different atmospheres and characters within my work. Why am I inspired by this? I Find these ideas interesting to me because, showing emotions in such a sublime and new way, possible allows people to be more vulnerable and expressive wihtin their emotions and what they are really feeling. So many people when talking about emotions derive only negative connotations from doing so and belive emotions can only be spoken about in a negative and ill mannered way. I believe emotions should be an expression of who we are, it shouldn’t be reflected as a mirror of oursleves but should be seen wihtin our environment and those around us. Emotion have the ability to show strength and happiness. Examples of current experiments I am thinking about achieving are the following; Overall I am inspired by this through my wanting such an abstract surreal book that express emotion in such a why that is so unexpected yet so obvious to threader about its contact and the feeling it is trying to convey altogether.Emotion and sublime to my mind work hand in hand and I believe this would really successful tie my work in together.

hypothesis

Inspired questions:

I wanted to choose questions which were specific and had similar themes to what I want to ask myself.

.Merging the Boundaries of the Real and the Imagined: How are Fictional and Mythical Characters Represented in Photography

.How is religion – specifically Christianity – linked to fairy tales?Can staged photography really be considered as a form of factual documentary photography?

.What are the differences/ similarities in a formal or informal approach to portrait photography?‘How do Paul M Smith, Ben Zank and Rut Blees display emotions through self- portraiture and environmental photography?’

.How can elements of Surrealism be used to express and visualise the personal, iner emotions of people suffering from mental health issues?

.Can surrealism in portraiture photography accurately bring out powerful and deep personal emotions?

.Examining the documentary aesthetics: A photograph should not be manipulated, so that its authenticity, veracity and sense of realism can be maintained?

How did the Bechers’ typologies of Industrial Architecture influence a new generation of photographers?

how and why do photographers use the human body to physically express hidden emotions’

My questions:

examine how the sublime and reality work hand in hand to  visualise how they reflection of personal emotion. And how the artists… and ….. show this in different ways.

how can politically movements of photography such as surrealism and the sublime effect the way which photographs see and demonstrate emotion in their work.

how does the power of pain and beauty found within the sublime, have such s strong influence on the emotions of artists and photographers.

Does objectivity and reality effect how we view and react to our emotions. How does the sublime have such an emotional response dependent on the persons current emotional status. And how do photographers capture such a unique set of emotions all at once.

Merging the boundaries of the sublime and surrealism; how are emotions and personal identity represented conceptually throughout photography. Why do these photographers consider their work to be sublime.

Examining the sublime: A photograph should not be able to have such strong emotional occupancy, so that it effects how someone perceives reality and views their own emotions.

Possible Hypothesis / Essay Question

Examples from previous projects to take inspiration from:

  • How can Archives give ‘voice’ to the memories and traces of past human presence in a historic building?  
  • How memory can be represented in the medium of photography?
  • How have Yury Toroptsov, Mariela Sancari and Julian Germain reflected upon the  themes of memories and remembrance in the construction of their photobooks?
  • Can personality and identity be expressed in a portrait?
  • How can photography bear witness to the ways of life and events of the world?

Possible Essay Questions:

  • How have Guillaume Bression and Carlos Ayesta reflected upon the themes of memories and remembrance through their works?
  • How can archives allow us to see the effects of a human presence?
  • Can a person’s characteristics be shown through their belongings and the placement of those belongings?
  • How does Huang Qingjun show the different ways of life and trends of generations through his work?
  • In what way do Bression and Ayesta and Qingjun show change over time?

Possible Hypothesis / Essay Questions

Possible Questions…

How can documentary photography be used to portray public relations in terms of surveillance and spying?

How can citizen paranoia caused by mass surveillance be made apparent through the use of experimental documentary photography?

How do Thomas Ruff and Trevor Paglen use photography to explore issues around mass surveillance?

How does mass surveillance and the ‘big brother theory’ cause a common paranoia and feeling of insecurity within the general public?

How does people’s awareness of mass surveillance cause an impact on their trust of authority?

 

Chrystel Lebas Response 2

This is one of my favourite images as it is minimalistic yet powerful due to the strong presence of colour in the centre of the image. This occurred due to the use of flash when taking my images. The white paper had turned black after inverting the image. The toothbrush represents a lifestyle of disposable items, used a few times before being thrown away, in some cases not being recycled and ending up in the environment.

The colour scheme of orange and black is eye-catching in these images.

The negative space in these images gives an ocean-like effect, ironically being filled with plastic items.

Chrystel Lebas Response

To edit my images, I inverted them then adjusted contrast and brightness to enhance details. I chose to change the hues in some images to reflect the style of “Plant Portraits or Weeds & Aliens Studies”.

 

As Lebas labels her photograms with a filtration value and exposure time, I decided to label my images with RGB values noting the percentage of each colour used to create the hue. I wrote the name of the objects in italics like it would be written if it were a binomial name, general species name: plastic

In one image, I took plastic items and arranged them to form the silhouette of a plant to represent how plastics can destroy an environment.

Other edits I made: