Nina is a fine artist working with still and moving images and text. She explores themes of belonging, multiple heritages and hybridity, often using a semiautobiographical approach.
The tangled web of belonging reflects on the complexity arising when a mixed heritage subject is included in an image of whiteness. This project brings together still lives, portraits and nature into a metaphorical mix that highlights the entanglement of narratives, myths, control and hybridity. It opens questions in relationship to ideas of contamination and how belonging is attained through the separation of things.
As an artist of mixed heritage, in this body of work Nina addresses the confrontation that arises when attempting to find belonging within a Western society, with a white mother. What does it mean that her mother and her create a contradiction when sharing the same frame? Partly what she is a reminder of is that nobody is unquestionably white. Her visible skin colour is a reminder of the mixing that took place, and continues to take place, since colonial times. It is a reminder that there is no origin, no certainty of belonging to rely on, and there never was. The ambivalence of hybridity creates a space for a critical discourse about which positions we choose and which positions are available to whom.
