After speaking to both of the photography teachers, their favourite shoot is the water reservoir shoot, where I show both a combination of colour development, and use the light in such a way to evoke a sense she herself is submerged within the water. Both the water shows reflections of not only the Light and sky, but of the woodlands themselves. This illusion of the setting being repeated shows a really interesting aspect to the images themselves. All these are images which I did not choose when I did my first selection process. This just showing the pivotal importance it is to look back on your images as there will be a good variation which are too successful. The top three of my images I edited in such a way where her eyes and the water is the same colour, and both are over exaggerated to create a mystical and perhaps even a Utopia atmosphere altogether. I believe these images are very successful and That I will be using these inside my end product photobook. I belive I will replace these images withe the underwater Go Pro ones. This is because the go pro images, not only are not the best detail, but most of which do not have such a successful composition as these do. I do not want my book to be a reflection of the development of my project, but just a successful finished product. Not only this but due to their quality, it is near impossible to edit the colour of the images clearly and successful, so they do not blend and work with the rest of their images. I will now start experimenting with the way I will be able to use these images, alongside the current layout with my photobook, and hopefully this change will really benefit the quality of my images, and create a deeper interest within the book. I have edited an array of images, all with the variations of slightly different styles throughout. Some I have edited just in order to change the tonal colours. This is because I want to show a reflection of a certain theme, or perhaps I wanted to emphasis the tonal colours within the piece. However, due to the majority of my pieces being complicated to shoot and being largely full of many elements, many of them I do not need to specifically photoshop further. This is seen within many of many water imagery. However some of my images I though to would be interesting to see how far I could take them and possibly change and refine them to appear more sublime. Another shoot I decided it would be worth while to look at and find more images of was, the pool shoot. Due to me discussing about removing many of the go pro images as they do not fit in with the newly created narrative as much as the images above, I thought it would be interesting to experiment with finding and editing more of the images from this shoot.
With these more colour experimental images left over, I wanted to show a more abstract water life through the sublime. The water and mounting of the bubbles is all over the place, and because of this I thought it would possible to create very interesting imagery to split apart my much more controlled tablo shoots. I edited the images to have an array-of blue tonals but deferring from dark blues to greens and purples e.t.c.I perhaps Will experiment with possible ways which I could apply this in my book, however I belive currently, the rainbow rock image are the main priority for the concept of how I am splitting apart my images. Additionally these images are not as successful as the shoot above, and I only want to show the most successful of my work throughout the book.