Book Composition – First Draft

I decided to design my book using the software Blurb, this was because it presented me with a huge variety of different template in which I could easily layout my images in. When designing the book I made sure to constantly refer back to my photography book reference, Jessica Backhaus, A Trilogy. This gave me a huge inspiration for my page layouts where I tried to utilise the negative space which surrounded the images effectively, using a matte colour to fill it in instead. Overall the book led me to use my four main shoots which focused on the development of consumerism. Using the three topics of producing, consuming and waste as my main influence throughout, narrowing down my original thousand strong image selection down to about fifty. Here is my current composition for the book:

What I really wanted to put across from my layout of the book was a narrative, this would allow for me to tell a political storey through the narration of various images divided into separate categories  that could be analysed and viewed in relation to the rest of images in that topic. To begin with I experimented with about six individual pages layouts, presenting a broader way in which I could compose the photos taken, such as full page spreads, double-page spreads and boxed in imagery. I wanted to leave a few spaces that I would be able to place text in such as my essay and titles for pages and photos.

Some of the issues I am having though consist of the images losing quality as they are enhanced, leading me to have to consider alternative design layouts for their pages. Another issue is the flow of the book which I am struggling to order images in order of relevance to the pages before them, as I want to tell a narrative which is becoming harder to do as I progress through the book. My final issue is the composition of information pages, as I didn’t want the writing to overpower the pictures on the same page and had to re-design blank areas multiple times in order to come to some sort of satisfactory result.

Book Specification

1. Write a book specification and describe in detail what your book will be about in terms of narrative, concept and design.  Produce a mood-board of design ideas and consider the following:

Narrative: What is your story?
Describe in:

  • 3 words: family, memories, loss
  • A sentence: My book is about my grandpa and the memories I have with him surrounding the natural landscapes we spent time in.
  • A paragraphs: My book will focus the relationship between me and my grandfather and the memories I have of my time with him. I will structure the book with three key sections divided with poems he wrote which all link to natural environments we spent time in. I hope the book will display the connection we had as a family and even people who did not know my grandpa can relate it to special memories with their own families.

Design: 

  • How you want your book to look and feel: I want my book to have a personal feel, not just to me but to anyone looking at it, I will achieve this by using settle materials, nothing extravagant or over the top. It should feel like an old book which has been used and read with textured thick pages.
  • Paper and ink: I want to use a matte finish paper so that my photos don’t reflect too much light and look like a magazine image. This should help to give it a personal and simple look.  
  • Format, size and orientation: I want the book to be small and discrete, something that can easily be carried around and stored on a book shelf with family albums of on a coffee table to be looked through. possibly in a portrait format however i may change this once I start the layout
  • Binding and cover: my cover will display a landscape image that links to the ideas running through the book, potentially a place where I made fond memories with my grandpa such as the beach. I want it to wrap around the cover similarly to how the landscape painting wraps around my grandpas Anthology. 
  • Title: The title of my book will be ‘little changes’ , this is the name of one of the poems my grandpa wrote which will feature in the book as a stimulus for my photos.
  • Structure and architecture: there are going to be 3 main sections in the book split with the use of each poem, firstly tunnelling which focuses on his childhood and memories of the beaches which I also visited with him. the next poem will be Steffi’s castle relating back to when I was younger playing with my grandpa in their house. the final poem will be
  • Design and layout: I will have a large variety of image types to include such as portraits of family member, landscapes of memorable places, archival images and scans of documents. I will arrange these image types in a complimentary oder depending on shapes and colours that run through them. i also want the images to relate for example a picture taken recently placed next to a similar archival image to show the jumping time.
  • Editing and sequencing: I want to edit the photos naturally but also with a slight vintage feel to look as though they are looking back, linking the the idea of memories.
  • Images and text: I will type the poems out as in a type written font because this is how my grandpa would have originally worked. This style will run through the book with all the text. I am going to try an use as many original images as possible however the archival element will play a big part of the story acting as the anchor for the memories, my own photos will illustrate the memories which were not recorded by photographs at the time.

Photo-book Investigation – Retracing Our Steps by Bression and Ayesta

Image result for bression and ayesta retracing our steps bookThe book ‘Retracing Our Steps’ by Carlos Ayesta and Guillaume Bression looks at the nuclear disaster in Fukushima in 2011.  The photographers have made regular visits to the ‘no-man’s-land’ and have created a book that consists of mix posed situations with a documentary approach.  The photographers asked former residents to come back to their original environment to see how much these formerly ordinary places have changes.  The subjects were asked to act as if nothing had happened, and to behave naturally.  The resulting narrative in this book is a harrowing story of how things can change over time and become so massively impacted from unexpected events which are out of control.  The photographers have made this to “show what the inhabitants have to face when they come back to the place where they used to live”, which shows the the audience of this book is partly the previous inhabitants, and partly the rest of the world to shed some light on how disastrous the impact was on the area.  The book won Bression and Ayesta the New Discovery Award presented by Le 247 Gallery and has been exhibited at festivals such as the Athens Photo Festival.

The book is finished with a half-cloth hardcover and measures 23 x 23 cm.  In total it has 152 pages with 102 colour illustrations.   The photo-book consists of full-bleed double page spreads as well as photographs presented centrally in the page along with text with some off-centre photographs.  There are also smaller photographs included in some pages to create a sense of typology within the narrative.  The photographs in a full-bleed are intended to seem imposing to the viewer and are closer to the front of the book in order to seem bold and to draw in the viewer.  The photographs presented with text are to give the viewer some context about the subjects and their situations as well as to create smaller narratives within the photo-book, it also helps the viewer to see that the destroyed Fukushima area was once the home to thousands.  The title ‘Retracing Our Steps’ reflects the idea behind the book very well as Bression and Ayesta travel back to the no-go-zone to show where the impact started and where the inhabitants are now.