UNDERSTANDING PHOTO BOOK

UNDERSTANDING PHOTO BOOK:
DESIGN, FORM, FUNCTION, SEQUENCING,  NARRATIVE, CONCEPT

Here is a link to the Personal-Study-Planner-Tracker-2018-19 for the remaining 5 weeks of this module.

READ these texts to better understand how to identify a narrative and understand the design process of photobook making.

Colin Pantall: Identifying the Story: Sequencing isn’t narrative

Francis Hodgson: On Photography and Storytelling

For the die-hards here are a serious blog post by Photobook critic, Joerg Colberg which consider the many aspects of photobook making:  Understanding Photobooks: The Forms an Functions of Photobooks

This article is the first in a series of five. You can find the other parts here: part 1part 2part 3part 4, part 5

Here are  a few lists of Best Photobooks 2018

Photobookstore

Lensculture

Photographic Museum of Humanity

Blog: Produce a number of posts that show evidence of the following:

1. Research a photo-book (select one you have looked at previously in your project) and describe what story/ narrative the book is telling – its subject-matter, genre, style, approach etc.

2. Who is the photographer? Why did he/she make it? (intentions/ reasons) Who is it for? (audience) How was it received? (any press, awards, legacy etc.)

E.g Robert Frank’s “The Americans” was conceived with the help of a scholarship that allowed Frank to go on road trips across America during a two year period. He wanted to portray American society in the post-war period and his book has influenced (and still influence) many photographers since and also contributed to a new poetic style and subjective approach to documentary photography. Why?

Read an article in The Guardian by Sean O’Hagan, Photography Critic

3. Deconstruct the narrative, concept and design of the book such as:

  • Book in hand: how does it feel? Smell, sniff the paper.
  • Paper and ink: use of different paper/ textures/ colour or B&W or both.
  • Format, size and orientation: portraiture/ landscape/ square/ A5, A4, A3 / number of pages.
  • Binding, soft/hard cover. image wrap/dust jacket. saddle stitch/swiss binding/ Japanese stab-binding/ leperello
  • Cover: linen/ card. graphic/ printed image. embossed/ debossed. letterpress/ silkscreen/hot-stamping.
  • Title: literal or poetic / relevant or intriguing.
  • Narrative: what is the story/ subject-matter. How is it told?
  • Structure and architecture: how design/ repeating motifs/ or specific features develops a concept or construct a narrative.
  • Design and layout: image size on pages/ single page, double-spread/ images/ grid, fold- outs/ inserts.
  • Editing and sequencing: selection of images/ juxtaposition of photographs/ editing process.
  • Images and text: are they linked? Introduction/ essay/ statement by artists or others.  Use of captions (if any.)

Here a few examples from previous students

Photo Book Investigation (Matt Eich – I Love You I’m Leaving) – Deconstructing the Book

Viviane sassen’s photobook // Roxane

Understanding photo books- analysing a photobook

Photobook Investigation – Lobismuller

Photobook Investigation – Sugar Paper Theories

Final Result – Photo Book Research

4. Look at BLURB online book making website, photo books from photographers or see previous books produced by Hautlieu students on the table in class.

5. Write a book specification and describe in detail what your book will be about in terms of narrative, concept and design.  Produce a mood-board of design ideas and consider the following:

Narrative: What is your story?
Describe in:

  • 3 words
  • A sentence
  • A paragraphs

Design: Consider the following

  • How you want your book to look and feel
  • Paper and ink
  • Format, size and orientation
  • Binding and cover
  • Title 
  • Structure and architecture
  • Design and layout
  • Editing and sequencing
  • Images and text

Create a BLURB account using your school email address. With Blurb you have different options on how you design your book:

a) Using Lightroom to design your book which is integrated with BLURB. Only for use on school computers, unless you have LR at home on your own laptop.

b) Download Bookwright via Blurb onto your own laptop and work offline at home and you can work indecently of school. Here you have full control of layout/ design features. Once completed, you upload photo book design to Blurb

c) Choose online option if you want to work directly online. Very limited layout/design options (not recommended!)

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