Lesson 5 Mock Essay Plan

Make a plan that lists what you are going to write about in each paragraph – essay structure.

  • Essay questionIn what way have Mandy Barker and Keith Arnatt explored Anthropocene (environmental issues) in their work?
  • Opening quote
  • Introduction (250-500 words): What is your area study? Which artists will you be analysing and why? How will you be responding to their work and essay question?

Human’s impact on the environment has been so severe that the earth is in a new age, Anthropocene. Photographers have taken it into their own hands to present the impacts of mankind on the environment in their works, leaving the rest of interpretation and action to the viewer. Mandy Barker often draws an audience in by presenting her work with an aesthetic of beauty which then contradicts and shocks them when they realise the true meaning, whereas Keith Arnatt gets straight to the point demonstrating the disgusting truth behind thrown away plastics, decaying foods and trashed toys. I chose to look at these artists specifically due to their non-conventional approaches, taking a more close perspective of individual aspects such as certain items found in a landfill or the effects of micro plastic pollutes on plankton at the bottom of the food chain, in turn impacting everything that feeds on them and further on. Being able to inspect rubbish items in the same way will allow me to develop insight into where these items come from and the narrative behind them as well as where they may end up (or should be prevented from ending up). Similarly to Mandy Barker, I want to take a scientific approach, figuratively and literally looking at items with the use of a microscope in order to look at the effects of rusting, decay and contamination of waste that I create as well as interesting objects that I find in the natural landscape.

  • Pg 1 (500 words): Historical/ theoretical context within art, photography and visual culture relevant to your area of study. Make links to art movements/ isms and some of the methods employed by critics and historian. 

Reference Anna Atkins first photobook and the cyanotype photographic process – scientific approach

Keith Arnatt uses Staged photography – choosing which pollutes to showcase in order to demonstrate the negative impacts on the environment, e.g. decayed items. The Minimalism style allows for the viewer to determine their own interpretation although it is bias when demonstrating pollution.

  • Pg 2 (500 words): Analyse first artist/photographer in relation to your essay question. Present and evaluate your own images and responses.

Mandy Barker’s work analyses micro plastic pollutes and their effects on plankton – which in turn impacts an entire food chain, being as they are the beginning of the chain.

  • Pg 3 (500 words): Analyse second artist/photographer in relation to your essay question. Present and evaluate your own images and responses.

Keith Arnatt’s close analysis of waste in his images provides the narrative for the deterioration of objects after they are thrown away.

Keith Arnatt photographs things that “everyone else thinks aren’t worth photographing” – this is clear proof that people don’t see waste as an issue, believing it should be ignored after it is gone. This is what creates the issue.

minimalistic style that allows for the viewer to determine their own interpretation although it is bias when demonstrating pollution.

  • Conclusion (250-500 words): Draw parallels, explore differences/ similarities between artists/photographers and that of your own work that you have produced

Similarities: Both provide a micro perspective of the key issue of pollution

Differences: Mandy Barker uses a scientific approach in both the research and presentation of her images

  • Bibliography: List all relevant sources used

Lesson 4 Mock Essay: Possible Questions

Hypothesis: Possible questions to investigate

Tableaux Photography / Cinema / Pictorialism:

Can staged photography really be considered as a form of factual documentary photography?

Documentary / Realism and Straight Photography:

Exploring the relationship between photography and realism with reference to……

Is it possible for photography to capture moments in time objectively and truthfully?

What is the relationship between photography and realism?

How can photography bear witness to the ways of life and events of the world?

Photography and Movement:

How do people control, interact and construct the environment in which they live?

Using these hypothesis examples, I have come up with my own possible example questions to investigate in my essay. These are shown below:

In what way have Mandy Barker and Keith Arnatt explored Anthropocene (environmental issues) in their work?

How can Mandy Barker’s photobook be compared to the first photobook by Anna Atkins?

Can staged photography be used as a method of emphasising environmental issues?

How can photography be used scientifically to…..

Lesson 3 Mock Essay: Academic Sources

Internet sources:

  • https://www.thisiscolossal.com/2018/04/plastic-marine-debrisby-mandy-barker/
  • https://www.port-magazine.com/art-photography/plastic-art-mandy-barker/
  • https://www.bjp-online.com/2015/09/keith-arnatt-the-conceptual-photographer-who-influenced-a-generation/

Interview:

  • https://photoworks.org.uk/interview-mandy-barker/#close-no
  • https://www.bbc.co.uk/news/av/uk-england-humber-46222090/hull-artist-makes-pictures-from-waste-washed-up-on-beaches

Books:

  • Beyond Drifting: Imperfectly Known Animals by Mandy Barker

Lesson 2 Mock Essay: Contextual Studies – Harvard System of Referencing

“Have no fear of perfection – you’ll never reach it” (Salvador Dali in Barker 2017:36)

Bibliography:

Barker, M. (2017), Research Notes Beyond Drifting: Imperfectly Known Animals, London: Overlapse

https://www.widewalls.ch/staged-photography/

Cyanotype – the classic process

https://en.wikipedia.org/wiki/Anna_Atkins

Showing the things we cannot see, an interview with Duane Michals

^originally from issue #2 of Buffalo Zine.

https://www.tate.org.uk/art/art-terms/m/minimalism

https://www.tate.org.uk/art/art-terms/c/conceptual-art

“I collect this seemingly awful rubbish and I intentionally make it visually beautiful so the viewer is drawn in to see beauty in the image. When they read what it is about, they get the hard-hitting stab in the back of what it represents.” – speaking to BBC news

https://www.bbc.co.uk/news/av/uk-england-humber-46222090/hull-artist-makes-pictures-from-waste-washed-up-on-beaches

“because we are not beyond putting an end to the problem – but we are beyond salvaging what is already out there”. – taken from the beyond drifting sketchbook

https://theconversation.com/how-photography-evolved-from-science-to-art-37146

https://en.m.wikipedia.org/wiki/Daguerreotype

Artful Swirls of Plastic Marine Debris Documented in Images by Photographer Mandy Barker

https://www.theguardian.com/artanddesign/2015/aug/27/keith-arnatt-photography-exhibition-spruth-magers-absence-of-the-artist

Lesson 1 Mock Essay: Review and Reflection

My intentions with this project are to present the impacts humans have on the environment on a micro scale – selectively photographing small pieces of waste that I either create myself or that I find.

Describe which themes, artists, approaches, skills and photographic processes/ techniques inspired you the most and why.

I am strongly inspired by the works of Mandy Barker, who takes a biological approach in her work. In the style of scientific illustrations and microscope images, she uses small bits of plastic waste to explain the damage we create, even on a microscopic scale.

I want to present my imagery in the style of biological illustrations by scientists such as Ernst Haeckel.

Another inspiration is Keith Arnatt.

Sublime Shoot (Woodland Portraits)

For this shoot i want to portray a woodland area as sublime. I intend to focus on the woods from two perspectives, one being positive and this shoot being negative. I intend to do this by simply taking portraits in a woodland area and direct my model to show signs of fear which will show the psychological emotions that this sublime area can connect with. The concept for this shoot is to show the emotion experienced as a result of the surrounding that the person is confined to. I believe combining the eeriness of the woodlands, with the model and her facial expressions will help to portray the pain and stress for the sublime. This shoot will give the viewer an indication of how powerful this sublime environment is in connecting with humans emotions and perhaps influence the viewer with a certain emotion too.

Contact Sheet

Edits

Overall, I believe this shoot has been successful in showing the forest as a sublime environment. I believe the images help to show the emotional interaction gained as a result of ones presence in this environment. Specifically I tried to focus on the negative impacts of this area and later i will explore the positive impacts. To further develop and enhance the influence of the forest as creating fear and distress I will use a surrealist method and manipulate my images. I believe from the moody/dark tones in the edits i have been able to portray the forest as a dangerous place however i believe it would be interesting to exaggerate this using a surrealist approach to really show a sense of distress.

Analysis

Overall, i think this image has been my most successful out of this shoot. I think that the composition has worked well with my model placed in the center which indicates that she is the main subject. By framing her in the middle, it allows the viewer knowledge that she is the most important subject in the image which immediately connects the viewer with the person allowing them to interact with her emotionally. I think that the backdrop has worked well in portraying the sublime environment as a feared place due to the eeriness that the trees create. With no leaves on the trees a sense of death is present which creates this influence of danger. This is then mimicked through the feared body language that i have directed my model to do which overall creates this scary environment. Furthermore, within the editing process I have de-saturated the image as a whole and completely removed the blues and greens to create this moody vibe. I ensured to crush the whites to reveal grey tones which enhance this fearful mood.