Inspired questions:

I wanted to choose questions which were specific and had similar themes to what I want to ask myself.

.Merging the Boundaries of the Real and the Imagined: How are Fictional and Mythical Characters Represented in Photography

.How is religion – specifically Christianity – linked to fairy tales?Can staged photography really be considered as a form of factual documentary photography?

.What are the differences/ similarities in a formal or informal approach to portrait photography?‘How do Paul M Smith, Ben Zank and Rut Blees display emotions through self- portraiture and environmental photography?’

.How can elements of Surrealism be used to express and visualise the personal, iner emotions of people suffering from mental health issues?

.Can surrealism in portraiture photography accurately bring out powerful and deep personal emotions?

.Examining the documentary aesthetics: A photograph should not be manipulated, so that its authenticity, veracity and sense of realism can be maintained?

How did the Bechers’ typologies of Industrial Architecture influence a new generation of photographers?

how and why do photographers use the human body to physically express hidden emotions’

My questions:

examine how the sublime and reality work hand in hand to  visualise how they reflection of personal emotion. And how the artists… and ….. show this in different ways.

how can politically movements of photography such as surrealism and the sublime effect the way which photographs see and demonstrate emotion in their work.

how does the power of pain and beauty found within the sublime, have such s strong influence on the emotions of artists and photographers.

Does objectivity and reality effect how we view and react to our emotions. How does the sublime have such an emotional response dependent on the persons current emotional status. And how do photographers capture such a unique set of emotions all at once.

Merging the boundaries of the sublime and surrealism; how are emotions and personal identity represented conceptually throughout photography. Why do these photographers consider their work to be sublime.

Examining the sublime: A photograph should not be able to have such strong emotional occupancy, so that it effects how someone perceives reality and views their own emotions.