A list of sources I have read as part of my essay and text I will submit:

Hills,P and Cooper, T(1998), dialogue with photography.New York: Dewi Lewis publishing

…which is the point that Paul Hill makes when she says ‘verbs expression of this is most difficult and awkward, and that is annoying.’ (Robert 1998:81)

(Cacioppo et al. 2001 p. 173)

-The authors investigated whether people can feel happy and sad at the same time. J. A. Russell and J. M. Carroll’s (1999) circumplex model holds that happiness and sadness are polar opposites and, thus, mutually exclusive. In contrast, the evaluative space model (J. T. Cacioppo & G. G. Berntson, 1994) proposes that positive and negative affect are separable and that mixed feelings of happiness and sadness can co-occur.

k.Anish(2002) Tate Modern: Contemporary

– Kapoor as most powerfully expressed in the monumental void works of recent years.

E.Burke’s(1757) Philosophical Enquiry – Oxford worlds classics 

-It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories.

R.Barthes(1980) Camera lucida

-. It is simultaneously an inquiry into the nature and essence of photography and a eulogy to Barthes’ late mother. The book investigates the effects of photography on the spectator.

Contemporary arts

J.bell (2013) ‘contemporary art and the sublime’ 

-In the first section of this essay, I shall offer a directly personal take on the theme that will open out on to various aspects of current art-world thinking and practice. Many of the tactics and visual effects discussed here can easily be related to the tradition of artistic production stimulated by the writings of Burke

B.newmans(1948) ‘the sublime is now’

-The invention of beauty b the greek, that is , their postulate of beauty as an ideal. Mans natural desire I the arts to express his relation to the absolute became identified and confused with the absolutisms of perfect creations.