As said in my previous post I wanted to capture a almost less sentimental type of reality and include my next three main interests of, circumstances,dependency and chance. I wanted to use these conceptual ideas to relate to both my previously project on family and then also have a stronger level of signification to that of political landscape. My main original aims of this shoot was to show how to capture the movement of water as this contains many elements of the three words I am focusing on. I wanted to communicate many different angles and places which I would normally not venture. I decided it would be interesting to flip images and add lines into the images to add contextual methods into it.

shoot:

edits:

I wanted to add in these small white dots as this is what I have done previously experimented with in my political landscape alternate conceptual editing. 

within here I found a really interesting old structure of bars in a highly interesting composition,Additonally I found a water covered web of water which I thought created an area of interest.

within these water shots I wanted to capture the movement of the water itself, and sometimes even repeatedly showing the drop of water repeatedly dropping. I decided to edit these images into black and white as I did not want the colour to be a distraction of the composition of the images itself. 

This is my third image where I mirrored and flipped the image itself, I wanted to do this as I think the final outcome it produces has an interest of simplicity yet intrigue. I wanted to capture this image originally as I though the suture of the plant was so repetitive and structurally well formed, and how this contrasted against the background,and the light tonal sky. 

anylsis:Overall this shoot was less so capturing a direct narrative and more about trying to communicate ideas of form and how to edit in interesting mannerisms to capture the conceptual of reality.

with this project I had two main artist inspirations of…one fo which was very family and pain orientated,it was quite philosophical in the questioning of no on knows what reality really is as we all have a different concept and view of our own lives and own realities. However the second artists wanted to create images which she wanted to happen or was surprised that was happening somewhere in the world in the modern 20th century, She purpose how large companies would demonstrate a country as being modern and forward thinking and ignoring the true reality of factors such as poverty and starvation.  Because of these two clear divisions of ideas of family and not knowing the reality of what people are feeling and they way in which trauma can effect you, to how chance and reality can be predicted.Although I wanted to add my won these into both shoot so using archival images from my past family and then forming reality,around my house and capturing the dependency and effector different relates and possibly adding in themes if conceptual manipulation. from this I decided to brainstorm and experiment with what I think breaking reality means to me.I then got the three main ideas of, dependancy, possibility and chance. I think my first shoot was successful, I think I successful recreated the structure of the artists form and also conceptually edited my photos and to have and area of interest wihtin them. My second shoot was much more conceptual wihtin the thought of the structure and an essence of abstract structure I order to strip away any sense of reality.