Photo Journalism

History And Background

At the beginning, photojournalists took photos to go along with news stories. There might be a long, written story about a news event and one or two photos to go with it. Those photographs were very popular because they helped people really see what was going on in the news.

Soon, there were also entire stories being told mostly by the photos, with just a few sentences in-between to show the relationships among the photographs. These photo stories became very popular in magazines in the 1930s and after.

The first female photojournalist was Jessie T. Beals, who took her first full-time job as a newspaper photographer in 1902. It was very rare for women to be photojournalists, especially at this time when women rarely even held jobs outside the home.

Photojournalism In Today’s World

Modern photojournalism became possible after small portable cameras were developed and became much widely available around the 2000s. These cameras were more manoeuvrable than earlier models, which could be as large as hat boxes. The smaller size allowed photographers to get closer to an event and capture it as it unfolded. The Internet, camera phones and the popularity of video sharing sites such as YouTube have changed the way photojournalism is viewed. These days the public demands sensational images and many media organizations comply in order to keep regular viewers and attract new ones.

Despite society’s insatiable appetite for sensational images, it’s important to help individual photojournalists to find a humanistic approach to picture taking. Stress the need to document real situations rather than pick certain points and sensationalize them.

Source

Secrets, Codes and Conventions – Second Shoot

Planning

Task – Take 150-200 photos exploring the theme of exploration under the key work ‘secrets’

Props – I will be using the natural environment including the trees and plants that I come across as props and possibly people in some of the photographs.

Camera Settings – Due to deciding to do the shoot in the dark will have to use flash in most of my photographs in order to illuminate the subjects enough. I will be using this with an ISO of 800 and a shutter speed of 1/40.

Lighting – I will be using strong torches or flash from the camera in order to capture these photographs.

Location – St. Catherines Woods

Context – I am looking at the theme of exploration for my AS level externally set assignment.

Concept – I hope to take photographs of the woods in ways that would not be usually seen and to show the secrets that the dark can contain whilst taking inspiration from Emmanuel Tecles.

My Response

Contact Sheets

 

My Top 5 / Edits
My Favourite Photograph

This photograph was taken using flash as the area was dark with no light in the area. This allowed me to illuminate the subjects of my choice and create contrast between the background and foreground. I used a shutter speed of 1/40 with an ISO of 800 in order to make sure the picture was bright enough to be seen – this helped to further emphasise the gap between foreground and background.

The colours within this photograph provide more contrast with the background – the bright vibrant colour of the pondweeds contrasts with the dull colour of the tree and the surroundings to create an interesting photograph. There is a wide tonal range in this photograph ranging from the highlights in the tree and pondweed to the purely black background, this helps to focus on the subjects of the photograph. There is a  3D effect in this photograph as you can clearly see the plants upfront as the background fades into darkness. I positioned the tree in line of one of the vertical lines of the rule of thirds in order to create a more interesting photograph.

This photograph was taken at night in St. Catherines Woods. It shows contrast between living plants and dead plants in an eery environment. The concept of this photograph is that it may be something that many people will see and walk past every day but when the subject is illuminated at night it shows another side of the view – almost its secret. It shows off the different branches of the dead tree individually and brings out the colour in the pondweeds to create a different environment.

Secrets – Case Study

http://www.sebastianmagnani.com/

Sebastian_Magnani_2017.jpg

Born 1985 in a small village in Canton Valais, Switzerland, surrounded by mountains, Sebastian Magnani discovered photography whilst training as a media designer in 2006. After 5 years as a creative in an advertising agency, he decided 2011 to turn his passion into a profession. Since then he has been making a living as a photographer and visual artist, based in Zurich, Switzerland. Focused on portraits, editorials, advertising and several personal projects, like the Underdogs and Undercats, where got a lot of media attention and been published on many newspapers, magazines, websites and tv-shows around the globe. He has also won many awards such as  the GoSee Award, Stills, Gold & Public, 2015, OneEyeLand, Fine Art, Abstract, Gold, 2015,  both for his project entitled Reflection

 

Image Analysis

In this image, the natural lighting that is breaking through the leaves of the treetops has been used to cast light upon the floor of the forest. A shutter speed of 1/30-1/60 will have been used to capture this photograph along with an ISO of 100-200, by using these settings it allowed Sebastian to a high-resolution image with minimum grain whilst allowing plenty of light to enter the lens. The two main colours in this image, are green and brown, which gives off connations of life and death. In the reflection of the mirror, we get a glimpse, to what the top of the forest looks like, which is bright and healthy green leave deflecting off most of the natural light. Which is a contrast to what is in the rest of the frame. Which features earthy tones, of the dead leaves on the forest floor.

Conventions Case Study

Allan Edward Hilton

http://www.allanedwardhinton.com/

Allan is a London based photographer, content creator, social media strategist who quit his London office job as a Digital Marketing Manager to peruse his dream of exploring the world and develop his photography skills.

H has been an early Instagram user since 2011 who has a following of 160+. He has worked with over 30+ content creation slash Instagram related social media and pr campaigns and has consulted on campaigns for TripAdvisor and Huawei Mobile.

Image Analysis

In the image above, the main focus of the image has been highlighted by the use of the natural sunlight which is coming from the left side of the frame.This image is mostly sharp but around the edge of the image, it has started to go out of focus, as on disposable camera setting such as ISO or shutter speed cannot be changed. The visual elements in this image are the colour palette, which creates a vintage look, there are several different textures within the image. This image was taken on his trip across Australia in which he decided to only take images using a disposable camera as he wanted to capture the images which where raw and wasn’t staged

Martin Parr

Martin Parr is a British documentary photographer and photojournalist. He is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world. 

Parr has said of his photography: 'The fundamental thing I'm exploring constantly is the difference between the mythology of the place and the reality of it.  ...Remember I make serious photographs disguised as entertainment. That's part of my mantra. I make the pictures acceptable in order to find the audience but deep down there is actually a lot going on that's not sharply written in your face. If you want to read it you can read it.'

Parr's aesthetic is close-up, through use of a macro lens, and employing saturated colour, a result of either the type of film and/or use of a ring flash. This allows him to put his subjects "under the microscope" in their own environment, giving them space to expose their lives and values in ways that often involve inadvertent humour. His technique, as seen in his book Signs of the Times: A Portrait of the Nation's Tastes (1992), has been said to leave viewers with ambiguous emotional reactions, unsure whether to laugh or cry. At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr’s term for the overwhelming power of published images is “propaganda”. He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way how we live, how we present ourselves to others, and what we value.
Images by Martin Parr

Codes

What are codes?

Codes are a system of words, letters, figures, or symbols used to represent others, especially for the purposes of secrecy.

A code can be seen as a symbol or some form of object which portrays a message. Codes within photography are also known as symbolic codes, technical codes or written codes.

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Secrets

What is secrecy?

Secrecy is the action of hiding something secret  from individuals or certain groups who do not need to know.  Secrecy is keeping something secret or the state of being kept secret.

Secrecy also has direct connotations with identity and how people will try to keep their identity hidden.Secrecy photography often results in surrealistic images which help to represent the sense of a hidden or secret identity.

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Meshes of the Afternoon

What is Meshes of the Afternoon?

Image result for Meshes of the Afternoon (1943)

Meshes of the Afternoon is one of the most influential works in American experimental cinema. A non-narrative work which has been identified as a key example of the “trance film,” in which a protagonist appears in a dreamlike state, and where the camera conveys his or her subjective focus.

This slow movie was Made by Deren with her husband, cinematographer Alexander Hammid, Meshes of the Afternoon established the independent experimental movement in film in the US.This short film inspired early works by Kenneth Anger, Stan Brakhage, and other major experimental filmmakers.

Shot by Hammid, a leading documentary filmmaker and cameraman in Europe, the film makes new and surprising use of such standard cinematic devices such as montage editing and matte shots.

ethics of photography within documentary,journalism and surrealism

There are many codes and conventions within the boundaries of documentary photography and photojournalism,they are in place in order to accurately represent the areas and the people and not culturally mimic and mis-inform an audience due to editing or framing causing mediation and unreliability to the images themselves.

1)representation; is showing the truth and reality and not portraying a misrepresentation of a scenario, this has such great importance in order to  promote the reality of a situation and not a tabloid setting, This in turn looses the impact and relevance of the image,and the trust and  believable aspect within the audience receiving the image from the photographer. Throughout my new stage of work I am going to be focusing upon photo journalism and surrealism.I have chosen this due to the interesting effects in which surrealism carries, how it possess underwired methods to portray my themes of secrets codes and conventions and how I am able to be much more expressive and carry many more unique character traits throughout my work.I am able to symbolize dynamic shapes and an interesting concept of human behavior in order to symbolize the combination of surrealistic and highly conceptual images to symbolize a feeling of secrecy and search for identity between people.However within photojournalism I could also capture a development of everyday people and a feeling their own story and within their family,I can  focus on how a group of people work together and how their behavior effects each other and the way in which they act as a whole community,so sharing the themes I am using in my surrealism shoots also carried throughout photojournalism.