Landscape Final Outcomes

Stephen Gill

Stephen Gill, born 1971 in Bristol, is a British experimental, conceptual and documentary photographer. He became interested in photography in his early childhood, thanks to his father and interest in insects and initial obsession with collecting bits of pond life to inspect under his microscope. He has had various collections exhibited in international museums including Tate and The Museum of London.

In January 2003 Gill bought a Bakelite 1960s box camera made by Coronet for 50 pence at Hackney Wick Sunday market, near where he lived. The camera had a plastic lens, and it lacked focus and exposure controls.

Over the next four years he had used the camera to photograph within the extremely varied environment of Hackney Wick, including waterways and allotments; and to make portraits of people at the Sunday market and who lived and worked in the area.

My Work

I was inspired by Gill’s combination of natural substances over urban imagery, I wanted to recreate this however could not use the same technique that he had used. Instead, I used an overlay technique where I cut out objects like leaves from one photo and placed it over another.

Like Gill, I took photos of the environment where I live. As I walked through town, I saw this mattress by a bin and decided to take a photo.

I erased the background using the rubber tool in Photoshop and placed the flower overlay where I thought fit.

Processed with VSCO with g3 preset

I added an overall filter in VSCO to make the whole image feel more like one layer.

This second image I took as I liked the formalistic structure of the scaffolding and believed it would stand out as the background of the overlay.


Using this image I found online (https://www.google.je/search?tbs=sbi:AMhZZitqFUZNGbImpARapSKR0peeimG–B4QyEaWnhho-QGOOtu1L6rxbGV-HrKRfNmAYmaj2NT6YhuvSR0d3D6tOT-mdB1slFMy1w1KsKDILTtpxyp9_1-p1XPXZwFSRhy1IGLDbBY3ZK_12yZMt7Jgrb0V8ocpdu9_1J0XephjQXHi13Jo9JlF9rYioXIYSGTbswLfR_1aRRixpklcsBeJtom8zhTqoVATRfc75-DeT8M_1m_1iMyRqapqsOdcAZghwdZoVx0v8t4pq0rX2cKCzW_11Rgz2iyz2DT4m5yVu-8OSJrUYUqtxRvcxAMYp9Yo7b7iYgoKzjCl-qI&btnG=Search%20by%20image&hl=en-JE), It added a dirtier feel to the image demonstrating the importance of nature over a man made structure.

 

Image Analysis

Processed with VSCO with g3 preset

This image shows different angles, where the scaffolding is being looked up at but the berries are hanging down. This is metaphorical for what may be to come in the future for humankind in that there will be no nature left if we destroy it all to create man made structures.

The berries stand out in a more vibrant colour in contrast to the darker background demonstrating the true importance of nature.

The image as a whole shows elements of formalism, with the lines and structure of the scaffolding and colour of the berries. Combined together, it results in an abstraction with underlying meaning.

 

I boarded up each of my images separately.

Joinier Experimentation

Joinier Photography combines multiple panorama images from different viewpoints into one image by placing them in line with eachother.

I experimented with the Joinier technique by instead cropping an image into multiple sections and then over lining these where I saw fit.

Using this image, I cropped different sections of the photo.

This was my outcome.

Krista Svalbonas Experimentation

Krista Svalbonas is a mixed-media artist based in Chicago. She holds a BFA in photography and design from Syracuse University and an interdisciplinary MFA in photography, sculpture, and design from SUNY New Paltz. Svalbonas experiments with traditional materials in unexpected ways. She is heavily influenced by her urban environment and focuses on spatial relationships and architecture when developing abstract pieces and installations.

The above project, “Migrants”, turns an analytical gaze on the architecture of her past and present while offering a personal reflection on the nature of home.

My Experimentation

To recreate her style, I took photos that I had previously taken which I believed showed interesting architecture. I cut out sections of these buildings and placed them together at different angles. Like Krista’s work, I made the background a simple colour to allow the architecture to stand out.

My Psycho-Geography Experience

The route I wanted to explore began on Belmont Road, before ending up around Ann Place Car Park and finally finishing by the old Ann Street Brewery. I have walked past this area regularly but very rarely get a chance to see what it actually looks like. I was interested by the modern houses and apartments surrounding an old run-down brewery.

This was my route.

The Ann Street Brewery was founded as a company in 1905, but brewing activities on the site it occupied in Ann Street (formerly Rue es Helles) can be traced back to 1871. The new company brewed ale, and only switched to other beer types in the 1950s. The company acquired the license to manufacture and distribute Coca-Cola in the Channel Islands in 1952. In 1958 the company acquired the distribution license for Bollinger champagne for the islands.

Ann Street remained a modest-sized business into the early 1970s before a turning point in 1971, when Ian Steven took over as the company’s lead. Under Steven, Ann Street began developing its pub estate holdings, which grew to more than 100 across the Channel Islands. The company also entered the French market, acquiring L’Abeille, that country’s leading supplier of private-label soft drinks for the French supermarket sector. Into the 1990s, Ann Street, which was listed on the London Stock Exchange’s main board, began seeking an extension onto the English mainland, building up a pub estate in southern England. In 2000 the company moved bought the Brubeckers restaurant chain.

Ann Street took over the Tipsy Toad brewpub in 1997. Jersey Brewery and Tipsy Toad were relocated to the current site in 2004. In 2008, following a management buyout, the brewery came under the ownership of Liberation Group. Beers are currently branded as either Liberation or Mary Ann. In 2011 the brewery was renamed to Liberation but still use previous brand names.

My Work

What is Psycho-Geography?

Psycho-geography is a hybrid of photography and  geography that emphasizes playfulness and “drifting” around urban environments. It has links to the Situationist International.

Psychogeography was defined in 1955 by Guy Debord as “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.”

Another definition is “a whole toy box full of playful, inventive strategies for exploring cities… just about anything that takes pedestrians off their predictable paths and jolts them into a new awareness of the urban landscape

final pieces

Presentation - I want my final images to be simple so the focus is concentrated on the images themselves [the complex structures of my pieces inspired by Beomsik Won] and to also fit in with The New Topographics as the types of photographs are simple and stripped from any beauty or nature. I have given myself three choices; no boarder, a slim boarder or a wider boarder
  
I think my images look best as simple as I can make them and I have decided to go with no boarder so there is complete focus on the image.

My final images - 

  
Evaluation - I think I have been successful with my final images, I am particularly happy with my responses to Beomsik Won. The editing was very slow and intricate but it allowed me to compose a landscape the way I wanted to see it, when in photography in general, the composition of a piece is usually done before shooting the image however, I was able to have complete control over my final images. The way in which I was able to create a photograph feels more creative and artistic and I feel I was able to convey work that reflects what I wanted display. During the editing process, I began to think of more ideas and things I could add to my pieces that required me to take more photos. I didn't and I wish I did as I think it would of made my images stronger. Next topic I will take as many pictures as I can that are good quality so I am not short of material. 

beomsik won response

To start my edits I chose the foundations for my pieces. I chose industrial bases because I wanted start them with interesting objects that would frame the rest of the made up monuments. Also to keep a contrast between elements of churches and shops. 



 first I had to cut away pieces of the original image so i could place other images inside, and one by one I cut up objects and buildings from my photos and placed them in the tower.   The final edit I had was to add more sky to make it a continuous photo. Using the brush tool to blend another picture of sky I came to my concluded image.

Final Outcomes/Presentation

For my final outcomes I gathered my favorite images from each shoot together to analyse and compare them. At the same time I had sent some of these images to be printed so that I could present them in a few different ways rather than just the image online. From this it would allow me to explore the use of composition and presentation of each image, creating a more aesthetically pleasing result as a result. These were my top 5 images I had selected throughout the course topic of ‘Landscapes’: