Codes Case study

Dirk Bakker 

Dirk Bakker is a Dutch photographer based in Amsterdam, a city that he has lived in for over 30 years. He is one of the most popular users on the photo-sharing app Instagram.Dirk’s originally profession was graphic design and he worked in different companies and freelanced for over 20 years. He would mostly work on companies’ brochures, posters, branding, etc

Dirk has always had an interest in photography. As a hobby, Dirk enjoyed taking photos with his SLR camera. It was not until Instagram that his passion turned into a career. He has always been inspired by the lines, shapes, and patterns that architecture creates, and tries to capture the uniqueness in every picture he creates.

Image Analysis

This photo has been illuminated through the use of natural daylight. The bright blue of the sky creates a colour contrast between the building which has orange undertones to it. A deep depth of field has seen to be used as the whole of the image is in focus, a slightly fast shutter speed has been used.

 

Starter Activity: “Context is Everything” (Miss Hearn)

Learning Objective:  To develop a deeper understanding of the way in which the context in which a photograph is created and seen effects its meaning.

Photographs are not fixed in meaning; context is everything.

Simply put, meaning is derived from context, whilst context is the information that surrounds something. We form our understanding of a photograph not just from what is in it, but what we know about it.

context
noun
1. the circumstances that form the setting for an event, statement, or idea, and in terms of which it can be fully understood.
2. the parts of something written or spoken that immediately precede and follow a word or passage and clarify its meaning.

meaning
noun
1. what is meant by a word, text, concept, or action

The contexts within which we encounter an image also offer areas for exploration. These might include:

  •  A photograph’s physical proximity to another and how this influences our perception of it e.g. side by side in a book, on a gallery wall etc.
  • Whether we see the ‘original’ work as the artist/photographer intended – framed on a wall, in a specific location, via print, on screen, via digital projector etc.
  • The information that surrounds, precedes, accompanies or follows the encounter. A simple (but highly influential) example here is if the photograph has a title or caption. But other diverse influences might seep in – the surrounding noise; your emotional state; recent reading; what you had for lunch?

Whatever your intentions for your own photographs, context doesn’t necessarily stop an image from having alternative meanings.  Connections are free to be made and conclusions drawn regardless, and the deeper your awareness of various contexts – be it colour relationships, genres, the illusions of surface, photographic typologies, whatever – the more possibilities can emerge. Not everyone sees and interprets meanings in the same way.

 

Consider this influential photograph…

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General Nguyen Ngoc Loan executing a Viet Cong prisoner in Saigon – Eddie Adams, 1968

What do you think is happening in the frame? Can you identify the meaning behind this photograph?

CONTEXT: Hear Eddie Adams’ account of the killing in Saigon http://100photos.time.com/photos/eddie-adams-saigon-execution

The photograph, above, is one of the most disturbing, iconic images to emerge during the Vietnam War and receive global press coverage. It quickly became a symbol of the war’s brutality. Long after he had pressed the shutter Eddie Adams lived with a sense of blood on his hands – but not that of the victim, but rather the gunman himself. Adams felt he ‘killed’ the gunman by creating an image in which he was forever cast as a villain. The man being shot (Nguyen Van Lem) was the captain of a Vietcong “revenge squad” responsible for executing dozens of unarmed civilians that day. The gunman, General Nguyen Ngoc Loan was, within the context of war – and (rightly or wrongly) The Geneva Convention – a man at work. There were no winners here.

 

Discuss in pairs…

“There are no meaningful images”

Do you agree with Joachim Schmid? Justify your response. 

 

Suggested Activity (extension)

You may want to produce a photograph that has a significant gap between what is seen within the frame (the subject matter) and the context that lies beyond it (the explanation that reveals its true value).

Consider how interpretations of the image might be altered by providing further context such as: a title, a quote or song lyric, a short story, a formal explanation, revealing that it is part of a set or sequence.