For this image I decided to print the image to the scale of A3 size, I want to sick this image onto a white foam board as I wanted to have decided to present this image by its self as I feel that this is the strongest image out of my final selection.
I have decided to present these image together on the same white foam board as the I feel that they do not fit with the other images but when they are put together complement each other very nicely, I have printed these to images to A4 size.
With this final image I decided to print it off at A4 size. I plan to stick it onto a white foam board and then to stick this onto a black board to highlight the levels of contrast.
Experimentation Of Different Layouts
Final Layout Choice
I decided to change the layout of the image from being on separatepieces and card and foam, I decided to present all if the images on a white piece of card as it would be more effective as the images all fit into the same series. I placed the A3 image in the center of the card as I feel that this is the strongest image out of my final selection.
Edgar Martins (born 1977, Évora, Portugal) grew up in Macau, moving to London in 1996, where he completed an MA in Photography and Fine Arts at the Royal College of Art.
Landscape, place, space, and architecture have established themselves as the predominant themes in Martins’ photographic imagery. Martins uses photography to develop a philosophical, quasi-scientific investigation, examining various minimalist concepts of the contemporary urban landscape. Moving between the factual and fictional, between the concrete and the metaphorical, the artist operates within a landscape of uncertainty, permanent flux, transition and opposition.
One of Spain's most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In Landscapes without Memory, Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources—usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions which had previously been visualized only as a flat image.Fontcuberta feeds the software fragments of pictures by Turner, Cézanne, Dalí, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as "real." The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds.
For this image I decided to print the image to the scale of A3 size, I want to sick this image onto a white foam board as I wanted to have decided to present this image by its self as I feel that this is the strongest image out of my final selection.
With this final image I decided to print it off at A4 size. I plan to stick it onto a white foam board and then to stick this onto a black board to highlight the levels of contrast.
