John Divola – Isolated House’s

Following on from Johnny Joo, I came across John Divola who is a contemporary visual artist. He currently lives and works in Riverside, CA. Divola works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific. I decided to focus in on the isolated houses book by him, originally released in 2000, as it gives a sense of humanity’s wastefulness which links to Johnny Joo’s work.

I believe this style of work links to the theme of secrecy and hidden identity as it would appear the owners are trying to escape all aspects of civilization and be on their own in their own world.

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Despite the fact these images are rather raw, with little editing, i believe they are effective due to the simplicity of them and the conceptual ideas and meanings behind the images. I think that I can create some interesting images in this style with the use of varying camera settings and editing techniques.

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This is an image taken by Micheal Steric, a famous Instagram user. It portrays some very similar connotations to which Divola’s work does however, Micheal Steric has insured to give his audience a more aesthetically pleasing image to visualize by using a series of editing techniques to make it as if the building is on fire and is surrounded by an unusual green glow. This links to both of my views on altered landscapes in the way that the photo has been altered digitally by the photographer but also the way the subject within the photo has been altered by humans and natural disasters. The vibrancy within this image helps to captivate the audience and ensure they appreciate and acknowledge the wastefulness in which humanity evokes.

 

THE NEW TOPOGRAPHICS

What Is The New Topographics?

It was a term brought around by William Jenkins in 1975, this term ‘The New Topographics’ described a group of American Photographers whose photographs had a similar aesthetic, as they were formal, mainly black and white and of the urban landscape. The main photographers that are associated with the new topographics are: Robert Adams, Lewis Baltz, Nicholas Nixon, John Scott, Stephen Shore and Henry Wessel.

These photographers focused on urban and altered lanscapes that were fixed with man made structures and buildings such as suburban housing, warehouses and parking lots set or barren bare areas of land. These structures gave the areas a open and industrial feel whilst making the alteration the main focus of the pieces. This work was a response to the growing unease about how the natural landscape was being impacted by the industrial development happening in America at the time.

Here are some examples of the new topographics’ work…

From the work that makes up The New Topographics I hope to display the idea of the contrast between natural and urban landscapes in my own work.

Preparation For Mock Exam

Mood Board

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Brainstorming

For my final photographs I want to produce pictures of natural landscapes with a moody, dramatic feeling to them.

  • Sunset
  • Cloudy
  • Storm
  • Beach
    • Devils Hole
    • St Ouens
    • Greve De Lecq
    • Gorey
  • Rocks
  • Trees
  • Cliffs
  • Hills
  • High contrast
  • Dark image

Ansel Adams

Ansel Adams (1902 – 1984) was an American photographer and environmentalist. His photos of the American West are often seen on calendars, photos and books.  Adams founded the photography group ‘Group f/64’. He was part of the romanticism movement and produced lots of striking landscape photographs in black and white, often involving a pathway of some sort and interesting weather.

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My Favourite Photograph

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This photograph was taken using natural daylight with the clouds blocking the harsh sun from the camera, resulting in dramatic contrast between the mountains and the river being brought into the photograph. It appears that a wide angle lens was used to take this photograph as this is what was typically used by the romantics to capture landscape photographs. It looks like a deep depth of field was used as the whole of the photograph is sharp and in focus. A shutter speed of 1/60 – 1/150 was possibly used for this photograph due to no motion blurs being in the photograph. A low/medium ISO appears to have been used as the photograph is not grainy and is quite dark, which will have been intended. There is lots of texture in the photograph, from the grassy bank to the flowing river. It seems to be quite a cold and isolated photograph as there are no signs of civilization around.

There is no colour in this photograph, which allows the viewer to focus on the range of tones, textures and shapes in the photograph rather than the colour. There is a wide tonal range in the photograph ranging from the dark silhouettes of the mountains to the white reflection of the river. It is quite a 3D photograph due to the trees in the foreground and the river running throughout the photograph, leading the viewers eyes from the trees in the foreground all the way to the mountains in the background. There is no rule of thirds used in this photograph, to me this is because Adams is trying to show that it is natural and nothing is set up.

Adams was a big part of the romantic movement in the late 1700’s, typically the romantics would photograph striking black and white landscapes with the idea that there is a deeper meaning than what appears behind everything. Romanticism was a rejection of the Enlightenment movement which took emotion out of writing and art, Romanticism wanted to challenge this by depicting emotions such as horror and untamed nature.

I think that in this photograph, Adams was trying to emphasise the natural beauty of the environment and to show that no editing was needed on the image, it is as it appears. He is trying to challenge the Enlightenment movement by doing this.

My Photographs

Top 5/Edits
My Favourite Photograph

In this photograph I used natural lighting which allowed contrast between the correctly exposed cliff face and the over-exposed sky. This created a very wide tonal range in the photograph. An aperture of 18 was used which allowed the whole of the photograph to be in focus. I used a shutter speed of 1/40 with an ISO of 100 to create a photograph with the highest quality possible. There is a slightly cold undertone in the photograph due to the white balance.

There is no colour in this photograph as it is in the style of the romantics – the lack of colour helps to bring our more contrast and a wider tonal range in the photograph. The texture of the cliff face can be clearly seen which creates a more interesting photograph. There is a slight 3D effect in the photograph due t the shapes and depth within the cliff face.

I took this photograph at Devils Hole. I chose this as the location as it has a rich history and has lots of interest cliff faces surrounding it. I tried to create and edit this photograph in the style of the Romantics in the sense that it is black and white, has dramatic contrast in it and shows only nature. This photograph is similar to the work of Ansel Adams in the sense that it shows the untouched nature in a black and white photograph with lots of shapes and edges within it. My photographs do not have as much contrast and definition in them as Adams’ does but there is clear inspiration from him in my photographs.