Nicholas Nixon

Who is Nicholas Nixon?

Nicholas Nixon is known for the simplicity and intimacy of his black and white large format photographs. Nixon has photographed porch life in the rural south, schools in and around Boston, cityscapes, sick and dying people, the closeness of couples, and the ongoing annual portrait of his wife, Bebe, and her three sisters. Recording his subjects close and with meticulous detail, he facilitates an emotional connection between the viewer and the subject.

The body of work explores the self in physical and psychological proximity to the urban landscape. In 2017, Fundación MAPFRE in Madrid opened a comprehensive survey of the artist’s work to date, accompanied by a catalogue illustrating over 200 images.

Image result for nicholas nixon new topographicsImage result for nicholas nixon new topographicsImage result for nicholas nixon new topographics

Photo analysis

 

Image result for nicholas nixon new topographics

Natural lighting was clearly used to capture this photograph due to the natural tones and contrast in the photograph. The use of natural lighting allows the photo to project a sense of realism which helps allow the audience to feel as if they can connect with the photo. This is shown within this photograph as it has been displayed in black and white which makes the photo seem  more surreal and creates a sense of mystery and creates a more dramatic image. The use of black and white helps bring out the levels in this image from the masses of cars on the highway and the heights of the buildings. This photo shows the advancement of civilization and man made structures which is conveyed by how hectic and lively this image looks due to the mass numbers of buildings and how full the roads are. This shows how the New Topographic movement was a reaction to Romanticism  just from the use of the juxtaposition within this image such as; the man made features throughout the whole image and the natural aspects within the image such as the trees among the buildings . This photograph is a clear message to reflect how man made structures are taking over society and dominating these natural areas. This is clearly supported by the fact that the natural features are hidden away in the image and are not the main features of the image like they would be within romanticism photography.

My own Images

 

Edited Images

 

 

edward weston

Contextual - https://www.ai-ap.com/publications/article/18753/archive-fever-edward-weston.html
Weston was a 20th century American photographer. He captured images of landscapes, still life, nudes, genre scenes and whimsical parodies. Technical - In the foreground of the image the contrast is high between the dirt and the crops - black and white accentuates this - yet the tonal range is small until the focus is brought to the sky and further hills in the background where lighter and softer tones. The photograph has sharp details - fast shutter speed.
The deep depth of field gives the field a greater distance - the lines of the crops also exaggerate this as some of them fade into the distance.

Visual - Weston has captured what people would have seen as a seemingly mundane scene and has composed a photograph that incorporates pattern, contrast and depth. His approach to taking photographs as he says is 'To make the common place unusual'. The aesthetics of the austere landscape has been brought to a focus through Weston's photographs.

Conceptual - The purpose of Weston's photograph could be to reinforce the beauty in nature and to perhaps conserve the natural landscape through photographs. The subject of a tomato field is also an insight to the natural order man creates in society and life. 

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Harve Des Pas Walk

I planned to walk from Harve Des Pas to the Incinerator following the path back to town. This gave me different views and landscapes to photographs showing  my route and journey. I presented my images in a contact sheet and throughout you can see how the route and scenery change from natural to urban.

I then chose my favourite photos out of all the images, edited them and displayed them in the contact sheet below so the images can be seen more clearly. I chose these images as each one is completely different and shows the different landscapes I passed and the journey I went on- focusing on structured , man-made objects as well as nature.

I chose this photo as one of my final images as it clearly shows how urban is taking over nature, similar to concepts The New Topographics focused on. The image shows a very structural industrial building in the background, and a natural hill in the foreground. The contrast between both parts of the image makes it seem like they wouldn’t be in the same place and so close together. It also shows a bright red sign post on the hill which also presents  the new topographics unease about how the natural landscape were being eroded by industrial development. I decided to leave the image in colour with not much editing as I think it emphasises the differences between the two sections of the image.

I also chose this photo as one of final images as I focused on industrial buildings and the structures they make. This image takes inspiration from The New Topographics as it focuses on geometrical shapes and symmetry. The image doesn’t contain any natural elements and only shows man-made structures which contrasts with some of the other images I have taken. I left the image in colour as the it only contains browns, greys and blacks that contrast with each other which would not happen as much if the image was in black and white. It also shows the structures and the sky being completely different (natural vs urban).

I also chose this image as it shows an alley that I tried to make  symmetrical to show lines and repetition on both sides. I turned the photo to black and white taking inspiration from the new topographic photographers, trying to get the same effect. The industrial photographs I’ve taken have similarities to Albert Renger-Patzsch style in The New Objectivity with clear, black and white pictures of industrial archetypes.

I also tried focusing on industrial buildings, zooming in on specific sections of the same building so I could present them together to show different perspectives. I edited them to black and white as I think it makes the images have more of a contrast between the tones of grey and emphasises the shadows underneath of the balconies and where the light hits the outside of the balcony walls, making the images more powerful. I arranged the images so some of the lines join up between the photos connecting them together to make a new image.