Print Compositions / Framing

PRINT COMPOSITIONS

These are how I wanted to present my final printed images. I have chosen to present them in a simple way because the images are very detailed and contain a lot of aspects, which I didn’t want to over do by presenting them in quite a complicated way.

Mounting Board

This composition of 9 photographs (in a story board format) took a lot of time choosing what images work best together and where to locate them in the piece. I eventually chose these 9 in this order as I believe that they are well balanced and without going into too much detail the images found opposite of each other in the piece tell a story of how the subject is effected by it’s surroundings or how the subject’s surroundings are effected by it.

Mounting Board

The second print composition that I have created explores a more creative portraiture aspect of the project through the use of typography and Photoshop. Although slightly worried about how the quality of the printed outcome would be the prints came out in good quality despite the intentional grain within the images. Again without going into much detail I believe that these 4 images balance each other well and are effective in implying the message of socially perceived identity.

Foam board

Finally this composition of 2 images is one that I believe shows my raw camera skills. I believe that the 2 images compliment each other perfectly due to the colours, composition and patterns within the images. And despite the 2 separate subjects I was able to choose the two with really well balanced fits (colours, stripes, angles) on meaning that when put together as one piece they would look even better.

Creative Portraits Shoot and Editing

For hidden Identity I wanted to use the images I had taken and cover my models face to hide her identity , this was because each person has a unique face which helps us identify them and tell them apart from other people.  On the news when they don’t have permission or need to hide a persons face they pixelate it, I took this idea for my own photos and using Photoshop I selected certain areas of her face such as her eyes which are often known and the window to the soul. I then experimented with the colours and saturation of the pixels so it stood out more however i think this takes away from the neutral colours in the original image.

I chose this image for my A5 print because I like how simple it is,  it has a very neutral colour scheme. compared to the rest of the edits I did in this style I think this looks the best because it doesn’t look her edited. I also like it because it clearly shows the idea of hidden identity . It links to my artist reference because of how I have covered parts of the image in which my model has insecurities.

 For my A4 edit I used the distort and wave setting, I wanted to imitate the look of the water in Laurence Demaison’s work.

For my A3 final print I chose this set of images showing rascal identity. I used the colours from each models skin and made a square in the same colour. I did this to show how 

Heitor Magno & Mark Borthwick | Constructed Portraits

Heitor Magno

Heitor Magno is a Brazilian visual artist who explores identity through self-portraiture.

He uses double exposure techniques, often placing clones of himself alongside eachother, to create glitch images – layering and obscuring expressions and complex emotions. Interfered Pictures, invisible expressions and pixelated factions are reflections questioning about his identity.

Heitor questions our willingness to expose intimate moments in our lives which can usually be given away by the expression on our faces.

 Mark Borthwick

Mark Borthwick is a British photographer now living in Brooklyn, New York. His photos are often minimal, yet highly saturated in colour. He has contributed to many publications, including Vogue, George, Purple, and Index.

Mark Borthwick uses film in his photography even now due to his interest in the luminosity and transparency that it gives. He likes to have less control of his photography and let it happen spontaneously, as he feels its so controlled like a mechanism. However, he also does find it a surprise everytime as it depends on temperature of the light and the brightness of the light.

He realised that what he loves about photography is capturing people who he has a connection with, as it gives a sense of time and history from capturing them in different moments of time.

In the Images are Stella Tennant who he has been taking photos of for over 10 years. He became friends with her after their children had formed a friendship.

Combining the two photographers ideas, I felt inspired to take photos of people who I had a connection with, my friends. As I know their emotions, I would glitch and distort them to prevent the viewer from seeing this and therefore hiding their identity.

Final Piece Evaluation – Portraits

I believe this final piece has turned out very effective and clearly shows an understanding of Tommy Ingbergs photos and the concept of loss of identity. I think the composition and use of leading lines from the bottom picture to draw attention towards the top picture is effective in allowing the viewer to fully appreciate the piece as a whole. The road is used to lead the viewer through the picture as if they are on the journey that the model, at the end of the road, has taken in life. The road is clearly darker towards the start and then lighter as we progress further down it. I have deliberately created this effect to symbolize how the models life has or will improve despite the bad place in which he currently is in. This lighter part of the road is highly contrasted with the model himself as his is giving off a stressed or frustrated feeling. Similarly I have used the same approach within the top edit where the darker parts of the cloud are behind him and the person appears to be looking down the landscape into the ‘bright future’. This use of contrast can be associated with the difference in the persons life from now to then. All the images which were used to construct these final edits consisted of different light intensities and colors. I think I achieved a well balanced lighting across the images to ensure I create what looks like one scene. I think that the black card to board my images onto was the best option because it helps to connote the feeling associated with the images.

wang wei

Wang Wei is a fashion photographer based in Bejing who specializes in analog photography. Each of his photos are highly expressive and colourful. Wei's photos mainly capture realistic and completely unadulterated scenes of todays youth.Wei's photos are diverse in themes of identity, some of his photos hide it through the use of blur, mirrors, light and shadow. Others express and exhibit someones identity in a photograph through the use colour and tableau. The use of strong colour on certain photographs conveys the strong personalities of youth.

 

 

 

Print Choices

PRINT CHOICES

IMAGE 1

I chose this set of 4 images (as 1 image) to be printed off at A3. This is because I believe they display my creative ability in a rather artistic way. The 4 images explore the topic of social identity. I was hesitant to print these as I was unsure as to how they would turn out printed but have discovered that it will work fine.

IMAGE 2 

I have chosen this compilation of 2 images as my second print as I believe they are two very well balanced photographs that compliment each other to create one aesthetically pleasing image. The colors of the two different outfits work together really well to balance the image color-wise, also the black on pink stripes against the white on black stripes create a good balance. I have chosen for this to be printed in A4.

IMAGE 3

This is the third image I have chosen to print (A3). This is because I believe it displays my camera skills, framing and visual composition quite well. I believe that the rustic and industrial surroundings of the focus (dog) of the image compliment the focus successfully as well. although I like this image a lot I believe it could work better as a set of similar street photography photographs, therefore I may decide to get some of the following images printed also…

Creative Portraiture Case Study – John French

Visual Influence – Projector Portraits

Below are some images that I found interesting and wish to work in the style of.

Projection photography has become increasingly more popular over the years as photographers and artists have discovered this fantastically adaptable resource to produce art and photography.

Most famously, photographer John French used projection art photography in the 1960s – he photographed models with floral patterns projected onto their bodies instead of clothes.

John French

Born in Edmonton (London) John French originally trained and worked as a commercial artist, becoming a photographic director in an advertising studio just before World War II.

He worked for many editorial magazines and newspapers(like the Daily Express). He worked on a new form of fashion photography (which included bouncing light from reflector boards to create aesthetically pleasing, low-contract images that would reproduce well on newsprint).French is known for his clear, stylish, uncluttered black and white photographs taken against clean backgrounds.  He preferred to work closely with his models, devoting much attention to their posing and his sets.

Source

Contact Sheets

Editing

Evaluation

 This was my first and, by far, favourite image. I like the immense focus and the chilling stare of the subject. Adobe Photoshop helped me position the model in the center of the image with a large amount of black filling the frame. I aimed for this effect with all of my images, I wanted the dark to almost swallow my models – I think that this gave my images a more sinister feel and created a more mysterious atmosphere that surrounded my images. Due to this, the photographs also have a more minimalistic feel about them, thanks to the projection aspect the photographs are much more complex and interesting to look at. If I were to do this whole photo shoot again I think I’d try to take some photos with multiple models- with each of them having different projections and experiment with the different effects. I would also try to mix some images together via overlay and such.

This is my second final image for this subunit, unlike in the other two photographs, this image fully obscures the model’s face and features, This is because she’s looking away from the light source and into the shadow. It follows the general theme and what I was going for, the projection of the stars is very sharp and crisp in this image which makes it more pleasing to look at. This is the last image, for this image I chose to use an image of a tree with stars behind it. This way I was able to achieve different colours and play around with the placement of the trees in regards to the subject’s posture and such.

 

Final Images From Portrait Photography

 I have selected these images as I personally believe that they all effectively portray a sense of loss of identity in the most beneficial way by the emotional response it has on the viewer. I think that these images are truly effective as they are engaging due to the high contrasts and tonal range they have. The black and white effect helps to convey the emotions associated with a lack of identity such as anxiety and self confident.

Final Presentation Experimentation

Final Idea