Creative Portraits Shoot and Editing

For hidden Identity I wanted to use the images I had taken and cover my models face to hide her identity , this was because each person has a unique face which helps us identify them and tell them apart from other people.  On the news when they don’t have permission or need to hide a persons face they pixelate it, I took this idea for my own photos and using Photoshop I selected certain areas of her face such as her eyes which are often known and the window to the soul. I then experimented with the colours and saturation of the pixels so it stood out more however i think this takes away from the neutral colours in the original image.

I chose this image for my A5 print because I like how simple it is,  it has a very neutral colour scheme. compared to the rest of the edits I did in this style I think this looks the best because it doesn’t look her edited. I also like it because it clearly shows the idea of hidden identity . It links to my artist reference because of how I have covered parts of the image in which my model has insecurities.

 For my A4 edit I used the distort and wave setting, I wanted to imitate the look of the water in Laurence Demaison’s work.

For my A3 final print I chose this set of images showing rascal identity. I used the colours from each models skin and made a square in the same colour. I did this to show how 

Heitor Magno & Mark Borthwick | Constructed Portraits

Heitor Magno

Heitor Magno is a Brazilian visual artist who explores identity through self-portraiture.

He uses double exposure techniques, often placing clones of himself alongside eachother, to create glitch images – layering and obscuring expressions and complex emotions. Interfered Pictures, invisible expressions and pixelated factions are reflections questioning about his identity.

Heitor questions our willingness to expose intimate moments in our lives which can usually be given away by the expression on our faces.

 Mark Borthwick

Mark Borthwick is a British photographer now living in Brooklyn, New York. His photos are often minimal, yet highly saturated in colour. He has contributed to many publications, including Vogue, George, Purple, and Index.

Mark Borthwick uses film in his photography even now due to his interest in the luminosity and transparency that it gives. He likes to have less control of his photography and let it happen spontaneously, as he feels its so controlled like a mechanism. However, he also does find it a surprise everytime as it depends on temperature of the light and the brightness of the light.

He realised that what he loves about photography is capturing people who he has a connection with, as it gives a sense of time and history from capturing them in different moments of time.

In the Images are Stella Tennant who he has been taking photos of for over 10 years. He became friends with her after their children had formed a friendship.

Combining the two photographers ideas, I felt inspired to take photos of people who I had a connection with, my friends. As I know their emotions, I would glitch and distort them to prevent the viewer from seeing this and therefore hiding their identity.