Tableau, and Identity

Tableau Photography

Tableau is French for ‘living picture’ and is a style of artistic presentation. It most often describes a group of suitably costumed actors, carefully posed and often theatrically lit. By extension, it also applied to works of visual art including painting, photography and sculpture. The characters are arranged for picturesque or dramatic effect and appear absorbed and completely unaware of the existence of the viewer.

Sarah Jones, ‘The Dining Room (Francis Place) I’ 1997

The term was first used in the eighteenth century by French philosopher Denis Diderot to describe paintings with this type of composition. Tableau paintings were natural and true to life, and had the effect of walling off the observer from the drama taking place, transfixing the viewer like never before.

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Sir John Everett Millais, Bt, ‘Christ in the House of His Parents (‘The Carpenter’s Shop’)’ 1849–50

In the 1970s, a group of young artists began to make large format photographs that, like paintings, were designed to hang on a wall. As a result these photographers were compelled to engage with the very same issues revealing the continued relevance of the tableau in contemporary art.

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Identity

Identity is the way we perceive and express ourselves. Factors and conditions that an individual is born with—such as ethnic heritage, sex, or one’s body—often play a role in defining one’s identity. However, many aspects of a person’s identity change throughout his or her life. People’s experiences can alter how they see themselves or are perceived by others. Many artists use their work to express, explore, and question ideas about identity.

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