Henri Cartier – Bresson and The Decisive Moment

Henri Cartier is a street photographer,And was also a French humanist photograph and was soon considered a master of candid photography He started off within using 35mm  film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. His work has influenced many photographer

He was born in France the youngest of 5,and was the son of a well known textiles manufacturer.His parents supported him financially so Henri could pursue photography more freely than his contemporaries. Henri also sketched. he also highly enjoyed painting as this inspired him for many of his works throughout  While also being highly involved in photojournalism and painting he was inspired as surrealist photographers such as Lhote’s “rule-laden” approach to art.While traveling around the world more he become inspired by different forms of art and artists and also even the people and environment that he was surrounded within. He was also captured by German soldiers which also inspired lots of his work within the suffering and journalism of war in which he was enraptured.

The Decisive Moment

This is a book in which the photographer wrote,whose English-language edition was titled The Decisive Moment. It included a portfolio of 126 of his photos from the East and the West. The book’s cover was drawn by Henri Matisse  For his 4,500-word philosophical preface. Within the book he is seen saying ‘ simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.”

Analysis of this image:

I chose this image due to the the conceptual thoughts and also a clear representation of the artists own views upon war and suffering. There is a slight struggle i which to see weather the children are playing within the corruption of war and a socialist generation gap or another way to say how they are fighting and there is a clear demonstration of their won suffering.I Think the composition to the piece is highly interesting as it presents a clear direct line of view but is a symbol of war and a possible explosion that has occurred. It almost allows an insight into children’s life which is ironic how children are meant to be looked after and how the view into their environment is through a war ground.The straight line of eye is also used to exaggerate how to see this environment it is not heard and that mediation is used to cover what people not found within the western world are going through.It proposes many ideas which too would be interesting to use within my own work and how to document different unexpected areas in which i live that people pretend to be ignorant towards.

His contribution to MAGNUM magazine,Magnum is a website which allows many photographers to upload their images and show a sense of who they are,but mostly surrounding that of photojournalism.Many photos in which was inspired by people in his habitat and where he lived at the time.He also occasionally uploads images of his artwork onto this website which are effective and look very much as an inspiration to his photo inspired work.

To me his work is highly effective in ways of conveying a story within a relevance of the modern and earlier times within history. He inspires others and achieves many successful images which emote a sense of change or purely just expose everyone different environmental lives.

 

Street photography

What is street photography?
Street photography is a type of photography that features subjects in candid situations within public places. Street photographs are mirror images of society, displaying unmanipulated scenes, with usually unaware subjects.

A candid photograph is a photograph captured without creating a posed appearance. This is achieved in many ways, for example when the subject is in motion, by avoiding prior preparation of the subject, by surprising the subject, by not distracting the subject during the process of taking photos.

Street photography

What is street photography?

Street photography is documentary photography recording everyday life and society. It doesn’t always have to be in the street it can be in any public place. Street photography is also known as candid photography as its usually taken without the subjects permission. People usually feature directly in street photography but street photography doesn’t always have to include people and can be of an object or something in the environment.

Image result for street photography

Image result for street photography

Image result for street photography

Photojournalism

Photojournalism is a particular form of journalism which is surrounding the collection,editing and also and presentation of a public broadcast,This is done to  employ images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism.The objective of the photos is to be timeless,create a narrative and lastly create an objectivity and a conceptual though of why this image is of an importance. they need to be able to help communities and have an ability to connect with other people and be a sense of informative knowledgeable events.

photojournalism is very close to environmental portraiture and also candid photography.This is an ability to access information about important stories and a documentation of events surrounding your environment. This photography makes rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms.

photojournalism started off by being inspired by war photography in order to create an accurate illusion of war and so represent to to others the suffering and potential to prevent these wars from occurring.Due to this there was a large expansion of photography which soon inspired the Golden age: This is often considered to be roughly the 1930s through the 1950s. It was made possible by the development of the compact commercial  camera in 1925 and so journalist true flexibility in taking pictures.

To me photojournalism is all about telling a story that emphasis a sense of importance and impact into the world,It needs to bring a message of importance and have a relevance to the audience and the time to which it was taken.

 

Environmental Portraiture Homework

 Anthony Kurtz

https://anthonykurtz.com/ABOUT/Biography/1

Anthony Kurtz was born in America and is now based in Berlin and San Francisco. He specializes in environmental portraiture and his work has been used as  commercial, editorial and art-documentary. His photos tend to be in the moment an unexpected however we can still see the strong ideas of formal portraits, the subjects in them tend to be in their natural location for example work place. He often works a lot with lights, mixing natural and studio to create mood and curiosity in the photographs.

Michelle Sank

Teenagers Belfast:  http://www.michellesank.com/portfolios/teenagers-belfast

Young Carers: http://www.michellesank.com/portfolios/young-carers

Into the Arms of Babes: http://www.michellesank.com/portfolios/into-the-arms-of-babes


 

Photojournalism

What Is Photojournalism?

Photojournalism is a form of journalism that uses images rather than words in order to tell a story or report some significant news. It is now usually used to refer to still images but in some cases it also refers to the use of videos in broadcast journalism. Photojournalism is distinguished from other close genres of photography such as street photography by using a strict ethical framework which demands that the work is honest and impartial whilst telling the story in strict journalistic terms. Photojournalists must be well informed and knowledgeable about events happening in the world. They deliver news in a creative and entertaining format.

Photojournalists have been around as long as cameras and show the world what they want to and what they should be seeing. An example of this is this photograph by Don McCullin. It shows a shell-shocked soldier in Vietnam in 1968. Due to propaganda everyone back in the US thought that everything was fine for the soldiers and they were enjoying fighting for their country but this picture exploited the fact that soldiers were severely damaged by the things they saw. This is just one case of many in which photojournalists have captured a photograph which cannot be explained with words that’ll give the photo justice.

Cartier-Bresson – Case Study   

Magnum Photos

After the second world war, the world’s most prestigious photographic agency was formed by four photographers : Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. They had been scarred by the conflict and were motivated both by a sense of relief that the world had somehow survived and the curiosity to see what was still there.

It was important for Magnum’s photographers to have this flexibility to choose many of their own stories. None of them wanted to suffer the dictates of a single publication and its editorial staff.

source – here

Henri Cartier-Bresson

Henri Cartier-Bresson was born on August 22, 1908 in Chanteloup, France. He was a pioneer in photojournalism; he wandered around the world with his camera, becoming totally immersed in his current environment.

To enhance his capacity to take the kind of candid shots he preferred, Cartier-Bresson often wrapped his Leica camera in black tape to make it less obtrusive.

Cartier-Bresson co-founded The Magnum Photo agency (a cooperation owned by its members) that connected the photographers with clients around the world. The agency’s mission was to widely disseminate photographs that were in one way or another exemplary of the modern era and also inherently humanitarian. Examples of his images below.

Source – here

Image Analysis

Technical

The image was taken in natural daylight – this is implied by the fact the photo was shot outside. The photo is black and white so it’s impossible to determine the original white balance, however, what can be determined is the level of contrast; the photo was taken in 1933 (before the invention of Photoshop and such tools) so it’s unlikely that the photographer tampered with the contrast in the post photo shoot stage. When applying Ansel Adam’s zone system to determine the tonal range, this image lacks the darkest black but successfully portrays the rest of the tonal range. The photo has a high exposure due to the large presence of white and since most of the image is in focus, it can be presumed that the photo was taken at a low shutter speed.

Visual

Although the image is black and white it still offers much visual stimulation for the viewers. The hole in the wall acts like a frame and it’s almost as if the children are climbing out of it – this gives the image a 3D element. Many of the subjects are looking directly at the camera, hence looking directly at the audience, their gazes give the viewers an uncomfortable and guilty feeling. The set up is rather ominous to begin with, due to the cropping it’s hard to tell where and what exactly the children are playing in. It could be the remains of a building or factory but it could equally be a street with multiple houses. The image is very bright, and the photographer,  Henri Cartier-Bresson, positioned himself directly in the center – this allows our eyes to follow the path and peak into the everyday lives of these people.

Contextual

Cartier-Bresson captured this image during his three-month journey around Spain in 1933 during that time the first anarchist protest came on 8 December and was easily crushed by force in most of Spain. The Spanish Republican Army employed tanks and stopped multiple uprisings.

Conceptual

*Read Additional Information first* The kids playing amongst the rubble are totally unaware of the war happening around them this shows that they aren’t moved by their situation and can still find ways to enjoy themselves. The image successfully portrays that ignorance is bliss (not knowing something or not acknowledging it is more comfortable than facing it). The fact that they change and hide their play when an adult/outsider arrives showcases not only how adults have tampered (and ultimately destroyed) their world but also how much they fear that it will happen again.

Additional Information

While researching for the contextual part of the analysis, I came across another image from the shoot, taken directly before the image I analyzed (according to  Henri Cartier-Bresson’s published contact sheet from this shoot).

The children in this photo look a lot happier, their faces show pure ecstasy as they enjoy their youthful days. Their expressions change when they notice the presence of  Henri Cartier-Bresson, in the next image they all look bleak, as if caught, this would explain their cold expressions in the next image.

Comparing Henri Cartier-Bresson and Robert Capa

Image result for robert capaImage result for henri cartier bresson

There are multiple similarities but also multiple differences between Robert Capa (top) and Henri Cartier-Bresson’s (bottom) work. One difference is the amount of contrast that is used in the photos – Capa uses lots of high contrast in his photographs whereas Cartier-Bresson keeps his images almost greyscale. Capa uses the high contrast image to capture the smaller details and emphasise them.

A similarity between the two photographers is that they are both photojournalists – they both photograph the subjects that are unseen by the majority of the population and they shine light on these topics that the world needs to know about.

A difference in the above similarity is that Capa is considered a photojournalist whilst Cartier-Bresson is considered more of a street photographer due to his style of work.

A similarity between the two is that they both worked in black and white. This allowed them to produce photographs in which people focused on the subjects, their emotions and the environment rather than the colour of it. This made their images more dramatic and iconic.

Another similarity between the two is their involvement in Magnum photos. They were both part of the founders of the international photographic cooperative that consisted of the worlds most elite photographers of different genres.

street photography

Street photography - street photography are photos that usually contain random incidents in public spaces with the focus normally on people and their behavior - sometimes people may not be present, yet photos can be taken of environments where human activity is evident and can be recorded. 
The photographs don't have to be on the street or in an urban environment, they can be anywhere for example Martin Parr has taken shots on the beach that still come under this category because of the nature of the photos. https://www.martinparr.com/recent-work/
Street photography is almost always candid yet candid photography isn't always street photography.
A candid photograph is when the subject does not pose for the camera.

Street Photography

Street Photography

Street photography is about documenting everyday life and society. Street photography doesn’t necessarily need to be shot in the street; you can shoot at the airport, at the mall, at the beach, at the park, in the bus or subway, in the doctor’s office, in the grocery store, or in any other public places.

Street photography is candid photography of life and human nature. It is a way for us to show our surroundings, and how we as photographers relate to them. We are filtering what we see, to find the moments that intrigue us, and to then share them with others. It’s like daydreaming with a camera.

source – here

http://erickimphotography.com/blog/2013/08/07/what-is-street-photography-2/