This was my image originally,I chose this image because it has a lines of symmetry throughout the middle and due to the colour being vibrant. I also thought that all the lines of detail would compliment the composition of the piece when experimenting with the layout .
For my first edited I simply repeated these images in lines exactly the same as before,with the the lines throughout it is more obvious and appealing to see and it also portrays the highlights throughout very well.
next I flipped these images to all be different,this creates a more abstract feel and a less fuller sense as to what the leaf really is and also shows the tones in different interesting experimental methods.
I then proceeded to put my images into a squared again continued these are different angles within th images and again have flipped images within the squares.
The next image is interesting because I wanted to shows a somewhat continuation of the lines through the second image which is also at a different angle so creates a center point and allows the image to become more dynamic and interesting. 
For This image I was again inspired by my previous experiment of the layout of the piece itself is making it so every center point is facing out of the middle. I still have point from the two opposite leaves.
within this last image I want to form a mirror limes and. a sense os symmetry to the pieces also added a boarder so aswell as forming the piece it also breaks the form into specific piece of the text.This piece is also divided into darks and lights within the division.
For these next images I wanted to focus more on the actual development of colour, this was in order to again experiment with form and how I can develop the different angles of the paper too.
These images are both slightly different angles of the colour itself. but I want to further this image to more of circular and line patterns .
Here I wanted to show a repeated pattern of the lines within the image but still showing the fragments of colour at the same time. I also exaggerated the colour in order to further exaggerate the vibrancy if the piece.
Within the two outside images are facing out in order to show a clear cohesion within the piece and symmetry too.But the middle image is the direct line as it is different to all the other images.
Here I also furthered the image into a squares and again flipped the image itself around too.
And lastly within this range you can see my lines of symmetry but a continuation of the line too.
To really create the effect I desired, I drove round jersey to and from destinations, taking pictures of lights that interested me as a photographer, as I thought they would capture the eye of the viewer. Some of the techniques I would incorporate into the images were motion blur and low shutter speed zooming, I specifically made sure not to use a tripod, as I wanted to create a disrupted effect to most of the pictures taken. I decided to make a mind map of the objects and ideas behind them, that I could take in the shoot to help me along. From there I would be able to section off individual images from each segment, and choose the best image from each. This is what it looked like:
From here I went ahead with the photo shoot, and these were my results from this experiment below:
From this selection of my top ten images, I decided to single them down even more to a top five, to really distinguish the good pictures from the rest. These are my top five:
I chose this image as I loved the triangular effect created by the outskirts of the blue lights at night when driving by, with a long shutter speed (1.8 seconds). I also thought that the contrast between the blue, really stood out from the rest of the image, making it very visually pleasing to the viewer, as seen by all the underlying shades of blue present within. What I really liked, was the fact that the image was an unbroken pattern, creating symmetry throughout the piece allowing for a greater effect.
This style of photography inspired me to create my own small contact sheet, in which I would incorporate this threshold idea into some of my picture taken previously, using the software Photoshop. This would really make certain aspects of the image that I desired to stand out from the rest, by reverting the image to a black and white only state. However with certain images, I decided to invert the colors as I believed it made the image more aesthetically pleasing to the eye, and in some circumstances made the object I wanted to pop out.
This is the outcome of my experiment:
The method in which I created these images on Photoshop are below:
1. Locate the Image tab above, and click the adjustments section, which will reveal the Threshold section.
2. For some pictures I then had the idea to invert my image colors, allowing for a completely different picture to be formed.
I chose to edit this photo of the sea wall because the horizontal lines reflected the style of Frank’s ship hull series. I changed the colour of the cement wall so it looked more vibrant, this helped the weathered detail in the picture stand out.
On the same shoot I also took some photos in the style of Aaron Siskind, originally I didn’t like this photo due to the lack of colour and depth, however after changing it to black and white and adjusting the contrast and brightness the photo shows the style of the photographer.
I also edited this photo of the textures in a piece of wood on the beach, the light and dark tones in this photograph reflect those in Aaron’s work. I used a long lens and a low aperture to take this photo which helped to blur the background, making the patterns of the wood look sharp and detailed.
