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Variation And Similarity – Exploring Ideas

Before commencing with various shoots and photographic inspirations I decided that I would be suitable to research various ideas that I could use as my theme for the topics of variation and similarity. Here I will be exploring five different stances I can taken regarding the given subject, and how I could go about taking images of the intended areas and their uses, these are my choices:

Empty Spaces/Full Spaces: 

Here I could photograph empty/full car parks, using the lighting present there to create aesthetic and contrasted results. This can be done to more effect in enclosed parking areas such as the ones present in town, where a more cramped and urban feel is created. I could also make use of the empty car parks at night in the open, using the odd lamppost’s lighting as a means of casting an eerie feeling upon the surrounding area. A photographer who I could explore this with is Denis Felix, someone who explore the abandoned landscapes of areas in homes and buildings. Also done by photographer Johnny Joo, he capture the areas of society that have moved on, leaving natural to reclaim the land previously used. I could use monochrome photography for this as it could allow for a more unnatural feel to come across when viewing the photos.

Textures/Patterns:

For this idea I could explore the variation of patterns and textures within a variety of different objects present in different landscapes. By presenting everything as more abstract and aesthetic it could not just visually please the viewer but also provide an insight into the hidden world that can be portrayed by these surfaces, where you perspective can be warped depending on how you see the object. Photographers that I could use for this idea are Paul Sanders, someone who looks at the structure of objects and photographs them in an aesthetic and original way, and Edward Weston, a photographer who uses macro photography to capture textures and patterns of architectural and natural subjects, in both the environmental and man-made world.

Animals: 

Regarding the idea of animals I thought the variation of species would be a great topic due to Jersey having one of the worlds most famous endangered species zoos in the world, Durrell. By photographing a large variety of different species side by side it would provide a huge insight into how evolution has occurred and the different features and characteristics of each one. Some photographers that I could study for inspiration for this idea are the photographers Martin Bailey and Tim Flach. What I liked was their style of separating the subject from the backdrop using Photoshop or a black cover which really brings out the aspects of the animal they intend to capture.

Natural Formation Of Objects:

Here I wanted to explore how the formation of natural objects found in our everyday environment. By using macro photography it could highlight the hidden patterns in things that we view all the time, by photographing a variety of different plants etc like a topography it would give symmetry and aestheticism to the viewer who could see each image in a larger picture when compared to the other images taken the same way. The photographer Karl Blosfeldt I felt was a particular inspiration for me as he used topographics to capture the tips of plants using macro photography, which he would then display side by side so that they increased the overall interpretation of how the style of photography is viewed.

Abstract Landscapes:

Finally for this topic I wanted to look at how the various landscapes in Jersey could be viewed using abstract and unique perspectives regarding the formation of the area. Here I would have to look at the vivid colours and contrast them against more stark and ugly aspects of the area like concrete and walls, using telephone boxes, lines and brightly painted areas to do so. Some photographers that I would like to study for this are Sigfried Hansen and Ricardo Cases, who both use vivid colours to portray the landscape in a vibrant and interesting way that draws the viewer in through aestheticism and symmetry.

Overall when looking over the chosen ideas I found that the abstract stance of separating the subject from its environment really appealed to me the most as it presented me with alternative methods of showing my work, leaving the viewer to purely focus on that one subject. These are most evident in the topics of animals, natural formations and texture/pattern, giving me the opportunity to explore this style the most.

Variation And Similarity

Regarding the topic titles given to us for our exam , variation and similarity, the use of these binary opposites imply something like a topography, where the different types of a specific object are photographed. To broaden my understanding of the words variation and similarity I will be exploring the meaning behind each of the words.

Variation (noun):

  • A change or slight difference in condition, amount, or level, typically within certain limits. ‘regional variations in house prices’.
  • A different or distinct form or version of something. “hurling is an Irish variation of hockey”.

Here are some examples of types of variation I could explore in future photography shoots: Some of the ideas above consist of variation such as buildings, animals, shops, lights, people, city landscapes, coast landscapes, natural environments and roads. All of these topics for me would be accessible to photograph in Jersey due to its wide range of varying landscapes. Personally the appeal of variation in animals for me would be the most effective, especially since Jersey has a world-renowned zoo that looks after endangered animals.

Similarity (noun):

  • The state or fact of being similar. “The similarity of symptoms makes them hard to diagnose”
  • A similar feature or aspect. “The similarities between people of different nationalities”

Like variations I will be exploring a few examples of types of similarities in photography to help broaden my perspectives regarding the topic. Here is a few images I have chosen to look at:Looking over the examples present the topics I found most interesting were comparisons between natural objects and the form of human bodies, natural objects and their influence of the man-made world and similarities between random objects and surrounding environments.

Overall I found the most appeal to come from variation of nature such as animals, and the similarities between random objects and the world around them. This is probably because of the huge variety of landscapes in Jersey which I could relate many objects and their uses too, linking it in with the different patterns that are present within these specific areas.

Everyday – Research / Experimentation

  • Record an activity or routine that you do/ repeat on a daily basis, e.g. brushing teeth, putting on clothes, applying make-up, comb your hair, eating, feeding your dog, walk to school/work, sleeping, screen time on social media, talking, selfies etc.
My video

I recorded a video of me cycling as I usually cycle after school.

Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.


John Baldessari – I Will Not Make Any More Boring Art Video


John Baldessari – I Will Not Make Any More Boring Art Print

The print is based on an installation created at Nova Scotia College of Art and Design, but not by John Baldessari’s hand. “As there wasn’t enough money for me to travel to Nova Scotia, I proposed that the students voluntarily write ‘I Will Not Make Any More Boring Art’ on the walls of the gallery, like punishment. To my surprise they covered the walls.” Those same students made this print, but Baldessari wasn’t at the workshop when the print was made. In both cases, Baldessari gave scant instructions to the students from thousands of miles away, and he was not present to supervise, raising questions of authorship and the role of the artist.


Yoko Ono – Cut Piece

The artist sat alone on a stage, dressed in her best suit, with a pair of scissors in front of her. The audience had been instructed that they could take turns approaching her and use the scissors to cut off a small piece of her clothing, which was theirs to keep. Some people approached hesitantly, cutting a small square of fabric from her sleeve or the hem of her skirt. Others came boldly, snipping away the front of her blouse or the straps of her bra. Ono remained motionless and expressionless throughout, until, at her discretion, the performance ended. In reflecting upon the experience recently, the artist said: “When I do the Cut Piece, I get into a trance, and so I don’t feel too frightened.…We usually give something with a purpose…but I wanted to see what they would take….There was a long silence between one person coming up and the next person coming up. And I said it’s fantastic, beautiful music, you know? Ba-ba-ba-ba, cut! Ba-ba-ba-ba, cut! Beautiful poetry, actually.

Variations and Similarities – Theme Exploration


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ESA // Eadward Muybridge

Eadweard Muybridge, originally Edward James Muggeridge, adopted his new name believign it to be the original Anglo-Saxon form of his name. He was born 9 April, 1830 and died 8 May, 1904. He was an English photographer, who was considered important for his pioneering work in photogrpahic studies of motion and in motion-picture projection. He immigrated to the United States at the age of 20. He remained undiscovered until 1868, when his large photogrpahs of Yosemite Valley, California, made him world famous.

Muybridge’s reputation as a photographer grew in the late 1800s, this led to the former California Governor Leland Stanford to contact him to help settle a bet. Speculation had continued for years over whether all four hooves of a running horse left the ground at the same time. Stanford believed they did, but the motuon was too quick for the naked eye to detect. In 1872, Muybridge began photogrpahing a galloping horse in a sequence of shots. His intial findings appeared to indicate that Stanford was right, but due to imperfection in Muybridge’s methods, it could not be confirmed with certainty. With the further funding he received from Stanford, Muybridge eventually created a more complex method of photographing horse in motion and by 1879, he had proven that they do at times have all four hooved off the ground during their running stride.

Eadweard Muybridge
Galloping horse

Muybridge was invited to continue his research at the University of Pennsylvania in 1993. For the following few years he produced thousands of photogrpahs of humans and animals in motion. He presented his photogrpahic methods using a projection device he had devloped called the Zoopraxiscope.

Eadweard Muybridge
Sow
photograph

ESA // Play and a brief case study of John Baldessari

Dodging the camera

My response to the task of ‘dodging the camera’ was to create a gif by taking photos in one area trying to follow one of my friends around as they attempted the dodge the camera or run away from it. I felt that these images worked best when they are presented in a looping gif, rather than seperate image as it shows the movement within the images.

Creating a line with balls

John Baldessari: Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)

Baldessari is a conceptual artist working in photography, film, video, artists’ books, billboards, and public works. He started as a painter in his early career, Baldessari cremated all of the work he produced between 1953 and 1966 in a ceremony in 1970 to mark his transition from abstract painting to text-based art.

His artists’ book, Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts) (1973). It represents Baldessari’s interest in language and games as structurews following both mandatory and arbitory rules.

My Response to John Baldessari was to go outside a throw up three tennis balls and try and create a straight line. Some of my attempts worked out however, some attempts ended up having the balls in a triangle or only capturing two out of three tennis balls.

Throwing a dodgeball in the air

My Response was to throw a dodgeball in the air and then try to capture it in a photo, some of these attempts worked well however, like the last image sometimes the ball wouldn’t always be clearly in shot.

Coin Toss

“I just got so tired of looking at these faces” – John Baldessari

John Baldessari also made a series of images where he blanked out peoples faces.

In response to this idea we flipped a coin over a copy of an archival photograph and wherever it landed we cut out around it so that at the end of the excerise we had an image with lots of circles cut out of it and a blank piece of paper with the cut outs placed out on it.

Mind Map – Research

After reading the initial brief of the project these are the artists/ art movements/ ideas that have come to mind.

  • Pop Art
  • Typologies
  • Natural vs Industrial
  • Brands
  • Advertising
  • Social media

  • Fake News

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  • Gender

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  • Culture

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  • Bernd and Hilla Becher
  • August Sander
  • Karl Blossfleft
  • Albert – Renger – Patzech
  • Michael wolf
  • Daniel shea
  • Tom hunter

Visual inspirations – Research

Photos

Karl Blossfeldt 

Image result for typologies photography

Karl Blossfeldt Created a series of images which were close ups of plants against a plan background. The images were created to use as resources for his students to help them understand how to shade and the important of shading when drawing. The book was revived  very well and is considered one of the most successful photo books of the 20th century.Image result for karl blossfeldt drawings

A drawings of one of Blossfeldt’s images.

Image result for buildings inspired by natural forms

Many modern designs and buildings have been inspired by Blossfeldt’s work. The fits in the theme in the sense that many of the images may appear very similar but you have to look very closely to see the difference in the images.

Typologies  (Bernd and Hilla Becher)

Image result for typologiesThe German artists Bernd and Hilla Becher, who began working together in 1959 and married in 1961, are best known for their “typologies” which are grids of black-and-white photos of variant examples of a single type of industrial structure. The couple traveled around Germany taking images of the industrial building from the same distance and angle so when the images where arranged they all looked very similar.  At first glance someone may mistake the images for being the same image when in-matter-of-fact they are all different images.Image result for typologies

The work of the Becher’s inspired a whole movement of typologies from other photographers.

ESA // Moodboard, Mindmap and Initial Ideas

Mind Map of Possible Ideas
A Mood Board of images that have inspired my initial Ideas

For my exam, I am wanting to focus on nature and the way it changes. There are multiple areas that I can look into such as flowers and animals, however, becasue I live on an island the sea is a very significant part of the landscape and the tides are constantly changing. In both predictable and unpredictable ways. I feel like this would be an interesting topic to explore because of the variations as well as the similarites in each tidal movement.

How I am going to go about photographing the tidal movements:

I am going to take a series of images from various areas of the island. Each area will contain photos taken every 5/10 minutes, until a visible change occurs. With these series of images I am hoping to display them in two ways. Firstly I am going to create a moving image using photoshop, to show the tidal movements. I am also going to display the images in a grid, so that each photo is one frame of the moving image.


Artists I am going to look at and the images that have inspired me:

  • Michael Marten
  • Lorna Simpson
  • Eadweard Muybridge
  • Hiroshi Sugimoto
  • Roni Horn
  • Jem Southam
  • Bernd and Hilla Becher
  • John Baldessari