Once I had looked at the compositions of the fonts and colour of the covers I came to a conclusion of the designs I wanted and proceeded to use them on all three books. Like the compositions I made sure to leave the overall theme of design the same throughout each of the covers as I wanted to enforce the idea of them containing a different style of photography with the same overall theme. Here are the results of the designs and my thought process behind them:
For the fonts on the covers I decided with Abril FatFace, this is because it created a formal font which contrasted well against the grey backdrop and produced an outcome that I had seen present in most of the minimalist abstract covers. Colour wise I went with a lighter grey to the grey used on the cover due to me wanted to blend them together to some degree and prevent the text from becoming too overpowering. This led to my choice of using font size 80 due to how it didn’t take up a huge amount of space in comparison to the rest of the page, but how it also made use of the negative space surrounding it which it used to its effect.
For the font for the authors name I once again went with the same font as the title being Abril FatFace. This is because I wanted consistency throughout the cover and matching all text to the same font was crucial to this. Regarding the font size I went with a size 18, this is because unlike the title I wanted to leave the authors name more or less unnoticed due to how it didn’t provide any relevant information on the subject within each book.
Finally for the backdrop I had created I’d used an enlarged grey square which stretched across the cover. To accompany this I experimented with a variety of colours such as blues and browns present in the books to discover what would work well against the title and fonts used. My outcome was a dark grey that was borderline black, I selected this because of how I found it to be relatively neutral in disclosing what would be inside the book with only the title giving it away, which as a result allowed for the books to work together as a trilogy, stopping designs clashing which could occur when putting them into sleeves.
After I had finished designing my first drafts for each of the three books I then decided that I would go onto implement potential text fonts to the book covers I was in the process of creating. The only text that I would be adding was regarding the actual title of the books and the my name on the bottom of the front cover. For me the text is extremely important as it is the first thing the viewer sees when looking at a book and the font used, linking the contents and the overall themes of the books together so the could be relevant to each other, whilst also presents an overall theme of design to the audience. To experiment with fonts first I would need create a mood board regarding the fonts that I thought would be most effective for the cover of the book. I found a variety of photography quotes and proceeded to find fonts that I thought suited a contrasting background well. Here are my results:
By experiment with these fonts I hoped to find one that would draw viewers in whilst not being overpowering and reducing the effectiveness of the overall book. This would be vital as the books have hardly any text meaning that the text which is there would need to be designed to its best of ability. Before I went on to do this I decided that I would go and explore a few ways in which I could implement the text onto the surfaces of each book and their positions, here are a few ideas of various examples I would draw certain aspects of inspiration from in my final design of the covers:
Once I was satisfied with the design in my head I decided to go ahead with what I thought would be the most effective use of text positioning for the titles and author names on each cover. Overall I had three designs in mind which I thought their simplicity allowed for maximum effectiveness. These are my designs:
After I had finished designing my covers for the three different layouts I decided upon the far left cover. This was because I wanted the title to be the first thing that the audience would read (left to right) and the implementation of the full stop filled in that extra bit of white space whilst stopping the title ending there. Here I wanted the authors names to contrast the position of the title and so deemed the placement of it in the bottom right of the cover would provide effective due to it being the second thing that the viewer would read.
Once I had started the developement of my book I decided that I should analyse an image from each theme of the book, this is because of how each image represents the catagories that I am exploring and the processes I have gone through to produce the desired outcomes. By doing this it would allow me to have a better understanding of how I should compose my books, as if I go about changing the layout in the futureit could give me ideas of how the different areas within each book could look through this change. Here are my chosen images:
Abstraction through Texture: For this theme within my book I had wanted to particularly look at the surface texture of things such as trees, water and plants. When photographing the subjects I always took into consideration the structure of what I was looking at, examples of the consist of the image above where I would make sure the grain or any abnormalities within the subject was photographed in a way that reflected symmetry generally facing the opposite direction of the overall movement of the rest of the photo. To accompany this I have been looking at the topic of colour as well in textures and how the area that is photographed can often reflect what type of environment it was taken in and the textures you would see whilst walking through that specific area. When putting together my book I will be making sure that the images have a smooth transitioning between the colours so that it prevents the book from being jumpy and having an uncoordinated structure.
Abstraction through Colour: This was one of my favourite themes to photograph because of the use of in camera settings to create the desired results wanted from the topic. Composition is a huge element of this section due to how the simplicity of much of the imagery produced requires a unique perspective in order to portray them in a way that interests the viewer and draws them in. To do much of this I have been basing my compositions in the book around the idea of transitioning between the intensity of the certain colour present in each photo, in the case of the one above it being blue. By doing this in the book it prevents the order seeming like a splatter of colours jumping from yellow to blue immediately, instead allowing it to start merging into the next like a slideshow. Much like texture I wanted the viewer to experience a unique perspective of how the environment could be viewed, however instead of isolating the subject like the other two themes I have chosen to look at the entire landscape so that the viewer gets an overall impression of what has been created.
Abstraction through Pattern: Regarding the theme of pattern this was probably the most intensive theme due to the amount of experimentation that was required to create the results I wanted. Within the book I have grouped together the images that I thought used similar techniques to produce them such as aperture and monochrome like the one above. Through the use of this it allowed a greater emphasis of whites in particular, presenting the outcomes as more pure than the reality it’s in whilst highlighting the patterns inside each. Much like the theme of texture I really wanted to explore the form of the subjects photographing, and made sure to photograph the patterns in a way in which captured movement and the beauty that could be seen. The reason I chose to photograph this subject using a monochrome filter was that it was hard to capture pattern to its full effectiveness without removing all aspects of colour, reducing it to shades and preventing the viewers from becoming distracted by other contrasting aspects.
When editing my book I decided that I would use the software called Blurb to create my three books for final exam. I chose this because of how it presented me with a bigger variety of different templates that I could more easily access to that on Lightroom, allowing me to experiment more with my layouts. Whilst designing my books I decided that I would make myself refer back to my photographic books which I had drawn inspiration from by the photographer Robert Frank. By looks at his three books together it gave me ideas for the development of my own, this included the use of negative space being used effectively in order to enhance each image the way I wanted. Overall when looking over the three books ‘Tal Uf Tal Ab’, ‘You Would’ and ‘Park Sleep’ I found that I had gone down a slightly different path as in Frank’s books he had a closely similar theme throughout the three books compared to that of mine which have a similar but different theme in each book. Using his books as references and my main influence I was able to select and layout about forty images for each book. Here are my current compositions:
Title: Hue. Here I made sure to have an overall theme of blue in which each page consisted of vivid colours where yellows, greens and blues dominated the majority of the pages. I particularly wanted to focus page compositions around the idea of trees and other things against the backdrop of a bright blue sky due to really liking the contrast that it produced. For the selection of the images I decided that I would mainly focus on shots from a distance, this is because of how I thought by portraying the overall landscape that each picture was taken in would be more effective than choosing to focus on only one singular object, isolating it.
Title: Motif. For this book I wanted to look at the idea of abstraction through pattern, here I made sure that I would isolate the subjects from their surrounding environment, by doing this it would allow the audience to really enhance and look at the detail present in our everyday lives. Throughout the book I made sure to have a clear distinguish between the darker images and the lighter ones, by doing this for me it allowed for a smoother transition from page to page as it portrayed the impression of the book getting darker and the lighter,
Title: Form. This book focuses on the idea of abstraction through texture rather than pattern or colour, for this book particularly I wanted to portray the commonly seen things during walks through woods in a new light not previously seen before. To do this I made sure that I captured the surfaces of each subject in a lighting that defined its surface more dramatically that it would usually be seen as. I tried to base the book around the themes of brown, green and blue, all colours repeatedly seen in woods, using in camera settings to portray them in a more surreal and abstract light.
When designing my books I decided that I really wanted each book to have the same layout as the next, this was because I wanted the viewer to know that each book was linked together, regardless of the photos inside, and that a similar composition was a great way of doing this. Within the books I have made sure to include a variety of different page layouts consisting of one image a spread to three images a spread, this way it didn’t make the outcomes dull and bland, instead adding interesting changes in the design of the book to make the reader want to turn the next page. I originally had experimented with the blank spaces and had found by using certain images it allowed for me to use photos as a transition between different coloured pieces or subjects within, preventing this outcomes as seeming too much and rushed. I didn’t choose to have any text in my books due to wanting them to be as minimalist as possible which would allow the viewers to only focus on the images rather that what was around them.
Some of the issues that I am having through the process of creating the compositions are the particularly the compositions of the last spread, this is due to how I want it to be more simplistic, but rather retain the overall qualities and composition of the rest of the book. My final issue is the composition consistency throughout the books, this is due to a stronger start of portraying images, however this becomes harder to maintain as I progress through its creation, leaving me too have some pages blank in which I need to come back to and redesign.
My first images to present (below) are contrasts of each other and work very well as a set of two. I have two ideas to start with, one where each image is on white foam board and the other idea is they they are in black window mounts. You can see the two designs below and I have decided to go with the black window mount. When using the diagrams below, I liked both ideas however the black mount make the colors more prolific and allowed for a nice contrast between the white in the water and the black mount.
My next set of images to present are different, I plan to have a set of 3 images in a line sitting next to a larger image. I have two very similar ideas for this one, as you can see below. You see the set of 3 on the left on top of an extra foam board to make them stand out (3D) and the image on the right is not, however on the second idea the image on the right is also on foam board. In the end, I decided to follow the second idea and have the image on the right on foam board as well and the set on the left.
I decided I wanted to print 4 photos in A3, 4 photos in A4 and 3 photos in A5. This is shown below:
My 3 A5 images
My 4 A4 images
My 4 A3 images
I experimented with a few different ways in how I was to present my images. My first instinct was to go with these layouts below:
I liked these 2 together as even though one is in colour and the other is in black and white, they are both related to each other due to the fact they are both from my boat shoot and they have similar shaped objects and structures in those 2 images.
I liked these 2 A4 images and 1 A5 image together because the consistency of the black and white created an effective look. Additionally, I liked how they all are landscape images and how the bottom image has the strongest structure of shadows. I was thinking that I could trim all these images so there is no white borders and spray mount each image onto a piece of foam board. Then, I would’ve got a big piece of black card and stick each image on top of the foam board onto the card so they are assembled together.
I thought these 2 A3 images looked good placed next to each other as they both have strong shadows in each image. I would’ve done a window mount of these images together so that they were included in the same piece of card but in 2 separate frames.
Then, with the remaining 4 image prints, I would’ve put them all onto a piece of foam board and stuck the foam board onto a piece of black card, but maybe a different coloured card for the glow stick print on foam board.
However, I thought that some of the layouts above could’ve looked better, so below is some more experimentations of layouts:
With seeing all the different best possibilities that could work well to present my final images, I decided to use these below:
With these 2 A3 images, I am going to put them both onto a separate piece of foam board and put this on top of some black card.
With these 2 A5 images, I am going to do the same as the idea above – put them onto foam board and then onto black card.
With this 1 A3 image and 2 A4 images, I am going to do the same foam board idea and put them onto black card.
With these 2 A4 images, I am going to put them together in the same window mount, however they will be in separate frames on the same black card.
With this A3 image, I am going to make a window mount of black card.
With this A5 image, I am going to put it onto foam board but I am thinking of keeping the white border around this image so that when I put it onto card, there will be a nice thin white strip to separate the colour of the card and the black background of the photo.
For my final outcomes, I wanted to group together certain images that were following the same photographical theme. 8 of my images link together as I put all 8 of these images into black and white – i felt this was more appropriate because of the style I was photographing in. Additionally, these 8 black and white images are involving shadows, (which is a big factor as to why I put these images into black and white). Therefore, this means they follow my light and darkness theme of the exam title ‘Variation and Similarity’ through my technique of capturing interesting shadows to portray light and darkness. My other 3 images I chose for my final choices were 3 images that I kept in colour. 2 of these 3 images are still involving shadows within their images, whereas the other 1 colour image has no shadows within its image; it is an image of several coloured glow-sticks that I captured in a dark room. I wanted to include some of my other dark room pictures in my final prints but a lot of these dark room shots included a model and I felt that having people in my final prints would take away the theme I was trying to follow as there is no people in any of my final choices of images. Overall, my theme for my final prints shows that I was interested in capturing shadows to show light and darkness in different areas and scenes. I kept my final prints more towards architecture, which included images from my beach shoot, my boat shoot, my architecture shoot of buildings, 1 image from my home shoot and 1 image from my dark room shoot. However, I experimented with different styles of photography to reflect light and darkness, such as seascapes, sand images, studio flower shoots and more dark room shots using long exposure to capture a moving person. After taking all these shoots, I realised my shadow images crated a more formal photographic look and matched my light and darkness title the best; this is why the 11 images I have chosen below have been picked.
I chose this image as one of my final choices for my final prints because it is an image that clearly links to my interpretation of the exam title. I captured this photo from a face on perspective which really helped the image display its light and dark tones. I took it on a sunny day hence the shadows being reflected from the balconies of the building. I like how there is a clear structure to the image as there is a lot of repeated shapes included in this photo. The multiple straight lines and objects creates a sense of repetition which also fits in nicely with how the shadows are repeated at each balcony level. I thought this image looked best in black and white because the tonal range of the photo is varied and so, having a black and white effect made the photo more standard. Again, this links to the repetition aspect of this photo because all the tones in the image are linked together without any bright or out of place colours taking charge.
I chose this image as one of my final prints because the shadows the stair handles made is really structural and organised. I like how the shadows are straight lines but how they also go in a zig zag direction. It also links in well with the first image I chose, due to the way the photo has levels to it; the stairs in this photo have a great amount of texture in them which makes the photo have more light and dark tones to it.
I chose this image for one of my final prints because the architecture of this large boat brought a lot of details and texture to it, due to the rust and various scratches and marks on the steel parts of the boat. Again, there is a few strong parts that have caused shadows onto the boat which really help build this image to become a strong factor into my light and darkness project for this exam.
I chose this photo for one of my final choices because the shadows are really vivid and bold. I like how the you can tell there is a different tone in the shadow on the cobblestoned floor compared to the floor on its own without the shadows because of the glass pane. This fits in well with the first 2 images I have chosen above as there is a clear structure to the architecture as well as the shadows. With the straight lines, this again creates a repetition effect.
I chose this picture for one my final images because there is a bold completion of shadows that portray the structure of the bus stop surrounding it. I like how the floor is tarmac with stones on top. This makes the shadows more obvious as the stones in the floor differentiates itself from the shadows.
I chose this image for one of my final choices as it really shows the variation of light and dark tones. It is an image of the blinds on my garden doors – this is such a simple photo yet the sun from outside creates this interesting, unique effect of how easily light and darkness can be shown onto objects. I like how there is a repetition of the rectangular shapes of the blinds. Additionally, each section of the blind has a thin line of dark toned shadows which outlines how there are strong shadows in this photo. The thicker dark toned shadows almost border the image and give it this bold vibe.
I chose this image for one of my final choices because the object I captured is unique and different to every other object and scene I have photographed. I like how I zoomed in on in the top half of this large steel pipe; this makes my photo more close up and shows how I focused on only one area of this object. I like how you can see the rust marks on the pipe – this creates a fine detail to it, similar to my 3rd image I displayed above from my boat shoot. There is a slight shadow to the far left and far right of the pipe. Yet, because the pipe is silver steel, the reflection of other objects onto it create darker tones on the pipe which means the main shadows didn’t need to be as big as the other shadows I have captured because overall, this image has a varied amount of light and dark tones within it.
I chose this picture as one of my final prints because the shadow of the palm trees creates an intriguing shape on the floor. This image is so simple yet the big shadow with an interesting structure to it makes the photo different. It links in well with my other images I have chosen as it has a big shadow in the image which is the main focus of this particular photo.
I have chosen this picture for one of my final prints because the architecture of this image is really full and clustered together with the palm trees. I chose to keep this image in colour because there was not many bold, strong shadows displayed and so the colourful tones of this photo was the main focus to what makes this image powerful. The reflection of the trees and cars in the windows and on the marble building create a sense of light and darkness within different aspects of the photo.
I chose this image as one of my final prints because it has an interesting focus; the way I captured this photo is so that there is no background around the frame of the image. I have clearly photographed just what is inside this boat – which could make it hard to tell what this object is. I like how there is strong shadows on the floor of the boat. Additionally, the bright blue colour of the boat is such a vivid colour which is why I thought that keeping this image in colour was best for this photo. The shadows were dark and bold enough that keeping the image in colour would still be effective to show this shadow effect, although I did adjust the contrast and shadows slightly to make the shadows stronger.
Finally, I chose this image for one my final choices because the bright colours of the glow sticks portray a strong contrast of the light and darkness of this photo. There is a sharp outline between colour and darkness due to how I used a dark room for this image. I like how the glow sticks are displayed as straight; this gives the image more of a structure to how the repetition of the straight glow sticks appear. I also like how you can see the detail of the dark tones in each glow stick as this gives the photo more balance between light and dark tones.
For my edits I decided against doing anything drastic with my images and instead I stuck to cropping the images and adjusting the angle of the images to ensure that the horizons lined up with the low and high tides.
For example without editing my images look like this:
There is a clear difference between the images, the lighthouse is darker on the high tide image due to the difference in natural lighting. I have also taken the image wihtout zooming in therefore the proportions are different and the bunker and cliff edge in the forground of the high tide image is more noticble and is the subject of the image which is leading the viewers eye away from the lighthouse. Although it is not an obvious difference there is a gap between the horizon in the low tide image and the horizon in the high tide image.
In order to have these images line up and ensure that the obvious and visible difference is the change in tides, I have edited the images so that you can see that the horizons line up and the images and more in proportion with one another. I have cropped the bunker and cliff edge in the foreground out to also ensure that the main subject of the images is the lighthouse and the tidal changes.
