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My Response to Huang Qingjun

The idea behind this shoot is to explore the different items that people regularly carry around in their school backpack in order to look at the similarities and differences between the contents as well as giving a slight insight into who the person is and what their interests are.  Some of the bags that I took photographs of contained only the minimal indicating that the person may be very organised or may not like to carry much on them whereas other bags had lots of random items in them which may suggest they like to ensure they have what they could possibly need throughout the week on them at all times and may not mind having clutter in their bag.  This shoot relates to ‘Variance and Similarities’ as it can show how one standard thing that everyone does/has can vary so widely but then at the same time they will all have similar items within the bags, such as pencil cases or lined paper.  The shoot takes inspiration from Huang Qingjun’s ‘Jiading’ meaning ‘Family Stuff’ and shows an insight into the unlimited variety of combinations of different belongings that people may carry around with them.

In order to capture the photographs I would empty out the bags onto a blank sheet of white paper and arrange the items into a displayable arrangement with slight separation between each item in order to allow each item to be observed individually.  A would then photograph all contents from the same height facing the camera directly towards the floor.  I edited the photographs to create the outcome achieved by first editing the distortion of the picture and the perspective so that the photograph would be face-on to the camera and then I would crop it so that only the white background can be seen.  I then changed small features such as white balance, exposure and contrast to create a more visually aesthetic composition.  The idea behind the editing was that each photograph would have the same setup to allow the features to be compared side-by-side.

Experimentation with GIF’s

Below I have experimented with presenting my outcome in the form of a GIF.  The first GIF shows each frame for 0.2 seconds whereas the second GIF shows each frame for 0.5 seconds.  I have included both speed of GIF’s as I feel that they present the photographs in different ways – the faster GIF creates a more abstract approach where the viewer has to concentrate closely to pick apart the individual photographs whereas the faster GIF’s allow the viewer to focus more on each individual photograph and to compare the photograph’s features more.  The use of a GIF allows for quick comparison of the photographs in an interesting way and suggests how different each picture is even though they have a different layout because the first thing the viewer notices is shapes and colours and then they have to look closer to understand what the photograph is showing them.

Analysis

In this photograph I have used the natural lighting from the roof windows in order to ensure that a consistent light is spread across all of the items within the photograph.  The skylight also allows for the light to shine directly down onto the items from the bag and so reduce the shadows within the photograph to emphasise the difference between each item and the shapes within them.  Due to using a sharp white sheet as the background for this photograph there is a clear contrast between the items, such as the apples, and the background.  This has also allowed for the tones within the photograph to be more clearly defined.  I used a deep depth of field to capture this photograph as I wanted to ensure that all of the items featured in the photograph were clear and sharp because each item featured gives an insight into the personality and life of the person to which the items belong.  I used a shutter speed of 1/60 when taking this photograph as well as an ISO of 100.  The low ISO ensured that the noise within the photograph was kept to a minimal and that the photograph was as of high quality as possible – the 1/60 shutter speed paired with this to ensure that there was enough light entering the lens from the surrounding environment and that the photograph was correctly exposed.  There is a slightly warm colour cast to the photograph which reflects the fact that this shows items which everyone is familiar with, and so creating a warm feeling.

This photograph contains a wide variety of colours due to the fact that there are varying items that use different colour schemes to appeal to their target market, such as chocolate bars using colourful packaging and note pads using more subtle grey tones.  Using the white background to place the objects on has allowed the shapes of the items to be clearly defined as well as the textures within them – the shininess of the crisp packet and its creases can be seen for example.  There is also a slight 3D effect due to this reason and slight shadowing – this helps to emphasise the individual features of each object.  The objects have not been set out in any specific way or pattern; they were set out in a way that displays each of the objects individually therefore the layout is quite random and forces the writer to focus on each subject rather than as a collective.

The idea for this shoot comes from Huang Qingjun’s ‘Family Stuff’ project in which he would photograph the rural residents of China outside of their houses along with all of their personal possessions.  My work on this shoot links to this work by Qingjun as these contents of an individuals bags give an insight into who the owner of the bag is, in the same way as the possessions of the Chinese residents gave an insight into the way in which those people lived.  When the photographs in this shoot are paired together it creates comparison between the different contents of bags to show both variance and similarity between people and the objects that they tend to carry around with them in a school bag.  The variety of items that are carried in each bag show whether the person likes to carry either the minimum with them or carry clutter, as well as often showing an insight into their diet.  Small details such as these start to paint a bigger picture of who these people are.

GIF Experimentation

What is a GIF?

A GIF (Graphical Interchange Format) is an image format invented in 1987 by Steve Wilhite, a US software writer who was looking for a way to animate images in the smallest file size. In short, GIFs are a series of images or soundless video that will loop continuously and doesn’t require anyone to press play. This repetition makes GIFs feel immediately familiar, like the beat of a song.

I then wanted to go one step further and develop my own GIF use the software Adobe Photoshop. Before doing this I would have to photograph one specific objects and variations of the objects shape and size, the object I decided on were water bottles. I chose bottles because of their common use in the everyday world and how easily they can be obtained, I then gathered together the classes bottles and proceeded to photograph them in the same position as the first, giving off the impression of the bottle changing as the frames moved. For one of the animations I wanted to add shapes moving around the screen to see whether it would effect the overall outcome and create a more aesthetic result. When I came out with the final result I made sure to put each frame at 0.2 seconds so that the animation seemed more fluid, these were my results:

Once I had made the GIFs I found that they related to the topic of variation and similarities through their constant transitioning between different styles of bottle. By doing this in future posts it would allow me to experiment with variations of some of the things photographed such as reflections and rock formations but taken in a topographic way where all subjects are taken in the centre of the image so that their transitions in the animation are smoother.

David Prentice | Linked to Hiroshi Sugimoto

David Prentice was an English artist and former art teacher. In 1964 he was one of the four founder members of Birmingham’s Ikon Gallery. His work is hard-edged, abstract, close to the Op art of a period when young artists and architects were full of ideas for new beginnings.

For many years, his subject was the Malvern Hills, which he knew intimately from countless walks with sketchpad in hand. The forms of the hills were a constant, the weather constantly changing. He painted with the concern for structure and surface that had characterized his earlier work. The watercolors, often done on the spot, were more specific but the paintings done in the studio were as carefully constructed as ever. 
In time his subjects expanded to include dramatic cityscapes of London, especially of the river, and the landscape of Skye, or rather its approaches.

Image result for david prentice artist
Image result for david prentice artist
Images from David Prentices gallery
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Hiroshi Sugimoto Image from Seascapes Project

I believe there are direct correlations between the work of David Prentice and Hiroshi Sugimoto. The key similarity is the attention to lighting and textures as appose to detail and displaying a landscape how we would usually see it. Instead, Prentice uses large brush strokes giving a faded/blury look to the landscape with emphasis on accurate depiction of light. Sugimoto focuses on using slow shutter speeds to bring about this faded look like Prentice does. Despite Sugimoto’s images being in black and white I believe there is a main focus on how lighting/weather can transform the similar landscape that he focuses on. Another key similarity in their works is the elimination of any man made features creating a difficulty in identification of a place.

Abstract Pattern Shoot #1

For this shoot I wanted to explore the use of natural forms in abstract and unusual ways using a monochrome filter to do so. Here I would walk around on specific area photographing the subjects in a highly contrasted light, which once edited would differ visually to what I originally saw. The photographer who I wanted to use as a reference of photography for this was Aaron Siskind, someone who specialised in abstract photography within streets as a means of creating a political view. What I especially looked at in his works were how he used only monochrome filter to create this images, choosing to take an angle upon the object that completely warps it compared to its original state. Here are some examples of his works:

From here I wanted to go on to produce a mind-map, by doing this it would allow me to focus on the things I intend to photograph when on the shoot, preventing me from capturing subjects that would have no relation to what I was doing at all. Not only would this make me more efficient, but also make the results of my shoot overall more effective. Here are some of my ideas for the future shoot:

Once I had finished with my ideas I decided it was time to move onto the shoot itself. For the shoot I would be exploring the North of the Island as I found that was the area of Jersey that had the highest ratio of agriculture and natural landscapes. Using the mind-map as my reference I decided footpaths would be my main go to. Here are the results of the shoot:

Once I had finished the shoot I then decided to whittle all the images down to a selection of only ten. By doing this not only would it make it easier for me to decide on an image that best reflects the overall idea of the shoot, but also the one that both technically and visually is best. Here are my choices for the ten best images:

After I had selected the ten images I found most effective I then decided to once again whittle the selection down to now only fives images. In doing this it would allow me to analyse each image in more depth than the rest, looking at why the image was chosen, the technical aspects of it and its overall relation to the entire topic, whilst making it easier to pick the final image. Here are my choices:

I selected this image because I loved the contrast between the wall and the surrounding ivy which grows upon it. For me by photographing a slither or concrete contrasted by the ivy it produces an abstract effect where two different environments merge into one, warping the images as you make your way to the centre of it. Composition wise I found the use of the darker ivy as a border to be effective as it slowly joins with the lighter shades of the brick, making use of any negative space which could have been there whilst producing an aesthetically pleasing result. I found that the use of a higher contrast was particularly effective here as it really highlights the hidden feature within the moss and bricks, creating more depth whilst also stopping parts of the piece from becoming too eye-sore for viewers.

For this image the reason I chose it was because of the great use of a depth of field. By only focusing on one part of the mesh wire I found that it produced an abstract effect that messes with the mind regarding where the focus come into play. The detail of the actual focused wire that separates itself from the rest of the image for me creates a huge aesthetic feel, as the fluid transition from focus to out of focus really compliments each other, especially through the use of shades such as greys and blacks. Regarding the composition I really like how it is not centred in the middle, but rather the top left, this really gives a sense of depth within the piece as the background becomes blurred and the then is up to the viewer to interpret what could be surrounding the fence.

What I loved about this image was how the varying shades of the horse create an aesthetic abstract effect where each shades merges into the next. I largely chose this image because of how the composition portrays the side of the horse, with the whites coming down from the left and the rest of the piece being surrounded by black hairs which provide the photography with a natural border. What sold the image for me was how the use of a high contrast really brings out the definition within the side of the horse and the form of the body, this in a way isolate the actual horse from its side as it takes the viewer a few moments to actually figure out what the image is of, with only hints giving it away.

For this image I was drawn towards once again the depth of field within the landscape. By focusing on only one layer of the bushes it creates a feel or vastness within the photo as it highlights the sharpened ends of the branches whilst softening the rest of the area. This contrast for me really brings a sense of aestheticism over the whole image, as by using only a monochrome filter it leaves the image devoid of any distractions to rather allow us to look at the formation of the natural subjects within. The composition of the focused areas is also a major reason why I selected it, this is because of how there is a larger area of focused bush on the left which grows smaller as you progress, stopping the blurred backdrop from becoming more overpowering than it actually is.

Finally I selected this image because I loved how the overlapping twigs presented themselves as a sort of abstract mess, with there being no actual order to how or where they are coming from. I also really liked how the shadows between the twigs were really contrasted opposed to the lighter shades of the wood which consisted mostly of lighter areas. This was complimented through once again a use of depth of field which blurs some of the layers of twigs out, by doing this for me I found it to be more effective due to how its stopped any eye-sore from occurring for the viewers, prevented us from not being sure where to draw our eyes to.

Once I had analysed and selected the five images I thought were most effective regarding their technical, visual and relevance to the overall topic I then proceeded to chose my best photo:

FINAL IMAGE:

The reason I chose this as my final image was because of the composition, contrast and definition that was present inside this photo. What drew this to me the most was how the piece was perfectly focused with some use of depth of field, whilst using a variety of different shades present on the horses side to create an abstract effect that mimics the natural environment around it. In relation to the entire topic of variation and similarity I found that this image reflected well the differing aspects regarding the textures and patterns which can be found within the different landscapes of Jersey, where the North could consist of more natural ones like this, whereas the South could maybe be more concrete and urban. As well as this the image for me presents me with a new perspective regarding how textures and patterns can also be found in living things found in these particular landscapes rather than just the way you personally view the landscape as well.

Half Term Tasks – done but not posted

Everyday

To help form ideas, I filmed myself everyday for 5 days carrying out the daily repetitive task of brushing my teeth.

I was inspired by the minimalist style of artists such as Marina Abramovic.

Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance as a visual art form. She created some of the most important early works in this practice, including Rhythm 0 (1974), in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5 (1974), where she lay in the centre of a burning five-point star to the point of losing consciousness. These performances married concept with physicality, endurance with empathy, complicity with loss of control, passivity with danger. They pushed the boundaries of self-discovery, both of herself and her audience. They also marked her first engagements with time, stillness, energy, pain, and the resulting heightened consciousness generated by long durational performance. The body has always been both her subject and medium. Exploring her physical and mental limits in works that ritualise the simple actions of everyday life, she has withstood pain, exhaustion and danger in her quest for emotional and spiritual transformation. From 1975-88, Abramović and the German artist Ulay performed together, dealing with relations of duality. She returned to solo performances in 1989 and for The Artist Is Present (2010) she sat motionless for at least eight hours per day over three months, engaged in silent eye-contact with hundreds of strangers one by one.

In my response, I used red lighting as I wanna explore colour further in my project. All videos are cropped to just the face and played alongside each other to make the variation more distinct.

Repetition

Based on the idea of emotion, I took photos of multiple people wearing a balaclava. The balaclava served as an emotional barrier between the person and the viewer, blocking off most of the face. I consider the mouth and eyes to be the strongest features in presenting how someone feels. People often call the eyes the “windows to the soul”.

For this response, I took inspiration from early 1920s typologies by artists such as August Sander. The movement titled the ‘New Objectivity’ served as a reaction to expressionism.

Experimentation with Repetition

My first experiment consisted of creating a GIF that presented the eye region of 8 of my peers. This shows the variation in eye colour specifically.

GIF, Graphics Interchange Format, is an image file format that is animated by combining several other images or frames into a single file.

I set each image to 0.1 seconds as I wanted them to merge quickly.

I chose to showcase the eye region in my GIF as the saying goes, “eyes are the windows to the soul”.

PLANNING FOR SECOND SHOOT AND FINAL OUTCOMES

My concept for the beginning of this shoot was first to show a type of beauty within my personal daily life, I wanted this to be a reflection of the everyday and seeing beauty within the normal. I wanted to show both a combination of femininity but also a focus on how I could express this not only through a softer tonal scheme but a more vibrant colour. I wanted to show variations of both nature elements, and also more detailed areas that are looked over for being seen as beautiful. I not only wanted to from beautiful imagery but I too wanted to how a more abstract and interesting composition  to my work.

additional edits:

overall analysis:

Initial Experimenting with GIF’s

A GIF (Graphics Interchange Format) is a bitmap image format developed in 1987.  It is a widely used format on the internet as it is widely supported.  The format supports up to 8 bits per pixel for each image and supports animation.  The use of GIF’s in the context of photography can be extremely useful to display a range of photographs in a unique and interesting way.  In this instance I have shown different shoes in order to allow the viewer to compare the different shoes shown to see the different shapes and styles even though they are all only shoes.  Creating a GIF is a relatively easy and straightforward photograph – to create the GIF shown in this post I uploaded all of the photographs into photoshop and then loading all of the different files into a stack.  I then created a frame animation and made frames from the layers.  I then chose the time that each frame will be shown to be 0.2 seconds and so resulting in a fast moving GIF.

This use of GIF’s is extremely relevant to the topic ‘Variation and Similarities’ as it is an easily displayable way to demonstrate both variation and similarities between subjects.  I plan on experimenting with GIF’s and working them into my exam as I believe that it is a very effective way of displaying typologies of subjects, such as different high rise buildings/office blocks and the contents of peoples’ bags.  As I further develop my work on typologies I will explore photographing more styles of building and putting these into a GIF format in order to effectively show the similarities and differences between the buildings as I aim to do.  Below I have demonstrated an example of the type of work I could produce whilst incorporating GIF’s into my experiments – I will focus on building a wider portfolio of similar photographs in order to create a variety of GIF’s.