All posts by Kobi Le C

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To DO

  1. Produce a detailed plan of 3 shoots for each idea in your specification that you are intending to do;  how, who, when, where and why in the next 3 weeks?
  2. Think about lighting, are you going to shoot outside in natural light or inside using studio lights? Maybe shoot both inside and outside to make informed choices and experimentation. Remember to try out a variety of shot sizes and angles, pay attention to composition, focussing, scale, perspective, rule of 1/3rds, foreground/ background and creative control of aperture (depth of field) and shutter speed (movement). If appropriate, think about how to convey an emotion, expression or attitude and the colour palette, tone, mood and texture of your pictures. Consider mise-en-scène (everything in the frame) – e.g. in portraiture deliberate use of clothing, posture, choice of subject objects, props, accessories, settings. Make a selection of the best 15- 20 images for further experimentation. Produce 2-3 blog posts from each shoot and analyse and evaluate your photos through annotation showing understanding of basic visual language using specialist terminology.
  3. It is essential that you complete your principal shooting over Easter and return on Tue 23 April with a few hundred images ready for further post-production and editing.
  4. Upload blog post with above planning by Fri 5 April

Contact Sheet | Tiny Planet Photoshoot

For my attempt at producing tiny planet images, I went to two locations, Les Landes and Grosnez. This is my first attempt so I am not sure how it will pan out when I put them into photoshop to create the planet.

The above shoot was Grosnez, a full 360 degree panorama (not yet stitched). I had the camera on a tripod in a portrait angle so I could capture a better height. I then used full auto setting to best get the land setup best. I took the images overlapping the last by 1:3 to ensure no bits are missing and the stitching works well.

The shoot below was at Les Landes, I did the same concept, 2x 360 degree on full auto. I used ,y hand to mark the start and stop of each panorama

I now have to put the images into photoshop, create panoramas then bend the images into a circle.

Photosoot Plan | Tiny Planet Photography

The first place I will try to shoot is Grosnez. I hope to get the castle in the planet which I think could be very interesting. The second place I would like to shoot is Les Landes, you can get a few farm houses and trees on the planet which would look good adding the houses to the rural landscape yet not over-crowding it.

The Les Landes shoot will be at the green dot and the Grosnez shoot will be at the orange dot.

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Image result for grosnez castle

Jasper Johns |Artist Reference

In the mid-1950s Jasper Johns was searching for a way to move beyond Abstract Expressionism. He took the radical step of destroying his previous work and began painting a set of motifs that included numbers, the American flag, and the alphabet. These instantly recognizable images allowed him to reintroduce subject matter into his work, freeing him to explore other painterly concerns. One of the found images that Johns employed was the target, and from 1955 to 1961 the artist produced several dozen paintings and drawings that explored this device.

Initially, Johns chose a palette of primary colors, a preexisting schema as found as the image itself. The artist’s use of oil and encaustic (pigment mixed with hot wax) created a quick-drying medium that recorded each drag and drip of the brush in almost sculptural terms. Indeed, these gestural nods to his Abstract predecessors allowed him to investigate the subtle nuances between form and material. There also exists a tension between the idea of the representational (a target) and the notion of the abstract (the geometry of concentric circles).

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Target with Four Faces (1955)

In this work, Johns merged painting and sculpture as well as engaging the viewer with “things which are seen and not looked at.” Johns relied upon newspaper and fabric dipped in encaustic (pigment mixed with hot wax) to build the surface of the painting. He also made plaster casts of the lower half of a female model’s face over four successive months and fixed these out of order in a hinged, wooden box that he attached to the top of the canvas. By incorporating the sculptural elements in the same space as the painting, Johns emphasized the “objecthood” of the painting. This merging of mediums reinforced the three-dimensional object-ness of the paintings.

Beyond the material surface of the work, the concentric circles of the target imply the acts of taking aim, as if you were shooting in archery for example. However, Johns excluded the model’s eyes from the plaster faces, and therefore prevented any chance of an exchange of gazes between the viewer and the faces in the work, this forced the viewer to examine the interactions between the painted target and the plaster faces. Viewed through the lens of the Cold War era, the seemingly benign images can imply the targeting of the anonymous masses by global political powers as well as by corporate advertising and the mass media.

In connection to my own project, Johns’ work follows an abstract genre and incorporates circles in the simple design of the painting and this is what my project follows, circles. I would like to incorporate this idea by perhaps using the image as inspiration for images of targets in the modern day, archery for example. These targets are circular yet serve a different purpose to Johns’ art.

Circular Tiny Planet | Experimentation

These images were experiments using an application on my phone, I added images into the app and it created the circular effects and I then adjusted it to exactly what I wanted.

Using this app, it has allowed me to explore Tiny Planet photography and encouraged me to do more and experiment more with this and I would like to carry on making these images but using a camera and Photoshop, a very difficult process I have not tried before.

Circles | Specification

First my first few photo-shoots I have a few ideas.

  • Drone Top Down
  • Steel Wool
  • Circles in town
  • Circles inside

Drone Top Down

For this shoot, I plan to shoot one if not more locations in Jersey where there are prominent circular features. These places include Noirmont Point MP1, Noirmont Point Lighthouse and a roundabout, likely at the Waterfront St Helier.

A similar stlye to what I would like to try – Image by BAM Perspectives

Steel Wool

For this shoot, I would like to produce something similar to what is below. It involves sparking a strip of steel wool and swinging it around in a circle.

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Unknown

Circles in Town

Walking around urban areas, photographing things that are circular. I am not sure what to expect but I would imagine I will find a lot of examples.

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Jono Vernon-Powell

Roundabout

Again with the drone, I would like to fly over a roundabout (perhaps at the Waterfront St Helier) and shoot top-down onto the roundabout.

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Unknown

Circular Tiny Planet

For this I will take images and then use a circular photograph program to create this images.

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Wassily Kandinsky | Artist Reference

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Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

Kandinsky exploited the evocative interrelation between color and form to create an aesthetic experience that engaged the sight, sound, and emotions of the public. He believed that total abstraction offered the possibility for profound, transcendental expression and that copying from nature only interfered with this process. Highly inspired to create art that communicated a universal sense of spirituality, he innovated a pictorial language that only loosely related to the outside world, but expressed volumes about the artist’s inner experience. His visual vocabulary developed through three phases, shifting from his early, representational canvases and their divine symbolism to his rapturous and operatic compositions, to his late, geometric and biomorphic flat planes of color.

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Image result for wassily kandinsky

Kandinsky’s most famous pieces are his abstract work, in these examples you can see his frequent use of circles in his paintings. This was another artist of whom sparked or continued that interest in circles in imagery and I would be keen to explore this further and produce responses to these artists.

Image result for kandinsky squares with concentric circles
Squares with Concentric Circles

Squares with Concentric Circles (above) is a small watercolor made with gouache (a type of watercolor paint) and crayon. Kandinsky created a grid composition (the “squares”). Within each square unit, he painted “concentric circles”, meaning that the circles share a central point. He believed the circle had symbolic significance relating to the mysteries of space and he used it as an abstract form to which he would create his art. Kandinsky explores many side-by-side combinations of color relationships: complementary (colors opposite each other on the color wheel, such as orange and blue), analogous (adjacent colors on the color wheel, such as red and orange), and triad (colors spaced equally on the color wheel, such as red, blue, and yellow). He varies the intensity and value of some colors, sometimes even within the same circle. The close placement of such high-value colors makes them appear to pulsate.

The painting is a study, or sketch-like investigation into a subject. Kandinsky’s quick, freehand renderings produce lopsided and irregular geometric shapes, giving the conceptual work a living, organic feel. The watercolors bleed into one another, and the artist sometimes breaks from his formula. He saw the formula as secondary to the study’s purpose, which is the experience of viewing color relationships. Kandinsky never intended for this study to be viewed as a finished work of art, but rather as a color aid to refer to while he worked on other paintings.

BAM Perspectives – Artist Reference

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Marc Le Cornu – BAM Perspectives

BAM Perspectives is a business created and run solely by Marc Le Cornu, who happens to be my father. ‘BAM’ (his nickname) began the business after becoming a trained commercial drone pilot for the States of Jersey Fire and Rescue Service a few years ago, he then created the emergency services drone team to allow all emergency services to acquire use of the Fire Service’s drone and train multiple operators with ‘BAM’ in command of the team. His passion for drones and drone photography was clearly visible from this point, he loved it and decided to buy a drone himself; a DJI Mavic. This drone was compact, light and had a good camera for its relatively small size. It was with this drone he began taking photos and videos which sparked online with many people sharing and liking his work.

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Fun Fair St Helier

With this, he decided to create his own business to run part time whilst in the Station Commander/Group Commander position at the Fire Service. He came up with BAM Perspectives, he used social media to advertise almost completely free and he also created a website to sell images (which he could legally do with a commercial licence). He is the only local drone pilot to hold a dense urban area license, allowing him to fly over town (large built up areas) which other pilots simply cannot do (legally).

His work mainly consists of landscape imagery, both from drone and DSLR. He has 3 drones currently, DJI Mavic 2 Pro, DJI Phantom 4 Pro Obsidian and DJI Inspire 2. Not only does he do landscape imagery, he does land survey imagery, property surveys and progress images for building sites and even the predicted window views for the Horizon Apartments site. He also takes a fine art approach with abstract imagery, his use of circles both in natural and urban landscapes is something that sparked some ideas for me to follow for a project idea.

Image Analysis: Corebiere (image above)

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