Consumerism Shoot- B&W Edits

For the editing of these images I wanted to create focus on the tone and shade of the images which gave a different view of these products removing the colour and it meant the focus was more on shape and illustration used in the products. I think the images worked well in black and white as it took back from the vibrant colours which are used to draw people in to buying these products. This meant that the focus looked more at the objects themselves rather then the products they contain.

TYPOLOGY EDIT B&W:

First Easter Shoot (Photo shoot 4)

Photo shoot one For my first photo shoot I am planning to further develop my previous mirror shoot by doing a similar photo shoot be in a different location to add to this idea. For the location, I am planning to go to a beach/ rocky beach location. I am also going to try to use different size and shaped mirrors also using a model to hold the mirror. To complete the shoot I will use a tripod to make sure the photos are taken from exactly the same place each time.

This was the first photo shoot I completed over Easter to develop the idea of using a mirror as a frame. After completing and reviewing this shoot, I think in the next shoot using a mirror I should use something like an easel to hold the mirror instead of the person. This is to look the images look more professional and take attention away from the model.

Original unedited images

Edited images

ELDERLY PERSON SHOOT and edits

I wanted to do this shoot as I wanted to show a physical representation of the end of life, and show the complete evolution of what is the religious embodiment of the correct life cycle. When taking pictures for this shoot I wanted to be able to show lines and texture within the afce, and then be able to further emphasise this using the editing technique I have used all along.

When taking the images I did so in front of a window and on the setting of macro so I was able to see a clear transparent representation of the skin itself, and have the clarity of the light to further enhance the photo. I didn’t want to specifically tell her what facial expression to have or what pose, I wanted to have a more natural presentation of ageing, I allowed her to speak throughout and ensure I could show an aspect fo life still within her. As there are only two indexical representations of people within my book this being one, and the other being the boy wrapped in cloth to symbolise the coming of death and lack of identity with body and personality once you have died, I think this shoot really contrasts and also brings a sense of emotion and vulnerability.

SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES
SAMSUNG CAMERA PICTURES

Throughout this observation I wanted to make sure I took images sectioned off to different places and areas on the face itself, I then wanted to crop and accentuate the areas which had the most amount of life and obvious lines throughout. My favourite image is the first, as the dividing from black to white resembles a really interesting and successful effective of their contrast between youth and age. it too symbolises a conceptual side of deterioration and the visual representation of slipping into death itself. Overall I think this shoot was successful and a good way forward to show the life cycle of youth.

Experimentation

I wanted to digitally edit my images to interpret the appearance of cyanotypes, but I also wanted to experiment with the solarize tool on photoshop which I have previously researched looking at the creation of sabattier effect and solarization relating the the photographer Man Ray. With the cyanotypes, I am taking inspiration from Anna Atkins who is said to be the first woman photographer and made the first photo book. Taking inspiration from both these techniques and editing them digitally, rather than the effect being created inn real life is quicker and easier. I will compare the photograms I made myself using sunlight with the images I’ve post edited to see which ones I like better and to see which ones I will include in my final outcomes for this project.

Creating solarization and the appeance of a cyanotype:

  1. I made the original image image black and white
  2. Then used the solarize tool on photoshop to create the appeance that
    image was recorded on a negative or a photographic print that’s wholly or partially reversed in tone.
  3. I then created a layer and inverted the image to make the darker area lighter, which is what is seen on a cyanotype and adjusted the curves in the image.
  4. With another layer, I chose a solid block colour, simialr to the colour of cyanotype and overlayed both.
  5. I also added a blue photo filter to emphasise the blue tones in the image even more.

I think that this process of editing creates a similar appearance of a cyanotype is effective in changing the appearance of my images to make them seem more scientific. I also like how it creates a version that looks completely different from the original and has a completely different atmosphere to it. In the image above I think that the cyanotype edit emphasised the movement and shape of the lines/branch of the plant on the right, as the dark parts became light, and the light arts became dark. This made the lines much more brighter against the water in the background which I think is effective. Because of the slow shutter speed I used to take this image, the edit emphasises the movement and blurriness of the plant, which makes it look more spiritual and other worldly. Although this was not the aim of cyanotypes originally, which were used to make copies of drawing and to scientifically look at plants, I think that this effect builds on the original motives of a cyanotype and emphasises the transcendent qualities, in a not so scientific way.

I decided that I wanted to make solarisation and cyanotype edits of images I have previously taken in this project to experiment and create different versions of the same image to see if this appearance would be more effective for my final outcomes of this project.

Cyanotype Edits

I think that is edit was one of the most successful as I think it interprets the appearance of a cyanotype the most. This is because of the large amounts of negative space that I turned blue, similar to how in a cyanotype, a lot of negative space is normally seen (especially with plants) as the light only prints the objects on the paper. If this were a real cyanotype then the plants underneath the water would be were the plants would be placed. One aspect that takes away from the appearance of a cyanotype is that I kept the dark reflection of the plant in the water. This wouldn’t happen in a real cyanotype as where the object is placed turns white and not black. I decided to do this as I thought that the contrast of the dark in the foreground to the white plants in the background was effective and created a more interesting image. I also experimented with different tones and intensity of blue as the background from light to dark and found this one was the best as I didn’t want the blue to be too light and take away from the negative space that’s seen.

Solarization Edits

I also experimented by using the solarisation tool on photoshop to respond to my research on the sabattier effect and solarisation and the photographer Man Ray where his experiments with photography included rediscovering how to make “cameraless” pictures, which he called rayographs. Using the tool on photoshop is a much quicker and easier way way to create a similar appearance.

Cyanotype Edits

I think that these edits are also effective as the details of the branches and lines are emphasised even more by turning them from the darkest points to the lightest points of the image. I also think that the balance of light blue to darker blue is good as the darker parts are around the corners of the image, with the lighter parts in the centre, drawing the audience’s eyes to that point. I feel like this is one of the images that looks the most spiritual with this edit, this is because you can still see the connections of the small lines and branches of the tree, through the reflection that are quite far away. I also like how you cannot obviously tell that this image was taken through the reflection of a puddle on the floor, which i think the edits hides even more. The surrounding floor has turned into a blurred pattern around the corners, framing the image.

Solarization Edits

I experimented by using the solarisation tool to edit many different images take I’ve taken and found that the most effective were close up images that focus of the pattern in the nature. For example the edits of the water above were effective by completely change the appearance making it harder to tell what the image is taken of. I think that this makes the image more interesting and creates a mystery behind it that wouldn’t be achieved with the original. I also like how the waves on the water are emphasised even further through the different light and dark tones of grey, making it look like a material to me than an aspect of nature. Both of these edits are very different, the first one emphasising the light on the water, by turning the dark areas the image light making it seem softer and more exposed. The second image emphases the dark and shadows through the solarisation tool, which makes the rare light parts of the image stand out even more. I would chose the first edit as a final outcome as I think that it links well to my concept of texture and spirituality by emphasising the light and softer parts of nature.

Cyanotype Edits

When editing this image I found that I preferred how the blue colour wasn’t as intense as the other images and liked how the light pink is emphasised. I think this was because the original light colour of the bubbles is highlighted and the overall appearance of the image is softer. I think that this image will be good to use a final image as it contrasts with other images in my project where i have emphasised the contrast between light and dark colours. In this, the colours complement, rather than contrast which i also think makes the image have a more spiritual quality as i’s focusing on the light. I like how the texture of the bubbles is still noticeable against the light pink background.

Evaluation:

I think that both the physical photograms I’ve created, and the digital experiments I have done with solarisation and cyanotypes were successful. To decide which ones I will include in my photobook, I will try out different combinations of images to see which are the most effective displayed together. I think that I will use a combination of both the physical photograms and the digital edits as they both add a different aspect to my project that wouldn’t be achieved with only my natural landscape images and would create more of a story within my book. I will try to contrast some of these edits with my other landscape images on double page spreads as I think I will like the contrast from personal images that have a spiritual quality to the edits that have bright cool colours.

ESA // Photoshoot Plan

Produce a detailed plan of 3 shoots for each idea in your specification that you are intending to do.

Photoshoot One

For my first photo shoot, I am going to visit the beaches along the coasts of Jersey, taking photographs at low and high tide.

The areas I am going to be visiting are:

  • Le Braye
  • Le Port
  • Plémont Beach
  • l’Etach

For this photo shoot, I am going to be taking inspiration from Michael Marten and his images that show the ebbs and flows of the tide.

Photoshoot Two

For my second photo shoot, I am going to visit l’Etach and take images throughout the day revisiting every hour, starting from low tide (@ 1100hrs) to high tide (@ 1700hrs). After this photo shoot, I should have 7 final images, which I can then present as a moving image or gif, as well as a grid of images.

For this photo shoot, I am going to be taking inspiration from Eadward Muybridge and his series of images that he produced to show that all of a horse’s hooves come off of the ground at the same time at some point whilst they are galloping.


Photoshoot Three

For my third photoshoot I am going to take photographs at the Watersplash and I am going to take images to capture the movement of the water, so I will set up in one place and take constant photographs of this one area.

The four elements

The four elements also could be known as the Classical elements are Water, Earth, Fire and Air. These elements were proposed to explain the nature and complexity of all matter in terms of simpler substances.

However cultures have different names and different elements such as in Chinese culture. The Chinese Wu Xing system also known as Five elements, lists Wood (), Fire (火 huǒ), Earth (土 ), Metal (金 jīn), and Water (水 shuǐ), as the basic elements, this order of presentation is known as the “mutual generation. t is a fivefold conceptual scheme that many traditional Chinese fields used to explain a wide array of phenomena, from cosmic cycles to the interaction between internal organs, and from the succession of political regimes to the properties of medicinal drugs. What I liked most about the Chinese theories surrounding the elements is that each element has it own set of attributes attached to it each and holds a different value in their society. Whereas in Western cultures connections to the elements are very basic eg fire, warthm, summer, the colour red.

Wood

Wood also sometime translated to Tree. is the growing of the matter, or the matter’s growing stage.[Wood is the first phase of Wu Xing. Wood is the most yang in character of the Five elements. It stands for springtime, the east, the planet Jupiter, the color green. The color blue also represents wood .In Chinese Taoist thought, Wood attributes are considered to be strength and flexibility, as with bamboo. It is also associated with qualities of warmth, generosity, co-operation and idealism. The Wood person will be expansive, outgoing and socially conscious. The wood element is one that seeks ways to grow and expand. Wood heralds the beginning of life, springtime and buds, sensuality and fecundity. 

Fire

In Chinese philosophy, fire is the prosper of the matter, or the matter’s prosperity stage. Fire is the second phase of Wu Xing. Fire is yang in character, it relation to the Chinese philosophy of yin and yang. Its motion is upward and its energy is expansive. Fire is associated with Summer, the South, the planet Mars, the colour red, associated with extreme luck, hot weather, daylight. The element plays an important role in Chinese astrology and feng shui. Fire is included in the five elements in their yin and yang forms which combine with the 12 Chinese signs of the zodiac, to form the 60 year cycle.

Earth

Earth is considered to be the changing point of matter, it is also the third cycle in the Wu Xing cycle. Earth is a balance of both yin and yang, the feminine and masculine together. Its motion is inward and centering, and its energy is stabilizing and conserving. It is associated with the color yellow and the planet Saturn, and it lies at the center of the compass in the Chinese cosmos. It is associated with the turn of each of the four seasons and with damp weather. It governs the Spleen, Stomach, mouth and muscles. Its negative emotion is anxiety and its positive emotion is empathy. Its Primal Spirit is represented by the Yellow Dragon.

Metal

Metal is the fourth phase of the Chinese philosophy of Wu Xing, is the decline of the matter, or the matter’s decline stage.[Metal is yin in character, its motion is inwards and its energy is contracting. It is associated with the autumn, the west, old age, the planet Venus, the color white, dry weather.attributes are considered to be firmness, rigidity, persistence, strength, and determination. The metal person is controlling, ambitious, forceful, and set in their ways as metal is very strong. They are self-reliant and prefer to handle their problems alone. The metal person is also wise, business-oriented, and good at organization and stability. 

Water

In Chinese culture water is considered is the low point of the matter, or the matter’s dying or hiding stage.[Water is the fifth stage of Wu Xing, the five elements. Water is the most yin in character of the five elements. Its motion is downward and inward, and its energy is stillness and conserving. Water is associated with certain colors, with the planet Mercury, with the moon which was believed to cause the rise and fall of the tides, with night, with the north, with winter or cold weather. In Chinese Taoist thought, water is representative of intelligence and wisdom, flexibility, softness, and pliancy; however, an overabundance of the element is said to cause difficulty in choosing something and sticking to it. In the same way, water can be fluid and weak, but can also wield great power when it floods and overwhelms the land.What I found the most interesting about this system of elements is the lack of the element of air as to me this is vital element that is missing

Another element that I interested was the Indian system. In Indian culture they have a fifth element know as ‘aether/void’. Which is the material that fills the region of the universe above the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment, and this result has been interpreted as meaning that no such luminiferous aether exists. After finding out this information I wanted to challenge myself to see if I would be able to photograph the ‘void’. But how would I go about photography something that isn’t physically there. So I began to think about the connotations of what the word ‘void’ means. Below is the definition of ‘void’ if you search the word into google.

void/vɔɪd/adjective

  1. 1.not valid or legally binding.”the contract was void”synonyms:invalid, null and void, null, nullified, cancelled, revoked, rescinded, abolished, inoperative, ineffective, not binding, not in force, non-viable, useless, worthless, nugatory; More
  2. 2.completely empty.”void spaces surround the tanks”synonyms:empty, emptied, vacant, without contents, containing nothing, blank, bare, clear, free, unfilled, unoccupied, uninhabited, desolate, barren”the cathedral has vast void spaces”

noun

  1. a completely empty space.”the black void of space”synonyms:gap, empty space, space, blank space, blank, vacuum, lacuna, hole, cavity, chasm, abyss, gulf, pit, hiatus; More
  2. a suit in which a player is dealt no cards.”a hand with a singleton club is more likely than one with a void”

The main definition that sticks out to me is ‘completely empty’ I thought that I would be able to photograph this concept in two different ways. If the word is taken very literally I would experiment with taking pictures of different empty spaces, but visually I don’t think that would be very interesting. But if I took the phrase figuratively I think that I would create image that are significantly more interesting. Below is a mindmap of the connotations that I could think of connecting to the phrase.

What gave me the most inspiration was the colours of black and blue. As these colours are often connected to the feelings of sadness and emptiness. So I will try to incorporate this into my next photoshoot.

Black and White Experimentation / Image Analysis

After continuously producing photo montages that are coloured I decided to do some monochromatic experiments, some completely new and some modifying montages which I have already made. I personally believe that these experiments are great in terms of how they show shape and form, as removing the element of colour allows for more focus on the simple elements of each piece. I also believe that with reference to romanticism and the new topographics, with photographers such as Ansel Adams and Robert Adams; that these pieces which I have produced give a great sense of depth and drama. Here are some examples of Romanticism/New Topographics which I am refering to…

I also feel like due to the chaotic photo-montage aesthetic, that once in black and white these pieces have a sense of mystery and the unknown. Here are all of the black and white experimentation which I have done, a few of my favourite experiments are followed by a description as to why I believe they are successful…

This experiment is one of my favourites from those which I have done. This is because i believe that the shapes and forms within the image are really enhanced by the dark elements in contrast with the bright inverted sections. The shape and form within this piece its self is something which I believe works very nicely as the smooth curves of the archways balance out the sharp corners and lines of the roofs and the sectioned elements above.
This piece above is also one of my favourite outcomes from this black and white experimentation. Again I absolutely love the contrast between the dark tones at the bottom of the image and the light at the top. Another thing which stands out to me in this image is how well the empty smooth sky element of the image balances out the detailed and full section of the image lower down. The grain which i have also added to the image is something which I believe definitely benefits the overall aesthetic of the image as it gives an aged/dated visual characteristic.
Finally, this is also one of my favourite outcomes from this series of experimentation. With this image I brightened the overlaying element of the image and darkened the background, on top of this I inverted the whole piece. My intention of doing these two things was to give a ghostly and mysterious aesthetic to the figure and its surrounding objects upon a simple dark background. This worked great and my intentions were met as I believe that the visual quality i was aiming for was met once editing this image.

Consumerism Shoot- Edits

For this photoshoot I wanted to create images that would highlight how people both consume brands even when they are choosing their food and drink. In this i wanted to highlight everyday products that people may consume and make the viewer think about the brands behind the products which they may not even notice when compulsively buying these items.

For the Editing of the images I had to go back into each photograph to remove the shadows which were causing a contrast between the product and the shadow which was bringing away from the direct focus on the product. Using Photoshop I was able to remove the shadows as well as unwanted marks in the background.

TYPOLOGY EDIT :

For these images I wanted them to create a typological order and feel to the image so i had clean backgrounds so it is just focusing on the products. For these image i slightly increased the exposure to give the background a cleaner feel making the products stand out as well as increasing highlights and contrast of the images so that the detail in the images such as text or shapes stood out.

Larry Clark photoshoot 2 – Black and white film

Favourite edited images

Evaluation

When taking these photos I focused heavily on images in the style of Larry Clark. I found that the black and white film really allowed me to capture the vintage, documentary feel to it as the images are seen to be quite grainy and consist of a strong contrast throughout. Using black and white film allowed for me to use a monochrome palette which created heavy shadows to give a fairly raw, gritty look to the images. I aimed to produce a set of images that represented the skateboarding lifestyle in a straight forward, traditional documentary style. By using a more documentary approach to these images it allowed for me to fray away from the sport itself and show more of an insight into the subjects without a skateboard as I believe that it creates a more interesting story behind the images and also allows for stronger final outcomes.

SHOOT 8: LIGHT

My 8th photographic shoot is based around ‘light’, an element of nature. I have captured the sunrise, the sunset, golden hour and full exposure light in this shoot to capture light during different periods of time.

Golden hour: In photography, the golden hour is the period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky. The opposite period during twilight is blue hour, just before sunrise or after sunset, when indirect sunlight is evenly diffused.