Spirituality and Nature

The realities explored in science and spirituality are often assumed to be unrelated to one another. Science explores the outer world with a series of questions beginning with the basic query, “What is this? What is this world all about?” while spirituality begins with the question, “Who am I?”.

In the ancient world these two forms of knowledge were not in conflict but were understood to have a deep and subtle connection. Man’s knowledge of himself complemented his understanding of the universe and formed the basis for a strong and healthy relationship to the creation in which he lived. It is the disconnect between these two types of knowledge that is causing many of the challenges that we face as a global community today.

Ancient wisdom describes human beings as having five layers of experience: the environment, the physical body, the mind, the intuition and our self or spirit. Our connection with the environment is our first level of experience, and one of the most important. If our environment is clean and positive, it has a positive impact on all the other layers of our existence. As a result, they come into balance and we experience a greater sense of peace and connection within ourselves and with others around us. Historically, nature, mountains, rivers, trees, the sun, the moon have always been honored in ancient cultures. It’s only when we start moving away from our connection to nature and ourselves that we begin polluting and destroying the environment.

Religion

While many human beings choose to measure the importance of Nature through economic value or scientific worth, the most difficult of Nature’s gifts to “measure” is its connection to our spirituality. While the spiritual self is not always linked to religion, it is more than relevant to explore the revered place that Nature has been given in so many of the world’s religions.

Christianity tells the story of a paradise on Earth, rightly situated in the beauty of a garden, and documents the efforts of Noah as he’s commanded by God to save two of every species on the planet. Buddhism teaches that all life is sacred. Muslims believe that Nature was given to humans as a gift from Allah. Indigenous cultures all over the world have celebrated the existence of Nature as their “mother”.

 Humans & Nature

Japanese Shinrin-yoku had compared how the body reacts to being immersed in nature (woodland), to being in an urban environment. The results of the analysis supported the story told above. Finding that being in the woods was calming, activating the parasympathetic nervous system associated with contentment. Whereas the urban environment stimulated the sympathetic nervous system associated with drive and threat. There’s plenty of evidence that exposure to nature is good for people’s health, well-being and happiness.

Research has consistently shown that increased connection with nature results in decreased stress, anxiety, anger, aggression, depression, and a sense of gloom; while it increases a variety of measures of physical health.

“From the smallest microorganisms to the largest animals, all life on Earth has a common ancestor.  Everything is connected to everything. ” Our relationship with nature has historically been one of imbalance and overuse.  Nearly every step in human history has unfortunately been accompanied with a leap in environmental degradation.  At first, humans were incredibly in-tune with their surroundings.  With advancements in technology and agriculture though, humans began to find more efficient ways of sustaining themselves.  These advancements allowed for more permanent settlements, which led to rapid population growth and a distancing from nature.

Nature and Mental Health

New studies find evidence in support of what we see clinically. It found that virtually any form of immersion in the natural world, outside of your internal world, heightens your overall well-being and well as more positive engagement with the larger human community.

Exposure to nature has been shown to evoke positive emotions, as well as strengthen individual resilience (Marselle et al. 2013) and coping skills (van den Berg 2010). Getting into nature has been shown to have positive impacts on concentration, learning, problem solving, critical thinking capacity, and creativity as well as enhance mental health and wellbeing through encouraging physical fitness and social engagement.

One study is from the University of British Columbia. It highlights an essential dimension of true “mental health” – the realm beyond healing and managing conflicts and dysfunctions. Mental health includes the capacity to move “outside” of yourself, and thereby Increase and broaden your mental and emotional perspectives about people and life in general. That’s the realm that grows, for example, from meditation – the mindfulness state of being grounded in awareness of the present moment. 

Sir David Attenborough talking about Nature and Mental Health

Rinko Kawauchi who i have previously looked at, believes the fleeting nature of these dualities is what ultimately determines our fragile existence. I like how she photographs things that are ‘ephemeral’, that won’t last for long which are unified by an unapologetically sublime aesthetic, a sense of wonder, and by her linking of the earthly and the celestial, the physical and the spiritual. Wassily Kandinsky, who I’ve explored also looks at spirituality in his book ‘Concerning the Spiritual in Art’ where he writes about his beliefs on how art links to humans and spiritual life. “The spiritual life, to which art belongs and of which she is one of the mightiest elements, is a complicated but definite and easily definable movement forwards and upwards. This movement is the movement of experience. It may take different forms, but it holds at bottom to the same inner thought and purpose.”-Kandinsky.

Our Spiritual Connection to Nature: https://www.huffpost.com/entry/our-spiritual-connection_b_648379

http://www.globalharmonycrew.com/nature-and-spirituality-the-earths-role-in-human-happiness

https://www.humansandnature.org/humans-nature-the-right-relationship

http://www.exploringroots.org/blog/2017/5/25/the-relationship-between-humans-nature-and-health-what-the-research-tell-us

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4157607/

Alexander Mourant

Alexander Mourant was born in Jersey, Channel Islands in 1994. Having studied at Bryanston School he progressed to BA (Hons) Photography at Falmouth University, graduating in July 2017. Alexander has exhibited a variety of work, most notably with CCA Galleries, Mall Galleries and in a duo show with Andy Hughes RCA held at the Royal Geographical Society in London, May – June 2017. His practice revolves around the continuous nature of experience, largely in a response to his time spent in Africa and Japan.

“The world is blue at its edges and its depths.” – Rebecca Solnit

In Aomori, Alexander Mourant consistently uses the colour blue, inspired by Rebecca Solnit’s words in The Blue of Distance. For Solnit, the blue world embodies distances we can never quite arrive in. The colour blue — formed through fluctuating atmospheric conditions — creates for her, and many others, a great immaterial and metaphorical plane.

In Japan, where the series was captured, followers of Shinto – an ancient and sacred religion – place a strong belief in Kami. Kami are essentially spirits. Through diligently conducted religious and spiritual ceremonies, present day Japan connects through the Kami to their ancient past. The Japanese believe that Kami pervade every aspect of life. They live in the fabric of reality; rocks, trees, plants, waterfalls, even mountains contain Kami. Kodama are the spirits found in the forest, living in certain species of trees. They are the very being of the forest. Upon researching this extensive spiritual belief, Mourant realised that Japan had strong metaphysical potential and was an ideal site for his work.

The colour in his images comes from sourced blue glass from a church window, which was then cut to size to fit the filter holder of his camera. Mourant’s aim was to introduce this colour into the process, by exposing film directly to the blue world. With this, the photographs are given a body, a soul almost, in which we could experience from the image itself, bringing Solnit’s blue of distance near, into the world of the forest; they are by process, forever blue.

Alexander’s family has lived and farmed in Jersey for generations, so a relationship to landscape, space and experience is embedded in his psychology. This rural upbringing influenced his photographic sensibility.

‘Aurelian’ explores the interior space of British butterfly houses. These artificial environments are used throughout the work to probe the nature of experience, as an envisioned idea where time is not absolute, but continuously contained and all encompassing. By employing cultural objects and contemporary abstraction, the work holds a dynamic tension — questioning one’s spatial sense — stimulated through colour, form and materiality. In hindsight, Aurelian was a body of work necessary to incubate further creative ideas and, most importantly, it triggered a deeper understanding of the intricacies of photography.

The work draws from a variety of personal sources, but most importantly, Alexander’s four month sojourn through the heart of Africa.

Image Analysis


Waterfall I, 2017

Alexander captures the movement of a waterfall through a slow shutter speed, the softness of the water metaphorically represents the spiritual history of Japan. Before travelling to Japan, he conducted digital tests with the blue glass in order to find the ideal exposure time. However, it didn’t tell of how the process would translate to film.

Mourant acknowledged that shooting with the blue glass is almost like shooting in black and white, where he required bright natural sunlight in order to still capture the details of the trees and rocky face. The image is composed to look up at the waterfall, indicating the importance of this spiritual relationship that Japan has with nature. Alexander leaves negative space at the top of the image, where the forest joins with the heavens.

“the spiritual history of the process seeps through into the image, to a time when the land was a place of worship”.

The immensity found in the colour blue, encourages a deeper reflection on the past, present and future. In the same way, the presence of the forest and the density of its nature arrests the relentless progression of time, where the canopy of the trees shelter those below from gently falling light.

Artistically, Alexander’s influence is varied, but his process finds its roots in the 1960s land art movement being that he is interested in the material and psychological effects of organics, climate and geography. A key idea that resonates in both Aomori and Aurelian is “The Art of Pilgrimage” as described by writer Michael Kimmelman. To visit is to invest months of planning, submit applications and await approval, followed by long car journeys into the remote desert or jungle. This idea of a pilgrimage to a site becomes very relevant as each project attempts to depict a place between imagination and reality with metaphor.

More Sources:

http://www.theplantationstudio.com/collective/#/alexander-mourant-collective-34/

https://www.splashandgrab.co.uk/features/2018/1/23/alexander-mourant-aomori

http://www.alexandermourant.com/new-gallery

https://www.bjp-online.com/2018/01/mourantaomori/